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Apple TV’s Near-Perfect Sci-Fi Masterpiece Is Rewriting Its Biggest Story Yet

Apple TV’s Near-Perfect Sci-Fi Masterpiece Is Rewriting Its Biggest Story Yet

Apple TV hit its sci-fi stride when Hugh Howey’s addictive series was adapted for the streamer. Starring Rebecca Ferguson, Silo is the masterful television version of his books Wool, Shift, and Dust. Dystopian and grim, the drama is set in a post-apocalyptic world where Earth has become so toxic that humanity has survived for generations in huge silos underground. No one remembers how the world ended, or if they can ever leave, and yet, the remains of society still find a way to subjugate its people as humanity is wont to do.

The world of a caste system and a murderous conspiracy fascinated viewers, as did the powerful performances from Ferguson. Seasons 1 and 2 largely followed the first book, but that will change with the imminent third season. In fact, Silo is taking a sharp turn away from the source material altogether. The hard sci-fi masterpiece appears to be rewriting its biggest story, according to the new trailer.

Silo ‘Season 3’ Is Slowing Down the Pace Once Again

Silo is undoubtedly one of the most masterful series on television, but it isn’t immune to criticism. Season 2 slowed down the narrative quite a bit as it tackled the last few chapters of the book, Wool. Instead of devoting one book per season, the series got a little more creative with its storytelling. The thrilling sci-fi venture still follows the books, but takes its time getting there. Now it seems that Juliette’s path to leadership will be delayed once again, as the trailer reveals she gets amnesia after surviving the decontamination chamber.



















































Collider Exclusive · Sci-Fi Survival Quiz
Which Sci-Fi World Would You Survive?
The Matrix · Mad Max · Blade Runner · Dune · Star Wars

Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you’d actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

🏜️Dune

🚀Star Wars

01

You sense something is deeply wrong with the world around you. What do you do?
The first instinct is often the truest one.





02

In a world of scarcity, what resource do you guard most fiercely?
What we protect reveals what we believe survival actually requires.





03

What kind of threat keeps you up at night?
Fear is useful data — if you’re honest about what you’re actually afraid of.





04

How do you deal with authority you don’t trust?
Every dystopia has a power structure. Your approach to it determines everything.





05

Which environment could you actually endure long-term?
Survival isn’t just tactical — it’s physical, psychological, and very much about where you are.





06

Who do you want in your corner when things fall apart?
The company you keep is the clearest signal of who you actually are.





07

Where do you draw the line — if you draw one at all?
Every survivor eventually faces a moment that tests what they’re actually made of.





08

What would actually make survival worth it?
Staying alive is one thing. Having a reason to is another.





Your Fate Has Been Calculated
You’d Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.


The Resistance, Zion

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You’re a systems thinker who can’t help but notice the seams in things.

  • You’re drawn to understanding how the system works before figuring out how to break it.
  • You’d find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines’ worst nightmare.
  • You function best when you have access to information and the freedom to act on it.
  • The Matrix built an airtight prison. You’d be the one probing the walls for the door.


The Wasteland

Mad Max

The wasteland doesn’t reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That’s you.

  • You don’t need comfort, community, or a cause larger than the next horizon.
  • You need a vehicle, a clear threat, and enough fuel to outrun it — and you’re good at all three.
  • You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
  • In the wasteland, that distinction is everything.


Los Angeles, 2049

Blade Runner

You’d survive here because you know how to exist in moral grey areas without losing yourself completely.

  • You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
  • In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
  • You’re not a hero. But you’re not lost, either.
  • In Blade Runner’s world, that distinction is everything.


Arrakis

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

  • Patience, discipline, and political awareness are your core strengths — and on Arrakis, they’re survival tools.
  • You understand that the long game matters more than any single victory.
  • Others come to Dune and are consumed by it. You’d learn its logic and earn its respect.
  • In time, you wouldn’t just survive Arrakis — you’d begin to reshape it.


A Galaxy Far, Far Away

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn’t have it any other way.

  • You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
  • You’d gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire’s grip can be broken.
  • You fight — not because you have to, but because standing aside isn’t something you’re capable of.
  • In Star Wars, that willingness is what makes all the difference.

The hot box full of flame seemed to have some effect on her mental faculties — or at least that’s what Silo 18 wants her to think. The governing body is likely manipulating her to stop her from releasing crucial information. This amnesia plotline is not present in Hugh Howey’s books, considering the second book, Shift, is a prequel. To its credit, Silo appears to be covering this story as well.

The trailer also features the time before, as the silos were constructed as a way to survive the end of the world. Juliette’s storyline is a way to keep the character in the narrative, but it isn’t the most original concept. Per the books, Juliette is meant to become the Mayor of the Silo and be a source of justice and truth for the inhabitants. Instead, her character arc is being stalled once again in favor of a more flashy storyline. This may impact the series negatively as all the momentum of her character arc will be lost.

Season 2 was already drawn out as it lacked the drive that the first season did. Halfway done with Silo’s life, this is the time to strike. While it was necessary to keep Rebecca Ferguson in the driver’s seat, there could have been a more dynamic way to do it, instead of mentally handcuffing her prominent character.

Changing the ‘Silo’ Storyline Is Risky

There has been more than enough evidence that supports the idea that once a television series deviates from the source material, it’s on shaky ground. Universally beloved hard sci-fi series, The Expanse, was largely faithful to the books, even if it did cut the show off three seasons too early. James S.A. Corey were heavily involved and kept the magic from the books intact. Both Game of Thrones and House of the Dragon have deviated from the books with controversial results. It is natural to want to include Rebecca Ferguson as the primary point of contact for Silo, but it may have refreshed the series to adhere to the narrative that followed past events.

Season 3 has a surge of surprise casting, including Jessica Henwick, Colin Hanks, and Jessica Brown Findlay as characters set in the past. While the footage from the trailer is brief, it is the most exciting thing about the upcoming season. These characters create silos with the idea that they can one day head to some utopian future, when clearly the opposite is going to happen. This is an engaging idea on its own and may have been just the thing to create even more anticipation once Juliette returned for the final installment.

The new lore surrounding Juliette’s amnesia may distract from the tried and true content that fans have prepared themselves for. This plotline is only delaying the inevitable, which should come to pass when Silo enters its final season down the line. Until then, viewers will just have to wait and see how that comes to fruition when Season 3 premieres on July 3.



Release Date

May 5, 2023

Showrunner

Graham Yost


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