‘Exit 8’ Is a Satisfying, Scary Twitch Stream Come to Life
Never has watching a movie felt like playing a video game quite as much as in the new film, Exit 8.Directed by Genki Kawamaura, the film is based on a game by Kotake Create in which the player navigates a subterranean loop, picking up on subtle changes, allowing them to exit. Here, that format is brought to life in a very clear, very simple way that encourages a level of engagement that feels unique and wholly rewarding.
We start with “the Lost Man,” played by Kazunari Ninomiya. He’s a seemingly normal guy who is having a seemingly normal morning until he gets some very big news. Before he can digest it, though, he finds himself stuck in an endless loop in an underground subway station. Eventually, he reads the rules of this space, revealing that you must keep moving forward unless you witness some type of anomaly. If you see one of those, turn around and continue.
And so the audience, like the character, instantly becomes involved. The Lost Man walks through the space, noting everything, committing it to memory, and you do the same. When there is something slightly different, you get excited for him if he notices or frustrated if he doesn’t. Much like watching someone else play a video game, you marvel at his skills as well as his mistakes.
That level of not just emotional but also physical investment is just not an emotion you often feel watching a movie. There’s a tension and level of participation that left me impressed and surprised. I thought I was going in to see this simple horror movie, but after about 10-15 minutes, I wanted to (but did not) scream at the screen or control the characters with a controller.
This works in large part due to the simple, beautiful design of the film. Kawamaura draws from the game in creating a very sparse, bright space, with distinct, easy-to-notice features: doors, posters, signs, etc. And as the film familiarizes you with them, you find yourself trying to get ahead of the movie itself, peeking around the corners, looking for those anomalies, which are the key to exiting. When the Lost Man makes a mistake, you’re both delighted to see what’s next and disappointed at the struggle. And, of course, many of those mistakes are either a result of, or result in, some really creepy, unsettling stuff happening.
What makes Exit 8 especially interesting, though, is that there is much more to it than that. While the film initially starts with the Lost Man, the narrative soon expands by following other characters we initially thought were just NPCs (non-player characters). Yamato Kochi plays the Walking Man, and Naru Asanuma is the Boy, both of whom play integral roles in expanding the narrative.
He’s right behind you. – Neon
Then, just to really put a bow on things, the biggest surprise in the whole film is what it’s actually about. Events you seemingly forgot about from early in the film are given fresh perspectives, wrapping Exit 8 up in a very satisfying, positive, and life-affirming way.
Now, of course, there is a little bit of monotony to the film. There are times when the repetitious nature of the narrative can get a little frustrating. But, in retrospect, that’s exactly the point. It’s clearly by design and is balanced well with some larger set pieces throughout. Plus, watching the film in a theater, with other people who are sharing the experience, the whole thing starts to feel more like a live performance than a movie. Kawamaura has so beautifully simplified the characters and goals that we feel like we’re living in the story itself. It’s a collective ride that will have you on the edge of your seat.
Exit 8‘s interactive nature won’t be for everyone, but if you enjoy mysteries, games, and wonderful twists and turns, we highly recommend it. It’s in theaters April 10.
Never has watching a movie felt like playing a video game quite as much as in the new film, Exit 8. Directed by Genki Kawamaura, the film is based on a game by Kotake Create in which the player navigates a subterranean loop, picking up on subtle changes, allowing them to exit. Here, that format is brought to life in a very clear, very simple way that encourages a level of engagement that feels unique and wholly rewarding.
We start with “the Lost Man,” played by Kazunari Ninomiya. He’s a seemingly normal guy who is having a seemingly normal morning until he gets some very big news. Before he can digest it, though, he finds himself stuck in an endless loop in an underground subway station. Eventually, he reads the rules of this space, revealing that you must keep moving forward unless you witness some type of anomaly. If you see one of those, turn around and continue.
And so the audience, like the character, instantly becomes involved. The Lost Man walks through the space, noting everything, committing it to memory, and you do the same. When there is something slightly different, you get excited for him if he notices or frustrated if he doesn’t. Much like watching someone else play a video game, you marvel at his skills as well as his mistakes.
That level of not just emotional but also physical investment is just not an emotion you often feel watching a movie. There’s a tension and level of participation that left me impressed and surprised. I thought I was going in to see this simple horror movie, but after about 10-15 minutes, I wanted to (but did not) scream at the screen or control the characters with a controller.
This works in large part due to the simple, beautiful design of the film. Kawamaura draws from the game in creating a very sparse, bright space, with distinct, easy-to-notice features: doors, posters, signs, etc. And as the film familiarizes you with them, you find yourself trying to get ahead of the movie itself, peeking around the corners, looking for those anomalies, which are the key to exiting. When the Lost Man makes a mistake, you’re both delighted to see what’s next and disappointed at the struggle. And, of course, many of those mistakes are either a result of, or result in, some really creepy, unsettling stuff happening.
