What do you get when you mix Italian vineyards, a Disney princess, and a Bridgerton Duke? A tale that’s a little too “old as time,” with just enough charm that you can’t help but forgive it. Live-action The Little Mermaid actress Halle Bailey and Bridgerton season 1 star Regé-Jean Page come together in You, Me & Tuscany, a sort of enemies-to-lovers, sort of love-triangle romantic comedy set against a gorgeous Tuscan backdrop.

When American floater and housesitter Anna (Bailey) has an almost one-night stand with Italian realtor Matteo (Lorenzo de Moor), she decides it’s time to take the leap and travel to Italy, where she crashes at Matteo’s empty villa. After being discovered by his mother, however, Anna has to do some quick thinking and claims to be Matteo’s fiancée. The trouble is, the family completely falls for her – including Matteo’s muscly, often-sprinkler-soaked brother, Michael (Page).

You, Me & Tuscany Has One Condition: Suspend Your Disbelief, And You’ll Have Fun

Perhaps the biggest surprise of You, Me & Tuscany is just how little the trailer left to be revealed. In it, Anna’s best friend, Claire (Aziza Scott), directly asks Anna, “You pretended to be the white Italian man’s fiancée but ended up catching feelings for the Black Italian cousin brother?” This ends up being essentially the entire plot, with no other significant surprises, right up until the very end.

If You, Me & Tuscany has one real sin, though, it’s that it doesn’t seem to know which demographic to target. The movie, which has a PG-13 rating, uses its one permitted F-bomb right at the beginning, and while that doesn’t automatically skew the flick toward older teens and above, the phallic cucumber jokes –and pretty much everything that comes out of Francesca’s (Stella Pecollo) mouth – certainly do.

Yet, much of the tone doesn’t really suit older teens and adults. The movie asks a lot of its audience in terms of suspended disbelief, and while it occasionally handles its cheesier moments by poking fun at itself, there are times when cringe-worthy lines are delivered with absolute sincerity. Particularly early on, in fact, You, Me & Tuscany seems doomed to be yet another trope-y romcom that fails to set itself apart.

What ultimately saves the movie is unquestionably its cast. Unsurprisingly, given their respective romance backgrounds, Bailey and Page are everything audiences want in romcom leads. Both are funny, charming, and ridiculously stunning throughout, something that You, Me & Tuscany exploits at every possible chance (seriously, they’re head-to-toe soaking wet at multiple points in the movie).

The relatively small supporting cast has several unexpected standouts, too. Although she does throw the target demo into question somewhat, Pecollo’s Fracesca is the single funniest character in the entire movie, and her lines are often so unexpected and jarring that it wouldn’t be a surprise to learn that she ad-libbed most of them. If Pecollo hasn’t tried her hand at stand-up comedy, it should be the very next step in her career.

Marco Calvani’s Lorenzo, a cabbie who becomes a bit of a mentor to Anna, is yet another scene stealer. Calvani has shockingly few entries in his filmography, yet he’s one of the brightest spots in You, Me & Tuscany. (Think Jared Leto in House of Gucci, if his accent was real and all of his jokes landed.)

Capturing an Italian nonna’s unique brand of tough love is also no easy feat, yet Stefania Casini’s Nonna Alessia is just about perfect. Stoic and scrutinizing for most of the movie, she breaks her silence towards the very end of You, Me & Tuscany and confirms that she’s actually one of the best characters in the whole story.

Not every character was given as compelling a story arc, though. In fact, as a reversal of the more common issue of movies treating their women as plot devices rather than fully-formed characters, Matteo has very little screen time and even less personality. His role primarily centers on his odd-man-out status in his family and the issues he creates for Michael and Anna’s much better romance.

While he charms at the beginning and is essentially the driving force behind Anna’s story arc, when he eventually returns to Italy and reconnects with his family, he becomes a bit of a whiny, self-centered jerk. By the end, that’s not really resolved. He tosses his car keys to Anna in a crucial moment, which wins him some points, but then his story concludes in a frankly bewildering way that is perhaps the only narrative letdown in the whole film.

Scott’s Claire was also positioned as a major character in much of the advertising for You, Me & Tuscany, which made it a bit disappointing that, after the first 20 or so minutes, she’s basically absent. She continues to exchange texts and voicemails with Anna, but their on-screen time together is very limited. This was a shame, not only because the two had great chemistry, but also because Claire is the only other Black woman Anna really interacts with, and seeing their friendship on screen was meaningful.

A few unsatisfying character choices aside, though, You, Me & Tuscany delivers the lighthearted fun and beautiful backdrops that it promises. Is it realistic that an American woman with a moderately good grasp of Italian could travel to Italy, become a squatter, and end up with a gorgeous new boyfriend and a loving family to boot? No, but audiences hardly go to romantic comedies looking for realism. Instead, they get an Italian fairy tale, peppered with sincerely funny moments, a brilliant cast, and several unexpected Bridgerton/Shonda Rhimes references that reflect the movie’s playfulness and willingness to poke a bit of fun at itself.

You, Me & Tuscany releases wide in theaters on Friday, April 10.

Release Date

April 10, 2026

Runtime

104 Minutes

Director

Kat Coiro

Writers

Ryan Engle, Kristin Engle

Producers

Johanna Byer, Will Packer

Cast

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