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Lionsgate Is Trying to Bring ‘Leprechaun’ Back to Life (Again)
                Do you remember a few years ago when it was reported the Leprechaun franchise was coming back? Lionsgate apparently means it for real this time, as it’s brought on two writers to script its new film. That would be Patrick Melton and Marcus Dunstan, according to Deadline. After previously teaming on 2022’s Unhuman and the screen story for 2019’s Scary Stories to Tell in the Dark, the pair have reunited to revitalize this dormant franchise. In the producer’s chair are father-and-son duo Oren and Miles Koules—longtime producers on the Saw franchise—with the latter telling Deadline he was ready to work on “a terrifying new way into the rich world of Leprechaun.“

 Last we heard in 2023, Lionsgate had filmmaker Felipe Vargas on hand to direct a new Leprechaun in what would’ve been his feature film debut. (Vargas’ takes comes after Jane Schoenbrun was approached to helm a reboot a year prior, which they ultimately passed on in favor of I Saw the TV Glow.) Plans with Vargas fell through, but the studio’s not given up, likely because of the success Alien and Predator saw when they came back to theaters. And they’re not the only ones: Texas Chainsaw Massacre and Nightmare on Elm Street aren’t far behind, and Saw could be joining them as well. Plot details on the Leprechaun revival are currently under wraps, but we’ll have more as news emerges—including whether Warwick Davis is game to make a return of some kind.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Lionsgate #Bring #Leprechaun #LifeLeprechaun,Lionsgate

Lionsgate Is Trying to Bring ‘Leprechaun’ Back to Life (Again)Lionsgate Is Trying to Bring ‘Leprechaun’ Back to Life (Again)
                Do you remember a few years ago when it was reported the Leprechaun franchise was coming back? Lionsgate apparently means it for real this time, as it’s brought on two writers to script its new film. That would be Patrick Melton and Marcus Dunstan, according to Deadline. After previously teaming on 2022’s Unhuman and the screen story for 2019’s Scary Stories to Tell in the Dark, the pair have reunited to revitalize this dormant franchise. In the producer’s chair are father-and-son duo Oren and Miles Koules—longtime producers on the Saw franchise—with the latter telling Deadline he was ready to work on “a terrifying new way into the rich world of Leprechaun.“

 Last we heard in 2023, Lionsgate had filmmaker Felipe Vargas on hand to direct a new Leprechaun in what would’ve been his feature film debut. (Vargas’ takes comes after Jane Schoenbrun was approached to helm a reboot a year prior, which they ultimately passed on in favor of I Saw the TV Glow.) Plans with Vargas fell through, but the studio’s not given up, likely because of the success Alien and Predator saw when they came back to theaters. And they’re not the only ones: Texas Chainsaw Massacre and Nightmare on Elm Street aren’t far behind, and Saw could be joining them as well. Plot details on the Leprechaun revival are currently under wraps, but we’ll have more as news emerges—including whether Warwick Davis is game to make a return of some kind.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Lionsgate #Bring #Leprechaun #LifeLeprechaun,Lionsgate

Do you remember a few years ago when it was reported the Leprechaun franchise was coming back? Lionsgate apparently means it for real this time, as it’s brought on two writers to script its new film.

That would be Patrick Melton and Marcus Dunstan, according to Deadline. After previously teaming on 2022’s Unhuman and the screen story for 2019’s Scary Stories to Tell in the Dark, the pair have reunited to revitalize this dormant franchise. In the producer’s chair are father-and-son duo Oren and Miles Koules—longtime producers on the Saw franchise—with the latter telling Deadline he was ready to work on “a terrifying new way into the rich world of Leprechaun.

Last we heard in 2023, Lionsgate had filmmaker Felipe Vargas on hand to direct a new Leprechaun in what would’ve been his feature film debut. (Vargas’ takes comes after Jane Schoenbrun was approached to helm a reboot a year prior, which they ultimately passed on in favor of I Saw the TV Glow.) Plans with Vargas fell through, but the studio’s not given up, likely because of the success Alien and Predator saw when they came back to theaters. And they’re not the only ones: Texas Chainsaw Massacre and Nightmare on Elm Street aren’t far behind, and Saw could be joining them as well.