What makes Exit 8 especially interesting, though, is that there is much more to it than that. While the film initially starts with the Lost Man, the narrative soon expands by following other characters we initially thought were just NPCs (non-player characters). Yamato Kochi plays the Walking Man, and Naru Asanuma is the Boy, both of whom play integral roles in expanding the narrative.
He’s right behind you. – Neon
Then, just to really put a bow on things, the biggest surprise in the whole film is what it’s actually about. Events you seemingly forgot about from early in the film are given fresh perspectives, wrapping Exit 8 up in a very satisfying, positive, and life-affirming way.
Now, of course, there is a little bit of monotony to the film. There are times when the repetitious nature of the narrative can get a little frustrating. But, in retrospect, that’s exactly the point. It’s clearly by design and is balanced well with some larger set pieces throughout. Plus, watching the film in a theater, with other people who are sharing the experience, the whole thing starts to feel more like a live performance than a movie. Kawamaura has so beautifully simplified the characters and goals that we feel like we’re living in the story itself. It’s a collective ride that will have you on the edge of your seat.
Exit 8‘s interactive nature won’t be for everyone, but if you enjoy mysteries, games, and wonderful twists and turns, we highly recommend it. It’s in theaters April 10.
Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
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#Exit #Satisfying #Scary #Twitch #Stream #Life
NASA’s control room recorded the team’s surprise during the mission livestream, although the cameras did not pick up the flashes. According to the astronauts, the flashes were white or blue-white and lasted less than a second. The cameras they were using to document the moon weren’t fast enough to record them.
Lunar surface replete with craters generated by meteorite collisions.
Photograph: NASA
The crew was flying between 6,000 and 7,000 kilometers away. Under normal conditions, these impacts would have gone unnoticed. However, at the time they were studying the solar eclipse, which left the far side of the moon completely dark. That extreme contrast allowed them to distinguish the brief flashes that emerged from the surface.
Before the trip, the Artemis II team trained to identify possible meteorite impacts on the moon. They immediately recognized what they were seeing and reported it according to their protocols. NASA later confirmed that these were natural collisions on the satellite, a scenario they have been monitoring for years. The agency has not yet released a statement, but the conversation was recorded on the YouTube livestream.
It was during this solar eclipse that the astronauts saw most of the impact flashes.
Photograph: NASA
The Problem of Meteorites on the Moon
Since the idea of building permanent lunar bases first arose, different teams have assessed the risks to future inhabitants. Today, the two major challenges are “moonquakes” and meteorite impacts. For the former, there are plans to install seismographs to help understand the phenomenon. For the meteorites, astronomers already know the approximate frequency, and observations such as the six recent flashes help to refine existing models.
On Earth, the atmosphere destroys most meteorites before they reach the ground. Only the larger ones make it through, and it’s a rare scenario. The moon lacks that protective layer, which means any fragment of space rock ends up impacting the surface. The hundreds of millions of lunar craters prove it.
In space exploration, even small objects can pose a risk. For example, a micrometeorite traveling at tens of kilometers per second can puncture thin materials or damage essential equipment. Fragments whose surface area exceed centimeters act as high-energy projectiles, similar to bullets, and could compromise a habitat. Objects larger than 1 meter across generate craters; while they’re extremely rare, they pose a real risk.
NASA’s control room recorded the team’s surprise during the mission livestream, although the cameras did not pick up the flashes. According to the astronauts, the flashes were white or blue-white and lasted less than a second. The cameras they were using to document the moon weren’t fast enough to record them.
Lunar surface replete with craters generated by meteorite collisions.
Photograph: NASA
The crew was flying between 6,000 and 7,000 kilometers away. Under normal conditions, these impacts would have gone unnoticed. However, at the time they were studying the solar eclipse, which left the far side of the moon completely dark. That extreme contrast allowed them to distinguish the brief flashes that emerged from the surface.
Before the trip, the Artemis II team trained to identify possible meteorite impacts on the moon. They immediately recognized what they were seeing and reported it according to their protocols. NASA later confirmed that these were natural collisions on the satellite, a scenario they have been monitoring for years. The agency has not yet released a statement, but the conversation was recorded on the YouTube livestream.
It was during this solar eclipse that the astronauts saw most of the impact flashes.
Photograph: NASA
The Problem of Meteorites on the Moon
Since the idea of building permanent lunar bases first arose, different teams have assessed the risks to future inhabitants. Today, the two major challenges are “moonquakes” and meteorite impacts. For the former, there are plans to install seismographs to help understand the phenomenon. For the meteorites, astronomers already know the approximate frequency, and observations such as the six recent flashes help to refine existing models.
