I seldom sleep in the same place for more than a couple of weeks at a time, so I’m a big fan of portable all-in-one projectors. They’re small and set up quickly, making them ideal for vanlife, gaming parties, outdoor movie nights, or an evening in on the couch — but they usually sacrifice quality for convenience. Anker’s new Nebula X1 projector promises to produce an incredibly bright and color-accurate 4K image with excellent sound while remaining portable and quiet.
Typically, if portability is at the top of your wish list, then sound and picture quality will suffer. Prioritize a cinematic experience and you’re looking at an expensive, hulking, noisy device that requires permanent placement inside a home theater. Over a month of testing across endless firmware updates and a variety of viewing conditions, the Nebula X1 did a superb job of striking the right balance with very few tradeoffs, delivering on Anker’s promise.
But with a price starting at $2,999, or $3,998 for a kit that includes the highly recommended satellite speakers, it’s not exactly cheap. And at close to 25 pounds (11.3kg) for the entire bundle — the Nebula X1 is more luggable than portable.

$2999
The Good
- Unbelievably bright
- Excellent image on a variety of surfaces
- Incredible sound for a portable
- Automatic everything with manual overrides
- Netflix works out of the box
The Bad
- Expensive
- 4.1.2 channel separation is trash
- Satellite speakers can drop connection
- Large and heavy for a portable
The Nebula X1 is a 3500 ANSI lumen triple-laser 4K projector with integrated four-speaker sound system. It runs Google TV so you get built-in Chromecast, Google Assistant, and an official Netflix app (unlike many all-in-one projectors) that streams media over Wi-Fi 6. It includes a pair of USB and HDMI 2.1 ports (one supporting eARC) to attach your favorite game console or media drive. A satisfying, recessed handle pops up with a push to make the 13.7 pound (6.2kg) projection unit portable.
There’s a long list of features that make the X1 unique for a portable projector:
- An all-glass 14-element lens that won’t yellow over time, mounted onto a 25-degree motorized mechanical swivel that avoids inferior digital tricks while increasing placement options.
- Liquid cooling that all but eliminates noise.
- Optical zoom coupled with a 0.9:1 to 1.5:1 throw ratio gives you giant images, up to 300 inches diagonally, when placed closer to the screen than typical projectors.
- Class-leading 200W of sound when adding Anker’s highly recommended 80W battery-powered, water-resistant, Wi-Fi-connected speakers.
Note: I did my best with the photographs, but they can only approximate the brightness, color, and contrast viewed with the naked eye.




I’ll just say it: the X1’s image quality is unmatched for a go-anywhere all-in-one projector. Its 3500 ANSI lumen output is better than many home theater projectors, allowing it to produce a vivid image across a range of challenging environments with no apparent optical distortion. It looked great at default settings when tested in a variety of lighting situations on painted walls, a traditional white-matte pulldown screen, a gray Ambient Light Rejection (ALR) screen, and a small folding Ikea tabletop.
The X1 will attempt to dynamically balance the colors and contrast on whatever surface it detects. Mostly it works, but colors, especially reds, tend to be over-saturated out of the box, making Gwyneth Paltrow’s face overly ruddy, especially on my ALR screen. Anker offers plenty of manual overrides to dial in the exact image you prefer with just a few minutes of work.
The X1’s lumen count made casual viewings possible in spaces flooded with ambient light. At times, I found the image to be too bright, especially when all that light was focused into a 32-inch diagonal on a glossy Ikea panel from just five feet (about 1.5 meters) away. Fortunately, you can manually reduce the power and iris settings to dim the image. That class-leading brightness makes the X1’s HDR10 and Dolby Vision support more than just checkmarks on a sales sheet — color is mostly accurate with plenty of contrast, but it’s still a DLP projector, so don’t expect true blacks. The X1’s lumen count should also do a decent job with 3D if you own DLP 3D glasses (I did not test this).


