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Anthropic launches Claude Chrome extension: How to try it

Anthropic launches Claude Chrome extension: How to try it

Anthropic is easing into the AI browser war with a Claude browser extension for Chrome.

On Tuesday, the AI company announced a pilot program for a version of Claude that can browse the web on the user’s behalf. The pilot will only be available to 1,000 members of the Claude Max plan, a subscription tier for power users that costs $200 a month. Anthropic says it’s treading cautiously to address the safety and security risks.

A demo video for the Claude extension shows Claude in the sidebar of the Chrome window taking on various tasks. This includes finding house listings that match specific criteria on Zillow, summarizing comments in a Google Doc, and adding a noodle dish to a DoorDash cart. This is similar to other AI browsers like Perplexity Comet or web browsing agents like ChatGPT agent.

AI browsers are the latest frontier for AI companies to claim. AI models are becoming advanced enough to automate certain tasks online through search and multi-step reasoning.

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But handing over the reins to a bot opens up a whole new realm of security risks. In addition to user error, you know have to worry about agent error. What if a browsing agent accidentally sends an unfinished email draft or orders the wrong product?

However, the biggest risk, according to Anthropic, is prompt injection attacks. These attacks come from malicious actors who hide prompts inside emails, documents, or websites to try and trick the model into doing something it shouldn’t.

Without safety mitigations applied, Anthropic said Claude fell prey to prompt injection attacks 23 percent of the time. To combat this, Anthropic has added safety mitigations like giving users the ability to revoke Claude’s access to sites at any time and confirm with the user before taking any high-risk action. That includes sending emails or making purchases.

You can sign up for the waitlist to join the Claude for Chrome pilot program. Anthropic is starting with 1,000 Max members and gradually rolling out the browser agent to more users based on pilot feedback.

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#Anthropic #launches #Claude #Chrome #extension

With the rise in popularity of pickleball, a “pickleball movie” was inevitable. But I’m frankly relieved that The Dink is in the hands of director Josh Greenbaum. He’s the helmer of the brilliant buddy comedy Barb and Star Go to Vista del Mar and the buddy documentary Will & Harper

Not only are both of these movies top-tier when it comes to feel-good films, but each centers on older women without making them the butt of any jokes about aging. Instead, both celebrate their heroines for their brightness, humor, horniness, and brave honesty. And The Dink follows in their footsteps, while being a bit more mainstream. 

The Dink brings together Jake Johnson, Mary Steenburgen, Ed Harris, Patton Oswalt, and Aaron Chen for a buddy comedy that’s laugh-out-loud hilarious and terrifically heartwarming. But of course, it begins with the fiery rivalry between tennis players and pickleballers. 

The Dink is a sensationally silly sports comedy. 

Jake Johnson stars as lovable loser Dusty Boyd, who’ll tell anyone who’ll listen about his brush with long-passed glory. As a child, Dusty was a tennis prodigy, coached by his father Chuck (a comically mirthless Ed Harris) to be the next hard-hitting legend. But after a disastrous match against Andy Roddick (yes, Andy Roddick), his reputation was destroyed. So here he is, a lollygagging tennis coach to children at a club run by his father. 

But Dusty has a chance to redeem himself in his father’s eyes when a new enemy invades their pristine tennis courts. You guessed it: pickleballers. 

In a deranged slideshow presentation, Chuck explains to Dusty how the pickleballers — led by Patton Oswalt — are demanding more courts, which will obviously lead to pickleball dominating the world, so no one can play tennis again! To beat them back, Chuck sets up a tournament, pitting the best tennis player against the best pickleballer. Winner makes the call on the courts. 

However, Dusty’s mission to squash the pickleballers gets sidetracked when he begins playing himself, alongside some charismatic older women, including Candace (Mary Steenburgen). While it’s a rough start learning the game and its playful lingo, Dusty grows close to Candace at movie nights and country bars. And through their friendship, they both begin to realize how they’ve gotten stuck in the narratives of their past, which is inhibiting their growth toward a better future. Naturally, those lessons will be tied into a big final match, where pickleball becomes a metaphor for life. 

Don’t worry. You won’t have to strain to catch that message. Greenbaum’s got John McEnroe making a cameo in The Dink, playing an unsolicited commentator on the big match. 

Jake Johnson and Mary Steenburgen lead a hilarious cast. 

With many years of New Girl behind him, Johnson has a lot of practice at playing a lovelorn buffoon. And given Steenburgen’s elegance, it’s easy to see how Dusty would fall for Candace. But The Dink rejects the temptation to become a cliched rom-com of opposites attract. Instead, Johnson will play the fool, while Steenburgen will be his straight man. Their chemistry is crackling and their comedic timing sublime. 

