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I went to the Pentagon to watch Pete Hegseth scold war reporters

I went to the Pentagon to watch Pete Hegseth scold war reporters

It is day 13 of America’s surprise war with Iran — by sheer coincidence, it’s Friday the 13th — and I am delirious. I haven’t had a coffee since I woke up at 5AM, because I’m not allowed to bring outside beverages into the Pentagon (the security screening cutoff was at 7AM for the 8AM), and ever since Defense Secretary Pete Hegseth changed the rules last year, journalists are not allowed to go anywhere in the building without an escort, especially to wherever coffee is available. Also, I am struggling to comprehend why I, a reporter who has never covered a war, was assigned to sit in one of the good seats in the briefing room, watching Hegseth take the podium and immediately start berating the veteran journalists assigned to the bad seats.

“We will keep pushing. Keep advancing. No quarter, no mercy for our enemies. Yet some of this crew in the press just can’t stop,” Hegseth glowers, speaking in perfect cable-news cadence. He was speaking to the pissed-off defense reporters from NBC, ABC, The Wall Street Journal, The New York Times, and Fox News — the people who’d covered conflicts in the Middle East for decades, knew the intricacies of the Pentagon, and knew what needed to be asked for the sake of accountability. It was the first time many of them had been back since last October, when the entire Pentagon press corps resigned in protest after Hegseth told them that they could not report on any information, classified or otherwise, that he did not approve for release.

In the front row and middle aisles, right at Hegseth’s eyeline, were their replacements from what Hegseth called the “patriotic press” — One America News, ZeroHedge, The Gateway Pundit, Real America’s Voice, The Daily Wire, and Lindell TV — many of whom looked startlingly young. It’s not a good look to have a half-full briefing room of starstruck reporters during a controversial war, so this week, the Pentagon press team announced that they would hold an open press conference, allowing the old defense reporters back in for the first time in months. But as long as they asked too many questions, Hegseth would continue to disrespect them.

”What should the banner read instead? How about ‘Iran increasingly desperate’?”

“Allow me to make a few suggestions,” Hegseth told the media. “People look up at the TV and they see banners. They see headlines. I used to be in that business. And I know that everything is written intentionally.
 For example, a banner or headline [like] ‘Mideast war intensified,’ splashing on the screen the last couple of days, alongside visuals of civilian or energy targets that Iran has hit, because that’s what they do. What should the banner read instead? How about ‘Iran increasingly desperate’?”

Were they, though? Since his last press conference on Tuesday, two US planes crashed into each other last night (which Hegseth did not mention during his tirade). The Iranians had fired missiles at Bahrain, sent attack drones into Lebanon, and threatened to target American cities next. Now the misadventure was hitting American wallets and making Americans angry. Iran had begun placing mines and assaulting ships passing through the Strait of Hormuz — a crucial energy shipping lane they were literally right next to — and sent the price of oil skyrocketing. Even with price controls, oil was roughly $100 a barrel that morning, up 40 percent since the war started two weeks ago.

“More fake news from CNN: reports that the Trump administration underestimated the Iran War’s impact on the Strait of Hormuz,” Hegseth continued. “Patently ridiculous, of course. For decades, Iran has threatened shipping in the strait before. This is always what they do. Hold the strait hostage. CNN doesn’t think we thought of that. It’s a fundamentally unserious report. The sooner David Ellison takes over that network…” He trailed off. A murmur rippled through the room. Everyone knew what had happened to CBS News after Ellison bought it.

As Hegseth swung back and forth between abusing the press and glazing the military, followed by Chairman of the Joint Chiefs of Staff Dan Caine giving actual relevant information about the war, my personal curiosity turned to why I had been invited to this briefing. Yes, invited. The Pentagon press team knew that I wasn’t the nicest reporter to them and yet had offered me a seat. And what journalist wouldn’t attend a press conference at the Pentagon during a war? Every time I’d ever watched a press conference at the Pentagon — especially whenever the military was involved in active conflict — I’d see the room packed with as many reporters as they could possibly fit. But this time, they’d only accepted 60 reporters.

Despite my grogginess, I could tell that the first question, from a woman at One America News in the front row, who later bragged on Instagram that she’d gotten to ask the first question for the last three press briefings, was a softball. (“Can you tell us a little bit more about the Strait of Hormuz and when it might be fully operational again?”) And I could tell that the second question, from a woman at The Daily Wire — who also, apparently, frequently got the second question — was meant to give Hegseth an opportunity to attack the media. (“ABC News has updated its story from yesterday, clarifying that the FBI report on Iran possibly striking California was unverified. I just want to ask you, what impact did that original reporting have on the public?”)

Finally Hegseth pointed at someone that was not a young woman, opting for an older gentleman in a red tie sitting behind me. He announced himself as Michael Gordon of The Wall Street Journal, before asking, “Iran is thought to have 440 kilograms of highly enriched uranium in at least two locations and several thousand kilograms of lower purity material. Can you conclude this mission successfully without physically taking control of that material or are you counting on diplomatic negotiations to provide some measure of control leading to its removal? You’ve mentioned missiles, you’ve mentioned drones, [the] military, industry. You haven’t stipulated that taking care of that material is a mission priority.”

