Ever since Disney got the green light to acquire Fox, every corporation’s decided it’d like to do the same thing. What was once a thing that frankly shouldn’t have happened and hasn’t tangibly benefitted anyone beyond letting folks say “[x IP] is awesome again!” and “Wolverine can fight the Hulk!” is now just an average part of our day as corps keep trying to out-acquire one another and turn themselves into empires.
Warner Bros. is the latest company under threat of acquisition, with Netflix and Paramount both trying to be the next owner of Batman and Game of Thrones. At first, it seemed Netflix would easily bring another addition to its (mostly) anti-theatrical stable, but Paramount (which merged with Skydance just last year) just won’t have it. Current CEO David Ellison has complained, cried foul, and more recently filed a lawsuit as a means of blocking the deal WB’s shareholders already approved. At time of writing, a judge ruled that the Transformers studio hasn’t “identified [or suffered] any cognizable, irreparable harm” from the deal to come and therefore can’t fast track said suit as WB continues finalizing its deal with Netflix. He’s not giving up, though, as he’s now looking to rally European support to continue his efforts.
For those not keeping track at home, Ellison’s tried at least a dozen times now (again, at the time of writing) to convince Warner Bros.’ shareholders to let Paramount be the one to acquire it. And each time, those shareholders have told him in no uncertain terms their eyes are on Netflix and his offers are no good. Whether that’s the actual reason or there’s some lingering beef from last year’s war over South Park streaming rights, getting WB has become Ellison’s white whale, his hill to die on in the hopes of gaining near-total control over middle America on the entertainment and news level.
Ellison is clearly not above using his family connections and ameliorating federal interest to get the deals he wants—that’s already been cause for concern in how Paramount’s been going; it’s understandable there are corners of Hollywood that fear the same is happening with his desperation for WB. More than the unrestricted access to hundreds of IPs, new and old, he wants CNN as a means of making himself look worthwhile to U.S. president Trump and twisting another legacy news outlet into a vessel for ego stroking and appeasement.
In a just, better world, Warner Bros. would look at its successful run of films in 2025 and declare itself not for sale at all, actually. After five years of being jerked around by different parent companies and rebranding itself 80 times, it certainly could’ve used the back half of the 2020s using that momentum to get back to what it does best. There is no legitimate reason for either Paramount or Netflix to own it; monopolies are bad, corporate interference is worse, and like many studios, WB has been at its best when it gets out of its own way.
Instead, we’re all forced to watch a man with more money than he needs and who owns one of Hollywood’s biggest studios fail to repeat his “success.” This is all so many things at once: it’s predictable (and scary) that Ellison’s looking to make his mark on the world just by buying as much of the entertainment industry as possible, just as it’s darkly hilarious that he’s managed to torch CBS News and 60 Minutes but can’t seal the deal here. Were this a recurring gag on a season of TV like The Studio or 30 Rock, it might be an entertaining one to watch him get slapped down each time he goes to WB’s shareholders.
But this isn’t a TV show; it’s real life, and it’s just dumb that this is all happening. Corporate acquisitions have always been bad, and since the Disney-Fox merger, they’ve become a spectacle unto themselves, from announcing that discussions have been had to the eye-rollingly cringe celebratory video when the deal is completed. By now, we know there’s no real “magic” to come out of these, just layoffs and exhaustion. Whoever ultimately gets Warner Bros., Paramount’s dogged pursuit of the studio makes all this more exhausting than usual—and unfortunately, it’s likely to inspire other corps to not take multiple “no’s” for an answer.
Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.
