Apple TV’s willingness to fund high-concept projects and court mainstream stars means the streamer has, slowly but steadily, assembled an impressive catalog. One of its hidden gems happens to be an earlier production: 2022’s The Essex Serpent, a hypnotizing and cerebral miniseries based on Sarah Perry‘s 2016 novel of the same name. Director Clio Barnard, writer Anna Symon, and the powerhouse pairing of Claire Danes and Tom Hiddleston ensure Perry’s bestseller pairs the esteemed allure of classic costume dramas with steaming television’s mature, prestige styling. The Essex Serpent‘s agile plot splits its time between Victorian London, a sprawling capital of revolutionary medicine, and the gloomy, rural Essex mores — an isolated place where the creeping dread of Gothic folk horror meets cutting-edge modernity, spiritual tradition, and forbidden romance.
What Is ‘The Essex Serpent’ About?
New widow Cora Seaborne (Danes) doesn’t grieve her husband’s passing. Freed from his traumatizing domestic abuse, his death equals Cora’s first taste of independence. In general, she disregards all preconceived notions regarding “proper” feminine behavior; she doesn’t care about wealthy high society, prefers wearing trousers, speaks her mind, and would much rather embrace her passion for amateur paleontology. When Cora reads about a giant “sea dragon” spotted near the fishing village of Aldwinter, she sweeps her son Frankie (Caspar Griffiths) to the marshy Essex coastline in question.
The Seabornes find a town in the grip of panicked turmoil. One of the community’s children, Gracie Banks (Rebecca Ineson), confessed her sins to her younger sister Naomi (Lily-Rose Aslandogdu), wandered into the water, and screamed in terror before drowning. Aldwinter interprets her death as a portent of divine condemnation — God sent this mythical beast to punish their sinful ways. Meanwhile, Cora’s convinced they’ve sighted a plesiosaur that somehow, against all natural science logic, survived evolutionary extinction.
Cora finds her lone unlikely compatriot in local vicar Will Ransome (Hiddleston), a family man happily married to his kindly wife, Stella (Clémence Poésy). Although devoutly religious, Will has a logical, empathetic, and earnest head on his shoulders. He engages Cora in healthy philosophical and scientific debates regarding evidence-based belief versus belief in the unseen, and he isn’t prone to judgmental fear-mongering. Will suspects the serpent symbolically represents his parishioners’ wary reactions to social and cultural change. However, his attempts at easing his feverishly paranoid congregation fall upon resistant ears. They seek someone to blame; Cora, the strange outsider who doesn’t obey gendered etiquette, becomes the easiest target for their aspersions.
‘The Essex Serpent’ Is a Richly Layered and Visually Sublime Tale
Rather than falter under the weight of its interwoven themes, The Essex Serpent flourishes by embracing ambiguity and divisive ideological clashes. Contrasting Cora’s scientific skepticism and political progress against Will’s ardent faith is a familiar schism, but pitting both against how rapidly Puritanical suspicion spreads into misogynistic witch hunts injects the series with crisp life. Danes knows multifaceted women like the back of her hand, and her assured command over Cora humanizes the heroine’s complications. She’s ambitious and determined, both somewhat brittle and defiantly open to affection — a woman who’s self-actualizing for the first time, alight with infectiously eager awe over nature’s wonders. As for Will, combining Cora’s destabilizing presence with Aldwinter’s frenzied dismay shatters his deepest-held convictions. A man unraveling from ardently repressed affection and internal conflict taps into Hiddleston’s innate skill for soul-baring vulnerability.
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The tightly-wound miniseries will keep you guessing from start to finish.
While an official case of Hot Priest media, Cora and Will’s romance isn’t a bodice-ripper à la Bridgerton. From their bristling meet-cute to their developing friendship and beyond, they share an easy attraction laced with intrigued curiosity and simmering heat. Irresistible passion underscores their invigorating intellectual sparring; they can’t help but waltz (literally) around each other, always circling back despite — or because of — their taboo longing. They see and accept each other as complementary equals in mind, heart, and morals, so surrendering to tortured gazing, blood-pumping temptation, gorgeously restrained tenderness, and existentialism naturally follow.
It’s impossible to over-emphasize how sumptuous The Essex Serpent‘s visuals are to behold. Cinematographer David Raedeker immerses viewers in pure sensation, casting the fictional Aldwinter in a near-permanent haze of gray sky, rolling mist, heavy clouds, and viscous mud. Filming on location lends a tactile grit to the village’s mournful elegance; even its bleak cold entices like being pulled in by the water’s churning current. Barnard’s direction matches that lushness with an unhurried but tension-building rhythm as she pulls at the paradoxical themes and taut emotional contradictions for their collective worth. Ultimately, The Essex Serpent coils itself around the various facets defining our universal humanity: perseverance, joy, grief, death, self-destructive vices, compassion, and love in all its permutations, with the phantom of the supernatural-as-metaphor hovering above it all.
The Essex Serpent
- Release Date
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2022 – 2022-00-00
- Network
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Apple TV+
- Writers
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Juliette Towhidi, Hania Elkington, Jess Brittain
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