‘Driver’s Ed’ Review: Sam Nivola Stars in Bobby Farrelly’s Genial but Uninspired Road Trip Comedy
In introducing his new comedy just ahead of its TIFF world premiere, director Bobby Farrelly…
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‘California Schemin” Review: James McAvoy’s Assured Directorial Debut Makes for an Engaging if Familiar Underdog Story
Back in the early 2000s, a pair of blue-eyed Scottish lads with dreams of becoming…
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‘Couture’ Review: Angelina Jolie Explores Her Vulnerability in a Vacuum in Alice Winocour’s Wispy Mood Piece
Genre-hopping French writer-director Alice Winocour describes Couture as a “memento mori,” but its contemplative musings…
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‘Wake Up Dead Man: A Knives Out Mystery’ Review: Daniel Craig Returns but Josh O’Connor Steals the Spotlight in Rian Johnson’s Overworked Threequel
Imagine a literary mash-up of G.K. Chesterton’s Father Brown amateur detective stories and John Dickson…
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New Steven Soderbergh, Nia DaCosta Films to Premiere at Toronto International Film Festival
Steven Soderbergh’s “The Christophers,” Alejandro Amenábar’s “The Captive,” Byun Sung-hyun’s “Good News,” Nia DaCosta’s “Hedda”…
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I Like Me: The John Candy documentary from Colin Hanks and Ryan Reynolds kicks off this year’s TIFF
This year, the Toronto International Film Festival kicks off on September 4 and the Canadian…