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![The Seafaring Stars of ‘House of the Dragon’ on That Jaw-Dropping Season 3 Premiere
House of the Dragon is back with a vengeance, kicking off season three with the Battle of the Gullet in what series co-creator Ryan Condal called “arguably the craziest episode of television ever.” Whether or not you thought the premiere, titled “Salt and Sea, Fire and Blood,” lived up to those claims, there’s no denying the naval battle offered a powerful showcase for two characters in particular: Lord Corlys Velaryon, aka “the Sea Snake,” played by Steve Toussaint, and Alyn of Hull, Corlys’ first mate (and illegitimate son), played by Abubakar Salim. In House of the Dragon season two, we saw just how much hurt Alyn carried over the fact that his father, one of Westeros’ most powerful lords, had never been there for Alyn and his younger brother, Addam (Clinton Liberty). As season three begins, Corlys is at a place where he’s able to take responsibility for the estrangement, and he expresses that to Alyn as they’re meeting in his captain’s cabin. It feels like the healing is starting to begin when the battle erupts, and both men shift into warrior mode.
It’s a thrilling sequence, punctuated by standout moments for both Corlys and Alyn. At a recent House of the Dragon press day attended by io9 and other outlets, io9 asked Salim about the moment when Alyn, at a distance, watches Corlys tumble overboard amid a fierce hand-to-hand fight with Triarchy leader Admiral Sharako Lohar (Abigail Thorn).
© Ollie Upton/HBO He calls out, not “Lord Corlys,” as he’s always called him, but “Father!” It’s a huge shift for the character, coming so soon after their meaningful discussion. “I don’t think anything is going through his mind. I think it’s actually just a very primal, reactive thing that comes out of him,” Salim said. “I think where it comes from is a place of a primal pain, a primal need for a father. I think the scene before that where they’re in the cabin, and they’re having this moment, and Corlys reveals himself is beautifully performed by Steve in a very vulnerable way.”
Even as the action kicks into ferociously high gear, “I think that stays with Alyn, because it’s almost like, ‘We need to finish this conversation because we were getting somewhere.’ Obviously he goes into battle mode, begins fighting and everything, but when he sees Corlys go [overboard] I think all that comes back up, and I think that’s what triggers this almost, like, release. I guess the best [thing] I can kind of relate it to is like when you wake up from a nightmare screaming. You have no idea where it’s come from; it just comes, and I think that’s where that ‘father’ came from.” Before Corlys and Admiral Lohar actually come face-to-face, we see the bad blood between them come to a head in a way that ties into their skills as veteran sailors. As the Battle of the Gullet rages, Corlys realizes Lohar is not really there to fight in Westeros’ war. Instead, she’s hellbent on revenge. She wants the Sea Snake to pay for all the destruction he’s wreaked on Triarchy soldiers for decades. Corlys hits on a plan to weaken the enemy. He points his ship, the Queen Who Never Was, into the narrow Dragonstone pass, knowing Lohar will follow on her ship, the Bitchfist. The Triarchy fleet will be rudderless without its leader. And since Corlys has spent his entire life navigating these treacherous shores, he knows how to make it safely through.
© Ollie Upton/HBO At last, the viewer gets to see the Sea Snake show off the sailing skills that have made him a legend across Westeros. “I remember [episode director Loni Peristere] saying, ‘This is when we see what the Sea Snake can do,’” Toussaint said. “He has memorized this journey. He knows where all the rock [obstacles] are, and this is where we see what he can do. It does feel massive. I mean, look, you don’t play epic; you play the moment. But there was half a mind to, ‘I think this will be impressive for people watching it,’ because it certainly felt [epic] doing it.”
It is indeed epic, but as viewers saw, Lohar is able to trace the Sea Snake’s route exactly, and her ship also emerges unscathed—leading into that up-close-and-personal confrontation involving lots of scrambling, punches, and blades. Corlys’ fate is unknown at the end of episode one, leaving viewers wondering if he and Alyn will ever get a chance to build up their nascent father-son relationship. Fortunately, there’s a new episode of House of the Dragon season three arriving Sunday on HBO. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who. #Seafaring #Stars #House #Dragon #JawDropping #Season #PremiereAbubakar Salim,HBO,House of the Dragon,Steve Toussaint The Seafaring Stars of ‘House of the Dragon’ on That Jaw-Dropping Season 3 Premiere
House of the Dragon is back with a vengeance, kicking off season three with the Battle of the Gullet in what series co-creator Ryan Condal called “arguably the craziest episode of television ever.” Whether or not you thought the premiere, titled “Salt and Sea, Fire and Blood,” lived up to those claims, there’s no denying the naval battle offered a powerful showcase for two characters in particular: Lord Corlys Velaryon, aka “the Sea Snake,” played by Steve Toussaint, and Alyn of Hull, Corlys’ first mate (and illegitimate son), played by Abubakar Salim. In House of the Dragon season two, we saw just how much hurt Alyn carried over the fact that his father, one of Westeros’ most powerful lords, had never been there for Alyn and his younger brother, Addam (Clinton Liberty). As season three begins, Corlys is at a place where he’s able to take responsibility for the estrangement, and he expresses that to Alyn as they’re meeting in his captain’s cabin. It feels like the healing is starting to begin when the battle erupts, and both men shift into warrior mode.