On Earth, the atmosphere destroys most meteorites before they reach the ground. Only the larger ones make it through, and it’s a rare scenario. The moon lacks that protective layer, which means any fragment of space rock ends up impacting the surface. The hundreds of millions of lunar craters prove it.
In space exploration, even small objects can pose a risk. For example, a micrometeorite traveling at tens of kilometers per second can puncture thin materials or damage essential equipment. Fragments whose surface area exceed centimeters act as high-energy projectiles, similar to bullets, and could compromise a habitat. Objects larger than 1 meter across generate craters; while they’re extremely rare, they pose a real risk.
#Artemis #Astronauts #Witnessed #Meteorites #Colliding #Moonspace,nasa,moon,spacecraft,artemis,asteroids,astronauts">Artemis II Astronauts Witnessed 6 Meteorites Colliding With the Moon
During their flyby of the far side of the moon, the Artemis II astronauts aboard the Orion spacecraft saw as many as six flashes emerging from the lunar surface. Surprisingly, they were witnessing small meteorites impacting the ground and producing brief flashes of light.
NASA’s control room recorded the team’s surprise during the mission livestream, although the cameras did not pick up the flashes. According to the astronauts, the flashes were white or blue-white and lasted less than a second. The cameras they were using to document the moon weren’t fast enough to record them.
Lunar surface replete with craters generated by meteorite collisions.
Photograph: NASA
The crew was flying between 6,000 and 7,000 kilometers away. Under normal conditions, these impacts would have gone unnoticed. However, at the time they were studying the solar eclipse, which left the far side of the moon completely dark. That extreme contrast allowed them to distinguish the brief flashes that emerged from the surface.
Before the trip, the Artemis II team trained to identify possible meteorite impacts on the moon. They immediately recognized what they were seeing and reported it according to their protocols. NASA later confirmed that these were natural collisions on the satellite, a scenario they have been monitoring for years. The agency has not yet released a statement, but the conversation was recorded on the YouTube livestream.
It was during this solar eclipse that the astronauts saw most of the impact flashes.
Photograph: NASA
The Problem of Meteorites on the Moon
Since the idea of building permanent lunar bases first arose, different teams have assessed the risks to future inhabitants. Today, the two major challenges are “moonquakes” and meteorite impacts. For the former, there are plans to install seismographs to help understand the phenomenon. For the meteorites, astronomers already know the approximate frequency, and observations such as the six recent flashes help to refine existing models.
On Earth, the atmosphere destroys most meteorites before they reach the ground. Only the larger ones make it through, and it’s a rare scenario. The moon lacks that protective layer, which means any fragment of space rock ends up impacting the surface. The hundreds of millions of lunar craters prove it.
In space exploration, even small objects can pose a risk. For example, a micrometeorite traveling at tens of kilometers per second can puncture thin materials or damage essential equipment. Fragments whose surface area exceed centimeters act as high-energy projectiles, similar to bullets, and could compromise a habitat. Objects larger than 1 meter across generate craters; while they’re extremely rare, they pose a real risk.
This winter, Heated Rivalryhelped audiences get hot and bothered at home. But with cherry blossom season upon us, dare to embrace a romance set under the Tuscan sun. If you need some sunshine, yearning, and romance, go see You, Me & Tuscany, the latest gem from director Kat Coiro.
In 2022, Coiro showed her sincere appreciation for classic romantic comedy with the sublimely satisfying Marry Me, which starred Jennifer Lopez and Owen Wilson in a Notting Hill-like narrative about an average bookish man who woos an international famous woman. Now, Coiro’s back to help us fall in love again with another story that pulls heavily from ’90s rom-com inspiration. This time, her leading lovers are The Little Mermaid‘s Halle Bailey and Bridgerton‘s Regé-Jean Page, who are surrounded by a gaggle of charming, colorful characters.
What’s not to love?
You, Me & Tuscany is basically While You Were Sleeping in Italy.
Regé-Jean Page, Halle Bailey, and Lorenzo de Moor in “You, Me & Tuscany.”Credit: Universal Pictures
Bear with me. Screenwriter Ryan Engle (Rampage, Beast) and his wife, Kristin Engle, are credited with the story for You, Me & Tuscany, with the former credited as its sole screenwriter. You, Me & Tuscany‘s creditsdo not cite the 1995 Sandra Bullock rom-com written by Daniel G. Sullivan and Fredric Lebow as an inspiration. But if you look past the superficial, the comparison between While You Were Sleeping and You, Me & Tuscany is undeniable.