But Johnson switches gears opposite Aaron Chen, who plays a co-worker who idolizes Dusty and believes every tall tale. With Chen, Greenbaum is able to reach into more offbeat humor through goofy visual gags and a flat delivery that’s a sharp foil to Johnson’s funny floundering. 

Beyond that, The Dink has a jaw-dropping list of comedians turning up for gleefully ludicrous bit parts, like Ben Stiller as a rambling doctor, Oswalt as an uptight pickleballer, Chris Parnell as a smug tennis player, Chloe Fineman as a mean ex, and the late Lynne Marie Stewart (It’s Always Sunny in Philadelphia and Pee-wee’s Playhouse) as a flirty friend of Candace’s. However, Ed Harris deserves a special shout-out here.

Ed Harris had me howling in The Dink.

This long-celebrated American actor has really sunk his teeth into playing a string of ruthless fathers, from the grisly thriller Love Lies Bleeding to the dark comedies Riff Raff and How to Make a Killing, and now The Dink. Where Johnson goes broad and Chen goes offbeat for punchlines, Harris goes unflinchingly serious. He’s treating this squabble between club members and courts as if it’s a threat to the Earth as we know it. He regards every Dusty freakout with a stern but unfurrowed brow. And that’s what makes his bits hysterical. 

Greenbaum smartly blends these different styles of comedy to craft a movie that’ll be a crowd-pleaser. There are bits in here weird enough to exist in the wacky and wondrous world of Barb and Star. Then there are riffs of physical comedy or a serene absurdity that feels in line with the comedy of Will Ferrell and Harper Steele. Johnson plays more broadly, expertly hitting every beat with aplomb. Steenburgen offers support with stinging one-liners and lively reactions. And I can’t stress enough: The Dink won’t mock pickleball or those who play it. 

Greenbaum’s brand of comedy is defiantly wacky, welcoming, and humane, never mean. So The Dink is sure to please, whatever your age or interest in its central sport. 

The Dink premieres on Apple TV on July 24.

#Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser">‘The Dink’ review: Apple’s pickleball movie is a laugh-out-loud crowd-pleaser
                                                            With the rise in popularity of pickleball, a “pickleball movie” was inevitable. But I’m frankly relieved that The Dink is in the hands of director Josh Greenbaum. He’s the helmer of the brilliant buddy comedy Barb and Star Go to Vista del Mar and the buddy documentary Will & Harper. Not only are both of these movies top-tier when it comes to feel-good films, but each centers on older women without making them the butt of any jokes about aging. Instead, both celebrate their heroines for their brightness, humor, horniness, and brave honesty. And The Dink follows in their footsteps, while being a bit more mainstream. The Dink brings together Jake Johnson, Mary Steenburgen, Ed Harris, Patton Oswalt, and Aaron Chen for a buddy comedy that’s laugh-out-loud hilarious and terrifically heartwarming. But of course, it begins with the fiery rivalry between tennis players and pickleballers. 
The Dink is a sensationally silly sports comedy. Jake Johnson stars as lovable loser Dusty Boyd, who’ll tell anyone who’ll listen about his brush with long-passed glory. As a child, Dusty was a tennis prodigy, coached by his father Chuck (a comically mirthless Ed Harris) to be the next hard-hitting legend. But after a disastrous match against Andy Roddick (yes, Andy Roddick), his reputation was destroyed. So here he is, a lollygagging tennis coach to children at a club run by his father. But Dusty has a chance to redeem himself in his father’s eyes when a new enemy invades their pristine tennis courts. You guessed it: pickleballers. In a deranged slideshow presentation, Chuck explains to Dusty how the pickleballers — led by Patton Oswalt — are demanding more courts, which will obviously lead to pickleball dominating the world, so no one can play tennis again! To beat them back, Chuck sets up a tournament, pitting the best tennis player against the best pickleballer. Winner makes the call on the courts. However, Dusty’s mission to squash the pickleballers gets sidetracked when he begins playing himself, alongside some charismatic older women, including Candace (Mary Steenburgen). While it’s a rough start learning the game and its playful lingo, Dusty grows close to Candace at movie nights and country bars. And through their friendship, they both begin to realize how they’ve gotten stuck in the narratives of their past, which is inhibiting their growth toward a better future. Naturally, those lessons will be tied into a big final match, where pickleball becomes a metaphor for life. 
        
