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Rajpal Yadav to be a part of content creator and actor Bhuvan Bam’s Dhindora Season 2?


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Bhuvan Bam,Dhindora,Filming,OTT,OTT Platform,Rajpal Yadav,Season 2,Shooting,Shooting Update,Youtube"> Bhuvan Bam begins filming for Dhindora season 2: “Nayi Chunauti, Naya Mehmaan”    Content creator and actor Bhuvan Bam has officially began filming for Dhindora 2, the much-awaited follow-up to his widely successful 2021 web series. The creator shared the update on social media along with a behind-the-scenes image from the set, confirming that production on the new season is now underway.Bhuvan Bam begins filming for Dhindora season 2: “Nayi Chunauti, Naya Mehmaan”In the photo, Bam can be seen holding a clapboard carrying the words “Dhindora 2 Filming Now,” offering fans their first glimpse into the show’s production phase. Sharing the update, he wrote, “Nayi Chunauti, Naya Mehmaan, Naya Dhindora! 📣 Netflix and I need your blessings. Peet do Dhindora!!”The announcement marks a significant milestone for the franchise, which began as an ambitious digital project and went on to become one of the most successful Indian creator-led series.The first season of Dhindora premiered on Bhuvan Bam’s BB Ki Vines YouTube channel in 2021 and quickly became a major success. The series attracted a massive audience and reportedly crossed 500 million views, establishing itself as one of India’s most popular creator-driven scripted shows.While Season 1 was independently produced and released on YouTube, Season 2 has received the backing of Netflix India. The streaming giant announced the project as part of its Next On Netflix 2026 India slate, bringing the beloved universe to a wider audience. The new season will place greater focus on Titu Mama, one of the franchise’s most popular characters. With filming now underway, audiences can look forward to another chapter in Bhuvan Bam’s signature comedic universe, this time on a much larger platform.Also Read: Rajpal Yadav to be a part of content creator and actor Bhuvan Bam’s Dhindora Season 2?BOLLYWOOD NEWS – LIVE UPDATESCatch us for latest Bollywood News, New Bollywood Movies update, Box office collection, New Movies Release , Bollywood News Hindi, Entertainment News, Bollywood Live News Today & Upcoming Movies 2026 and stay updated with latest hindi movies only on Bollywood Hungama.Bhuvan Bam,Dhindora,Filming,OTT,OTT Platform,Rajpal Yadav,Season 2,Shooting,Shooting Update,Youtube
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Rajpal Yadav to be a part of content creator and actor Bhuvan Bam’s Dhindora Season 2?


BOLLYWOOD NEWS – LIVE UPDATES

Catch us for latest Bollywood News, New Bollywood Movies update, Box office collection, New Movies Release , Bollywood News Hindi, Entertainment News, Bollywood Live News Today & Upcoming Movies 2026 and stay updated with latest hindi movies only on Bollywood Hungama.

Bhuvan Bam,Dhindora,Filming,OTT,OTT Platform,Rajpal Yadav,Season 2,Shooting,Shooting Update,Youtube">Bhuvan Bam begins filming for Dhindora season 2: “Nayi Chunauti, Naya Mehmaan”

Content creator and actor Bhuvan Bam has officially began filming for Dhindora 2, the much-awaited follow-up to his widely successful 2021 web series. The creator shared the update on social media along with a behind-the-scenes image from the set, confirming that production on the new season is now underway.