Importantly for a portable, the Nebula X1 features all the automatic placement features you’d expect. These include automatic focus, keystone correction, and obstacle avoidance, as well as automatic color adaptation to optimize the image based on the color of the paint or material used on the projection surface. These can be triggered manually from the device, Nebula app, or remote control, or set to engage at startup and when the projector is moved.
Autofocus worked 100 precent of the time, while the automatic placement features worked well when there was a clear border. I had to manually correct the edges more often than not when projected onto a blank white wall.
Startup is relatively fast. You can begin navigating Google TV in about 45 seconds from a cold boot, or just a few seconds if resuming from standby.
There’s also an “Extreme” game mode that disables digital keystone correction and motion smoothing to devote all that background processing to faster response times. For casual game play, the very slight lag is something you quickly get used to. The bundled mics, I can confirm, are fun for karaoke nights.


Sound is the killer feature of the Nebula X1. Even without the satellites, the sound is clear and immersive and easily fills a room. Connecting the optional battery-powered satellite speakers over a direct, low-latency 5.8GHz Wi-Fi connection to the main unit takes things to another level.
The satellites link automatically at startup and transform the X1’s four internal speakers into a makeshift subwoofer, while the three speakers in each satellite take over responsibility for center, top, and side channels. The resulting soundscape is wide and impressive and plenty loud enough for a group to enjoy outdoors — so long as you have accommodating neighbors. There’s also a “Bluetooth Speaker Mode” that turns off the projection lamp to play music with plenty of bass when full, rich, warm audio is all the entertainment required. I used this feature several hours a day which helps to maximize value for money.
With the audio turned down the projector is largely silent thanks to its liquid cooling. The fan kicked in on an especially hot day of testing, but I could barely hear it (measuring just 26dB from a distance of 1 meter) over the regular din of a living room or waves crashing beyond.
As expected, the X1 did not deliver on the promise of 4.2.1 surround sound. I struggled to hear any simulated channel separation from overhead or behind. Anker lists some strict placement requirements that I couldn’t meet exactly in testing — you might have better luck. Those satellites also dropped connection occasionally requiring manual intervention that sometimes resulted in an audible pop. It’s a little annoying, and has improved with each firmware update.
I saw 19 hours of battery life from those satellites (the projector does not have a battery) in my testing. That included two hours of film watched outdoors at a loud 50 percent volume, and the rest spent vibing to music at a relaxed 20 to 30 percent. Those IP54-rated satellite speakers even survived a small rain shower when I forgot them outside once.
1/16
Overall, I don’t have any real complaints. Sometimes the automatic image placement features can miss the mark, but I find them far more useful than annoying. Sometimes the satellite speakers don’t pair properly, but that can be quickly fixed with a power toggle. The Google UI verges on sluggish at times, but it’s faster than any other portable implementation I’ve tried. And I’ve seen far too many firmware updates, but things keep improving.
Anker’s Nebula X1 has left me utterly impressed. It produces incredibly immersive sound for its size, alongside a bright, vivid image comparable to home theater projectors costing closer to $5,000. The Nebula X1 with the satellite speaker bundle is expensive at $3,998, but anyone who finds themselves in need of a projector that can quickly approximate a home theater experience anywhere they go will get their money’s worth.
Photography by Thomas Ricker / The Verge
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#Anker #Nebula #review #terrific #home #theater
![This former notorious red-light district is now one of the world’s top AI hubs | TechCrunch
What every U.K. AI startup wants to know these days is, how can I get office space in King’s Cross?
The area is so hot that a VC firm allegedly recently won a deal by promising a founder office space in the neighborhood. “We stop at nothing to win deals [for] and to support” founders, “including helping them source office space when needed,” the firm told me when asked about the rumor, declining to confirm or deny any details.
The neighborhood’s popularity began back in 2016 when DeepMind — then newly acquired by Google — moved in. Soon after, a flood of AI startups followed, wanting to be around the Google DeepMind magic. Today, they hope to take advantage of the cluster of AI talent there.