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Don’t worry. You won’t have to strain to catch that message. Greenbaum’s got John McEnroe making a cameo in The Dink, playing an unsolicited commentator on the big match. Jake Johnson and Mary Steenburgen lead a hilarious cast. With many years of New Girl behind him, Johnson has a lot of practice at playing a lovelorn buffoon. And given Steenburgen’s elegance, it’s easy to see how Dusty would fall for Candace. But The Dink rejects the temptation to become a cliched rom-com of opposites attract. Instead, Johnson will play the fool, while Steenburgen will be his straight man. Their chemistry is crackling and their comedic timing sublime. But Johnson switches gears opposite Aaron Chen, who plays a co-worker who idolizes Dusty and believes every tall tale. With Chen, Greenbaum is able to reach into more offbeat humor through goofy visual gags and a flat delivery that’s a sharp foil to Johnson’s funny floundering. Beyond that, The Dink has a jaw-dropping list of comedians turning up for gleefully ludicrous bit parts, like Ben Stiller as a rambling doctor, Oswalt as an uptight pickleballer, Chris Parnell as a smug tennis player, Chloe Fineman as a mean ex, and the late Lynne Marie Stewart (It’s Always Sunny in Philadelphia and Pee-wee’s Playhouse) as a flirty friend of Candace’s. However, Ed Harris deserves a special shout-out here. Ed Harris had me howling in The Dink. This long-celebrated American actor has really sunk his teeth into playing a string of ruthless fathers, from the grisly thriller Love Lies Bleeding to the dark comedies Riff Raff and How to Make a Killing, and now The Dink. Where Johnson goes broad and Chen goes offbeat for punchlines, Harris goes unflinchingly serious. He’s treating this squabble between club members and courts as if it’s a threat to the Earth as we know it. He regards every Dusty freakout with a stern but unfurrowed brow. And that’s what makes his bits hysterical. Greenbaum smartly blends these different styles of comedy to craft a movie that’ll be a crowd-pleaser. There are bits in here weird enough to exist in the wacky and wondrous world of Barb and Star. Then there are riffs of physical comedy or a serene absurdity that feels in line with the comedy of Will Ferrell and Harper Steele. Johnson plays more broadly, expertly hitting every beat with aplomb. Steenburgen offers support with stinging one-liners and lively reactions. And I can’t stress enough: The Dink won’t mock pickleball or those who play it. Greenbaum’s brand of comedy is defiantly wacky, welcoming, and humane, never mean. So The Dink is sure to please, whatever your age or interest in its central sport. The Dink premieres on Apple TV on July 24.

                    
                                            
                            
    
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                                    #Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser

The Dink premieres on Apple TV on July 24.

#Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser">‘The Dink’ review: Apple’s pickleball movie is a laugh-out-loud crowd-pleaser

With the rise in popularity of pickleball, a “pickleball movie” was inevitable. But I’m frankly relieved that The Dink is in the hands of director Josh Greenbaum. He’s the helmer of the brilliant buddy comedy Barb and Star Go to Vista del Mar and the buddy documentary Will & Harper

Not only are both of these movies top-tier when it comes to feel-good films, but each centers on older women without making them the butt of any jokes about aging. Instead, both celebrate their heroines for their brightness, humor, horniness, and brave honesty. And The Dink follows in their footsteps, while being a bit more mainstream. 

The Dink brings together Jake Johnson, Mary Steenburgen, Ed Harris, Patton Oswalt, and Aaron Chen for a buddy comedy that’s laugh-out-loud hilarious and terrifically heartwarming. But of course, it begins with the fiery rivalry between tennis players and pickleballers. 

The Dink is a sensationally silly sports comedy. 

Jake Johnson stars as lovable loser Dusty Boyd, who’ll tell anyone who’ll listen about his brush with long-passed glory. As a child, Dusty was a tennis prodigy, coached by his father Chuck (a comically mirthless Ed Harris) to be the next hard-hitting legend. But after a disastrous match against Andy Roddick (yes, Andy Roddick), his reputation was destroyed. So here he is, a lollygagging tennis coach to children at a club run by his father. 

But Dusty has a chance to redeem himself in his father’s eyes when a new enemy invades their pristine tennis courts. You guessed it: pickleballers. 

In a deranged slideshow presentation, Chuck explains to Dusty how the pickleballers — led by Patton Oswalt — are demanding more courts, which will obviously lead to pickleball dominating the world, so no one can play tennis again! To beat them back, Chuck sets up a tournament, pitting the best tennis player against the best pickleballer. Winner makes the call on the courts. 

However, Dusty’s mission to squash the pickleballers gets sidetracked when he begins playing himself, alongside some charismatic older women, including Candace (Mary Steenburgen). While it’s a rough start learning the game and its playful lingo, Dusty grows close to Candace at movie nights and country bars. And through their friendship, they both begin to realize how they’ve gotten stuck in the narratives of their past, which is inhibiting their growth toward a better future. Naturally, those lessons will be tied into a big final match, where pickleball becomes a metaphor for life. 

Don’t worry. You won’t have to strain to catch that message. Greenbaum’s got John McEnroe making a cameo in The Dink, playing an unsolicited commentator on the big match. 

Jake Johnson and Mary Steenburgen lead a hilarious cast. 