Judging from his face, Pete Hegseth and I appeared to have something in common: We had no idea that this was a serious issue. Thankfully, Hegseth was the one responsible for tap dancing around an answer (“We have a range of options, up to and including Iran deciding that they will give those up, which of course we would welcome”), and I looked up Gordon’s background in the meantime. Suffice to say, he’d been covering nuclear weapons and Middle Eastern wars since long before I was even born.

Once Hegseth managed to get out of that, however, he immediately regained his composure — as in, he began fighting with any mainstream outlet who asked him a tough question:

Q (NBC): Is Iran placing new mines?

Hegseth: We’ve heard them talk about it, just like you’ve reported recklessly and wildly about it—

Q: I haven’t reported on it, actually, but have they placed any mines?

Q (NYT): Mr. Secretary, you have said that the US military has essentially aerial superiority, naval superiority over Iran, yet we’re not escorting ships through the Strait of Hormuz. Why? How did you not plan for this?

Hegseth: We planned for it. We recognize it. Because ultimately, we want to do it sequentially in a way that makes the most sense for what we want to achieve and ensure that we’re sending the right signals to the world when we do so. … It’s like this whole idea of the war widening. That’s what the press wants to make it look like, like it’s widening and chaos is ensuing. No, we’re actually closing in on, grabbing hold of, and controlling what objectives we want to achieve and how we want to achieve them, shape — it’s called shaping operations and setting the conditions.

By now, Hegseth’s petulance about the media is so well known that it’s a running Saturday Night Live bit. But this time, it wasn’t just the mainstream press assailing him with harsh questions. The Trump administration had fumbled into the kind of forever war that was broadly unpopular — particularly among the neocon-hating MAGA voters who’d never wanted to revisit the failures of Afghanistan and Iraq. But the friendlies in the front rows wouldn’t give him an opportunity to gloat. True, some of the outlets kept the questions elementary, though I couldn’t see whether it was a MAGA outlet or a foreign outlet. (Said one man: “Given everything the US has accomplished in the last 24 hours, as of today, how do you define success in this military option?”) But a reporter from the front row (I couldn’t tell whom) was ready to lob politically toxic questions that Hegseth had to dodge:

Q: Polls show over 80 percent of Republicans support the president’s military action in Iran, but there’s some consternation in parts of the party, particularly from your fellow Fox News alum Tucker Carlson. He called the war “disgusting and evil” and then said of unconditional surrender, which the president has called for, means “foreign troops get to rape your wives and daughters.” Have you heard these comments and what’s your reaction to them?

I instantly knew this was from a MAGA outlet, because if someone from the mainstream media world had asked about Carlson, a powerful commentator and loose cannon in Trumpworld, Hegseth would have immediately attacked them for trying to sow division. Instead, he demurred. “We’re busy executing on behalf of great patriotic Americans with a clear mission that’s 47 years overdue. And we’re going to execute on that regardless of what people say about it.”

The final question, from Lindell TV reporter Heather Mullins, flicked at two subjects of the right wing’s increasing skepticism: China, which was offering limited support to Iran, and Israel, which had arguably egged Trump into launching the attack on Tehran that killed the Ayatollah, and whose intelligence on the possibility of regime change was horribly, horribly wrong. “I know President Trump is calling for an unconditional surrender from Iran. Given that the US is working in partnership with Israel on this whole operation, is Iran expected to meet demands of both countries or just the US? And what are those demands?”

Hegesth gave an answer that would not appease the Israel skeptics: “Our objectives are our objectives. So when those are met, as we meet those, we’ll set the — we’ll set the tempo of when those are met.” The conference quickly wrapped and we were soon ushered out, all somewhat bewildered. If I had to describe the general reaction purely on vibes, I’d say everyone left feeling more frustrated than they had coming in — the “patriot” reporters who suspected that Hegseth was dodging and wondered why he hadn’t answered more questions, and the natsec reporters with decades of experience who knew what Hegseth was dodging.

The friendlies in the front rows wouldn’t give him an opportunity to gloat

I was frustrated, too, because I was one of the other people in the room who, by design, could not ask a good question about the war. I’ve never seen active combat or visited a war zone. I’ve never even traveled to the Middle East. Even if I’d spent significant time crafting a good question in advance, I wouldn’t have the knowledge base to ask any follow-up questions, much less verbally spar with Hegseth if and when he’d claim I was a liar. I have, however, covered Trumpworld and the MAGA media for over a decade, and a hard rule in both worlds is that the performance is always more important than the substance.

That’s pretty obvious to anyone watching from home. But what you don’t see, and what is a new phenomenon in this administration, is all the production behind the camera: the reality television instincts and psychological tactics meant to trigger genuine anger, conflict, and (most importantly) drama among the participants who are trying to take it seriously. It can be done by simply depriving them of caffeine, shuffling the seating arrangements, and filling a spot with someone inclined to write about the media drama — instead of someone capable of interrogating Pete Hegseth about the actual war.

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#Pentagon #watch #Pete #Hegseth #scold #war #reporters

Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests">‘The Bear’s one-dimensional love interests have got to go
                                                            Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.
        SEE ALSO:
        
            ‘The Bear’ just dropped a surprise episode. Here’s how to watch it now.
            
        
    
The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

        SEE ALSO:
        
            ‘The Bear’s ‘Gary’ cliffhanger explained: What just happened to Richie?
            
        
    
Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.
        
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Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)
That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

                    
                                    #Bears #onedimensional #love #interests

The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests">‘The Bear’s one-dimensional love interests have got to go

Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests

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