Bhuvan Bam begins filming for Dhindora season 2: “Nayi Chunauti, Naya Mehmaan”    Content creator and actor Bhuvan Bam has officially began filming for Dhindora 2, the much-awaited follow-up to his widely successful 2021 web series. The creator shared the update on social media along with a behind-the-scenes image from the set, confirming that production on the new season is now underway.Bhuvan Bam begins filming for Dhindora season 2: “Nayi Chunauti, Naya Mehmaan”In the photo, Bam can be seen holding a clapboard carrying the words “Dhindora 2 Filming Now,” offering fans their first glimpse into the show’s production phase. Sharing the update, he wrote, “Nayi Chunauti, Naya Mehmaan, Naya Dhindora! 📣 Netflix and I need your blessings. Peet do Dhindora!!”The announcement marks a significant milestone for the franchise, which began as an ambitious digital project and went on to become one of the most successful Indian creator-led series.The first season of Dhindora premiered on Bhuvan Bam’s BB Ki Vines YouTube channel in 2021 and quickly became a major success. The series attracted a massive audience and reportedly crossed 500 million views, establishing itself as one of India’s most popular creator-driven scripted shows.While Season 1 was independently produced and released on YouTube, Season 2 has received the backing of Netflix India. The streaming giant announced the project as part of its Next On Netflix 2026 India slate, bringing the beloved universe to a wider audience. The new season will place greater focus on Titu Mama, one of the franchise’s most popular characters. With filming now underway, audiences can look forward to another chapter in Bhuvan Bam’s signature comedic universe, this time on a much larger platform.Also Read: Rajpal Yadav to be a part of content creator and actor Bhuvan Bam’s Dhindora Season 2?BOLLYWOOD NEWS – LIVE UPDATESCatch us for latest Bollywood News, New Bollywood Movies update, Box office collection, New Movies Release , Bollywood News Hindi, Entertainment News, Bollywood Live News Today & Upcoming Movies 2026 and stay updated with latest hindi movies only on Bollywood Hungama.Bhuvan Bam,Dhindora,Filming,OTT,OTT Platform,Rajpal Yadav,Season 2,Shooting,Shooting Update,YoutubeBhuvan Bam begins filming for Dhindora season 2: “Nayi Chunauti, Naya Mehmaan”    Content creator and actor Bhuvan Bam has officially began filming for Dhindora 2, the much-awaited follow-up to his widely successful 2021 web series. The creator shared the update on social media along with a behind-the-scenes image from the set, confirming that production on the new season is now underway.Bhuvan Bam begins filming for Dhindora season 2: “Nayi Chunauti, Naya Mehmaan”In the photo, Bam can be seen holding a clapboard carrying the words “Dhindora 2 Filming Now,” offering fans their first glimpse into the show’s production phase. Sharing the update, he wrote, “Nayi Chunauti, Naya Mehmaan, Naya Dhindora! 📣 Netflix and I need your blessings. Peet do Dhindora!!”The announcement marks a significant milestone for the franchise, which began as an ambitious digital project and went on to become one of the most successful Indian creator-led series.The first season of Dhindora premiered on Bhuvan Bam’s BB Ki Vines YouTube channel in 2021 and quickly became a major success. The series attracted a massive audience and reportedly crossed 500 million views, establishing itself as one of India’s most popular creator-driven scripted shows.While Season 1 was independently produced and released on YouTube, Season 2 has received the backing of Netflix India. The streaming giant announced the project as part of its Next On Netflix 2026 India slate, bringing the beloved universe to a wider audience. The new season will place greater focus on Titu Mama, one of the franchise’s most popular characters. With filming now underway, audiences can look forward to another chapter in Bhuvan Bam’s signature comedic universe, this time on a much larger platform.Also Read: Rajpal Yadav to be a part of content creator and actor Bhuvan Bam’s Dhindora Season 2?BOLLYWOOD NEWS – LIVE UPDATESCatch us for latest Bollywood News, New Bollywood Movies update, Box office collection, New Movies Release , Bollywood News Hindi, Entertainment News, Bollywood Live News Today & Upcoming Movies 2026 and stay updated with latest hindi movies only on Bollywood Hungama.Bhuvan Bam,Dhindora,Filming,OTT,OTT Platform,Rajpal Yadav,Season 2,Shooting,Shooting Update,Youtube

Bhuvan Bam begins filming for Dhindora season 2: “Nayi Chunauti, Naya Mehmaan”

In the photo, Bam can be seen holding a clapboard carrying the words “Dhindora 2 Filming Now,” offering fans their first glimpse into the show’s production phase. Sharing the update, he wrote, “Nayi Chunauti, Naya Mehmaan, Naya Dhindora! 📣 Netflix and I need your blessings. Peet do Dhindora!!”

The announcement marks a significant milestone for the franchise, which began as an ambitious digital project and went on to become one of the most successful Indian creator-led series.

The first season of Dhindora premiered on Bhuvan Bam’s BB Ki Vines YouTube channel in 2021 and quickly became a major success. The series attracted a massive audience and reportedly crossed 500 million views, establishing itself as one of India’s most popular creator-driven scripted shows.

While Season 1 was independently produced and released on YouTube, Season 2 has received the backing of Netflix India. The streaming giant announced the project as part of its Next On Netflix 2026 India slate, bringing the beloved universe to a wider audience. The new season will place greater focus on Titu Mama, one of the franchise’s most popular characters. With filming now underway, audiences can look forward to another chapter in Bhuvan Bam’s signature comedic universe, this time on a much larger platform.

Also Read: Rajpal Yadav to be a part of content creator and actor Bhuvan Bam’s Dhindora Season 2?


BOLLYWOOD NEWS – LIVE UPDATES

Catch us for latest Bollywood News, New Bollywood Movies update, Box office collection, New Movies Release , Bollywood News Hindi, Entertainment News, Bollywood Live News Today & Upcoming Movies 2026 and stay updated with latest hindi movies only on Bollywood Hungama.

Bhuvan Bam,Dhindora,Filming,OTT,OTT Platform,Rajpal Yadav,Season 2,Shooting,Shooting Update,Youtube

Content creator and actor Bhuvan Bam has officially began filming for Dhindora 2, the much-awaited…

Backrooms, a moody horror piece that stars Chiwetel Ejiofor and Renate Reinsve, is a cerebral expansion of Parsons’ atmospheric YouTube web series of the same name. It marks his feature debut as A24’s youngest director to date, at the helm of a movie long anticipated by a huge and hungry internet fan base. You could hardly ask for a better kick start to summer blockbuster season.

Yet Parsons makes his meteoric success sound like something of an accident. “I never went into making that first short or making the series with the intention of, ‘I want to do this so I can prove to Hollywood that this is an engine that is viable for a film,’” he says.

That original nine-minute video, titled “The Backrooms (Found Footage)” and uploaded by Parsons in 2022, was inspired by—of all things—a sinister 4chan meme that spawned a collaborative mythology. The 2019 post on the notorious image board’s /x/ forum included a disquieting photo of an empty hallway bathed in sickly light. An anonymous user described being transported into “the Backrooms, where it’s nothing but the stink of old, moist carpet, the madness of mono-yellow, the endless background noise of fluorescent lights at maximum hum-buzz, and approximately six hundred million square miles of randomly segmented empty rooms to be trapped in.”

“God save you if you hear something wandering around nearby, because it sure as hell has heard you,” the 4chan user added.