Each film begins with a lonely young woman who dreams of a bigger life. Chicago transit worker Lucy (Bullock), who has no family, dreams of the dashing stranger in the tailored suit who comes to her station every morning and brightens her day by just existing. Aspiring chef Anna (Bailey) once dreamed of traveling to Italy and starting a restaurant with her mom. But the unexpected death of her mother derailed her culinary school education, leaving her scraping by on housesitting gigs in Manhattan. That is, until she meets a “spicy white boy” (as her bestie Claire calls him) named Matteo (Lorenzo de Moor).
Over a sexy night together, Anna learns that Lorenzo owns a Tuscan villa that is “just sitting there.” And look, when she decides to use the last of her savings to finally see Tuscany, it’s not with the plan of squatting in his abandoned villa. But much like Lucy never imagined her meet-cute with her crush would be on the tracks of a subway as the train came barreling in, life (in rom-coms) comes at you fast. Just go with it.
Luca Setaccioli, Stella Pecollo, Agazio Olanda, Tommaso Cassissa, Beatrice Skyler Rigel, Giacomo Giacopini, and Halle Bailey in “You, Me & Tuscany.”Credit: Giulia Parmigiani / Universal Pictures
Naturally, Anna finds a diamond ring in the house, tries it on, and as fate would have, she can’t get it off before Matteo’s family finds her in his house. So, much like Lucy, she is at the center of a marital misunderstanding: the family of the absent (or comatose) man believes this charming, lonely girl is his fiancée. But the similarities don’t stop there! I could run you through the whole plot of both films, to point to how clearly the Engles pulled from Sullivan and Lebow’s framework. But crucial to the plot is the brother complication.
Mashable Top Stories
In While You Were Sleeping, the comatose crush played by Peter Gallagher begins as the dream, but Lucy soon falls for his slightly cranky, blue-collar brother (Bill Pullman), creating an unusual love triangle. Because how can she be with the man she’s actually falling for when he and all his family believes she’s engaged to his brother?! Anna ends up in this same tricky predicament, falling for Matteo’s “brother/cousin” Michael (Page). The specifics of that relationship will be explained by the pair’s TMI-obsessed sister Francesca (a splendidly funny Stella Pecollo). But the key problem is the same: The rom-com heroine’s interest shifts from the white-collar, vaguely fuckboy-esque brother to the more gruff and rugged brother with a heart of gold.
It’s a terrific plot that, while seemingly stolen, is gussied up with gorgeous Italian settings of rolling vineyards, rapturous close-ups of delicious local food, and elements of Black culture shared between the leading onscreen lovers. Awe-striking establishing shots of Tuscany prove a perfect backdrop for these beguiling performers to paint their romance, scored by swoony R&B tracks like Mario’s “Let Me Love You” and Ari Lennox’s “Soft Girl Era.”
Halle Bailey and Regé-Jean Page lead a divine ensemble.
Regé-Jean Page and Halle Bailey in “You, Me & Tuscany.”Credit: Giulia Parmigiani / Universal Pictures
Bailey is bubbly and pitch-perfect as a rom-com heroine, exuding the kind of chaotic gumption that could be disastrous in the real world, but is an unlikely path to adventure in this tender genre. In the opening sequence, she’s able to strut like a confident fashion icon, only to stumble into physical comedy when the rug of a seemingly perfect life is pulled out from under her by another rom-com diva, My Big Fat Greek Wedding‘s Nia Vardalos.
For his part, Page cozies back into the enemies-to-lovers dynamic that had Bridgerton fans going mad. As “handsome winemaker” Michael, he is initially brusque and distrustful of the outspoken American, who assumes they have commonality because of their skin color. After a bumpy beginning though, Michael learns they do have a lot in common, like heartache, ambition, and a love of good wine and yearning R&B. Naturally, Anna gushes to her bestie (Aziza Scott) back in New York about this, texting, “Spicy White has a brother that’s a BROTHA with a six-pack!”
From a distance, Claire tries to be the real-talking voice of reason, and Scott is lively fun in this small part. In Italy, Anna first befriends a garrulous taxi driver named Lorenzo (Marco Calvani), who, beyond offering good advice, is also always ready with a gourmet Italian sandwich. (Squad goals.) De Moor smoothly shoulders the role of the sexy Italian who could be only a plot device by bringing a spicy mischievousness to Matteo. And the rest of the family are a joy, much like in While You Were Sleeping and My Big Fat Greek Wedding. Matteo and Michael not only have their bawdy, chatty sister, but a chipper cousin (Emanuele Pacca) who loves opera, a hovering mother (Isabella Ferrari), a stern father (Paolo Sassanelli), a pair of serenading uncles, a duo of excitable nieces, and a glaring nonna (Stefania Casini). While each is a sketch of a character, they all bring verve and joy to this mirthful medley.