Plot details on the Leprechaun revival are currently under wraps, but we’ll have more as news emerges—including whether Warwick Davis is game to make a return of some kind.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Lionsgate #Bring #Leprechaun #LifeLeprechaun,Lionsgate

Do you remember a few years ago when it was reported the Leprechaun franchise was coming back? Lionsgate apparently means it for real this time, as it’s brought on two writers to script its new film.

That would be Patrick Melton and Marcus Dunstan, according to Deadline. After previously teaming on 2022’s Unhuman and the screen story for 2019’s Scary Stories to Tell in the Dark, the pair have reunited to revitalize this dormant franchise. In the producer’s chair are father-and-son duo Oren and Miles Koules—longtime producers on the Saw franchise—with the latter telling Deadline he was ready to work on “a terrifying new way into the rich world of Leprechaun.

Last we heard in 2023, Lionsgate had filmmaker Felipe Vargas on hand to direct a new Leprechaun in what would’ve been his feature film debut. (Vargas’ takes comes after Jane Schoenbrun was approached to helm a reboot a year prior, which they ultimately passed on in favor of I Saw the TV Glow.) Plans with Vargas fell through, but the studio’s not given up, likely because of the success Alien and Predator saw when they came back to theaters. And they’re not the only ones: Texas Chainsaw Massacre and Nightmare on Elm Street aren’t far behind, and Saw could be joining them as well.

Plot details on the Leprechaun revival are currently under wraps, but we’ll have more as news emerges—including whether Warwick Davis is game to make a return of some kind.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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#Lionsgate #Bring #Leprechaun #Life

X is overhauling how it pays creators, phasing out its long-running Revenue Sharing program in favor of a new system called the Original Content Rewards Program.

The platform’s Creators account announced the change in a post, saying the program is meant to “reward creators who bring original ideas, expertise, reporting, creativity, and commentary to X.”

According to the announcement, X stopped accepting new Revenue Sharing enrollments immediately and will wind the program down entirely after Sept. 7. Creators currently enrolled will receive three final payouts — two on the standard schedule in mid- and late August, and a final payment around Sept. 11 covering earnings through the cutoff date. Starting Sept. 8, existing Revenue Sharing members can apply for the new program if they meet its eligibility requirements, the company said.

Per X’s announcement, the new program ties earnings to “qualified impressions” a creator’s original content receives, rather than the advertising-revenue split that defined the old system. Qualified impressions must come from unique, verified Premium subscribers viewing at least half of a post on the Home Timeline; impressions that are duplicated, paid, promoted, or fraudulent don’t count.

To qualify, X says creators must be at least 18, live in an eligible country, hold a Personal or Business account in good standing, subscribe to a paid X tier, and have at least 500 verified followers, along with 500,000 Home Timeline impressions from verified users over the prior 90 days. Those requirements must be maintained continuously to keep receiving payouts, according to the announcement.

X’s guidelines lean heavily on defining what counts as “original.” Per the company’s post, content that is copied, reuploaded without authorship, generated through automated means, or reposted with only minor edits — such as captions, watermarks, or basic text overlays — won’t qualify. Users can earn from reposting others’ material only if they add substantive commentary, analysis, or creative editing. So, simply describing what’s already happening in a post doesn’t meet the bar.

As noted in Engadget’s report on the news, X adjusted its Revenue Sharing formula in March to weight engagement more heavily toward a creator’s home region. That shift, they wrote, likely followed revelations that a number of popular accounts posting pro-Trump content and US-focused commentary were not actually based in the United States.

Whether the new Original Content Rewards Program carries over a similar regional weighting is not yet clear.