Other people took up the concept, creating spinoff imagery and stories on various social platforms. Parsons encountered these, as well as then-popular memes about surreal liminal spaces—the Backrooms being a paranormal extension of this phenomenon. He was intrigued by what this material evoked but felt it hadn’t been fully explored.

“It was clearly scratching something that I didn’t really see much other media scratching,” he says. “I think there was an element of like, I wish there was more for me to engage with here.”

To that end, Parsons decided to see whether he could conjure an immersive vision of the Backrooms with Blender 3D graphics software and Adobe After Effects. That initial video, in which a person is chased through the Backrooms by a malevolent life-form, went massively viral, with viewers marveling at Parsons’ technical skill and the chilling suspense he’d created. Fans excitedly speculated on the larger mythology of the uncanny setting. Within a month, studios were approaching Parsons with hopes for a full-length movie.

Although still a teenager at the time, Parsons knew enough to be wary of the offers. “I was very distrustful of pretty much everything that was happening, just because I feel like it’s a very common experience for that sort of event to turn into nothing,” he says. “Or you end up with less than nothing.”

Ultimately, however, he got what a young filmmaker dreams of: the chance to pursue his vision, in this case with top talent at his side. The feature film has a script by Homeland and Westworld writer Will Soodik, and its producers include horror maestros Osgood Perkins and James Wan.

#Backrooms #Takes #Deeper #Internets #Uncanny #Horror #Mythmovies,horror,youtube,hollywood,4chan"> ‘Backrooms’ Takes You Deeper Inside the Internet’s Most Uncanny Horror MythThe 20-year-old filmmaker Kane Parsons has risen to the top so fast that he’s had zero time to process how far he’s come.“It’s been go, go, go,” Parsons tells WIRED. “Even the tiniest bit of a break,” he says, would give him some better perspective on everything that’s happened over the past few years. But for the moment, he’s soaking up the limelight—and thinks it’ll be at least another month before he has the space to reflect on his big break.Backrooms, a moody horror piece that stars Chiwetel Ejiofor and Renate Reinsve, is a cerebral expansion of Parsons’ atmospheric YouTube web series of the same name. It marks his feature debut as A24’s youngest director to date, at the helm of a movie long anticipated by a huge and hungry internet fan base. You could hardly ask for a better kick start to summer blockbuster season.Yet Parsons makes his meteoric success sound like something of an accident. “I never went into making that first short or making the series with the intention of, ‘I want to do this so I can prove to Hollywood that this is an engine that is viable for a film,’” he says.That original nine-minute video, titled “The Backrooms (Found Footage)” and uploaded by Parsons in 2022, was inspired by—of all things—a sinister 4chan meme that spawned a collaborative mythology. The 2019 post on the notorious image board’s /x/ forum included a disquieting photo of an empty hallway bathed in sickly light. An anonymous user described being transported into “the Backrooms, where it’s nothing but the stink of old, moist carpet, the madness of mono-yellow, the endless background noise of fluorescent lights at maximum hum-buzz, and approximately six hundred million square miles of randomly segmented empty rooms to be trapped in.”“God save you if you hear something wandering around nearby, because it sure as hell has heard you,” the 4chan user added.Other people took up the concept, creating spinoff imagery and stories on various social platforms. Parsons encountered these, as well as then-popular memes about surreal liminal spaces—the Backrooms being a paranormal extension of this phenomenon. He was intrigued by what this material evoked but felt it hadn’t been fully explored.“It was clearly scratching something that I didn’t really see much other media scratching,” he says. “I think there was an element of like, I wish there was more for me to engage with here.”To that end, Parsons decided to see whether he could conjure an immersive vision of the Backrooms with Blender 3D graphics software and Adobe After Effects. That initial video, in which a person is chased through the Backrooms by a malevolent life-form, went massively viral, with viewers marveling at Parsons’ technical skill and the chilling suspense he’d created. Fans excitedly speculated on the larger mythology of the uncanny setting. Within a month, studios were approaching Parsons with hopes for a full-length movie.Although still a teenager at the time, Parsons knew enough to be wary of the offers. “I was very distrustful of pretty much everything that was happening, just because I feel like it’s a very common experience for that sort of event to turn into nothing,” he says. “Or you end up with less than nothing.”Ultimately, however, he got what a young filmmaker dreams of: the chance to pursue his vision, in this case with top talent at his side. The feature film has a script by Homeland and Westworld writer Will Soodik, and its producers include horror maestros Osgood Perkins and James Wan.#Backrooms #Takes #Deeper #Internets #Uncanny #Horror #Mythmovies,horror,youtube,hollywood,4chan
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Backrooms, a moody horror piece that stars Chiwetel Ejiofor and Renate Reinsve, is a cerebral expansion of Parsons’ atmospheric YouTube web series of the same name. It marks his feature debut as A24’s youngest director to date, at the helm of a movie long anticipated by a huge and hungry internet fan base. You could hardly ask for a better kick start to summer blockbuster season.

Yet Parsons makes his meteoric success sound like something of an accident. “I never went into making that first short or making the series with the intention of, ‘I want to do this so I can prove to Hollywood that this is an engine that is viable for a film,’” he says.

That original nine-minute video, titled “The Backrooms (Found Footage)” and uploaded by Parsons in 2022, was inspired by—of all things—a sinister 4chan meme that spawned a collaborative mythology. The 2019 post on the notorious image board’s /x/ forum included a disquieting photo of an empty hallway bathed in sickly light. An anonymous user described being transported into “the Backrooms, where it’s nothing but the stink of old, moist carpet, the madness of mono-yellow, the endless background noise of fluorescent lights at maximum hum-buzz, and approximately six hundred million square miles of randomly segmented empty rooms to be trapped in.”

