Metropolis, directed by Fritz Lang, is lauded as a must-watch for film school students as well as a classic aspiring filmmakers should experience before honing their craft, and rightfully so. Based on a 1925 novel of the same name by screenwriter Thea von Harbou, the 1927 German expressionist sci-fi film is teeming with awe-inspiring set design, detailed background art, and, most of all, an enduring class-conscious message about the division between workers who sacrifice their bodies to erect the utopia while the privileged reap the benefits.
While your patience may vary when listening to a piano, guitar, and drum accompaniment loop for nearly two hours (I opted to play some ambient music from my own music library to give my brain a break), the film has quite a lot to say despite being a silent picture. The film follows Freder Fredersen, the yuppie son of the eponymous city’s socialite industrialist, as he falls for a girl and winds up in a city-mouse, country-mouse misadventure, living among the disgruntled workers as a cutting-edge new technology threatens to upend their would-be utopia forever.
Although the film has motion in the anime space, inspiring Astro Boy creator Osamu Tezuka’s 1949 manga of the same name, which was later adapted into an anime film written by Akira creator Katsuhiro Otomo, it also has a serendipitous relevance: it takes place in 2026 (or at least Italian musician Giorgio Moroder’s re-scored version does).
But for the sake of nearly a century-old time-capsule funsies, we’re going to run down the predictions Metropolis made for 2026—both technologically and socially—to see whether they were on the mark or way off. Spoilers: it got more existentially right than technologically wrong.
Newspapers being the primary news source

Metropolis aims to imagine what society might look like a century into the future, and we can’t fault the film for quaintly assuming newspapers would still be the way we get updates on the world. Now everything is on tablet computers in our pockets that we can doomscroll through to our hearts’ discontent. If anything, some might argue that the film’s depiction of newsstands with daily papers printed behind them for folks to grab as they go about their day is by far a more tactile preference than being paywalled to learn tidbits of exclusive news.
Humans being a necessary part of automation

Quite depressingly, Metropolis‘ depiction of all the cutting-edge automation that keeps its decadent cities running comes at the expense of human laborers who live leagues below the surface in hovels. The film even doubles down on this obvious metaphor with a nightmarish sequence that reimagines its machines as the gaping maw of a creature into which its workers mindlessly march, sacrificing their bodies to lubricate its mechanical insides. But for how poignant a metaphor Metropolis posits for the future, the reality is that most of today’s tech is even more fully automated, with only a few humans overseeing any work from production lines to self-checkout aisles. RIP, Lang. You would’ve loved Park Chan-wook’s No Other Choice.
These death-trap open-concept elevators

While freight elevators still exist in industrial warehouses and apartment complexes whose owners tout them as vintage while painting over power outlets and ceilings with god-awful popcorn finishes, we thankfully haven’t followed Metropolis‘ vision of every run-of-the-mill lift becoming a sort of conveyor belt, with folks expected to jump inside the moment it hits their floor. We’d probably be less averse to seeing logs on the back of a semi truck on the freeway on some Final Destination-type beat and more fearful of taking the elevator if we did adopt Metropolis‘ city-wide elevator system.
High-end prostheses

Metropolis could’ve decorated its sets with beakers and spirally tubes and lights and called it a day, but one part of its production design that feels eerily visionary is its take on the progression of prosthetics. Granted, the only representative of prosthetic hand tech is a mad scientist who orchestrates societal collapse, but the flourishing of his newfangled appendage is worth celebrating even if it gets used for evil.
Cybertrucks (sort of)

Toward the end of Metropolis‘ disaster film-like last-act frenzy, we got a brief but shocking shot of what cars look like in 2026. While they still resemble the old-school motorcars, they also share an unfortunate futuristic aesthetic, with trapezoidal hoods from bumper to bumper, giving them the same uncanny look as Tesla’s rolling dump truck, the Cybertruck. Maybe Elon Musk should’ve stopped hewing so closely to Blade Runner vehicles as a copyright-infringing point of inspiration and gone back further for a car no one wants to be caught dead driving.
Video calls

