In the world of alternate movie posters, the name Tyler Stout always stands out. Stout’s work has been a gateway to so many young poster fans, so anytime his name shows up on a list of people contributing to a show, we take special notice. When that list is of artists doing work of the iconic Universal Monsters, it’s an extra level of special. And when that list is split across simultaneous events happening in both Austin, Texas, and Los Angeles, California, as a kind of mega exhibition, it’s monstrous.
io9 is excited to exclusively debut Tyler Stout’s incredible and unique new poster for 1931’s Frankenstein, which will first be available at a special Universal Monsters show, presented by Coda and Sideshow, at Canopy Gallery in Austin, Texas, on Friday. (There’s also an event at Celebrity Authentics at Universal Citywalk in Los Angeles, but more on that below.) Unlike a traditional poster-sized image, though, Stout and the team decided to go big with this one. It’s a 24 x 72-inch print, meant to approximate the giant size of the iconic monster. Here’s the full image.
This two-sheet screenprint costs $120 in an edition of 300. There are also two other versions, one only available to attendees of the Austin show (they’ll have to sign up in person), and a third one will be at an upcoming convention, to be announced.
“The work of Tyler Stout undoubtedly popularized the notion of alternate film posters more than other artists in the field. His work spoke to people with active relationships to cinema,” Coda co-founder Rob Jones told io9 over email. “His dense servings of characters, their relationships, and the pressures that act upon them remain unlike any other artist’s approach in the medium’s history.”
“While it’s always a joyous jolt to work with him, the primary pleasures come from watching his brain fly while it figures out where to land on the page,” Jones continued. “In this instance, it lands on two pages, or sheets rather. Tyler hoped to evoke a pop culture icon that beckoned from the back pages of his childhood comic books: the Jack Davis ‘Life Size Frankenstein’ poster. To make that happen feasibly as a screenprint, he divided the image across two 24 x 36-inch sheets. Results are unlike any AMP made for Frankenstein and all expertly printed by DL Screenprinting in Seattle.”
“I adore these results and perhaps overly identify with Henry Frankenstein, so consumed with personal pursuit that Tyler shows him living within the confines of his own work, i.e., the monster,” Jones concluded.
Now, if the show were just the Stout Frankenstein alone, it would be awesome enough, but there’s so much more. Coda and Sideshow have recruited an incredible number of artists to do original art and screen-printed posters themed to Universal Monsters and here’s just a small sample of the other work in the shows.
In Los Angeles, the show takes place at Celebrity Authentics at Universal Citywalk starting today, October 23, from 11 a.m. to 9 p.m. and will remain on display through November 2. In Austin, the show takes place at the Canopy Gallery from 6 to 10 p.m. on October 24. It remains on display there only through the weekend, October 26.
Each location has a wholly unique show so each poster seen above will only be available, at least at the start, at those galleries (which we’ve noted in specific instances above). Leftovers will go online sometime in November and will be split into multiple waves. Keep an eye on codacurates.com for more information or head to Sideshow for more specifics.
Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
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.jpg?ssl=1 "These New Smart Glasses From Solos Come With a Privacy Shield for the CamerasSmart glasses company Solos has long focused on audio-only smart glasses. On Tuesday, it announced two new pairs of glasses, one of which has a camera—but you can buy a separate accessory to hide the camera for privacy’s sake.Solos’ new smart glasses are the audio-only AirGo A6 and the second iteration of its camera-enabled glasses, the Solos AirGo V2. The latter was first announced last year as an effort to directly “outshine Meta.” These 9 glasses do just about everything you’d expect from Meta’s new 9 Meta Smartglasses, including photo and video capture, playing music, and interacting with an AI-powered assistant that can see what you see. They can be fitted with prescription lenses and have a 10- to 12-hour battery life.The AirGo V2 glasses can also be paired with a new Privacy Kit, a set of clip-on accessories that let wearers control what their camera glasses can access. The clip-on privacy shield blocks the cameras from view and from recording the world, allowing you to keep wearing the glasses in audio-only mode. There’s also a clip-on polarized lens, and the full kit of modular options costs .Selling a privacy kit as a clip-on accessory is perhaps not the most effective way to stave off concerns about people running around with small, discreet cameras on their faces. Having to buy a separate item, then clip it on and off every time you want to use or disable the camera, is a lot of extra steps that will likely keep people from bothering with privacy at all. Also, there isn’t anything stopping bad actors from removing the clip-on blockers later in an interaction—say, after entering an event that prohibits camera recording.Courtesy of Solos SmartglassesSolos’ first camera-enabled glasses, the Solos AirGo Vision, launched in 2024. WIRED put them in the “Don’t Bother” section of our Best Smart Glasses gallery, citing some decent design choices, albeit ones held back by middling media capture quality, frustrating touch controls, and a power-hungry app that demands too many permissions. All in all, the glasses haven’t quite reached the standard Meta has set with its popular smart glasses.Meta has been the dominant force in the smart glasses market, but other big companies are trying to fill in the cracks. Google and Samsung have a partnership to build out Google’s Android XR platform, with new glasses arriving later this year from eyewear brands Warby Parker and Gentle Monster. Apple has reportedly been building its own smart glasses as well.Some smaller companies are adjusting their target markets to counter Meta, like Even Realities and its camera-free glasses. Solos’ reemphasis on privacy comes after a period of widespread criticism of Meta’s glasses. The devices have been called creepy “pervert glasses” and were criticized after the company silently added face recognition code to its glasses, then quickly removed it after public outcry following a WIRED report. Meta hasn’t done itself any favors since then, announcing last week that it will start charging for features on its smart glasses that have previously been free.Meta has acknowledged that a market for audio-only smart glasses exists, as CTO Andrew Bosworth said in a private Q&A session with media that he thinks there is “market demand for that product for sure.” But Meta hasn’t moved away from its camera-forward spectacles yet. It may very well make audio-only glasses in the future. Until then, companies like Solos are eager to chip away at that market.#Smart #Glasses #Solos #Privacy #Shield #Camerascameras,design,smart glasses,wearables,artificial intelligence,meta")
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