It’s a thrilling sequence, punctuated by standout moments for both Corlys and Alyn. At a recent House of the Dragon press day attended by io9 and other outlets, io9 asked Salim about the moment when Alyn, at a distance, watches Corlys tumble overboard amid a fierce hand-to-hand fight with Triarchy leader Admiral Sharako Lohar (Abigail Thorn).
© Ollie Upton/HBO He calls out, not “Lord Corlys,” as he’s always called him, but “Father!” It’s a huge shift for the character, coming so soon after their meaningful discussion. “I don’t think anything is going through his mind. I think it’s actually just a very primal, reactive thing that comes out of him,” Salim said. “I think where it comes from is a place of a primal pain, a primal need for a father. I think the scene before that where they’re in the cabin, and they’re having this moment, and Corlys reveals himself is beautifully performed by Steve in a very vulnerable way.”
Even as the action kicks into ferociously high gear, “I think that stays with Alyn, because it’s almost like, ‘We need to finish this conversation because we were getting somewhere.’ Obviously he goes into battle mode, begins fighting and everything, but when he sees Corlys go [overboard] I think all that comes back up, and I think that’s what triggers this almost, like, release. I guess the best [thing] I can kind of relate it to is like when you wake up from a nightmare screaming. You have no idea where it’s come from; it just comes, and I think that’s where that ‘father’ came from.” Before Corlys and Admiral Lohar actually come face-to-face, we see the bad blood between them come to a head in a way that ties into their skills as veteran sailors. As the Battle of the Gullet rages, Corlys realizes Lohar is not really there to fight in Westeros’ war. Instead, she’s hellbent on revenge. She wants the Sea Snake to pay for all the destruction he’s wreaked on Triarchy soldiers for decades. Corlys hits on a plan to weaken the enemy. He points his ship, the Queen Who Never Was, into the narrow Dragonstone pass, knowing Lohar will follow on her ship, the Bitchfist. The Triarchy fleet will be rudderless without its leader. And since Corlys has spent his entire life navigating these treacherous shores, he knows how to make it safely through.
© Ollie Upton/HBO At last, the viewer gets to see the Sea Snake show off the sailing skills that have made him a legend across Westeros. “I remember [episode director Loni Peristere] saying, ‘This is when we see what the Sea Snake can do,’” Toussaint said. “He has memorized this journey. He knows where all the rock [obstacles] are, and this is where we see what he can do. It does feel massive. I mean, look, you don’t play epic; you play the moment. But there was half a mind to, ‘I think this will be impressive for people watching it,’ because it certainly felt [epic] doing it.”
It is indeed epic, but as viewers saw, Lohar is able to trace the Sea Snake’s route exactly, and her ship also emerges unscathed—leading into that up-close-and-personal confrontation involving lots of scrambling, punches, and blades. Corlys’ fate is unknown at the end of episode one, leaving viewers wondering if he and Alyn will ever get a chance to build up their nascent father-son relationship. Fortunately, there’s a new episode of House of the Dragon season three arriving Sunday on HBO. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who. #Seafaring #Stars #House #Dragon #JawDropping #Season #PremiereAbubakar Salim,HBO,House of the Dragon,Steve Toussaint](https://gizmodo.com/app/uploads/2026/06/abubakar-salim_Hotds3ep1.jpg)


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