Mockbuster Review: A fascinating look inside The Asylum’s filmmaking machine
PLOT: Tired of making corporate videos while his movie ideas are repeatedly rejected, filmmaker Anthony…
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The AI Doc is an overwrought hype piece for doomers and accelerationists alike
We are in the thick of a massive push to incorporate generative AI into almost…
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You need to watch the intensely surreal cult classic Possession
Let me just say that I highly recommend you go into Possession blind. Don’t watch…
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‘The Friend’s House Is Here’ Review: Iran’s Underground Artists Speak Out, But at What Cost?
In uncertain times, everything is normal until it’s not. This is the thesis of “The…
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‘I Want Your Sex’ Review: Olivia Wilde and Cooper Hoffman Are a Riot In Gregg Araki’s Erotic Comedy Thriller
Gregg Araki is back, and it’s like he never left. Though it’s been more than…
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Review: Cameron’s ‘Avatar: Fire and Ash’ – An Intense Pandora Sequel | FirstShowing.net
Review: Cameron's 'Avatar: Fire and Ash' - An Intense Pandora Sequel by Alex Billington December…
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Wake Up Dead Man digs deep for a darker, more powerful Knives Out
Over two films, Rian Johnson’s Knives Out series has offered something largely absent from the…
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‘Roofman’ Review: Channing Tatum and Kirsten Dunst Are a Charmingly Doomed Couple in Dark Rom-Com
The saddest romantic comedy ever, or maybe the most lighthearted tragedy in years, Derek Cianfrance’s…
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Park Chan-wook’s No Other Choice is as bleak as it is hilarious
At my second day at TIFF 2025, the longest line I saw wasn’t for a…
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Predator: Killer of Killers review: short, sweet, and vicious
With Prey, director Dan Trachtenberg revitalized the Predator franchise and showed us all how wildly…