#retires #revenue #sharing #Original #Content #Rewards #program">X retires revenue sharing for new ‘Original Content Rewards’ program
                                                            X is overhauling how it pays creators, phasing out its long-running Revenue Sharing program in favor of a new system called the Original Content Rewards Program. The platform’s Creators account announced the change in a post, saying the program is meant to “reward creators who bring original ideas, expertise, reporting, creativity, and commentary to X.”According to the announcement, X stopped accepting new Revenue Sharing enrollments immediately and will wind the program down entirely after Sept. 7. Creators currently enrolled will receive three final payouts — two on the standard schedule in mid- and late August, and a final payment around Sept. 11 covering earnings through the cutoff date. Starting Sept. 8, existing Revenue Sharing members can apply for the new program if they meet its eligibility requirements, the company said.

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Per X’s announcement, the new program ties earnings to “qualified impressions” a creator’s original content receives, rather than the advertising-revenue split that defined the old system. Qualified impressions must come from unique, verified Premium subscribers viewing at least half of a post on the Home Timeline; impressions that are duplicated, paid, promoted, or fraudulent don’t count.
        
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To qualify, X says creators must be at least 18, live in an eligible country, hold a Personal or Business account in good standing, subscribe to a paid X tier, and have at least 500 verified followers, along with 500,000 Home Timeline impressions from verified users over the prior 90 days. Those requirements must be maintained continuously to keep receiving payouts, according to the announcement.X’s guidelines lean heavily on defining what counts as “original.” Per the company’s post, content that is copied, reuploaded without authorship, generated through automated means, or reposted with only minor edits — such as captions, watermarks, or basic text overlays — won’t qualify. Users can earn from reposting others’ material only if they add substantive commentary, analysis, or creative editing. So, simply describing what’s already happening in a post doesn’t meet the bar.
As noted in Engadget’s report on the news, X adjusted its Revenue Sharing formula in March to weight engagement more heavily toward a creator’s home region. That shift, they wrote, likely followed revelations that a number of popular accounts posting pro-Trump content and US-focused commentary were not actually based in the United States. Whether the new Original Content Rewards Program carries over a similar regional weighting is not yet clear.

                    
                                            
                            
                        
                                    #retires #revenue #sharing #Original #Content #Rewards #program

announced the change in a post, saying the program is meant to “reward creators who bring original ideas, expertise, reporting, creativity, and commentary to X.”

According to the announcement, X stopped accepting new Revenue Sharing enrollments immediately and will wind the program down entirely after Sept. 7. Creators currently enrolled will receive three final payouts — two on the standard schedule in mid- and late August, and a final payment around Sept. 11 covering earnings through the cutoff date. Starting Sept. 8, existing Revenue Sharing members can apply for the new program if they meet its eligibility requirements, the company said.

Per X’s announcement, the new program ties earnings to “qualified impressions” a creator’s original content receives, rather than the advertising-revenue split that defined the old system. Qualified impressions must come from unique, verified Premium subscribers viewing at least half of a post on the Home Timeline; impressions that are duplicated, paid, promoted, or fraudulent don’t count.

To qualify, X says creators must be at least 18, live in an eligible country, hold a Personal or Business account in good standing, subscribe to a paid X tier, and have at least 500 verified followers, along with 500,000 Home Timeline impressions from verified users over the prior 90 days. Those requirements must be maintained continuously to keep receiving payouts, according to the announcement.

X’s guidelines lean heavily on defining what counts as “original.” Per the company’s post, content that is copied, reuploaded without authorship, generated through automated means, or reposted with only minor edits — such as captions, watermarks, or basic text overlays — won’t qualify. Users can earn from reposting others’ material only if they add substantive commentary, analysis, or creative editing. So, simply describing what’s already happening in a post doesn’t meet the bar.

As noted in Engadget’s report on the news, X adjusted its Revenue Sharing formula in March to weight engagement more heavily toward a creator’s home region. That shift, they wrote, likely followed revelations that a number of popular accounts posting pro-Trump content and US-focused commentary were not actually based in the United States.