“God save you if you hear something wandering around nearby, because it sure as hell has heard you,” the 4chan user added.

Other people took up the concept, creating spinoff imagery and stories on various social platforms. Parsons encountered these, as well as then-popular memes about surreal liminal spaces—the Backrooms being a paranormal extension of this phenomenon. He was intrigued by what this material evoked but felt it hadn’t been fully explored.

“It was clearly scratching something that I didn’t really see much other media scratching,” he says. “I think there was an element of like, I wish there was more for me to engage with here.”

To that end, Parsons decided to see whether he could conjure an immersive vision of the Backrooms with Blender 3D graphics software and Adobe After Effects. That initial video, in which a person is chased through the Backrooms by a malevolent life-form, went massively viral, with viewers marveling at Parsons’ technical skill and the chilling suspense he’d created. Fans excitedly speculated on the larger mythology of the uncanny setting. Within a month, studios were approaching Parsons with hopes for a full-length movie.

Although still a teenager at the time, Parsons knew enough to be wary of the offers. “I was very distrustful of pretty much everything that was happening, just because I feel like it’s a very common experience for that sort of event to turn into nothing,” he says. “Or you end up with less than nothing.”

Ultimately, however, he got what a young filmmaker dreams of: the chance to pursue his vision, in this case with top talent at his side. The feature film has a script by Homeland and Westworld writer Will Soodik, and its producers include horror maestros Osgood Perkins and James Wan.

#Backrooms #Takes #Deeper #Internets #Uncanny #Horror #Mythmovies,horror,youtube,hollywood,4chan">‘Backrooms’ Takes You Deeper Inside the Internet’s Most Uncanny Horror Myth

The 20-year-old filmmaker Kane Parsons has risen to the top so fast that he’s had zero time to process how far he’s come.

“It’s been go, go, go,” Parsons tells WIRED. “Even the tiniest bit of a break,” he says, would give him some better perspective on everything that’s happened over the past few years. But for the moment, he’s soaking up the limelight—and thinks it’ll be at least another month before he has the space to reflect on his big break.

Backrooms, a moody horror piece that stars Chiwetel Ejiofor and Renate Reinsve, is a cerebral expansion of Parsons’ atmospheric YouTube web series of the same name. It marks his feature debut as A24’s youngest director to date, at the helm of a movie long anticipated by a huge and hungry internet fan base. You could hardly ask for a better kick start to summer blockbuster season.

Yet Parsons makes his meteoric success sound like something of an accident. “I never went into making that first short or making the series with the intention of, ‘I want to do this so I can prove to Hollywood that this is an engine that is viable for a film,’” he says.

That original nine-minute video, titled “The Backrooms (Found Footage)” and uploaded by Parsons in 2022, was inspired by—of all things—a sinister 4chan meme that spawned a collaborative mythology. The 2019 post on the notorious image board’s /x/ forum included a disquieting photo of an empty hallway bathed in sickly light. An anonymous user described being transported into “the Backrooms, where it’s nothing but the stink of old, moist carpet, the madness of mono-yellow, the endless background noise of fluorescent lights at maximum hum-buzz, and approximately six hundred million square miles of randomly segmented empty rooms to be trapped in.”

“God save you if you hear something wandering around nearby, because it sure as hell has heard you,” the 4chan user added.

Other people took up the concept, creating spinoff imagery and stories on various social platforms. Parsons encountered these, as well as then-popular memes about surreal liminal spaces—the Backrooms being a paranormal extension of this phenomenon. He was intrigued by what this material evoked but felt it hadn’t been fully explored.

“It was clearly scratching something that I didn’t really see much other media scratching,” he says. “I think there was an element of like, I wish there was more for me to engage with here.”

To that end, Parsons decided to see whether he could conjure an immersive vision of the Backrooms with Blender 3D graphics software and Adobe After Effects. That initial video, in which a person is chased through the Backrooms by a malevolent life-form, went massively viral, with viewers marveling at Parsons’ technical skill and the chilling suspense he’d created. Fans excitedly speculated on the larger mythology of the uncanny setting. Within a month, studios were approaching Parsons with hopes for a full-length movie.

Although still a teenager at the time, Parsons knew enough to be wary of the offers. “I was very distrustful of pretty much everything that was happening, just because I feel like it’s a very common experience for that sort of event to turn into nothing,” he says. “Or you end up with less than nothing.”

Ultimately, however, he got what a young filmmaker dreams of: the chance to pursue his vision, in this case with top talent at his side. The feature film has a script by Homeland and Westworld writer Will Soodik, and its producers include horror maestros Osgood Perkins and James Wan.

#Backrooms #Takes #Deeper #Internets #Uncanny #Horror #Mythmovies,horror,youtube,hollywood,4chan

The 20-year-old filmmaker Kane Parsons has risen to the top so fast that he’s had…

Bloomberg. The suit, filed by the Breathitt County School District in Kentucky, claims that social media has disrupted learning and created a mental health crisis, straining budgets. The terms of the settlement have not been revealed yet, and Meta is still facing a trial in the same suit, which is viewed as a bellwether for over 1,000 similar lawsuits across the country

This follows an earlier case, settled by Snap and TikTok, in which a 19-year-old plaintiff claimed significant personal injury due to addictive social media apps. Google and Meta did not agree to a settlement in that suit, and it eventually went to trial, where a jury awarded the plaintiff $6 million. Meta also recently lost a suit brought by New Mexico’s Attorney General, to the tune of $375 million.

