In 2013, Sam Raimi—coming off Drag Me to Hell, his return to horror after his Spider-Man trilogy—took a trip over the rainbow for Oz the Great and Powerful. An unofficial prequel to 1939’s The Wizard of Oz, much like 1985’s Return to Oz is its unofficial sequel, Oz the Great and Powerful puts the focus on its title character. It imagines a backstory for the Emerald City’s mysterious ruler and also how he came to power after blundering his way there.
So, in other words, it’s not unlike Wicked and Wicked: For Good, bringing a new perspective to a familiar tale by exploring the life of someone not named Dorothy. The stickiest, most obvious problem with that comes with the casting of James Franco as con artist and carnival magician Oscar Diggs, who gets whisked to Oz when his hot air balloon tangles with a tornado.
Raimi couldn’t have known that Franco would run into off-screen trouble a few years after Oz‘s release. By the early 2010s, he’d co-starred in Raimi’s Spider-Man movies, notched an Oscar nomination for 127 Hours, and headlined the franchise reboot Rise of the Planet of the Apes, among his many credits. But sexual misconduct allegations against the actor emerged; a lawsuit filed in 2019 was settled in 2021, according to Variety. He took a step away from Hollywood amid the controversy, and his career has never returned to the same heights.
Showbiz is stuffed full of performers and creators who’ve fallen from grace, for reasons ranging from icky to actually criminal. And how you view the work of Woody Allen or Johnny Depp (or Jared Leto, J.K. Rowling, Ezra Miller, Armie Hammer, Roman Polanski… the list goes on) is a personal choice. Maybe you’re unbothered by their actions, somehow. Maybe you can temporarily separate the art from the artist. Or maybe your feelings are so strong they interfere with your enjoyment of whatever it is you’re watching.
Oz the Great and Powerful has an unfortunate meta-text attached to it, in that Oscar—Oz for short—is written as a complete sleaze who turns on his abundant charm to woo seemingly every girl he encounters. He has a whole routine that’s apparently irresistible; in fact, the reason he’s fleeing Kansas is because one of his conquests was also together with the circus strongman, who’s understandably ready to kick his ass over the situation.
Once he crash-lands in Oz—after a thrilling tornado sequence filled with jump-scare moments that remind you Raimi, the guy who made Evil Dead, is calling the shots—our wannabe Houdini meets Theodora (Mila Kunis). The doe-eyed witch assumes, based on visible evidence and her own naiveté, that Oscar is the great wizard the entire population has been waiting for, destined to take over the recently vacated throne of Oz.
Because Oscar has no moral compass—the point of Oz the Great and Powerful is so that he can develop one, though he needs a lot of help doing so—and is seemingly the only attractive man ever to walk the yellow brick road, he easily seduces Theodora.
We know he’s going to break her heart; there’s his past behavior to consider, and also those grimaces and eye rolls he makes when she starts talking about being together forever. She’s completely blindsided when he ditches her, and her heartbreak becomes horrifying when her more worldly sister (Rachel Weisz as Evanora) uses a sinister spell to turn Theodora into what we immediately recognize as the Wicked Witch of the West.

Clearly this is not the origin story that makes Wicked such an uplifting and feminist reframing of L. Frank Baum’s standout villain. Things get worse when the newly green-skinned witch spies Oz meeting Glinda (Michelle Williams), the Good Witch of the South, a dazzlingly benevolent soul who eerily resembles the golden-haired farm girl who got under Oz’s skin back in Kansas.
Green is the color of jealousy, after all. But the movie’s choice to transform Theodora into a cackling vengeance-seeker is necessary to forward the plot; Evanora is able to retain her gorgeous facade until evil is defeated, at which time her inner hag also takes over. Oz the Great and Powerful lets them both live, of course, because the (good) people of Oz aren’t allowed to kill each other, and also because we need two witches when The Wizard of Oz picks up the plot a few years later.
However, even if you can put James Franco out of your mind and pretend a different blandly handsome face is playing Oscar instead, Oz the Great and Powerful has another sticking point that’s both important to the movie and also incredibly frustrating. As Wizard of Oz fans well know, the wizard doesn’t have any powers. He uses stagecraft and gadgets to fool people into thinking he does, at least until Toto literally pulls back the curtain on him in the 1939 movie’s climax.
And Oz the Great and Powerful has some nifty sequences showing off Oz’s sleight-of-hand skills, as well as his Thomas Edison-inspired inventions—which the Munchkins and other good guys help him build—that help him create illusions and defeat the witch sisters in the end. Ingenuity defeats magic! It’s thrilling until you think back on all the times Glinda uses actual magic to stop the other witches from doing something terrible with their magic, and you wonder why Oz (the world) is so invested in Oz (the man).

