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The Final ‘Toxic Avenger’ Trailer Is a Goofy, Retro Call to Arms

The Final ‘Toxic Avenger’ Trailer Is a Goofy, Retro Call to Arms

After two years of uncertainty whether it’d come out, the next Toxic Avenger movie is hitting theaters this upcoming week. But in case you’re not aware, the folks at BloodyDisgusting—a subsidiary of Cineverse, the film’s distributor—commissioned a trailer that it hopes will make you, in its own words, “show the fuck up.”

This new “grindhouse” trailer comes courtesy of Wilson Cleveland, a producer and actor who’s previously made fan trailers for Weapons and other films. Cleveland’s approach for Toxic Avenger was to directly mimic the trailer for the original 1984 film from Lloyd Kaufman, right down to the narration and visual filters. What updates he gives the reboot play up its humor (poor Toxie gets called a “fucked up hot dog” in the same clip he gets something thrown at him) and the gnarly violence, including an electrifying new kill involving Toxie’s radioactive mop.

Suffice to say, Troma really wants this Toxic Avenger to be seen by as many people as possible and revitalize the brand: Kaufman, reboot director Macon Blair, and its cast have been doing a lot of promo lately, and the character’s even made a return to comics thanks to Ahoy’s just-started ongoing series. The movie hits theaters on Friday, August 29, and you can get tickets here—and if it gets you interested in the earlier movies, Kaufman seems to recommend starting with 2000’s Citizen Toxie, his personal favorite.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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#Final #Toxic #Avenger #Trailer #Goofy #Retro #Call #Arms

Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests">‘The Bear’s one-dimensional love interests have got to go
                                                            Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.
        SEE ALSO:
        
            ‘The Bear’ just dropped a surprise episode. Here’s how to watch it now.
            
        
    
The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

        SEE ALSO:
        
            ‘The Bear’s ‘Gary’ cliffhanger explained: What just happened to Richie?
            
        
    
Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.
        
            Mashable Top Stories
        
        
    
Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)
That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

                    
                                    #Bears #onedimensional #love #interests

The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests">‘The Bear’s one-dimensional love interests have got to go

Whenever The Bear introduces a new female character, I pray she doesn’t become a love interest for one of the male leads. Not because I hate romance, but because I specifically hate the way The Bear does romance.

The clearest offender is Carmy’s (Jeremy Allen White) relationship with Claire (Molly Gordon). A childhood friend who re-enters Carmy’s life, Claire is less a real human character than she is a walking self-help book for Carmy. She spends almost every moment she’s on screen talking about him: her memories of him, his mental health struggles, his relationship with his family. In theory, she has a life apart from Carmy — her defining character trait outside of being his girlfriend is vaguely “nurse” — but in watching The Bear, you wouldn’t know it.

Usually a great performer (see: Shiva Baby, Oh, Hi!, and more), Gordon is reduced to two modes here: luminous love interest hanging onto Carmy’s every word, or calming therapist. She’s not the only Bear character to meet this fate. As The Bear builds Ever staffer Jessica (Sarah Ramos) into a possible match for Richie (Ebon Moss-Bachrach), it replaces her level-headed expertise with empty platitudes designed to ground him. (Season 4 line “honesty is sanity” made me want to drive my head through a wall.) Elsewhere, Richie’s ex-wife, Tiffany (Gillian Jacobs), acts as a similar pillar of support.

Their heads constantly askew, their eyes lit up in adoration, their mouths always ready to offer up an eager laugh or some cornball advice, these characters morph into The Bear‘s single idea of a Woman In Love. Now, The Bear‘s standalone episode “Gary” offers a new addition to this pantheon: Sherri (Marin Ireland) from Gary, Indiana.

Sherri is a woman whom Richie and Mikey (Jon Bernthal) meet at a bar while on a work trip to Gary. She immediately strikes up a rapport with Mikey, playing a private game of “Fact or Fiction” with him, listening to his complicated woes while nestled together in a bathroom stall, and stealing his beanie and wearing it like a middle schooler trying to get a rise out of a crush. It’s a level of blindly supportive compassion we haven’t seen since Claire Bear, and Ireland, typically a huge asset to any project, soon becomes trapped in The Bear‘s love interest archetype. (Someone please ban affectionate head tilts from the set of The Bear, effective immediately.)

While Sherri feels like she was meant to be a moment of bright connection in Mikey’s life, maybe even “the one that got away,” she really just comes across as an empty vessel for him to pour his trauma into. “What are you looking for, Michael?” she wonders. Later, when he asks permission to do a bump of cocaine, she simply responds, “I want you to be you.” It’s a series of faux-deep exchanges that even two great performers can’t sell. (It doesn’t help that Bernthal and Moss-Bachrach wrote the episode.)

That faux-deepness is what sinks The Bear‘s other romances, too. The show tries to force these deep, cosmic connections, but it forgets that these relationships should be a two-way street. Perhaps that’s why many viewers are drawn to shipping Carmy and Sydney (Ayo Edebiri). While the showrunners have affirmed that their relationship is platonic — and I personally agree with that choice — what sets this hypothetical pairing apart is that they each have such rich lives, both in their work together and their time apart. That’s because The Bear is invested in both of them as characters, rather than just using one as a device to unlock the other. You simply can’t say the same of The Bear‘s other romantic pairings, and the release of “Gary” further proves that romance is the recipe The Bear has yet to master.

“Gary” is now streaming on Hulu. The Bear Season 5 premieres this June on Hulu.

#Bears #onedimensional #love #interests

In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.

#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech">Google Home’s Gemini AI can handle more complicated requestsGoogle Home users can now ask Gemini to complete more complex, multi-step tasks and combine multiple tasks in a single command. Google has updated Gemini for Home to Gemini 3.1, which it says will improve the smart home assistant’s ability to interpret and act on requests. The upgrade will also make Gemini for Home better at handling recurring and all-day events and allow users to “move around” upcoming events.In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech

updated Gemini for Home to Gemini 3.1, which it says will improve the smart home assistant’s ability to interpret and act on requests. The upgrade will also make Gemini for Home better at handling recurring and all-day events and allow users to “move around” upcoming events.

In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.

#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech">Google Home’s Gemini AI can handle more complicated requests

Google Home users can now ask Gemini to complete more complex, multi-step tasks and combine multiple tasks in a single command. Google has updated Gemini for Home to Gemini 3.1, which it says will improve the smart home assistant’s ability to interpret and act on requests. The upgrade will also make Gemini for Home better at handling recurring and all-day events and allow users to “move around” upcoming events.

In addition to the Gemini upgrade, Google also announced improvements to the camera experience, new automation capabilities, and two public previews: Ask Home on Web and a new notification feature. Ask Home on Web will allow Google Home users to manage their smart home from a computer, including searching camera history with natural language, checking on devices, and creating automations. Google is also releasing a public preview for “improved and expanded notifications” that include “quick action” buttons that can be used for device control directly in the notification.

#Google #Homes #Gemini #handle #complicated #requestsAI,Google,News,Smart Home,Tech

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