Another prediction Metropolis got right is that 2026 will be a year when video calls are the norm. Albeit, the movie’s version uses a giant machine that’s part rotary phone, part giant tablet, and part fax machine, taking up quite a bit of real estate on a wall inside a room roughly the height of a door and the width of two. Still a win, but 2001: A Space Odyssey’s video calls remain the more ergonomic choice.
Our incessant need to make tech in the likeness of women
Chalk it up to Freud or humanity’s predisposition for feminizing ships, but for whatever reason, we can’t help but make new tech assistants some facsimile of a woman. Be it Siri, Alexa, or whoever’s voice assistant, tech bros are fond of selling the masses on a helpful robot that all but flutters its eyelashes at us with an agreeable female voice. Metropolis had its finger on the pulse with this prediction. The film even touts the automaton as “the most perfect and most obedient tool which mankind ever possessed.”
What’s more, actress Brigitte Helm does an exceptional job bringing Futura, Metropolis‘ man-machine automaton, to life with unnerving expressions and jutting arm gesticulations that hint at the menace behind technology asking if it could before asking if it should.
Tech advancements being big with perverts
Towards the latter half of Metropolis, Futura is unveiled not at some big tech convention but at a gentleman’s club. There, she does a little dance, and it gets all the men hot and bothered, leading them into a frenzy where they’ll do practically anything to get their hands on her. All the while, viewers witness the juxtaposition of her world premiere with that of the seven deadly sins coming to life as death plays the flute.
If that isn’t a metaphor for the state of tech, I don’t know what is. Whether it’s folks marrying AI in the Metaverse, apps advertising chatbots to date, or whatever new frontier VR has achieved in the porn market, Metropolis launching its new tech exclusively to answer how it will serve the lonely and horniest of us is funny nearly a century later because it’s true: tech will always try to angle to degenerates.
Technology sowing discord and duping the masses

As we’ve seen with deepfake and AI technology impersonating world leaders, politicians, celebrities, and influencers (the last of which has been used to digitally undress women, or, in Grok’s case, something way more deplorable), technology made in the image of man has a high propensity to be used as a weapon to make us all worse. Metropolis wastes no time opting to use Futura in a slew of agitative propaganda, leading its workers to stage a revolt that ultimately puts children in harm’s way by flooding the depths they inhabit and destroying Metropolis’ great machine.
All of this is achieved thanks to Fredersen’s father, who saw that a peaceful revolution was at hand from the working class, prompting him to use Futura (taking the likeness of Maria, the workers’ prophet, for lack of a better term) to incite a self-destructive rebellion that would see their end.
We should kill the machines, actually
While Metropolis‘ finale sees a death of the machines’ sentiment that started out as one manipulated upon the workers to take up, it still rings true, with its blue-collar citizens recognizing that the “head” and the “hand” could only connect through the “heart.” While the heart stands for Fred as a mediator between the industrialists and the working class, seeking common ground in a nice bow to tie up the film’s class-conscious themes, it also culminates in the workers rebuking Futura as a witch and burning her at the stake. It’s a scene that’s taught in film schools as an important one cinematically, but for our purposes, it’s one that works thematically as well.

