As important as first impressions are, when it comes to movies, it’s typically last impressions that matter most. An ending can make or break a film altogether. Whereas an unpredictable, satisfying, and emotionally compelling conclusion can cement a movie in the annals of film history, one that misses the mark can make even the greatest of films lose an awful lot of their power right before the finish line.
Throughout the 1990s, filmmakers like David Fincher and Frank Darabont seemed to crack the code on how to make a film ending that sticks in the audience’s memory forever. Whether it’s a sweet animated movie coming to a fittingly crowd-pleasing conclusion, a heart-rending drama injecting one last bit of hope into the audience, or a crime masterpiece giving its protagonist their due, the best movie endings of the ’90s are among the best in the history of cinema.
There are spoilers ahead!
10
‘The Lion King’ (1994)
The 1990s were the peak of the Disney Renaissance, a period during which the House of Mouse produced several of their greatest animated films to date. It’s ironic that The Lion King, which they thought would be unsuccessful compared to that same year’s Pocahontas, ended up becoming their most widely acclaimed and beloved animated classic of all time.
From one of the best opening movie shots of the 20th century until one of the best endings in the history of animated cinema, The Lion King remains one of the most perfect family films ever created. Having taken his throne back from the treasonous Scar, Simba welcomes a cub with Nala to continue the Circle of Life. Visually gorgeous and paired with the wonderful music, this ending is probably the best in Disney’s catalog.
9
‘The Truman Show’ (1998)
Built on one of the most genius casting decisions in the history of Hollywood cinema, casting a Jim Carrey that at the time hadn’t yet proven his dramatic chops in the most complex role he has ever played, The Truman Show is one of the biggest soft sci-fi masterpieces of all time. Exquisitely meta, irresistibly funny, and philosophically layered, it’s one of the best existentialist films of its time.
Having learned that he lives as the subject of a simulated reality and that the real world lies “out there,” Truman decides to escape captivity. And as he leaves the television set that he’s been living inside his whole life, the audience gets bored and decides to switch the channel. The deeply emotional and wonderfully-performed moment of Truman leaving set is made all the more powerful by the film’s final message: We crave drama and spectacle, no matter where it comes from.
8
‘Schindler’s List’ (1993)
Steven Spielberg is the father of blockbusters, but it just so happens that his magnum opus isn’t a crowd-pleasing popcorn film at all, but rather one of the most serious war dramas of the ’90s. Schindler’s List, winner of seven Academy Awards (including Best Picture), is far more than just a biopic about the life of complicated historical figure Oskar Schindler: It’s one of the most effective anti-war movies in Hollywood history.
Spielberg never shies away from the darkness, violence, and pure pain of his gut-wrenching depiction of the Holocaust—but he, one of cinema’s greatest humanists, makes sure that the story is never without hope. The movie ends in quite an unexpected way, with many of the survivors that Schindler rescued visiting his grave and placing stones on its marker. It’s the perfect way to cement this as one of the most powerful war movies of all time.
7
‘The Green Mile’ (1999)
If there’s one filmmaker who has made it his specialty to make some of the greatest Stephen King adaptations that the big screen has ever seen, it’s Frank Darabont. His second-ever adaptation of the horror writer’s work was a non-horror movie: The Green Mile, a harrowing fantasy prison drama based on one of the heaviest books of the 1990s.
The Green Mile is a tear-jerker from start to finish, largely thanks to Tom Hanks and Michael Clarke Duncan‘s powerhouse performances, but never is that truer than in its ending. The innocent John Coffey is executed, passing his wonderful powers on to Paul Edgecomb, which punish Paul for having let John die by allowing him to outlive everyone he loves. It’s an incredibly sad and bittersweet conclusion, made all-the-more powerful by Hanks and Duncan’s soul-stirring work.
6
‘Good Will Hunting’ (1997)
Directed by Gus Van Sant and penned by Matt Damon and Ben Affleck (who won an Academy Award for their screenplay), Good Will Hunting is one of the most universally beloved indie movies of all time. As deeply sad as it can be sometimes, it’s also a film full of hope for the future, making it one of the best crowd-pleasing drama movies ever made.
That hope leads to the movie’s bittersweet conclusion, where Will rejects the high-paying job offered by his professor to instead drive to California and reunite with his ex-girlfriend, Skylar. Robin Williams‘ Oscar-winning performance leaves us with an improvised line that’s among the best closing lines in film history: Having read the letter that Will left him explaining that he has to “go see about a girl,” Sean mutters to himself, “Son of a b***h… He stole my line.”