Whether the new Original Content Rewards Program carries over a similar regional weighting is not yet clear.

#retires #revenue #sharing #Original #Content #Rewards #program">X retires revenue sharing for new ‘Original Content Rewards’ program

X is overhauling how it pays creators, phasing out its long-running Revenue Sharing program in favor of a new system called the Original Content Rewards Program.

The platform’s Creators account announced the change in a post, saying the program is meant to “reward creators who bring original ideas, expertise, reporting, creativity, and commentary to X.”

According to the announcement, X stopped accepting new Revenue Sharing enrollments immediately and will wind the program down entirely after Sept. 7. Creators currently enrolled will receive three final payouts — two on the standard schedule in mid- and late August, and a final payment around Sept. 11 covering earnings through the cutoff date. Starting Sept. 8, existing Revenue Sharing members can apply for the new program if they meet its eligibility requirements, the company said.

Per X’s announcement, the new program ties earnings to “qualified impressions” a creator’s original content receives, rather than the advertising-revenue split that defined the old system. Qualified impressions must come from unique, verified Premium subscribers viewing at least half of a post on the Home Timeline; impressions that are duplicated, paid, promoted, or fraudulent don’t count.

To qualify, X says creators must be at least 18, live in an eligible country, hold a Personal or Business account in good standing, subscribe to a paid X tier, and have at least 500 verified followers, along with 500,000 Home Timeline impressions from verified users over the prior 90 days. Those requirements must be maintained continuously to keep receiving payouts, according to the announcement.

X’s guidelines lean heavily on defining what counts as “original.” Per the company’s post, content that is copied, reuploaded without authorship, generated through automated means, or reposted with only minor edits — such as captions, watermarks, or basic text overlays — won’t qualify. Users can earn from reposting others’ material only if they add substantive commentary, analysis, or creative editing. So, simply describing what’s already happening in a post doesn’t meet the bar.

As noted in Engadget’s report on the news, X adjusted its Revenue Sharing formula in March to weight engagement more heavily toward a creator’s home region. That shift, they wrote, likely followed revelations that a number of popular accounts posting pro-Trump content and US-focused commentary were not actually based in the United States.

Whether the new Original Content Rewards Program carries over a similar regional weighting is not yet clear.

#retires #revenue #sharing #Original #Content #Rewards #program
Buc-ee’s became something of a viral sensation during the World Cup, but it has a troubling history of suing small gas stations and convenience stores. On a recent episode of Last Week Tonight, John Oliver literally begged the company to sue him for selling merch featuring his squirrel mascot, Mr. Nutterbutter, with branding that reads “Buc-Off.” But Buc-ee’s has so far declined to take the bait, instead targeting yet another small business that lacks the deep pockets and legal team of HBO.

According to WDTN, an NBC affiliate in Miami Valley, Ohio, Buc-ee’s opened its first locations in the state earlier this year. And now it’s targeting established local businesses through trademark suits. Beaver’s Mini Mart in Beavercreek has been a staple of the city for “decades.” But Buc-ee’s is claiming that this long-running store’s beaver logo could confuse customers. WDTN says:

In the suit, filed days ago, Buc-ee’s alleges that the Mini Mart’s cartoon beaver mascot is too similar to their own, with its “wide eyes and a smile” that also “uses red as a predominant color,” and could cause confusion.

Oliver and Mr. Nutterbutter have already fended off one lawsuit, with Bob Murray, a mining executive, having unsuccessfully sued for defamation following a 2017 episode about the coal industry.