This has transformed King’s Cross into one of the world’s top AI hubs, rivaled only by San Francisco and Beijing. Around London, it’s known by the sobriquet “Knowledge Quarter,” as it’s home to names like OpenAI, Meta, Isomorphic Labs, Cusp AI, Wayne, Recursive, and, a little farther down the road, Synthesia and Anthropic. The European Technology Network (ETN) just moved into a glossy new office nearby, while University College London sits around the corner.
Mixed in with the new developments are trendy food spots like Hoppers and BAO. Hop a train from King’s Cross, and founders can be in Cambridge in 45 minutes to source talent or can be in Paris in two hours to strike a deal.
Who would have guessed that a little more than 20 years ago, this was one of the seediest areas in London?
“In the ’80s, crack and heroin made the area a major narcotics market,” Hussein Kanji, an investor at Hoxton Ventures, said, recalling syringes in tree trunks and gangs patrolling the streets. “In 1982, the local church was occupied by the English Collective of Prostitutes for 12 straight days.” Then, in the early 2000s, a real estate developer had a dream and, well, “now it is the AI hotbed of the United Kingdom,” Kanji said. “What a change.” Around 18 months ago, his portfolio company BioCorteX moved from the neighborhood Holborn to the Jellicoe building in King’s Cross, hoping to be near the action. “Lots going on in London right now,” Nik Sharma, co-founder of BioCorteX, told me. “Lots of hyperscalers moving in.” That includes, reportedly, Jeff Bezos’ AI company Prometheus, which is also said to be in talks to move into the Jellicoe.
There are around 3,600 AI startups in London, which, together, have raised around .1 billion out of the .8 billion raised in the city since late July, according to Dealroom. Since the start of June, AI-related startups have leased more than 1 million square feet of office space in London, according to the real estate firm Knight Frank. With that, prime rents in King’s Cross have risen 18% over the past three years, Chris Dunn, a commercial insight associate at the firm, told me. That percentage represents only the largest leases encompassing at least 10,000 square feet, like the ones OpenAI and Prometheus are signing. The shorter deals go for even more, he said, and now the vacancy rate for conventional office space is just 0.9%. “Demand has outstripped supply,” he continued.
Today, one of the big topics of the area is sovereignty. It was a wake-up call for many when Anthropic shut off access to Mythos and Fable this summer, leaving some in the ecosystem to conclude: “We’d better look after ourselves,” Saul Klein, co-founder of the VC firm Phoenix Court, told me.
Phoenix Court is located in the King’s Cross area and has three portfolio companies in the vicinity, including Olix (which just announced a .3 billion valuation), Early Health and CoMind. Robin Klein, co-founder of the firm, said the shutdown of Fable and Mythos access was a “small but sharp reminder that Europe can’t simply rent its AI capabilities and capacity; it needs to build and hold some of its own.” King’s Cross, he said, is where much of this building is actually happening.
“The bigger question,” he continued, “is whether the U.K. builds the infrastructure, compute, energy, capital, to make this self-reliance durable, rather than just hosting outposts of U.S. labs.”
Image Credits:Phoenix Court
Top founders want to stay
Simon Kohl, founder of Latent Labs, has offices in King’s Cross and San Francisco. The London office, at the moment, is growing faster, and he’s more bullish than ever on the ecosystem, he said. “The mood right now feels less like London trying to catch up and more like London becoming one of the default places to start a serious AI company,” he said. Look around and you are likely to see Wayve testing its autonomous cars. Founded in 2017 by co-founder Alex Kendall, the unicorn is one of London’s biggest success stories.
“Ten years ago, building a frontier AI company from London felt like an unusual choice,” Kendall told me. “Now it feels like an obvious one.” Wayve moved into King’s Cross in 2018 looking for a space that could double as a garage — “a rare combination in Central London,” Kendall said. He has watched the ecosystem mature around him — and it’s now evident that a startup can stay in London, raise serious capital, hire world-class AI talent, and remain globally competitive, he said. Down the street from Anthropic’s new 158,000-square-foot office is the AI agent builder Sierra and the AI video platform Synthesia.