Supposedly, they still need his charisma and ideas to guide them to victory, which makes a certain amount of sense. But why can’t the people just put their trust in Glinda, with all her fog banks and giant bubbles?
Of course, the movie is called Oz the Great and Powerful. So you need that character to be the focal point, even if the movie that’s actually called The Wizard of Oz isn’t really about him at all. But it still feels superfluous and a little disappointing to hammer in the idea that a land essentially caught in a power struggle between two women—three, once Theodora realizes her strength—is waiting around for a male wizard to arrive and take the throne.
That reductive (if necessary, for continuity) story point is almost as distracting as the James Franco factor. And it’s really too bad, because Oz the Great and Powerful is actually a pretty fun movie in nearly every other aspect. It’s clearly made with a lot of affection for The Wizard of Oz, with the added delight of spotting Raimi’s signature Easter eggs (yep, that’s Bruce Campbell as one of Evanora’s soldiers) sprinkled throughout.
While the 2013-era special effects are noticeably dated by now, they still lend themselves to Oz the Great and Powerful’s colorful whimsy, building out the world of Oz we know from the 1939 movie—but in a way that feels true to the material, not in a scary way like The Wizard of Oz’s funky makeover for the Sphere. Along with lush, if obviously green-screened, backdrops and production design, there’s a china doll come to life voiced by Joey King and a good-guy flying monkey (contrasting the wicked army of winged baboons) voiced by Zach Braff, CG characters who feel nearly as fleshed out as Glinda as they nudge Oz toward a less toxic existence.
As Wicked: For Good prepares to hit theaters, and that Las Vegas spectacle continues its AI reign of terror, The Wizard of Oz has planted its flag for a new generation of viewers. Oz the Great and Powerful exists, and it’s not an unpleasant way to spend two hours. But if the urge to branch out cinematically strikes, we suggest Return to Oz—a deeply unsettling and twisted take on that land over the rainbow, in all the best ways—as an expansion instead.

You can stream both Oz the Great and Powerful and Return to Oz on Disney+.
Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
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![This former notorious red-light district is now one of the world’s top AI hubs | TechCrunch
What every U.K. AI startup wants to know these days is, how can I get office space in King’s Cross?
The area is so hot that a VC firm allegedly recently won a deal by promising a founder office space in the neighborhood. “We stop at nothing to win deals [for] and to support” founders, “including helping them source office space when needed,” the firm told me when asked about the rumor, declining to confirm or deny any details.
The neighborhood’s popularity began back in 2016 when DeepMind — then newly acquired by Google — moved in. Soon after, a flood of AI startups followed, wanting to be around the Google DeepMind magic. Today, they hope to take advantage of the cluster of AI talent there.
This has transformed King’s Cross into one of the world’s top AI hubs, rivaled only by San Francisco and Beijing. Around London, it’s known by the sobriquet “Knowledge Quarter,” as it’s home to names like OpenAI, Meta, Isomorphic Labs, Cusp AI, Wayne, Recursive, and, a little farther down the road, Synthesia and Anthropic. The European Technology Network (ETN) just moved into a glossy new office nearby, while University College London sits around the corner.
Mixed in with the new developments are trendy food spots like Hoppers and BAO. Hop a train from King’s Cross, and founders can be in Cambridge in 45 minutes to source talent or can be in Paris in two hours to strike a deal.
Who would have guessed that a little more than 20 years ago, this was one of the seediest areas in London?
“In the ’80s, crack and heroin made the area a major narcotics market,” Hussein Kanji, an investor at Hoxton Ventures, said, recalling syringes in tree trunks and gangs patrolling the streets. “In 1982, the local church was occupied by the English Collective of Prostitutes for 12 straight days.” Then, in the early 2000s, a real estate developer had a dream and, well, “now it is the AI hotbed of the United Kingdom,” Kanji said. “What a change.” Around 18 months ago, his portfolio company BioCorteX moved from the neighborhood Holborn to the Jellicoe building in King’s Cross, hoping to be near the action. “Lots going on in London right now,” Nik Sharma, co-founder of BioCorteX, told me. “Lots of hyperscalers moving in.” That includes, reportedly, Jeff Bezos’ AI company Prometheus, which is also said to be in talks to move into the Jellicoe.
There are around 3,600 AI startups in London, which, together, have raised around .1 billion out of the .8 billion raised in the city since late July, according to Dealroom. Since the start of June, AI-related startups have leased more than 1 million square feet of office space in London, according to the real estate firm Knight Frank. With that, prime rents in King’s Cross have risen 18% over the past three years, Chris Dunn, a commercial insight associate at the firm, told me. That percentage represents only the largest leases encompassing at least 10,000 square feet, like the ones OpenAI and Prometheus are signing. The shorter deals go for even more, he said, and now the vacancy rate for conventional office space is just 0.9%. “Demand has outstripped supply,” he continued.
