×
Paid, the AI agent ‘results-based billing’ startup from Manny Medina, raises huge M seed | TechCrunch

Paid, the AI agent ‘results-based billing’ startup from Manny Medina, raises huge $21M seed | TechCrunch

Manny Medina, previously best-known as the founder of sales automation startup Outreach ($4.4 billion valuation), has wowed investors with his young startup, Paid.

Paid just closed an oversubscribed $21.6 million seed round led by Lightspeed. With the €10 million pre-seed round it raised in March, London-based Paid has already raised $33.3 million and hasn’t even hit its Series A yet. A source familiar with the deal says the startup’s valuation is over $100 million.

Paid came out of stealth in March offering an interesting contribution to the AI agentic world: The company doesn’t offer agents. It offers a way for agent makers to charge their customers for these worker algorithms, based on the value their agents provide. This is a growing theme in AI, sometimes called “results-based billing.”

Paid promises to help agent makers “start charging for points of margin saved by their customers,” Medina describes. 

It’s a new way of charging for software for the AI age. This is instead of the unlimited use, per-user fees of the SaaS era, or the unlimited use, buy-it-once-and-install-it fees of the client/server era. 

Per-user fees don’t work because agent makers pay usage fees to the model providers as well as to cloud providers. Unlimited use could drive them into the red. (The vibe coding startup world tends to suffer from this issue.) 

Agent providers instead “need to show the value the agent is delivering to your customers, because agents are running in the background for the most part,” Medina tells TechCrunch. If agents do work as advertised, then they’ll be assigned increasingly more, with their growing workloads going unnoticed.

Techcrunch event

San Francisco
|
October 27-29, 2025

“If you’re a quiet agent, you don’t get paid,” Madina says. “You need an infrastructure that allows the agent to charge for the additional work that the agent is doing,”  

But charging a monthly fee for a limited number of credits — following the model makers and vibe coders — is risky for agent-makers, too. That’s because companies don’t want to pay for AI slop, which is still what most AI produces. After billions spent on AI pilots, some 95% of enterprise projects were found to have no value, with only 5% put into production, according to a recent study from MIT.

Companies don’t want to pay agents to produce more emails that no one reads. 

One of the startup’s early customers, for instance, is Artisan, the viral sales automation startup. (By the way, you can hear Artisan’s CEO Jaspar Carmichael-Jack speak on the topic at TechCrunch Disrupt next month.) 

But Paid is also starting to see success with SaaS companies looking at agents for their next big growth. The startup just landed ERP vendor IFS as a new customer, it said. 

Lightspeed’s Alexander Schmitt says the venture firm has invested “more than $2.5 billion into AI infrastructure and application layer companies over the last three years,” and has witnessed firsthand that most AI pilots fail.  

“The core of that problem is that no one can really attach value to what agents are doing today,” Schmitt said.  

Schmitt thinks that Paid is, so far, unique in its approach, saying “it’s something that we haven’t seen someone else build.” No doubt more competition for agentic results-based billing will come if it really does help agents enter the workforce en mass.

New investor FUSE and existing investor EQT Ventures also participated in the round. 

Source link
#Paid #theAI #agentresultsbased #billingstartupfrom #Manny #Medinaraiseshuge21M #seed #TechCrunch

Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests">‘The Bear’s one-dimensional love interests have got to go
                                                            Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.
        SEE ALSO:
        
            ‘The Bear’ just dropped a surprise episode. Here’s how to watch it now.
            
        
    
The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

        SEE ALSO:
        
            ‘The Bear’s ‘Gary’ cliffhanger explained: What just happened to Richie?
            
        
    
Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.
        
            Mashable Top Stories
        
        
    
Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)
That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

                    
                                    #Bears #onedimensional #love #interests

The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests">‘The Bear’s one-dimensional love interests have got to go

Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests

In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.

#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech">Google Home’s Gemini AI can handle more complicated requestsGoogle Home users can now ask Gemini to complete more complex, multi-step tasks and combine multiple tasks in a single command. Google has updated Gemini for Home to Gemini 3.1, which it says will improve the smart home assistant’s ability to interpret and act on requests. The upgrade will also make Gemini for Home better at handling recurring and all-day events and allow users to “move around” upcoming events.In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech

updated Gemini for Home to Gemini 3.1, which it says will improve the smart home assistant’s ability to interpret and act on requests. The upgrade will also make Gemini for Home better at handling recurring and all-day events and allow users to “move around” upcoming events.

In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.

#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech">Google Home’s Gemini AI can handle more complicated requests

Google Home users can now ask Gemini to complete more complex, multi-step tasks and combine multiple tasks in a single command. Google has updated Gemini for Home to Gemini 3.1, which it says will improve the smart home assistant’s ability to interpret and act on requests. The upgrade will also make Gemini for Home better at handling recurring and all-day events and allow users to “move around” upcoming events.

In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.

#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech

Post Comment