Laura Gonzalez Florez, Synthesia’s chief of staff and head of people, says the company moved into its glossy new office building a year ago to accommodate its growing team. They were drawn to the area for the same reason as everyone else: “It’s very close to the airport … very close to where a lot of investors are,” she said.
Image Credits:Synthesia
Around two-thirds of Synthesia’s engineers are remote, Gonzalez Florez said, letting the company tap into an affordable, international, and diverse talent pool and helping it scale faster. “From London, we can hire and work, without any problem, people from anywhere, from Slovenia to Portugal,” she said.
Unsurprisingly, London’s AI boom is also causing a talent war.U.K. AI job postings have skyrocketed in the past few years, per data from PwC. When Anthropic announced it moved into town earlier this year, it listed, for example, a salary range of £260,000 to £630,000 for a machine learning research engineer when the average salary in London for the same role is around £102,000. Some founders in the U.K., like those in Silicon Valley, are being forced to raise more and bigger rounds to keep up.
“The real test is whether more globally significant AI companies are founded, funded, and scaled from the U.K., while continuing to attract the world’s best talent to build them here,” Zain Ali, founder of the King’s Cross-based AI legal firm Centuro, told me. “If that continues to happen, King’s Cross won’t just be an AI hub. It’ll become one of the U.K.’s most important strategic assets.”
When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Thisformernotorious #redlight #districtis #nowone #worlds #top #hubs #TechCrunchUK This former notorious red-light district is now one of the world’s top AI hubs | TechCrunch
What every U.K. AI startup wants to know these days is, how can I get office space in King’s Cross?
The area is so hot that a VC firm allegedly recently won a deal by promising a founder office space in the neighborhood. “We stop at nothing to win deals [for] and to support” founders, “including helping them source office space when needed,” the firm told me when asked about the rumor, declining to confirm or deny any details.
The neighborhood’s popularity began back in 2016 when DeepMind — then newly acquired by Google — moved in. Soon after, a flood of AI startups followed, wanting to be around the Google DeepMind magic. Today, they hope to take advantage of the cluster of AI talent there.
This has transformed King’s Cross into one of the world’s top AI hubs, rivaled only by San Francisco and Beijing. Around London, it’s known by the sobriquet “Knowledge Quarter,” as it’s home to names like OpenAI, Meta, Isomorphic Labs, Cusp AI, Wayne, Recursive, and, a little farther down the road, Synthesia and Anthropic. The European Technology Network (ETN) just moved into a glossy new office nearby, while University College London sits around the corner.
Mixed in with the new developments are trendy food spots like Hoppers and BAO. Hop a train from King’s Cross, and founders can be in Cambridge in 45 minutes to source talent or can be in Paris in two hours to strike a deal.
Who would have guessed that a little more than 20 years ago, this was one of the seediest areas in London?
“In the ’80s, crack and heroin made the area a major narcotics market,” Hussein Kanji, an investor at Hoxton Ventures, said, recalling syringes in tree trunks and gangs patrolling the streets. “In 1982, the local church was occupied by the English Collective of Prostitutes for 12 straight days.” Then, in the early 2000s, a real estate developer had a dream and, well, “now it is the AI hotbed of the United Kingdom,” Kanji said. “What a change.” Around 18 months ago, his portfolio company BioCorteX moved from the neighborhood Holborn to the Jellicoe building in King’s Cross, hoping to be near the action. “Lots going on in London right now,” Nik Sharma, co-founder of BioCorteX, told me. “Lots of hyperscalers moving in.” That includes, reportedly, Jeff Bezos’ AI company Prometheus, which is also said to be in talks to move into the Jellicoe.