Marco Calvani and Halle Bailey in “You, Me & Tuscany.”Credit: Universal Pictures
Coiro’s rom-com doesn’t just satisfy on the swoon. Sure, she knows how to dress the heroine in chic, fantasy fashion fits, and how to shoot Page for maximum sexual appeal (slo-mo, wet, and shirtless). But beyond that, she fills every role with a dynamic performer who adds flavor to her Italian feast of yearning and love. For instance, Cora (Cocoa Brown) and Prisilla (Vanessa Fraction), a pair of Black friends on a vineyard tour, prove spectacular comic relief in an emotional moment as they riff about edge maintenance and Michael’s level of sexiness. Coiro herself gets in on this fun too, offering a cameo where she’s a silly tourist absolutely flushed by the undeniable sexual chemistry between Anna and Michael. And, fair.
Which is all to say, You, Me & Tuscany will be loved by rom-com fans for its sincere appreciation of the subgenre. From a familiar framework and a traditionally romantic Tuscan setting, Engle creates a vivid world of love and family that is absolutely enchanting. Coiro brings this fantasy romance to life with a crackling cast and a keen eye for both whimsy and comedy. And Bailey and Page are a sensational match, spinning an enemies-to-lovers tale with passion and panache.
All this makes You, Me & Tuscany a marvelous movie, so beautiful and fun that it demands to be seen in theaters. But hey, sneak in a sandwich, a fancy Italian one if you can. It’ll make a perfect pairing.
This winter, Heated Rivalryhelped audiences get hot and bothered at home. But with cherry blossom season upon us, dare to embrace a romance set under the Tuscan sun. If you need some sunshine, yearning, and romance, go see You, Me & Tuscany, the latest gem from director Kat Coiro.
In 2022, Coiro showed her sincere appreciation for classic romantic comedy with the sublimely satisfying Marry Me, which starred Jennifer Lopez and Owen Wilson in a Notting Hill-like narrative about an average bookish man who woos an international famous woman. Now, Coiro’s back to help us fall in love again with another story that pulls heavily from ’90s rom-com inspiration. This time, her leading lovers are The Little Mermaid‘s Halle Bailey and Bridgerton‘s Regé-Jean Page, who are surrounded by a gaggle of charming, colorful characters.
What’s not to love?
You, Me & Tuscany is basically While You Were Sleeping in Italy.
Regé-Jean Page, Halle Bailey, and Lorenzo de Moor in “You, Me & Tuscany.”Credit: Universal Pictures
Bear with me. Screenwriter Ryan Engle (Rampage, Beast) and his wife, Kristin Engle, are credited with the story for You, Me & Tuscany, with the former credited as its sole screenwriter. You, Me & Tuscany‘s creditsdo not cite the 1995 Sandra Bullock rom-com written by Daniel G. Sullivan and Fredric Lebow as an inspiration. But if you look past the superficial, the comparison between While You Were Sleeping and You, Me & Tuscany is undeniable.
Each film begins with a lonely young woman who dreams of a bigger life. Chicago transit worker Lucy (Bullock), who has no family, dreams of the dashing stranger in the tailored suit who comes to her station every morning and brightens her day by just existing. Aspiring chef Anna (Bailey) once dreamed of traveling to Italy and starting a restaurant with her mom. But the unexpected death of her mother derailed her culinary school education, leaving her scraping by on housesitting gigs in Manhattan. That is, until she meets a “spicy white boy” (as her bestie Claire calls him) named Matteo (Lorenzo de Moor).
Over a sexy night together, Anna learns that Lorenzo owns a Tuscan villa that is “just sitting there.” And look, when she decides to use the last of her savings to finally see Tuscany, it’s not with the plan of squatting in his abandoned villa. But much like Lucy never imagined her meet-cute with her crush would be on the tracks of a subway as the train came barreling in, life (in rom-coms) comes at you fast. Just go with it.
Luca Setaccioli, Stella Pecollo, Agazio Olanda, Tommaso Cassissa, Beatrice Skyler Rigel, Giacomo Giacopini, and Halle Bailey in “You, Me & Tuscany.”Credit: Giulia Parmigiani / Universal Pictures
Naturally, Anna finds a diamond ring in the house, tries it on, and as fate would have, she can’t get it off before Matteo’s family finds her in his house. So, much like Lucy, she is at the center of a marital misunderstanding: the family of the absent (or comatose) man believes this charming, lonely girl is his fiancée. But the similarities don’t stop there! I could run you through the whole plot of both films, to point to how clearly the Engles pulled from Sullivan and Lebow’s framework. But crucial to the plot is the brother complication.