Beyond monetary awards, many, including New Mexico, are pushing for significant changes to social media apps to limit their harm to minors. And this is just the start of what’s shaping up to be a busy year for social media lawsuits. According to Bloomberg, lawyers representing school districts said their “focus remains on pursuing justice for the remaining 1,200 school districts who have filed cases.”

#Snap #YouTube #TikTok #settle #suit #harm #studentsCreators,Facebook,Law,Meta,News,Policy,Snapchat,Social Media,Streaming,Tech,TikTok,YouTube"> Snap, YouTube, and TikTok settle suit over harm to studentsSnap, YouTube, and TikTok have settled the first lawsuit of its kind, alleging that social media addiction has cost public schools massive amounts of money, according to Bloomberg. The suit, filed by the Breathitt County School District in Kentucky, claims that social media has disrupted learning and created a mental health crisis, straining budgets. The terms of the settlement have not been revealed yet, and Meta is still facing a trial in the same suit, which is viewed as a bellwether for over 1,000 similar lawsuits across the countryThis follows an earlier case, settled by Snap and TikTok, in which a 19-year-old plaintiff claimed significant personal injury due to addictive social media apps. Google and Meta did not agree to a settlement in that suit, and it eventually went to trial, where a jury awarded the plaintiff  million. Meta also recently lost a suit brought by New Mexico’s Attorney General, to the tune of 5 million.Beyond monetary awards, many, including New Mexico, are pushing for significant changes to social media apps to limit their harm to minors. And this is just the start of what’s shaping up to be a busy year for social media lawsuits. According to Bloomberg, lawyers representing school districts said their “focus remains on pursuing justice for the remaining 1,200 school districts who have filed cases.”#Snap #YouTube #TikTok #settle #suit #harm #studentsCreators,Facebook,Law,Meta,News,Policy,Snapchat,Social Media,Streaming,Tech,TikTok,YouTube
Tech-news

Bloomberg. The suit, filed by the Breathitt County School District in Kentucky, claims that social media has disrupted learning and created a mental health crisis, straining budgets. The terms of the settlement have not been revealed yet, and Meta is still facing a trial in the same suit, which is viewed as a bellwether for over 1,000 similar lawsuits across the country

This follows an earlier case, settled by Snap and TikTok, in which a 19-year-old plaintiff claimed significant personal injury due to addictive social media apps. Google and Meta did not agree to a settlement in that suit, and it eventually went to trial, where a jury awarded the plaintiff $6 million. Meta also recently lost a suit brought by New Mexico’s Attorney General, to the tune of $375 million.

Beyond monetary awards, many, including New Mexico, are pushing for significant changes to social media apps to limit their harm to minors. And this is just the start of what’s shaping up to be a busy year for social media lawsuits. According to Bloomberg, lawyers representing school districts said their “focus remains on pursuing justice for the remaining 1,200 school districts who have filed cases.”

#Snap #YouTube #TikTok #settle #suit #harm #studentsCreators,Facebook,Law,Meta,News,Policy,Snapchat,Social Media,Streaming,Tech,TikTok,YouTube">Snap, YouTube, and TikTok settle suit over harm to students

Snap, YouTube, and TikTok have settled the first lawsuit of its kind, alleging that social media addiction has cost public schools massive amounts of money, according to Bloomberg. The suit, filed by the Breathitt County School District in Kentucky, claims that social media has disrupted learning and created a mental health crisis, straining budgets. The terms of the settlement have not been revealed yet, and Meta is still facing a trial in the same suit, which is viewed as a bellwether for over 1,000 similar lawsuits across the country

This follows an earlier case, settled by Snap and TikTok, in which a 19-year-old plaintiff claimed significant personal injury due to addictive social media apps. Google and Meta did not agree to a settlement in that suit, and it eventually went to trial, where a jury awarded the plaintiff $6 million. Meta also recently lost a suit brought by New Mexico’s Attorney General, to the tune of $375 million.

Beyond monetary awards, many, including New Mexico, are pushing for significant changes to social media apps to limit their harm to minors. And this is just the start of what’s shaping up to be a busy year for social media lawsuits. According to Bloomberg, lawyers representing school districts said their “focus remains on pursuing justice for the remaining 1,200 school districts who have filed cases.”

#Snap #YouTube #TikTok #settle #suit #harm #studentsCreators,Facebook,Law,Meta,News,Policy,Snapchat,Social Media,Streaming,Tech,TikTok,YouTube

Snap, YouTube, and TikTok have settled the first lawsuit of its kind, alleging that social…

fashion-Alizabeth

“I’m not a celebrity.” That is one realization that the artist, actress, model and first-time…

when shots were fired at the event, there has been a boom of conspiracy theory videos created by people who insist that the entire situation was a false flag operation. These kinds of theories are nothing new, but the way they’re spreading now is a reflection of how reaction video culture is reshaping our social media landscape. And even though the initial chaos around the shooting has started to die down, content creators are still posting about what “really” happened.

There is still much we do not know about Cole Allen, the 31-year-old suspected shooter who allegedly traveled from Los Angeles to Washington, DC, ahead of the WCHD and was staying in the same Hilton where the event was held. But that has not stopped content creators from flooding platforms like YouTube, TikTok, Instagram, and X with videos purporting to have more insightful takes on the situation than what’s being reported by the mainstream media.