#Bucees #dodges #John #Oliver #sue #small #businessBusiness,Culture,Entertainment,Internet Culture,Law,News,Policy,TV Shows">Buc-ee’s dodges John Oliver to sue another small businessBuc-ee’s became something of a viral sensation during the World Cup, but it has a troubling history of suing small gas stations and convenience stores. On a recent episode of Last Week Tonight, John Oliver literally begged the company to sue him for selling merch featuring his squirrel mascot, Mr. Nutterbutter, with branding that reads “Buc-Off.” But Buc-ee’s has so far declined to take the bait, instead targeting yet another small business that lacks the deep pockets and legal team of HBO.According to WDTN, an NBC affiliate in Miami Valley, Ohio, Buc-ee’s opened its first locations in the state earlier this year. And now it’s targeting established local businesses through trademark suits. Beaver’s Mini Mart in Beavercreek has been a staple of the city for “decades.” But Buc-ee’s is claiming that this long-running store’s beaver logo could confuse customers. WDTN says:In the suit, filed days ago, Buc-ee’s alleges that the Mini Mart’s cartoon beaver mascot is too similar to their own, with its “wide eyes and a smile” that also “uses red as a predominant color,” and could cause confusion.Oliver and Mr. Nutterbutter have already fended off one lawsuit, with Bob Murray, a mining executive, having unsuccessfully sued for defamation following a 2017 episode about the coal industry.#Bucees #dodges #John #Oliver #sue #small #businessBusiness,Culture,Entertainment,Internet Culture,Law,News,Policy,TV Shows

viral sensation during the World Cup, but it has a troubling history of suing small gas stations and convenience stores. On a recent episode of Last Week Tonight, John Oliver literally begged the company to sue him for selling merch featuring his squirrel mascot, Mr. Nutterbutter, with branding that reads “Buc-Off.” But Buc-ee’s has so far declined to take the bait, instead targeting yet another small business that lacks the deep pockets and legal team of HBO.

According to WDTN, an NBC affiliate in Miami Valley, Ohio, Buc-ee’s opened its first locations in the state earlier this year. And now it’s targeting established local businesses through trademark suits. Beaver’s Mini Mart in Beavercreek has been a staple of the city for “decades.” But Buc-ee’s is claiming that this long-running store’s beaver logo could confuse customers. WDTN says:

In the suit, filed days ago, Buc-ee’s alleges that the Mini Mart’s cartoon beaver mascot is too similar to their own, with its “wide eyes and a smile” that also “uses red as a predominant color,” and could cause confusion.

Oliver and Mr. Nutterbutter have already fended off one lawsuit, with Bob Murray, a mining executive, having unsuccessfully sued for defamation following a 2017 episode about the coal industry.

#Bucees #dodges #John #Oliver #sue #small #businessBusiness,Culture,Entertainment,Internet Culture,Law,News,Policy,TV Shows">Buc-ee’s dodges John Oliver to sue another small business

Buc-ee’s became something of a viral sensation during the World Cup, but it has a troubling history of suing small gas stations and convenience stores. On a recent episode of Last Week Tonight, John Oliver literally begged the company to sue him for selling merch featuring his squirrel mascot, Mr. Nutterbutter, with branding that reads “Buc-Off.” But Buc-ee’s has so far declined to take the bait, instead targeting yet another small business that lacks the deep pockets and legal team of HBO.

According to WDTN, an NBC affiliate in Miami Valley, Ohio, Buc-ee’s opened its first locations in the state earlier this year. And now it’s targeting established local businesses through trademark suits. Beaver’s Mini Mart in Beavercreek has been a staple of the city for “decades.” But Buc-ee’s is claiming that this long-running store’s beaver logo could confuse customers. WDTN says:

In the suit, filed days ago, Buc-ee’s alleges that the Mini Mart’s cartoon beaver mascot is too similar to their own, with its “wide eyes and a smile” that also “uses red as a predominant color,” and could cause confusion.

Oliver and Mr. Nutterbutter have already fended off one lawsuit, with Bob Murray, a mining executive, having unsuccessfully sued for defamation following a 2017 episode about the coal industry.

#Bucees #dodges #John #Oliver #sue #small #businessBusiness,Culture,Entertainment,Internet Culture,Law,News,Policy,TV Shows

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