There are around 3,600 AI startups in London, which, together, have raised around .1 billion out of the .8 billion raised in the city since late July, according to Dealroom. Since the start of June, AI-related startups have leased more than 1 million square feet of office space in London, according to the real estate firm Knight Frank. With that, prime rents in King’s Cross have risen 18% over the past three years, Chris Dunn, a commercial insight associate at the firm, told me. That percentage represents only the largest leases encompassing at least 10,000 square feet, like the ones OpenAI and Prometheus are signing. The shorter deals go for even more, he said, and now the vacancy rate for conventional office space is just 0.9%. “Demand has outstripped supply,” he continued.
Today, one of the big topics of the area is sovereignty. It was a wake-up call for many when Anthropic shut off access to Mythos and Fable this summer, leaving some in the ecosystem to conclude: “We’d better look after ourselves,” Saul Klein, co-founder of the VC firm Phoenix Court, told me.
Phoenix Court is located in the King’s Cross area and has three portfolio companies in the vicinity, including Olix (which just announced a .3 billion valuation), Early Health and CoMind. Robin Klein, co-founder of the firm, said the shutdown of Fable and Mythos access was a “small but sharp reminder that Europe can’t simply rent its AI capabilities and capacity; it needs to build and hold some of its own.” King’s Cross, he said, is where much of this building is actually happening.
“The bigger question,” he continued, “is whether the U.K. builds the infrastructure, compute, energy, capital, to make this self-reliance durable, rather than just hosting outposts of U.S. labs.”
Image Credits:Phoenix Court
Top founders want to stay
Simon Kohl, founder of Latent Labs, has offices in King’s Cross and San Francisco. The London office, at the moment, is growing faster, and he’s more bullish than ever on the ecosystem, he said. “The mood right now feels less like London trying to catch up and more like London becoming one of the default places to start a serious AI company,” he said. Look around and you are likely to see Wayve testing its autonomous cars. Founded in 2017 by co-founder Alex Kendall, the unicorn is one of London’s biggest success stories.
“Ten years ago, building a frontier AI company from London felt like an unusual choice,” Kendall told me. “Now it feels like an obvious one.” Wayve moved into King’s Cross in 2018 looking for a space that could double as a garage — “a rare combination in Central London,” Kendall said. He has watched the ecosystem mature around him — and it’s now evident that a startup can stay in London, raise serious capital, hire world-class AI talent, and remain globally competitive, he said. Down the street from Anthropic’s new 158,000-square-foot office is the AI agent builder Sierra and the AI video platform Synthesia.
Laura Gonzalez Florez, Synthesia’s chief of staff and head of people, says the company moved into its glossy new office building a year ago to accommodate its growing team. They were drawn to the area for the same reason as everyone else: “It’s very close to the airport … very close to where a lot of investors are,” she said.
Image Credits:Synthesia
Around two-thirds of Synthesia’s engineers are remote, Gonzalez Florez said, letting the company tap into an affordable, international, and diverse talent pool and helping it scale faster. “From London, we can hire and work, without any problem, people from anywhere, from Slovenia to Portugal,” she said.
Unsurprisingly, London’s AI boom is also causing a talent war.U.K. AI job postings have skyrocketed in the past few years, per data from PwC. When Anthropic announced it moved into town earlier this year, it listed, for example, a salary range of £260,000 to £630,000 for a machine learning research engineer when the average salary in London for the same role is around £102,000. Some founders in the U.K., like those in Silicon Valley, are being forced to raise more and bigger rounds to keep up.
“The real test is whether more globally significant AI companies are founded, funded, and scaled from the U.K., while continuing to attract the world’s best talent to build them here,” Zain Ali, founder of the King’s Cross-based AI legal firm Centuro, told me. “If that continues to happen, King’s Cross won’t just be an AI hub. It’ll become one of the U.K.’s most important strategic assets.”
When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Thisformernotorious #redlight #districtis #nowone #worlds #top #hubs #TechCrunchUK](https://techcrunch.com/wp-content/uploads/2026/08/DM9A2852.jpg?w=680)

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