Mashable Top Stories
In While You Were Sleeping, the comatose crush played by Peter Gallagher begins as the dream, but Lucy soon falls for his slightly cranky, blue-collar brother (Bill Pullman), creating an unusual love triangle. Because how can she be with the man she’s actually falling for when he and all his family believes she’s engaged to his brother?! Anna ends up in this same tricky predicament, falling for Matteo’s “brother/cousin” Michael (Page). The specifics of that relationship will be explained by the pair’s TMI-obsessed sister Francesca (a splendidly funny Stella Pecollo). But the key problem is the same: The rom-com heroine’s interest shifts from the white-collar, vaguely fuckboy-esque brother to the more gruff and rugged brother with a heart of gold.
It’s a terrific plot that, while seemingly stolen, is gussied up with gorgeous Italian settings of rolling vineyards, rapturous close-ups of delicious local food, and elements of Black culture shared between the leading onscreen lovers. Awe-striking establishing shots of Tuscany prove a perfect backdrop for these beguiling performers to paint their romance, scored by swoony R&B tracks like Mario’s “Let Me Love You” and Ari Lennox’s “Soft Girl Era.”
Halle Bailey and Regé-Jean Page lead a divine ensemble.
Regé-Jean Page and Halle Bailey in “You, Me & Tuscany.”Credit: Giulia Parmigiani / Universal Pictures
Bailey is bubbly and pitch-perfect as a rom-com heroine, exuding the kind of chaotic gumption that could be disastrous in the real world, but is an unlikely path to adventure in this tender genre. In the opening sequence, she’s able to strut like a confident fashion icon, only to stumble into physical comedy when the rug of a seemingly perfect life is pulled out from under her by another rom-com diva, My Big Fat Greek Wedding‘s Nia Vardalos.
For his part, Page cozies back into the enemies-to-lovers dynamic that had Bridgerton fans going mad. As “handsome winemaker” Michael, he is initially brusque and distrustful of the outspoken American, who assumes they have commonality because of their skin color. After a bumpy beginning though, Michael learns they do have a lot in common, like heartache, ambition, and a love of good wine and yearning R&B. Naturally, Anna gushes to her bestie (Aziza Scott) back in New York about this, texting, “Spicy White has a brother that’s a BROTHA with a six-pack!”
From a distance, Claire tries to be the real-talking voice of reason, and Scott is lively fun in this small part. In Italy, Anna first befriends a garrulous taxi driver named Lorenzo (Marco Calvani), who, beyond offering good advice, is also always ready with a gourmet Italian sandwich. (Squad goals.) De Moor smoothly shoulders the role of the sexy Italian who could be only a plot device by bringing a spicy mischievousness to Matteo. And the rest of the family are a joy, much like in While You Were Sleeping and My Big Fat Greek Wedding. Matteo and Michael not only have their bawdy, chatty sister, but a chipper cousin (Emanuele Pacca) who loves opera, a hovering mother (Isabella Ferrari), a stern father (Paolo Sassanelli), a pair of serenading uncles, a duo of excitable nieces, and a glaring nonna (Stefania Casini). While each is a sketch of a character, they all bring verve and joy to this mirthful medley.
Marco Calvani and Halle Bailey in “You, Me & Tuscany.”Credit: Universal Pictures
Coiro’s rom-com doesn’t just satisfy on the swoon. Sure, she knows how to dress the heroine in chic, fantasy fashion fits, and how to shoot Page for maximum sexual appeal (slo-mo, wet, and shirtless). But beyond that, she fills every role with a dynamic performer who adds flavor to her Italian feast of yearning and love. For instance, Cora (Cocoa Brown) and Prisilla (Vanessa Fraction), a pair of Black friends on a vineyard tour, prove spectacular comic relief in an emotional moment as they riff about edge maintenance and Michael’s level of sexiness. Coiro herself gets in on this fun too, offering a cameo where she’s a silly tourist absolutely flushed by the undeniable sexual chemistry between Anna and Michael. And, fair.
Which is all to say, You, Me & Tuscany will be loved by rom-com fans for its sincere appreciation of the subgenre. From a familiar framework and a traditionally romantic Tuscan setting, Engle creates a vivid world of love and family that is absolutely enchanting. Coiro brings this fantasy romance to life with a crackling cast and a keen eye for both whimsy and comedy. And Bailey and Page are a sensational match, spinning an enemies-to-lovers tale with passion and panache.
All this makes You, Me & Tuscany a marvelous movie, so beautiful and fun that it demands to be seen in theaters. But hey, sneak in a sandwich, a fancy Italian one if you can. It’ll make a perfect pairing.
#Tuscany #review #Halle #Bailey #RegéJean #Page #deliver #radiant #feelgood #romcom">‘You, Me and Tuscany’ review: Halle Bailey and Regé-Jean Page deliver a radiant, feel-good rom-com
This winter, Heated Rivalryhelped audiences get hot and bothered at home. But with cherry blossom season upon us, dare to embrace a romance set under the Tuscan sun. If you need some sunshine, yearning, and romance, go see You, Me & Tuscany, the latest gem from director Kat Coiro.
