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Synthesia hits B valuation, lets employees cash out | TechCrunch

Synthesia hits $4B valuation, lets employees cash out | TechCrunch

British startup Synthesia, whose AI platform helps companies create interactive training videos, has raised a $200 million Series E round of funding that brings its valuation to $4 billion — up from $2.1 billion just a year ago.

Unlike some other AI startups that are still a long way from turning a profit, Synthesia has found a lucrative business in transforming corporate training thanks to AI-generated avatars. With enterprise clients including Bosch, Merck, and SAP, the London-based company crossed $100 million in annual recurring revenue (ARR) in April 2025.

This milestone explains why Synthesia’s venture backers are literally doubling down. The Series E that nearly doubled its valuation was led by existing investor GV (Google Ventures), with participation from several other previous backers — including Series B lead Kleiner Perkins, Series C lead Accel, Series D lead New Enterprise Associates (NEA), NVIDIA’s venture capital arm NVentures, Air Street Capital, and PSP Growth. 

Aside from ongoing support, this round will bring both new and departing investors. On one hand, Matt Miller’s VC firm Evantic and the secretive VC firm Hedosophia are joining the cap table as new entrants. On the other hand, Synthesia will facilitate an employee secondary sale in partnership with Nasdaq, TechCrunch has learned.

To be clear, Synthesia isn’t going public just yet — Nasdaq isn’t acting as a public exchange in this operation, but as a private markets facilitator that will help early team members turn their shares into cash. These employee stock sales often happen outside of this framework, but usually at prices either below or above the company’s official valuation, and are sometimes frowned upon by other shareholders. With this process, all sales will be tied to the same $4 billion valuation as Synthesia’s Series E, while the company keeps an element of control.

“This secondary is first and foremost about our employees,” Synthesia CFO Daniel Kim told TechCrunch. “It gives employees a meaningful opportunity to access liquidity and share in the value they’ve helped create, while we continue to operate as a private company focused on long-term growth.”

For Synthesia, this long-term growth involves going beyond expressive videos and embracing the AI agents trend. According to a press release, the company is developing AI agents that will let its clients’ employees “interact with company knowledge in a more intuitive, human-like way by asking questions, exploring scenarios through role-play, and receiving tailored explanations.”

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The company said early pilots have received positive feedback from customers, who reported higher engagement and faster knowledge transfer compared to traditional formats. This positive response explains why Synthesia now plans to make agents a “core strategic focus” to invest in, alongside further product improvements to its existing platform.

While it didn’t disclose revenue forecasts, the company hopes its platform will offer a welcome answer to the struggles of enterprises in keeping their workforce adequately trained despite rapid changes. “We see a rare convergence of two major shifts: a technology shift with AI agents becoming more capable, and a market shift where upskilling and internal knowledge sharing have become board-level priorities,” Synthesia’s co-founder and CEO Victor Riparbelli said in a statement.

Seeing boards care more about employees as a result of AI wasn’t on anyone’s bingo card, except perhaps Riparbelli. Together with his cofounder, Synthesia COO Steffen Tjerrild, Riparbelli took the initiative of conducting a secondary sale so that employees could share in the success of the unicorn company. Founded in 2017, Synthesia now has more than 500 team members, a 20,000-square-foot HQ in London, and additional offices in Amsterdam, Copenhagen, Munich, New York City, and Zurich.

While unusual for a British startup, this coordinated secondary sale isn’t a first and likely not a last, Synthesia’s head of corporate affairs and policy, Alexandru Voica told TechCrunch. “My guess is that as [U.K.-based] private companies stay private longer, this type of structured, cross-border employee liquidity may become increasingly common, so I wouldn’t be surprised to see others do it, either with Nasdaq or others,” he predicted.

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Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests">‘The Bear’s one-dimensional love interests have got to go
                                                            Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.
        SEE ALSO:
        
            ‘The Bear’ just dropped a surprise episode. Here’s how to watch it now.
            
        
    
The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

        SEE ALSO:
        
            ‘The Bear’s ‘Gary’ cliffhanger explained: What just happened to Richie?
            
        
    
Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.
        
            Mashable Top Stories
        
        
    
Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)
That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

                    
                                    #Bears #onedimensional #love #interests

The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests">‘The Bear’s one-dimensional love interests have got to go

Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests

In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.

#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech">Google Home’s Gemini AI can handle more complicated requestsGoogle Home users can now ask Gemini to complete more complex, multi-step tasks and combine multiple tasks in a single command. Google has updated Gemini for Home to Gemini 3.1, which it says will improve the smart home assistant’s ability to interpret and act on requests. The upgrade will also make Gemini for Home better at handling recurring and all-day events and allow users to “move around” upcoming events.In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech

updated Gemini for Home to Gemini 3.1, which it says will improve the smart home assistant’s ability to interpret and act on requests. The upgrade will also make Gemini for Home better at handling recurring and all-day events and allow users to “move around” upcoming events.

In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.

#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech">Google Home’s Gemini AI can handle more complicated requests

Google Home users can now ask Gemini to complete more complex, multi-step tasks and combine multiple tasks in a single command. Google has updated Gemini for Home to Gemini 3.1, which it says will improve the smart home assistant’s ability to interpret and act on requests. The upgrade will also make Gemini for Home better at handling recurring and all-day events and allow users to “move around” upcoming events.

In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.

#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech

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