For the past six years, AI has been breathlessly lauded as the next frontier that everyone has to adopt in their workflow or risk being left behind. However, rather than being implemented mechanically to identify cancer or the like, its major selling point is its proliferation in art. Y’know, that thing we as a species enjoy doing. Like Futura, AI has taken the role of a charlatan in 2026. It’s glorified plagiarism, an autocorrect machine placating the masses who would rather steal with extra environmentally taxing steps than pick up a pencil and let their own imagination take form through their own means. More of us could take pointers in lynching new artless tech than join in drinking the Kool-Aid and ignore how it’s slowly killing us before it’s too late, like the folks in Metropolis.
If any of this inspired you to give this certified cinematic classic a watch, you can check out Metropolis streaming on Tubi
Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
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![This former notorious red-light district is now one of the world’s top AI hubs | TechCrunch
What every U.K. AI startup wants to know these days is, how can I get office space in King’s Cross?
The area is so hot that a VC firm allegedly recently won a deal by promising a founder office space in the neighborhood. “We stop at nothing to win deals [for] and to support” founders, “including helping them source office space when needed,” the firm told me when asked about the rumor, declining to confirm or deny any details.
The neighborhood’s popularity began back in 2016 when DeepMind — then newly acquired by Google — moved in. Soon after, a flood of AI startups followed, wanting to be around the Google DeepMind magic. Today, they hope to take advantage of the cluster of AI talent there.
This has transformed King’s Cross into one of the world’s top AI hubs, rivaled only by San Francisco and Beijing. Around London, it’s known by the sobriquet “Knowledge Quarter,” as it’s home to names like OpenAI, Meta, Isomorphic Labs, Cusp AI, Wayne, Recursive, and, a little farther down the road, Synthesia and Anthropic. The European Technology Network (ETN) just moved into a glossy new office nearby, while University College London sits around the corner.
Mixed in with the new developments are trendy food spots like Hoppers and BAO. Hop a train from King’s Cross, and founders can be in Cambridge in 45 minutes to source talent or can be in Paris in two hours to strike a deal.
Who would have guessed that a little more than 20 years ago, this was one of the seediest areas in London?
“In the ’80s, crack and heroin made the area a major narcotics market,” Hussein Kanji, an investor at Hoxton Ventures, said, recalling syringes in tree trunks and gangs patrolling the streets. “In 1982, the local church was occupied by the English Collective of Prostitutes for 12 straight days.” Then, in the early 2000s, a real estate developer had a dream and, well, “now it is the AI hotbed of the United Kingdom,” Kanji said. “What a change.” Around 18 months ago, his portfolio company BioCorteX moved from the neighborhood Holborn to the Jellicoe building in King’s Cross, hoping to be near the action. “Lots going on in London right now,” Nik Sharma, co-founder of BioCorteX, told me. “Lots of hyperscalers moving in.” That includes, reportedly, Jeff Bezos’ AI company Prometheus, which is also said to be in talks to move into the Jellicoe.
There are around 3,600 AI startups in London, which, together, have raised around .1 billion out of the .8 billion raised in the city since late July, according to Dealroom. Since the start of June, AI-related startups have leased more than 1 million square feet of office space in London, according to the real estate firm Knight Frank. With that, prime rents in King’s Cross have risen 18% over the past three years, Chris Dunn, a commercial insight associate at the firm, told me. That percentage represents only the largest leases encompassing at least 10,000 square feet, like the ones OpenAI and Prometheus are signing. The shorter deals go for even more, he said, and now the vacancy rate for conventional office space is just 0.9%. “Demand has outstripped supply,” he continued.
Today, one of the big topics of the area is sovereignty. It was a wake-up call for many when Anthropic shut off access to Mythos and Fable this summer, leaving some in the ecosystem to conclude: “We’d better look after ourselves,” Saul Klein, co-founder of the VC firm Phoenix Court, told me.
Phoenix Court is located in the King’s Cross area and has three portfolio companies in the vicinity, including Olix (which just announced a .3 billion valuation), Early Health and CoMind. Robin Klein, co-founder of the firm, said the shutdown of Fable and Mythos access was a “small but sharp reminder that Europe can’t simply rent its AI capabilities and capacity; it needs to build and hold some of its own.” King’s Cross, he said, is where much of this building is actually happening.
