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Accel and Prosus team up to back early-stage Indian startups | TechCrunch

Accel and Prosus team up to back early-stage Indian startups | TechCrunch

Storied investors Accel and Prosus have launched a new investment partnership to back Indian startups from day zero, targeting founders building large-scale solutions with the potential to serve the masses in the South Asian nation.

Announced on Monday, the collaboration marks the first time Prosus is investing at the formation stage. Both firms will co-invest from a startup’s earliest days, with a focus on companies addressing systemic challenges across sectors such as automation, energy transition, internet services, and manufacturing.

India, the world’s most populous country with over 1.4 billion people, is seeing rapid growth in its digital economy. The country has more than a billion internet users and over 700 million smartphone users, making it the second-largest smartphone market after China. The Indian government-backed platforms such as the Unified Payments Interface (UPI) and Aadhaar have created a digital infrastructure that enables startups to build and scale services quickly. Yet much of India’s startup activity to date has focused on adapting global business models, with fewer companies tackling large-scale domestic challenges. The Accel–Prosus alliance is looking to change that.

The partnership expands Accel’s early-stage founder program, Atoms X, launched in July to back what the firm calls “leap tech” startups — companies working on large-scale, systems-driven problems.

“We feel now the time is right for the Indian startup ecosystem to move from adapting global businesses to creating Indian models that help India leapfrog its journey in becoming a developed country,” said Pratik Agarwal, a partner at Accel, in an interview.

He added that startups working on population-scale solutions often struggle to raise sufficient early capital, given their long gestation periods and the risk of heavy dilution before reaching meaningful traction.

“Hopefully, we are bringing a lot more early capital to them at the right time so that they can make substantial progress without going through several rounds of false starts before they make progress,” he told TechCrunch.

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Under the partnership, Prosus has committed to match Accel’s investment in each company, with initial checks ranging from $100,000 to $1 million — a figure that could increase over time.

“We could both continue to do our own things in this space, but given how large the ambition is with these founders, and given how difficult a problem that they are trying to solve, it made all the sense for us to put our resources together,” said Ashutosh Sharma, head of India ecosystem at Prosus.

Traditionally, Prosus has focused on late-stage investments globally. The Amsterdam-headquartered firm counts Swiggy, Meesho, and PayU among its key investments in India.

While Prosus has committed to matching Accel’s investment in this partnership, Sharma indicated it is not seeking an equivalent equity stake.

“For us, getting that equity in the first round is not important at all,” he told TechCrunch. “If we can truly identify a Swiggy, a Meesho, an iFood, or a Tencent of tomorrow — today — that is success enough.”

The partnership also broadens the scope of Accel and Prosus’s activity in India. In recent months, the two firms have co-invested in startups such as AI-powered tutoring platform Arivihan and low-cost internet service provider Wiom.

“Because of this AI-led disruption that is happening around us, some countries will be disproportionate beneficiaries of this — and some countries will be disproportionate net, net losers,” said Sharma. “Two countries that seem very placed to be beneficiaries are the U.S. and China. Now in that world order, and in that world narrative, what is India’s space? And can India, therefore, as part of this ‘leap tech’ revolution, find the rightful place, not just in AI, but beyond AI, is the other, let’s say, ambition that we have with this program.”

The alliance comes amid growing geopolitical tensions that have disrupted capital flows, technology supply chains, and market access — prompting global investors to reassess where capital can be deployed safely and at scale. With a large domestic market, expanding digital infrastructure, and a deepening pool of technical talent, India is increasingly seen as a strategic priority in this landscape.

“India’s place in the global economy and the geopolitical system is such that India needs to chart and accelerate its path like a self-sovereign, independent, developed country,” Agarwal told TechCrunch.

Accel has already backed more than 40 startups through its early-stage program, Atoms. Over 30% of them have gone on to raise follow-on funding from external investors, with Accel itself leading more than half of those rounds.