None of these videos reveal anything that hasn’t already been reported out via traditional media outlets. But each of them speaks to the way that this brand of content has become a normal part of people’s media consumption habits and something that creators see as a viable way to capture attention. In the US, trust in traditional media outlets is at a historic low and more people are turning to social media to stay informed about world events. And that shift has given conspiracy-minded content creators a choice opportunity to influence the way people understand reality.

All of this is similar to what happened in 2024 when Donald Trump survived an assassination attempt while campaigning for the presidency. Then, creators rushed to capitalize on the event while also writing it off as a false flag designed to garner sympathy for the Republican nominee. That news cycle and subsequent discourse dragged on for weeks, both because it was a significant moment in an election year and because it was difficult to understand how Trump could have been shot in his ear without sustaining any visible damage afterward.

Many of the newer videos about the WHCD shooting suggest that we should look at these events as a response to the Trump administration’s propensity for spreading misinformation. And while there is no evidence to suggest that the WHCD shooting was, in fact, orchestrated with Trump’s approval, one could argue the administration is at least partially responsible for the way that this idea has gained traction across the internet.

As easy as it is to laugh at the constant barrage of shitposts coming out of the president’s social media accounts and other official governmental channels, they have undoubtedly had an impact on the way that the public thinks about the current administration. By sharing ugly, immature memes and AI-generated images of Trump as a Christlike figure, the White House has told people that nothing is to be taken seriously and everything can be turned into a crude joke. And at a time when all of the internet’s biggest social media platforms have begun encouraging their users to upload videos of themselves while chasing engagement, it makes sense that many would see this past weekend’s shooting as a chance to boost their profiles.

Trump has made nonsensical “jokes” a significant part of his political brand, and people are responding with very similar energy.

#primetime #conspiracy #theorist #video #creatorsCreators,Instagram,Meta,Streaming,Tech,TikTok,YouTube"> It’s primetime for conspiracy theorist video creatorsIn the days since this year’s White House Correspondents’ Dinner was cut short when shots were fired at the event, there has been a boom of conspiracy theory videos created by people who insist that the entire situation was a false flag operation. These kinds of theories are nothing new, but the way they’re spreading now is a reflection of how reaction video culture is reshaping our social media landscape. And even though the initial chaos around the shooting has started to die down, content creators are still posting about what “really” happened.There is still much we do not know about Cole Allen, the 31-year-old suspected shooter who allegedly traveled from Los Angeles to Washington, DC, ahead of the WCHD and was staying in the same Hilton where the event was held. But that has not stopped content creators from flooding platforms like YouTube, TikTok, Instagram, and X with videos purporting to have more insightful takes on the situation than what’s being reported by the mainstream media.None of these videos reveal anything that hasn’t already been reported out via traditional media outlets. But each of them speaks to the way that this brand of content has become a normal part of people’s media consumption habits and something that creators see as a viable way to capture attention. In the US, trust in traditional media outlets is at a historic low and more people are turning to social media to stay informed about world events. And that shift has given conspiracy-minded content creators a choice opportunity to influence the way people understand reality.All of this is similar to what happened in 2024 when Donald Trump survived an assassination attempt while campaigning for the presidency. Then, creators rushed to capitalize on the event while also writing it off as a false flag designed to garner sympathy for the Republican nominee. That news cycle and subsequent discourse dragged on for weeks, both because it was a significant moment in an election year and because it was difficult to understand how Trump could have been shot in his ear without sustaining any visible damage afterward.Many of the newer videos about the WHCD shooting suggest that we should look at these events as a response to the Trump administration’s propensity for spreading misinformation. And while there is no evidence to suggest that the WHCD shooting was, in fact, orchestrated with Trump’s approval, one could argue the administration is at least partially responsible for the way that this idea has gained traction across the internet.As easy as it is to laugh at the constant barrage of shitposts coming out of the president’s social media accounts and other official governmental channels, they have undoubtedly had an impact on the way that the public thinks about the current administration. By sharing ugly, immature memes and AI-generated images of Trump as a Christlike figure, the White House has told people that nothing is to be taken seriously and everything can be turned into a crude joke. And at a time when all of the internet’s biggest social media platforms have begun encouraging their users to upload videos of themselves while chasing engagement, it makes sense that many would see this past weekend’s shooting as a chance to boost their profiles.Trump has made nonsensical “jokes” a significant part of his political brand, and people are responding with very similar energy.#primetime #conspiracy #theorist #video #creatorsCreators,Instagram,Meta,Streaming,Tech,TikTok,YouTube
Tech-news

when shots were fired at the event, there has been a boom of conspiracy theory videos created by people who insist that the entire situation was a false flag operation. These kinds of theories are nothing new, but the way they’re spreading now is a reflection of how reaction video culture is reshaping our social media landscape. And even though the initial chaos around the shooting has started to die down, content creators are still posting about what “really” happened.

There is still much we do not know about Cole Allen, the 31-year-old suspected shooter who allegedly traveled from Los Angeles to Washington, DC, ahead of the WCHD and was staying in the same Hilton where the event was held. But that has not stopped content creators from flooding platforms like YouTube, TikTok, Instagram, and X with videos purporting to have more insightful takes on the situation than what’s being reported by the mainstream media.