5
‘La Haine’ (1995)
It’s not only Hollywood that produced the best movies and movie endings of the 1990s, and for proof, one needn’t look much further than Matthieu Kassovitz‘ French social thriller La Haine. It’s one of the highest-rated movies of the ’90s on Letterboxd for a reason: It’s one of the best international movie masterpieces of all time, a perfectly-written and perfectly-paced drama about police brutality, systemic racism, and the endless cycle of violence that has plagued humanity for centuries.
One of those movie endings that completely recontextualize everything that has come before, making an instant re-watch incredibly tempting.
The conclusion of La Haine is one of those movie endings that completely recontextualize everything that has come before, making an instant re-watch incredibly tempting. A police officer accidentally kills Vinz, leading to a standoff between Hubert and another cop. A final gunshot is heard off-screen, cutting to black before we can see who got shot. That ambiguity is essential to the movie’s message: That the vicious cycle of violence is never clear-cut, and that its senselessness is precisely the point.
4
‘Pulp Fiction’ (1994)
Quentin Tarantino‘s Pulp Fiction is such a perfect sophomore feature effort that it earned its director a Palme d’Or at the 1994 Cannes Film Festival, immediately putting him on the map as one of the leading creative voices of his generation of filmmakers. As the years have passed, the reputation of this cult classic has only grown higher, and that’s for good reason.
Part of why Pulp Fiction is one of the best crime movies of all time is how brilliant its non-linear structure is, its many stories interweaving at several points that only become clear as the story progresses. A perfect example of that is how the movie’s final set piece actually turns out to be a continuation of the story’s very first scene. Jules and Vincent manage to cleverly stop a diner robbery, letting the petty thieves go and walking out together. From the structure to the pacing to the dialogue to the character arcs, it’s one of the most perfect endings in Tarantino’s whole filmography.
3
‘The Shawshank Redemption’ (1994)
As phenomenal as Pulp Fiction is, it’s The Shawshank Redemption that’s widely regarded as the greatest motion picture of 1994, seeing as it has been the highest-rated film in history on IMDb for many years now. It’s one of the most flawless and emotionally stirring prison dramas ever put on the big screen, and it’s no coincidence that it’s also a Frank Darabont film based on a Stephen King story.
Through and through, it’s one of the best drama movies based on books, which leads all the way to one of the most moving endings of ’90s cinema. After Andy’s successful escape from prison following 19 years on the inside for a crime he didn’t commit, he reunites with Red on a Mexican beach. If ever a deeply poignant film deserved to have a purely uplifting happy ending, it was this one.
2
‘Goodfellas’ (1990)
Martin Scorsese is regarded by many as the single greatest currently-working filmmaker, and that’s all thanks to genre-defining masterpieces of the caliber of Goodfellas, one of the most exciting movies based on great books. This biopic about Henry Hill‘s life and involvement with the mafia is arguably one of the most perfect examples of a rags-to-riches story ever committed to celluloid.
But like all the best rags-to-riches stories about vicious criminals, Goodfellas makes sure to see its protagonist’s life crumble under its own weight as it nears the credits. The film ends with Hill turning into an informant and entering the witness protection program, having to live the rest of his life “like a schnook.” It’s a classic mobster movie conclusion, executed in the most perfectly-written and perfectly-paced way that the genre has ever seen.
1
‘Se7en’ (1995)
Today, David Fincher is widely recognized as one of the greatest thriller filmmakers of his generation, but that wasn’t always the case. After the failure that was Alien³, the director had to prove that he was worthy of studios’ trust. Enter Se7en, which, having made over $300 million dollars at the box office worldwide, is probably the most horrifyingly fatalistic and nihilistic blockbuster ever to have made so much money.It’s also one of the best thriller movies since 1990, and that’s in no small measure thanks to one of the most nail-bitingly suspenseful third acts in the history of cinema. Serial killer John Doe delivers the severed head of Detective Mills’ pregnant wife, provoking Mills to murder him and thus completing his killing spree themed to the Seven Deadly Sins. Overwhelmingly bleak and depressing, awfully violent without actually needing to show all that much blood, and masterfully subversive of the typical Hollywood thriller formula, Se7en‘s conclusion is the most legendary and well-executed movie ending of the 1990s.
Se7en
- Release Date
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September 22, 1995
- Runtime
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127 minutes
- Writers
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Andrew Kevin Walker
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