VC funding in India fell 25% year-over-year to $4.8 billion in the first half of 2025, per Tracxn, with late-stage deals dropping 27% to $2.7 billion and early-stage funding down 16% to $1.6 billion.

Still, India remains a key focus for global investors, driven by its large population and expanding digital adoption. In September, eight U.S. and Indian VC and private equity firms — including Accel, Blume Ventures, Celesta Capital, and Premji Invest — formed a coalition to back deep tech startups with over $1 billion in commitment. The Accel–Prosus partnership is the latest example of how global VCs continue to place long-term bets on India.

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#Accel #Prosus #team #earlystage #Indian #startups #TechCrunch

gaming mouse world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it.

A New Way to Click

The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback.

In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon.

Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions.

The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995.

#Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g">Logitech PRO X2 SUPERSTRIKE Mouse Debuts With Haptic Click System, 44K DPI
	
The gaming mouse world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it. 



A New Way to Click



The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback.



In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon. 



Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions.



The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995.





#Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g

world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it.

A New Way to Click

The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback.

In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon.

Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions.

The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995.

#Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g">Logitech PRO X2 SUPERSTRIKE Mouse Debuts With Haptic Click System, 44K DPI

The gaming mouse world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it.

A New Way to Click

The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback.

In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon.

Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions.

The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995.

#Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g
wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod.

That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

Okay, but how “back” is it?

The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024.

Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more.

The World Is Basically Begging for Another iPod
                Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

 Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

 None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

 There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

 Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching  a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at  per month.

 It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

 Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

 Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.      #World #Basically #Begging #iPodApple,audio,iPod
© Mario Tama / Getty Images

On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

There’s also the Spotify of it all.

Remember owning stuff?

There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod.

According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that?

It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching $13 a month. For context, in 2023, subscription fees rose from $9.99 to $10.99, and again in 2024 from $10.99 to $11.99. Apple Music is more affordable, but not by much at $11 per month.

It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course.

New Ipod Launch
© Cate Gillon / Staff

“I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.”

As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto.

“There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.

#World #Basically #Begging #iPodApple,audio,iPod">The World Is Basically Begging for Another iPod
                Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

 Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

 None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

 There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

 Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching  a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at  per month.

 It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

 Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

 Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.      #World #Basically #Begging #iPodApple,audio,iPod

enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod.

That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

Okay, but how “back” is it?

The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024.

Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more.

The World Is Basically Begging for Another iPod
                Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

 Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

 None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

 There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

 Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching  a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at  per month.

 It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

 Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

 Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.      #World #Basically #Begging #iPodApple,audio,iPod
© Mario Tama / Getty Images

On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

There’s also the Spotify of it all.

Remember owning stuff?

There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod.

According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that?

It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching $13 a month. For context, in 2023, subscription fees rose from $9.99 to $10.99, and again in 2024 from $10.99 to $11.99. Apple Music is more affordable, but not by much at $11 per month.

It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course.

New Ipod Launch
© Cate Gillon / Staff

“I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.”

As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto.

“There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.

#World #Basically #Begging #iPodApple,audio,iPod">The World Is Basically Begging for Another iPod

Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod.

That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

Okay, but how “back” is it?

The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024.

Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more.

The World Is Basically Begging for Another iPod
                Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

 Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

 None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

 There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

 Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching  a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at  per month.

 It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

 Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

 Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.      #World #Basically #Begging #iPodApple,audio,iPod
© Mario Tama / Getty Images

On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

There’s also the Spotify of it all.

Remember owning stuff?

There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod.

According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that?

It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching $13 a month. For context, in 2023, subscription fees rose from $9.99 to $10.99, and again in 2024 from $10.99 to $11.99. Apple Music is more affordable, but not by much at $11 per month.

It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course.

New Ipod Launch
© Cate Gillon / Staff

“I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.”

As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto.

“There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.

#World #Basically #Begging #iPodApple,audio,iPod

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