None of these videos reveal anything that hasn’t already been reported out via traditional media outlets. But each of them speaks to the way that this brand of content has become a normal part of people’s media consumption habits and something that creators see as a viable way to capture attention. In the US, trust in traditional media outlets is at a historic low and more people are turning to social media to stay informed about world events. And that shift has given conspiracy-minded content creators a choice opportunity to influence the way people understand reality.

All of this is similar to what happened in 2024 when Donald Trump survived an assassination attempt while campaigning for the presidency. Then, creators rushed to capitalize on the event while also writing it off as a false flag designed to garner sympathy for the Republican nominee. That news cycle and subsequent discourse dragged on for weeks, both because it was a significant moment in an election year and because it was difficult to understand how Trump could have been shot in his ear without sustaining any visible damage afterward.

Many of the newer videos about the WHCD shooting suggest that we should look at these events as a response to the Trump administration’s propensity for spreading misinformation. And while there is no evidence to suggest that the WHCD shooting was, in fact, orchestrated with Trump’s approval, one could argue the administration is at least partially responsible for the way that this idea has gained traction across the internet.

As easy as it is to laugh at the constant barrage of shitposts coming out of the president’s social media accounts and other official governmental channels, they have undoubtedly had an impact on the way that the public thinks about the current administration. By sharing ugly, immature memes and AI-generated images of Trump as a Christlike figure, the White House has told people that nothing is to be taken seriously and everything can be turned into a crude joke. And at a time when all of the internet’s biggest social media platforms have begun encouraging their users to upload videos of themselves while chasing engagement, it makes sense that many would see this past weekend’s shooting as a chance to boost their profiles.

Trump has made nonsensical “jokes” a significant part of his political brand, and people are responding with very similar energy.

#primetime #conspiracy #theorist #video #creatorsCreators,Instagram,Meta,Streaming,Tech,TikTok,YouTube">It’s primetime for conspiracy theorist video creators

In the days since this year’s White House Correspondents’ Dinner was cut short when shots were fired at the event, there has been a boom of conspiracy theory videos created by people who insist that the entire situation was a false flag operation. These kinds of theories are nothing new, but the way they’re spreading now is a reflection of how reaction video culture is reshaping our social media landscape. And even though the initial chaos around the shooting has started to die down, content creators are still posting about what “really” happened.

There is still much we do not know about Cole Allen, the 31-year-old suspected shooter who allegedly traveled from Los Angeles to Washington, DC, ahead of the WCHD and was staying in the same Hilton where the event was held. But that has not stopped content creators from flooding platforms like YouTube, TikTok, Instagram, and X with videos purporting to have more insightful takes on the situation than what’s being reported by the mainstream media.

None of these videos reveal anything that hasn’t already been reported out via traditional media outlets. But each of them speaks to the way that this brand of content has become a normal part of people’s media consumption habits and something that creators see as a viable way to capture attention. In the US, trust in traditional media outlets is at a historic low and more people are turning to social media to stay informed about world events. And that shift has given conspiracy-minded content creators a choice opportunity to influence the way people understand reality.

All of this is similar to what happened in 2024 when Donald Trump survived an assassination attempt while campaigning for the presidency. Then, creators rushed to capitalize on the event while also writing it off as a false flag designed to garner sympathy for the Republican nominee. That news cycle and subsequent discourse dragged on for weeks, both because it was a significant moment in an election year and because it was difficult to understand how Trump could have been shot in his ear without sustaining any visible damage afterward.

Many of the newer videos about the WHCD shooting suggest that we should look at these events as a response to the Trump administration’s propensity for spreading misinformation. And while there is no evidence to suggest that the WHCD shooting was, in fact, orchestrated with Trump’s approval, one could argue the administration is at least partially responsible for the way that this idea has gained traction across the internet.

As easy as it is to laugh at the constant barrage of shitposts coming out of the president’s social media accounts and other official governmental channels, they have undoubtedly had an impact on the way that the public thinks about the current administration. By sharing ugly, immature memes and AI-generated images of Trump as a Christlike figure, the White House has told people that nothing is to be taken seriously and everything can be turned into a crude joke. And at a time when all of the internet’s biggest social media platforms have begun encouraging their users to upload videos of themselves while chasing engagement, it makes sense that many would see this past weekend’s shooting as a chance to boost their profiles.

Trump has made nonsensical “jokes” a significant part of his political brand, and people are responding with very similar energy.

#primetime #conspiracy #theorist #video #creatorsCreators,Instagram,Meta,Streaming,Tech,TikTok,YouTube

In the days since this year’s White House Correspondents’ Dinner was cut short when shots…

YouTube says. The company notes that while clipping is “important way for creators to reach new audiences,” it says that “a number of third-party tools with advanced clipping features and authorized creator programs are now available to do this across different video platforms.”

The company originally introduced the Clips feature in 2021.

#YouTubes #mobile #app #finally #lets #share #timestamped #videosNews,Streaming,YouTube"> YouTube’s mobile app finally lets you share timestamped videosYouTube is making some changes that might affect how you share videos from the mobile app. From the app, you can finally share videos from a specific timestamp, which will make it easier to point someone to a part of a video you might want them to see while you’re on your phone. However, this change will replace the Clips feature that lets you make a shareable clip from a video.You’ll still be able to watch any Clips that you’ve already made. But moving forward, “the ability to set an end time or include a custom description when sharing will no longer be available,” YouTube says. The company notes that while clipping is “important way for creators to reach new audiences,” it says that “a number of third-party tools with advanced clipping features and authorized creator programs are now available to do this across different video platforms.”The company originally introduced the Clips feature in 2021.#YouTubes #mobile #app #finally #lets #share #timestamped #videosNews,Streaming,YouTube
Tech-news

YouTube says. The company notes that while clipping is “important way for creators to reach new audiences,” it says that “a number of third-party tools with advanced clipping features and authorized creator programs are now available to do this across different video platforms.”