In 2022, Coiro showed her sincere appreciation for classic romantic comedy with the sublimely satisfying Marry Me, which starred Jennifer Lopez and Owen Wilson in a Notting Hill-like narrative about an average bookish man who woos an international famous woman. Now, Coiro’s back to help us fall in love again with another story that pulls heavily from ’90s rom-com inspiration. This time, her leading lovers are The Little Mermaid‘s Halle Bailey and Bridgerton‘s Regé-Jean Page, who are surrounded by a gaggle of charming, colorful characters.
What’s not to love?
You, Me & Tuscany is basically While You Were Sleeping in Italy.
Regé-Jean Page, Halle Bailey, and Lorenzo de Moor in “You, Me & Tuscany.”Credit: Universal Pictures
Bear with me. Screenwriter Ryan Engle (Rampage, Beast) and his wife, Kristin Engle, are credited with the story for You, Me & Tuscany, with the former credited as its sole screenwriter. You, Me & Tuscany‘s creditsdo not cite the 1995 Sandra Bullock rom-com written by Daniel G. Sullivan and Fredric Lebow as an inspiration. But if you look past the superficial, the comparison between While You Were Sleeping and You, Me & Tuscany is undeniable.
Each film begins with a lonely young woman who dreams of a bigger life. Chicago transit worker Lucy (Bullock), who has no family, dreams of the dashing stranger in the tailored suit who comes to her station every morning and brightens her day by just existing. Aspiring chef Anna (Bailey) once dreamed of traveling to Italy and starting a restaurant with her mom. But the unexpected death of her mother derailed her culinary school education, leaving her scraping by on housesitting gigs in Manhattan. That is, until she meets a “spicy white boy” (as her bestie Claire calls him) named Matteo (Lorenzo de Moor).
Over a sexy night together, Anna learns that Lorenzo owns a Tuscan villa that is “just sitting there.” And look, when she decides to use the last of her savings to finally see Tuscany, it’s not with the plan of squatting in his abandoned villa. But much like Lucy never imagined her meet-cute with her crush would be on the tracks of a subway as the train came barreling in, life (in rom-coms) comes at you fast. Just go with it.
Luca Setaccioli, Stella Pecollo, Agazio Olanda, Tommaso Cassissa, Beatrice Skyler Rigel, Giacomo Giacopini, and Halle Bailey in “You, Me & Tuscany.”Credit: Giulia Parmigiani / Universal Pictures
Naturally, Anna finds a diamond ring in the house, tries it on, and as fate would have, she can’t get it off before Matteo’s family finds her in his house. So, much like Lucy, she is at the center of a marital misunderstanding: the family of the absent (or comatose) man believes this charming, lonely girl is his fiancée. But the similarities don’t stop there! I could run you through the whole plot of both films, to point to how clearly the Engles pulled from Sullivan and Lebow’s framework. But crucial to the plot is the brother complication.
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In While You Were Sleeping, the comatose crush played by Peter Gallagher begins as the dream, but Lucy soon falls for his slightly cranky, blue-collar brother (Bill Pullman), creating an unusual love triangle. Because how can she be with the man she’s actually falling for when he and all his family believes she’s engaged to his brother?! Anna ends up in this same tricky predicament, falling for Matteo’s “brother/cousin” Michael (Page). The specifics of that relationship will be explained by the pair’s TMI-obsessed sister Francesca (a splendidly funny Stella Pecollo). But the key problem is the same: The rom-com heroine’s interest shifts from the white-collar, vaguely fuckboy-esque brother to the more gruff and rugged brother with a heart of gold.
It’s a terrific plot that, while seemingly stolen, is gussied up with gorgeous Italian settings of rolling vineyards, rapturous close-ups of delicious local food, and elements of Black culture shared between the leading onscreen lovers. Awe-striking establishing shots of Tuscany prove a perfect backdrop for these beguiling performers to paint their romance, scored by swoony R&B tracks like Mario’s “Let Me Love You” and Ari Lennox’s “Soft Girl Era.”
Halle Bailey and Regé-Jean Page lead a divine ensemble.
Regé-Jean Page and Halle Bailey in “You, Me & Tuscany.”Credit: Giulia Parmigiani / Universal Pictures
Bailey is bubbly and pitch-perfect as a rom-com heroine, exuding the kind of chaotic gumption that could be disastrous in the real world, but is an unlikely path to adventure in this tender genre. In the opening sequence, she’s able to strut like a confident fashion icon, only to stumble into physical comedy when the rug of a seemingly perfect life is pulled out from under her by another rom-com diva, My Big Fat Greek Wedding‘s Nia Vardalos.