Today, one of the big topics of the area is sovereignty. It was a wake-up call for many when Anthropic shut off access to Mythos and Fable this summer, leaving some in the ecosystem to conclude: “We’d better look after ourselves,” Saul Klein, co-founder of the VC firm Phoenix Court, told me.
Phoenix Court is located in the King’s Cross area and has three portfolio companies in the vicinity, including Olix (which just announced a .3 billion valuation), Early Health and CoMind. Robin Klein, co-founder of the firm, said the shutdown of Fable and Mythos access was a “small but sharp reminder that Europe can’t simply rent its AI capabilities and capacity; it needs to build and hold some of its own.” King’s Cross, he said, is where much of this building is actually happening.
“The bigger question,” he continued, “is whether the U.K. builds the infrastructure, compute, energy, capital, to make this self-reliance durable, rather than just hosting outposts of U.S. labs.”
Image Credits:Phoenix Court
Top founders want to stay
Simon Kohl, founder of Latent Labs, has offices in King’s Cross and San Francisco. The London office, at the moment, is growing faster, and he’s more bullish than ever on the ecosystem, he said. “The mood right now feels less like London trying to catch up and more like London becoming one of the default places to start a serious AI company,” he said. Look around and you are likely to see Wayve testing its autonomous cars. Founded in 2017 by co-founder Alex Kendall, the unicorn is one of London’s biggest success stories.
“Ten years ago, building a frontier AI company from London felt like an unusual choice,” Kendall told me. “Now it feels like an obvious one.” Wayve moved into King’s Cross in 2018 looking for a space that could double as a garage — “a rare combination in Central London,” Kendall said. He has watched the ecosystem mature around him — and it’s now evident that a startup can stay in London, raise serious capital, hire world-class AI talent, and remain globally competitive, he said. Down the street from Anthropic’s new 158,000-square-foot office is the AI agent builder Sierra and the AI video platform Synthesia.
Laura Gonzalez Florez, Synthesia’s chief of staff and head of people, says the company moved into its glossy new office building a year ago to accommodate its growing team. They were drawn to the area for the same reason as everyone else: “It’s very close to the airport … very close to where a lot of investors are,” she said.
Image Credits:Synthesia
Around two-thirds of Synthesia’s engineers are remote, Gonzalez Florez said, letting the company tap into an affordable, international, and diverse talent pool and helping it scale faster. “From London, we can hire and work, without any problem, people from anywhere, from Slovenia to Portugal,” she said.
Unsurprisingly, London’s AI boom is also causing a talent war.U.K. AI job postings have skyrocketed in the past few years, per data from PwC. When Anthropic announced it moved into town earlier this year, it listed, for example, a salary range of £260,000 to £630,000 for a machine learning research engineer when the average salary in London for the same role is around £102,000. Some founders in the U.K., like those in Silicon Valley, are being forced to raise more and bigger rounds to keep up.
“The real test is whether more globally significant AI companies are founded, funded, and scaled from the U.K., while continuing to attract the world’s best talent to build them here,” Zain Ali, founder of the King’s Cross-based AI legal firm Centuro, told me. “If that continues to happen, King’s Cross won’t just be an AI hub. It’ll become one of the U.K.’s most important strategic assets.”
When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Thisformernotorious #redlight #districtis #nowone #worlds #top #hubs #TechCrunchUK This former notorious red-light district is now one of the world’s top AI hubs | TechCrunch
What every U.K. AI startup wants to know these days is, how can I get office space in King’s Cross?
The area is so hot that a VC firm allegedly recently won a deal by promising a founder office space in the neighborhood. “We stop at nothing to win deals [for] and to support” founders, “including helping them source office space when needed,” the firm told me when asked about the rumor, declining to confirm or deny any details.
The neighborhood’s popularity began back in 2016 when DeepMind — then newly acquired by Google — moved in. Soon after, a flood of AI startups followed, wanting to be around the Google DeepMind magic. Today, they hope to take advantage of the cluster of AI talent there.
This has transformed King’s Cross into one of the world’s top AI hubs, rivaled only by San Francisco and Beijing. Around London, it’s known by the sobriquet “Knowledge Quarter,” as it’s home to names like OpenAI, Meta, Isomorphic Labs, Cusp AI, Wayne, Recursive, and, a little farther down the road, Synthesia and Anthropic. The European Technology Network (ETN) just moved into a glossy new office nearby, while University College London sits around the corner.
Mixed in with the new developments are trendy food spots like Hoppers and BAO. Hop a train from King’s Cross, and founders can be in Cambridge in 45 minutes to source talent or can be in Paris in two hours to strike a deal.
Who would have guessed that a little more than 20 years ago, this was one of the seediest areas in London?