The company originally introduced the Clips feature in 2021.

#YouTubes #mobile #app #finally #lets #share #timestamped #videosNews,Streaming,YouTube">YouTube’s mobile app finally lets you share timestamped videos

YouTube is making some changes that might affect how you share videos from the mobile app. From the app, you can finally share videos from a specific timestamp, which will make it easier to point someone to a part of a video you might want them to see while you’re on your phone. However, this change will replace the Clips feature that lets you make a shareable clip from a video.

You’ll still be able to watch any Clips that you’ve already made. But moving forward, “the ability to set an end time or include a custom description when sharing will no longer be available,” YouTube says. The company notes that while clipping is “important way for creators to reach new audiences,” it says that “a number of third-party tools with advanced clipping features and authorized creator programs are now available to do this across different video platforms.”

The company originally introduced the Clips feature in 2021.

#YouTubes #mobile #app #finally #lets #share #timestamped #videosNews,Streaming,YouTube

YouTube is making some changes that might affect how you share videos from the mobile…

originally announced in October; the lowest previous option was 15 minutes.

The feature was expanded in January to give parents some control over how long their kids spend scrolling through Shorts, with an option for zero minutes “coming soon.” According to YouTube spokesperson Makenzie Spiller, the option to set the timer to zero is now “live for all parents, and is currently being rolled out to everyone,” including users with regular adult accounts.

Regardless of age, it can be a handy tool for anyone who wants to spend a little less time scrolling. The Shorts tab won’t show any videos once you hit your limit, just a notification that you’ve “reached your Shorts feed limit.” In our tests, hitting the time limit also removes Shorts from the Home screen, so by setting the timer to zero you can ignore Shorts entirely if you want. To turn on the timer, go to the settings in the YouTube app and select “time management” then toggle on the Shorts feed limit and select a time for it.

#YouTube #lets #turn #ShortsNews,Social Media,Streaming,Tech,YouTube"> YouTube now lets you turn off ShortsYouTube’s time management settings now have an option to put a zero-minute time limit on Shorts, effectively removing them from your app in Android and iOS. The option is an update to the Shorts timer YouTube originally announced in October; the lowest previous option was 15 minutes.The feature was expanded in January to give parents some control over how long their kids spend scrolling through Shorts, with an option for zero minutes “coming soon.” According to YouTube spokesperson Makenzie Spiller, the option to set the timer to zero is now “live for all parents, and is currently being rolled out to everyone,” including users with regular adult accounts.Regardless of age, it can be a handy tool for anyone who wants to spend a little less time scrolling. The Shorts tab won’t show any videos once you hit your limit, just a notification that you’ve “reached your Shorts feed limit.” In our tests, hitting the time limit also removes Shorts from the Home screen, so by setting the timer to zero you can ignore Shorts entirely if you want. To turn on the timer, go to the settings in the YouTube app and select “time management” then toggle on the Shorts feed limit and select a time for it.#YouTube #lets #turn #ShortsNews,Social Media,Streaming,Tech,YouTube
Tech-news

originally announced in October; the lowest previous option was 15 minutes.

The feature was expanded in January to give parents some control over how long their kids spend scrolling through Shorts, with an option for zero minutes “coming soon.” According to YouTube spokesperson Makenzie Spiller, the option to set the timer to zero is now “live for all parents, and is currently being rolled out to everyone,” including users with regular adult accounts.

Regardless of age, it can be a handy tool for anyone who wants to spend a little less time scrolling. The Shorts tab won’t show any videos once you hit your limit, just a notification that you’ve “reached your Shorts feed limit.” In our tests, hitting the time limit also removes Shorts from the Home screen, so by setting the timer to zero you can ignore Shorts entirely if you want. To turn on the timer, go to the settings in the YouTube app and select “time management” then toggle on the Shorts feed limit and select a time for it.

#YouTube #lets #turn #ShortsNews,Social Media,Streaming,Tech,YouTube">YouTube now lets you turn off Shorts

YouTube’s time management settings now have an option to put a zero-minute time limit on Shorts, effectively removing them from your app in Android and iOS. The option is an update to the Shorts timer YouTube originally announced in October; the lowest previous option was 15 minutes.

The feature was expanded in January to give parents some control over how long their kids spend scrolling through Shorts, with an option for zero minutes “coming soon.” According to YouTube spokesperson Makenzie Spiller, the option to set the timer to zero is now “live for all parents, and is currently being rolled out to everyone,” including users with regular adult accounts.

Regardless of age, it can be a handy tool for anyone who wants to spend a little less time scrolling. The Shorts tab won’t show any videos once you hit your limit, just a notification that you’ve “reached your Shorts feed limit.” In our tests, hitting the time limit also removes Shorts from the Home screen, so by setting the timer to zero you can ignore Shorts entirely if you want. To turn on the timer, go to the settings in the YouTube app and select “time management” then toggle on the Shorts feed limit and select a time for it.

#YouTube #lets #turn #ShortsNews,Social Media,Streaming,Tech,YouTube

YouTube’s time management settings now have an option to put a zero-minute time limit on…

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