With many years of New Girl behind him, Johnson has a lot of practice at playing a lovelorn buffoon. And given Steenburgen’s elegance, it’s easy to see how Dusty would fall for Candace. But The Dink rejects the temptation to become a cliched rom-com of opposites attract. Instead, Johnson will play the fool, while Steenburgen will be his straight man. Their chemistry is crackling and their comedic timing sublime. 

But Johnson switches gears opposite Aaron Chen, who plays a co-worker who idolizes Dusty and believes every tall tale. With Chen, Greenbaum is able to reach into more offbeat humor through goofy visual gags and a flat delivery that’s a sharp foil to Johnson’s funny floundering. 

Beyond that, The Dink has a jaw-dropping list of comedians turning up for gleefully ludicrous bit parts, like Ben Stiller as a rambling doctor, Oswalt as an uptight pickleballer, Chris Parnell as a smug tennis player, Chloe Fineman as a mean ex, and the late Lynne Marie Stewart (It’s Always Sunny in Philadelphia and Pee-wee’s Playhouse) as a flirty friend of Candace’s. However, Ed Harris deserves a special shout-out here.

Ed Harris had me howling in The Dink.

This long-celebrated American actor has really sunk his teeth into playing a string of ruthless fathers, from the grisly thriller Love Lies Bleeding to the dark comedies Riff Raff and How to Make a Killing, and now The Dink. Where Johnson goes broad and Chen goes offbeat for punchlines, Harris goes unflinchingly serious. He’s treating this squabble between club members and courts as if it’s a threat to the Earth as we know it. He regards every Dusty freakout with a stern but unfurrowed brow. And that’s what makes his bits hysterical. 

Greenbaum smartly blends these different styles of comedy to craft a movie that’ll be a crowd-pleaser. There are bits in here weird enough to exist in the wacky and wondrous world of Barb and Star. Then there are riffs of physical comedy or a serene absurdity that feels in line with the comedy of Will Ferrell and Harper Steele. Johnson plays more broadly, expertly hitting every beat with aplomb. Steenburgen offers support with stinging one-liners and lively reactions. And I can’t stress enough: The Dink won’t mock pickleball or those who play it. 

Greenbaum’s brand of comedy is defiantly wacky, welcoming, and humane, never mean. So The Dink is sure to please, whatever your age or interest in its central sport. 

The Dink premieres on Apple TV on July 24.

#Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser

Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.

On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.

With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.

I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.

Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at $599, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)

The Halliday Gen 2 are available for preorder starting today with a $10 deposit and a subsequent $100 discount on the final price. The glasses are expected to ship in September.

#Hallidays #latest #smart #glasses #feature #muchimproved #displayAI,Gadgets,Hands-on,News,Reviews,Tech,Wearable">Halliday’s latest smart glasses feature a much-improved displayI first slipped on Halliday’s original smart glasses at CES 2025. I was not a fan. The glasses had a tiny, movable display window embedded into the frame that was incredibly finicky to see, and my 30-minute demo left me with achy eyeballs. It was an interesting concept with terrible execution, especially compared to the several other smart glasses on the show floor. So I was skeptical when a few weeks ago, Halliday reached out to say its second attempt at smart glasses was much better.Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at 9, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)The Halliday Gen 2 are available for preorder starting today with a  deposit and a subsequent 0 discount on the final price. The glasses are expected to ship in September.#Hallidays #latest #smart #glasses #feature #muchimproved #displayAI,Gadgets,Hands-on,News,Reviews,Tech,Wearable

Halliday’s original smart glasses at CES 2025. I was not a fan. The glasses had a tiny, movable display window embedded into the frame that was incredibly finicky to see, and my 30-minute demo left me with achy eyeballs. It was an interesting concept with terrible execution, especially compared to the several other smart glasses on the show floor. So I was skeptical when a few weeks ago, Halliday reached out to say its second attempt at smart glasses was much better.

Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.

On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.

With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.

I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.

Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at $599, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)

The Halliday Gen 2 are available for preorder starting today with a $10 deposit and a subsequent $100 discount on the final price. The glasses are expected to ship in September.

#Hallidays #latest #smart #glasses #feature #muchimproved #displayAI,Gadgets,Hands-on,News,Reviews,Tech,Wearable">Halliday’s latest smart glasses feature a much-improved display

I first slipped on Halliday’s original smart glasses at CES 2025. I was not a fan. The glasses had a tiny, movable display window embedded into the frame that was incredibly finicky to see, and my 30-minute demo left me with achy eyeballs. It was an interesting concept with terrible execution, especially compared to the several other smart glasses on the show floor. So I was skeptical when a few weeks ago, Halliday reached out to say its second attempt at smart glasses was much better.

Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.

On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.

With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.

I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.

Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at $599, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)

The Halliday Gen 2 are available for preorder starting today with a $10 deposit and a subsequent $100 discount on the final price. The glasses are expected to ship in September.

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