“In the ’80s, crack and heroin made the area a major narcotics market,” Hussein Kanji, an investor at Hoxton Ventures, said, recalling syringes in tree trunks and gangs patrolling the streets. “In 1982, the local church was occupied by the English Collective of Prostitutes for 12 straight days.” Then, in the early 2000s, a real estate developer had a dream and, well, “now it is the AI hotbed of the United Kingdom,” Kanji said. “What a change.” Around 18 months ago, his portfolio company BioCorteX moved from the neighborhood Holborn to the Jellicoe building in King’s Cross, hoping to be near the action. “Lots going on in London right now,” Nik Sharma, co-founder of BioCorteX, told me. “Lots of hyperscalers moving in.” That includes, reportedly, Jeff Bezos’ AI company Prometheus, which is also said to be in talks to move into the Jellicoe.
There are around 3,600 AI startups in London, which, together, have raised around .1 billion out of the .8 billion raised in the city since late July, according to Dealroom. Since the start of June, AI-related startups have leased more than 1 million square feet of office space in London, according to the real estate firm Knight Frank. With that, prime rents in King’s Cross have risen 18% over the past three years, Chris Dunn, a commercial insight associate at the firm, told me. That percentage represents only the largest leases encompassing at least 10,000 square feet, like the ones OpenAI and Prometheus are signing. The shorter deals go for even more, he said, and now the vacancy rate for conventional office space is just 0.9%. “Demand has outstripped supply,” he continued.
Today, one of the big topics of the area is sovereignty. It was a wake-up call for many when Anthropic shut off access to Mythos and Fable this summer, leaving some in the ecosystem to conclude: “We’d better look after ourselves,” Saul Klein, co-founder of the VC firm Phoenix Court, told me.
Phoenix Court is located in the King’s Cross area and has three portfolio companies in the vicinity, including Olix (which just announced a .3 billion valuation), Early Health and CoMind. Robin Klein, co-founder of the firm, said the shutdown of Fable and Mythos access was a “small but sharp reminder that Europe can’t simply rent its AI capabilities and capacity; it needs to build and hold some of its own.” King’s Cross, he said, is where much of this building is actually happening.
“The bigger question,” he continued, “is whether the U.K. builds the infrastructure, compute, energy, capital, to make this self-reliance durable, rather than just hosting outposts of U.S. labs.”
Image Credits:Phoenix Court
Top founders want to stay
Simon Kohl, founder of Latent Labs, has offices in King’s Cross and San Francisco. The London office, at the moment, is growing faster, and he’s more bullish than ever on the ecosystem, he said. “The mood right now feels less like London trying to catch up and more like London becoming one of the default places to start a serious AI company,” he said. Look around and you are likely to see Wayve testing its autonomous cars. Founded in 2017 by co-founder Alex Kendall, the unicorn is one of London’s biggest success stories.
“Ten years ago, building a frontier AI company from London felt like an unusual choice,” Kendall told me. “Now it feels like an obvious one.” Wayve moved into King’s Cross in 2018 looking for a space that could double as a garage — “a rare combination in Central London,” Kendall said. He has watched the ecosystem mature around him — and it’s now evident that a startup can stay in London, raise serious capital, hire world-class AI talent, and remain globally competitive, he said. Down the street from Anthropic’s new 158,000-square-foot office is the AI agent builder Sierra and the AI video platform Synthesia.
Laura Gonzalez Florez, Synthesia’s chief of staff and head of people, says the company moved into its glossy new office building a year ago to accommodate its growing team. They were drawn to the area for the same reason as everyone else: “It’s very close to the airport … very close to where a lot of investors are,” she said.
Image Credits:Synthesia
Around two-thirds of Synthesia’s engineers are remote, Gonzalez Florez said, letting the company tap into an affordable, international, and diverse talent pool and helping it scale faster. “From London, we can hire and work, without any problem, people from anywhere, from Slovenia to Portugal,” she said.
Unsurprisingly, London’s AI boom is also causing a talent war.U.K. AI job postings have skyrocketed in the past few years, per data from PwC. When Anthropic announced it moved into town earlier this year, it listed, for example, a salary range of £260,000 to £630,000 for a machine learning research engineer when the average salary in London for the same role is around £102,000. Some founders in the U.K., like those in Silicon Valley, are being forced to raise more and bigger rounds to keep up.
“The real test is whether more globally significant AI companies are founded, funded, and scaled from the U.K., while continuing to attract the world’s best talent to build them here,” Zain Ali, founder of the King’s Cross-based AI legal firm Centuro, told me. “If that continues to happen, King’s Cross won’t just be an AI hub. It’ll become one of the U.K.’s most important strategic assets.”
When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Thisformernotorious #redlight #districtis #nowone #worlds #top #hubs #TechCrunchUK](https://techcrunch.com/wp-content/uploads/2026/08/DM9A2852.jpg?w=680)

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