“The bigger question,” he continued, “is whether the U.K. builds the infrastructure, compute, energy, capital, to make this self-reliance durable, rather than just hosting outposts of U.S. labs.”
Image Credits:Phoenix Court
Top founders want to stay
Simon Kohl, founder of Latent Labs, has offices in King’s Cross and San Francisco. The London office, at the moment, is growing faster, and he’s more bullish than ever on the ecosystem, he said. “The mood right now feels less like London trying to catch up and more like London becoming one of the default places to start a serious AI company,” he said. Look around and you are likely to see Wayve testing its autonomous cars. Founded in 2017 by co-founder Alex Kendall, the unicorn is one of London’s biggest success stories.
“Ten years ago, building a frontier AI company from London felt like an unusual choice,” Kendall told me. “Now it feels like an obvious one.” Wayve moved into King’s Cross in 2018 looking for a space that could double as a garage — “a rare combination in Central London,” Kendall said. He has watched the ecosystem mature around him — and it’s now evident that a startup can stay in London, raise serious capital, hire world-class AI talent, and remain globally competitive, he said. Down the street from Anthropic’s new 158,000-square-foot office is the AI agent builder Sierra and the AI video platform Synthesia.
Laura Gonzalez Florez, Synthesia’s chief of staff and head of people, says the company moved into its glossy new office building a year ago to accommodate its growing team. They were drawn to the area for the same reason as everyone else: “It’s very close to the airport … very close to where a lot of investors are,” she said.
Image Credits:Synthesia
Around two-thirds of Synthesia’s engineers are remote, Gonzalez Florez said, letting the company tap into an affordable, international, and diverse talent pool and helping it scale faster. “From London, we can hire and work, without any problem, people from anywhere, from Slovenia to Portugal,” she said.
Unsurprisingly, London’s AI boom is also causing a talent war.U.K. AI job postings have skyrocketed in the past few years, per data from PwC. When Anthropic announced it moved into town earlier this year, it listed, for example, a salary range of £260,000 to £630,000 for a machine learning research engineer when the average salary in London for the same role is around £102,000. Some founders in the U.K., like those in Silicon Valley, are being forced to raise more and bigger rounds to keep up.
“The real test is whether more globally significant AI companies are founded, funded, and scaled from the U.K., while continuing to attract the world’s best talent to build them here,” Zain Ali, founder of the King’s Cross-based AI legal firm Centuro, told me. “If that continues to happen, King’s Cross won’t just be an AI hub. It’ll become one of the U.K.’s most important strategic assets.”
When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Thisformernotorious #redlight #districtis #nowone #worlds #top #hubs #TechCrunchUK This former notorious red-light district is now one of the world’s top AI hubs | TechCrunch
What every U.K. AI startup wants to know these days is, how can I get office space in King’s Cross?
The area is so hot that a VC firm allegedly recently won a deal by promising a founder office space in the neighborhood. “We stop at nothing to win deals [for] and to support” founders, “including helping them source office space when needed,” the firm told me when asked about the rumor, declining to confirm or deny any details.
The neighborhood’s popularity began back in 2016 when DeepMind — then newly acquired by Google — moved in. Soon after, a flood of AI startups followed, wanting to be around the Google DeepMind magic. Today, they hope to take advantage of the cluster of AI talent there.
This has transformed King’s Cross into one of the world’s top AI hubs, rivaled only by San Francisco and Beijing. Around London, it’s known by the sobriquet “Knowledge Quarter,” as it’s home to names like OpenAI, Meta, Isomorphic Labs, Cusp AI, Wayne, Recursive, and, a little farther down the road, Synthesia and Anthropic. The European Technology Network (ETN) just moved into a glossy new office nearby, while University College London sits around the corner.
Mixed in with the new developments are trendy food spots like Hoppers and BAO. Hop a train from King’s Cross, and founders can be in Cambridge in 45 minutes to source talent or can be in Paris in two hours to strike a deal.
Who would have guessed that a little more than 20 years ago, this was one of the seediest areas in London?
“In the ’80s, crack and heroin made the area a major narcotics market,” Hussein Kanji, an investor at Hoxton Ventures, said, recalling syringes in tree trunks and gangs patrolling the streets. “In 1982, the local church was occupied by the English Collective of Prostitutes for 12 straight days.” Then, in the early 2000s, a real estate developer had a dream and, well, “now it is the AI hotbed of the United Kingdom,” Kanji said. “What a change.” Around 18 months ago, his portfolio company BioCorteX moved from the neighborhood Holborn to the Jellicoe building in King’s Cross, hoping to be near the action. “Lots going on in London right now,” Nik Sharma, co-founder of BioCorteX, told me. “Lots of hyperscalers moving in.” That includes, reportedly, Jeff Bezos’ AI company Prometheus, which is also said to be in talks to move into the Jellicoe.