For his part, Page cozies back into the enemies-to-lovers dynamic that had Bridgerton fans going mad. As “handsome winemaker” Michael, he is initially brusque and distrustful of the outspoken American, who assumes they have commonality because of their skin color. After a bumpy beginning though, Michael learns they do have a lot in common, like heartache, ambition, and a love of good wine and yearning R&B. Naturally, Anna gushes to her bestie (Aziza Scott) back in New York about this, texting, “Spicy White has a brother that’s a BROTHA with a six-pack!”
From a distance, Claire tries to be the real-talking voice of reason, and Scott is lively fun in this small part. In Italy, Anna first befriends a garrulous taxi driver named Lorenzo (Marco Calvani), who, beyond offering good advice, is also always ready with a gourmet Italian sandwich. (Squad goals.) De Moor smoothly shoulders the role of the sexy Italian who could be only a plot device by bringing a spicy mischievousness to Matteo. And the rest of the family are a joy, much like in While You Were Sleeping and My Big Fat Greek Wedding. Matteo and Michael not only have their bawdy, chatty sister, but a chipper cousin (Emanuele Pacca) who loves opera, a hovering mother (Isabella Ferrari), a stern father (Paolo Sassanelli), a pair of serenading uncles, a duo of excitable nieces, and a glaring nonna (Stefania Casini). While each is a sketch of a character, they all bring verve and joy to this mirthful medley.
Marco Calvani and Halle Bailey in “You, Me & Tuscany.”Credit: Universal Pictures
Coiro’s rom-com doesn’t just satisfy on the swoon. Sure, she knows how to dress the heroine in chic, fantasy fashion fits, and how to shoot Page for maximum sexual appeal (slo-mo, wet, and shirtless). But beyond that, she fills every role with a dynamic performer who adds flavor to her Italian feast of yearning and love. For instance, Cora (Cocoa Brown) and Prisilla (Vanessa Fraction), a pair of Black friends on a vineyard tour, prove spectacular comic relief in an emotional moment as they riff about edge maintenance and Michael’s level of sexiness. Coiro herself gets in on this fun too, offering a cameo where she’s a silly tourist absolutely flushed by the undeniable sexual chemistry between Anna and Michael. And, fair.
Which is all to say, You, Me & Tuscany will be loved by rom-com fans for its sincere appreciation of the subgenre. From a familiar framework and a traditionally romantic Tuscan setting, Engle creates a vivid world of love and family that is absolutely enchanting. Coiro brings this fantasy romance to life with a crackling cast and a keen eye for both whimsy and comedy. And Bailey and Page are a sensational match, spinning an enemies-to-lovers tale with passion and panache.
All this makes You, Me & Tuscany a marvelous movie, so beautiful and fun that it demands to be seen in theaters. But hey, sneak in a sandwich, a fancy Italian one if you can. It’ll make a perfect pairing.
Notebooks sound a lot like ChatGPT’s Projects feature, which launched in 2024 and similarly lets users store things about a certain topic in one spot. Google says to “think of notebooks as personal knowledge bases shared across Google products, starting in Gemini.” Gemini’s Notebooks also sync with Google’s NotebookLM AI research tool, meaning sources you add while using one of the apps will show up in both.
Gemini’s notebooks are rolling out this week on the web for subscribers of Google’s AI Ultra, Pro, and Plus plans, according to Google. The feature will come to mobile and to free users in the “coming weeks.”
Notebooks sound a lot like ChatGPT’s Projects feature, which launched in 2024 and similarly lets users store things about a certain topic in one spot. Google says to “think of notebooks as personal knowledge bases shared across Google products, starting in Gemini.” Gemini’s Notebooks also sync with Google’s NotebookLM AI research tool, meaning sources you add while using one of the apps will show up in both.
Gemini’s notebooks are rolling out this week on the web for subscribers of Google’s AI Ultra, Pro, and Plus plans, according to Google. The feature will come to mobile and to free users in the “coming weeks.”
#Gemini #notebooks #organize #projectsAI,Google,News,Tech">Gemini gets notebooks to help you organize projects
Google’s Gemini is getting a feature called “notebooks” to help you organize things about certain topics in a single place while using the AI chatbot, the company announced on Wednesday. You can pull in things like files, past conversations, and custom instructions into notebooks that Gemini can then use as context while you’re talking with it.
Notebooks sound a lot like ChatGPT’s Projects feature, which launched in 2024 and similarly lets users store things about a certain topic in one spot. Google says to “think of notebooks as personal knowledge bases shared across Google products, starting in Gemini.” Gemini’s Notebooks also sync with Google’s NotebookLM AI research tool, meaning sources you add while using one of the apps will show up in both.
Gemini’s notebooks are rolling out this week on the web for subscribers of Google’s AI Ultra, Pro, and Plus plans, according to Google. The feature will come to mobile and to free users in the “coming weeks.”
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