×
I’m Both Terrified and Impatient for Pennywise to Show Up on ‘Welcome to Derry’

I’m Both Terrified and Impatient for Pennywise to Show Up on ‘Welcome to Derry’

There have been two episodes of It: Welcome to Derry, and Pennywise is taking his sweet time to make his entrance as dramatic and traumatic as possible.

Since the marketing has been all in on making sure you know Bill Skarsgård is back, we’ve been excited to see how film franchise director Andy Muschietti is planning to have his first small-screen appearance as Pennywise the Dancing Clown come into play.

In io9’s recent chat with the minds behind the show, which expands the Stephen King It universe, Jason Fuchs (writer, producer, and co-showrunner) shared that they “wanted to understand why a shape-shifter who has a virtually infinite number of forms it could take continues to take the form of Pennywise the Dancing Clown.” He also said that fans can expect to get “really satisfying answers to some of those things in the context of the show. But the answers themselves suggest fresh mysteries and new questions.” Since they were given free rein by King himself to do whatever they want, we’re anxious to see how much new input they’re putting into the horror legend’s scariest creation.

So far we have so many questions! The first couple episodes truly play with the expectations of how It is perceived, playing tricks on the audience’s minds as well as its young characters. It begins with that gnarly birthing scene where the fleshy demon bat baby comes out to feast on the children of Derry, starting with Matty Clements. This grotesque incarnation makes us wonder if it’s just It awakening from its cyclical slumber in the most dramatic way possible or if it’s reborn every time and quickly evolves into a bigger form the more kids it claims.

By the end of the episode, it goes from the size of an eagle to a bigger creature when it takes out half the kids that were introduced. This isn’t Stranger Things; we at least get the sense that no one is safe. Everyone in Derry who has a fair share of darkness and trauma is game for It. And that point is made very clearly as we meet new characters.

© HBO Max

In episode two, the surviving girls, Lilly (Clara Stack) and Ronnie (Amanda Christine), are preyed on through It taking the forms of their dead parents. Not as a clown, but instead giving Ronnie the major retraumatization of being birthed by a demonic version of her mom, who passed away when she was born. Likewise, Lilly faces her father in the form of It, taking pieces of him in pickle jars to scare her. But again, it raises a lot of ideas of how It decides to masquerade. Was It really the demon mom or pickled, dead daddy? Or were these just projections it could manipulate? They both disappear instantly; we’re leaning toward more projections than a corporeal outfit that It chooses to take.

Why the entity chooses to don its iconic clown garb has yet to be explored despite marketing bombarding us with Pennywise’s signature look. If we think back on It: Chapter Two, you might recall that there’s a scene where Beverly encounters Pennywise getting ready and looking most definitely like a man putting on clown makeup in a twisted “Get Ready With Me’ moment; we even see It use its fingernails to tear the red lines onto its face.

Welcome To Derry Pennywise Makeup Hbo Max
© Warner Bros. Pictures

The trailers tease that the circus or carnival origin story is coming, with glimpses of Skarsgård in his creepy man form without makeup, as we’ve seen in the movies. Hopefully in this Sunday’s episode, we’ll get more lore about Its origin; the entity has been encountered by the Indigenous people around Derry in the past, who have had more knowledge of its presence as an ancient being or alien. Perhaps It body-snatched a carnie after its previous host was destroyed. Because otherwise, why does It go through the effort to put on the face? It can’t be just for funzies, right?  If he can just morph into anything, why go through the effort to put on his dancing clown face?  It feels like there is an element of having a main form as a corporeal host to unleash its horrors. We are itching to find out more and to see Skarsgård return.

It: Welcome to Derry streams Sundays on HBO Max.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

Source link
#Terrified #Impatient #Pennywise #Show #Derry

Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions.

But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
© Kamome Shirahama/Yen Press

If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy.

Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.

For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.

For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie.

Eniale & Dewiela Manga panel of women watching a sunset.
© Kamome Shirahama/Yen Press

So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier">Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier

 has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions.

But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
© Kamome Shirahama/Yen Press

If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy.

Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.

For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.

For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie.

Eniale & Dewiela Manga panel of women watching a sunset.
© Kamome Shirahama/Yen Press

So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier">Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals

Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions.

But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
© Kamome Shirahama/Yen Press

If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy.

Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.

For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.

For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie.

Eniale & Dewiela Manga panel of women watching a sunset.
© Kamome Shirahama/Yen Press

So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
By law, autonomous vehicles aren’t allowed to carry unaccompanied minors in California. Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.

Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.

The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.

The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.

So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.

Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.

In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.

Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”

#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids">Waymo Is Trying to Crack Down on Solo Kids in Driverless CarsBy law, autonomous vehicles aren’t allowed to carry unaccompanied minors in California. Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids

Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.

Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.

The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.

The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.

So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.

Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.

In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.

Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”

#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids">Waymo Is Trying to Crack Down on Solo Kids in Driverless Cars

By law, autonomous vehicles aren’t allowed to carry unaccompanied minors in California. Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.

Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.

The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.

The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.

So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.

Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.

In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.

Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”

#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids

Post Comment