There are around 3,600 AI startups in London, which, together, have raised around .1 billion out of the .8 billion raised in the city since late July, according to Dealroom. Since the start of June, AI-related startups have leased more than 1 million square feet of office space in London, according to the real estate firm Knight Frank. With that, prime rents in King’s Cross have risen 18% over the past three years, Chris Dunn, a commercial insight associate at the firm, told me. That percentage represents only the largest leases encompassing at least 10,000 square feet, like the ones OpenAI and Prometheus are signing. The shorter deals go for even more, he said, and now the vacancy rate for conventional office space is just 0.9%. “Demand has outstripped supply,” he continued.
Today, one of the big topics of the area is sovereignty. It was a wake-up call for many when Anthropic shut off access to Mythos and Fable this summer, leaving some in the ecosystem to conclude: “We’d better look after ourselves,” Saul Klein, co-founder of the VC firm Phoenix Court, told me.
Phoenix Court is located in the King’s Cross area and has three portfolio companies in the vicinity, including Olix (which just announced a .3 billion valuation), Early Health and CoMind. Robin Klein, co-founder of the firm, said the shutdown of Fable and Mythos access was a “small but sharp reminder that Europe can’t simply rent its AI capabilities and capacity; it needs to build and hold some of its own.” King’s Cross, he said, is where much of this building is actually happening.
“The bigger question,” he continued, “is whether the U.K. builds the infrastructure, compute, energy, capital, to make this self-reliance durable, rather than just hosting outposts of U.S. labs.”
Image Credits:Phoenix Court
Top founders want to stay
Simon Kohl, founder of Latent Labs, has offices in King’s Cross and San Francisco. The London office, at the moment, is growing faster, and he’s more bullish than ever on the ecosystem, he said. “The mood right now feels less like London trying to catch up and more like London becoming one of the default places to start a serious AI company,” he said. Look around and you are likely to see Wayve testing its autonomous cars. Founded in 2017 by co-founder Alex Kendall, the unicorn is one of London’s biggest success stories.
“Ten years ago, building a frontier AI company from London felt like an unusual choice,” Kendall told me. “Now it feels like an obvious one.” Wayve moved into King’s Cross in 2018 looking for a space that could double as a garage — “a rare combination in Central London,” Kendall said. He has watched the ecosystem mature around him — and it’s now evident that a startup can stay in London, raise serious capital, hire world-class AI talent, and remain globally competitive, he said. Down the street from Anthropic’s new 158,000-square-foot office is the AI agent builder Sierra and the AI video platform Synthesia.
Laura Gonzalez Florez, Synthesia’s chief of staff and head of people, says the company moved into its glossy new office building a year ago to accommodate its growing team. They were drawn to the area for the same reason as everyone else: “It’s very close to the airport … very close to where a lot of investors are,” she said.
Image Credits:Synthesia
Around two-thirds of Synthesia’s engineers are remote, Gonzalez Florez said, letting the company tap into an affordable, international, and diverse talent pool and helping it scale faster. “From London, we can hire and work, without any problem, people from anywhere, from Slovenia to Portugal,” she said.
Unsurprisingly, London’s AI boom is also causing a talent war.U.K. AI job postings have skyrocketed in the past few years, per data from PwC. When Anthropic announced it moved into town earlier this year, it listed, for example, a salary range of £260,000 to £630,000 for a machine learning research engineer when the average salary in London for the same role is around £102,000. Some founders in the U.K., like those in Silicon Valley, are being forced to raise more and bigger rounds to keep up.
“The real test is whether more globally significant AI companies are founded, funded, and scaled from the U.K., while continuing to attract the world’s best talent to build them here,” Zain Ali, founder of the King’s Cross-based AI legal firm Centuro, told me. “If that continues to happen, King’s Cross won’t just be an AI hub. It’ll become one of the U.K.’s most important strategic assets.”
When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Thisformernotorious #redlight #districtis #nowone #worlds #top #hubs #TechCrunchUK](https://techcrunch.com/wp-content/uploads/2026/08/DM9A2852.jpg?w=680)

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