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The History of the Cuts of the Original ‘Star Wars’

The History of the Cuts of the Original ‘Star Wars’

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Last week, Lucasfilm shocked the world with the announcement that its plans to celebrate the 50th anniversary of Star Wars with a theatrical re-release would mark the first official re-release of the original theatrical cut of A New Hope for the first time in decades. But the legacy of tweaks George Lucas has made to Star Wars is as long as Star Wars‘ existence itself… and what “original” actually means has been changing, from a certain point of view, from the very beginning.

No one, least of all Lucas, could have predicted the way Star Wars would change pop culture as we knew it when it first released in 1977. The movie that made it to theaters was one of a thousand compromises, with things tweaked and cut and given up on as Lucas strove to realize his ambitious ideas on screen. The moment Star Wars hit theaters, the director was not done pushing what he could change, emboldened by its immediate success—establishing a long history of his revisits to the movie that changed his career forever. Here’s a timeline of the changes made, from 1977 to the film’s latest version streaming on Disney+.

1977

After Star Wars‘ release in May of 1977, multiple changes were made between its initial launch and the film’s wider theatrical run later in the year: four visual errors in the film were corrected, including new laser effects and explosions during the Millennium Falcon‘s escape from Mos Eisley, a recomposition of the matte painting used to depict the exterior of the Massassi temple on Yavin IV, and changes to the cloudscape in the shot of the Rebel fighters leaving the base to assault the Death Star. The last change made didn’t affect the film itself, but its closing credits sequence, which was completely redone with new formatting and spacing.

Lucas also made multiple dialogue and audio changes between the 35mm Dolby Stereo and 70mm 6-track audio versions of the films, and the mono mix created in the summer of 1977. The changes were minor compared to audio tweaks to come over the next 50 years, largely adjusting the timing of certain lines of dialogue and effects, rather than radically changing anything outright, although some voiceover lines were altered for characters like Stormtroopers and C-3PO. Perhaps the most identifiable differences include a complete re-recording of Shelagh Fraser’s lines as Aunt Beru, done out of a belief by Lucas that her original takes sounded too British, and a correction so that Luke accurately says, “Blast it, Wedge, where are you?” during the Death Star assault, rather than cursing Biggs (that will become important later!).

1981

The first significant change to Star Wars is when it officially becomes A New Hope. Re-released in theaters after the launch of Empire Strikes Back a year prior, Star Wars‘ opening crawl was updated to include the subtitled “Episode IV: A New Hope” to match Empire‘s own use of the episodic titling. There were several other updates to the opening crawl beyond this most obvious one: a new starfield background was used, to match Empire‘s, as was the Star Wars title card, and a minor alteration in the crawl to capitalize “Rebel” in its second paragraph.

Those were not the only tweaks for the re-release, though: the opening shots of the Tantive IV‘s pursuit were recomposited to remove some visible bordering, as were slight changes to some effects like engine glow and the positioning of planets in the background of the chase.

1982-1993

A New Hope‘s first home releases also included some minor changes. The initial VHS, Betamax, and CED releases of the film used the 35mm Dolby Stereo audio track, removing a C-3PO line added in the mono mix when R2-D2 displays the Death Star’s internal layouts, where the protocol droid explains that shutting down one of the station’s tractor beam generators would free the Millennium Falcon. The limitations of CED and Laserdisc as a format meant those initial releases in particular also had a peculiar change: the film was sped up to fit on a singular disc, cutting its run time from 121 minutes to under two hours.

The laserdisc releases of A New Hope utilized a newly remastered audio track, but there were further changes in various iterations for the laserdisc release of the film over the remainder of the 1980s and early 1990s. The 1988 widescreen laserdisc release of A New Hope in America was based on the master used for a Japanese release from 1986, which had been adjusted to account for Japanese language subtitling. Attempting to correct the changes ultimately created an issue where the viewable section of the screen shrunk over the course of the film, but this was corrected in a 1992 re-release.

A 1993 laserdisc release of the entire trilogy, dubbed The Definitive Collection, used yet another newly supervised audio mix for A New Hope, this time incorporating elements from all three original Dolby Stereo, 6-track, and mono mixes, including the latter’s dialogue changes. These same editions of the film were rereleased on laserdisc and VHS in 1995, marking the last time the “original” versions of all three films would be available in a widely accessible format for another decade.

© Lucasfilm

1997

We’ve reached the big one: the release of the Star Wars special editions. Beyond remastering and restoration of all three films for fidelity’s sake, A New Hope, Empire Strikes Back, and Return of the Jedi all received a swath of cosmetic updates to their visual effects, incorporating new, reworked, and extended shots that utilized CGI (including some that incorporated tie-in elements from other parts of the since-established Expanded Universe tie-in media, such as the presence of swoop bikes and Dash Rendar’s Outrider in Mos Eisley from Shadows of the Empire).

But perhaps more infamously, each film also received some narrative tweaks and additions, many of which are still debated to this day. We’ll stick to A New Hope, as that’s what we’re focusing on here: two significant added scenes include Han Solo’s encounter with Jabba in Mos Eisley, now featuring a CG recreation of the character’s appearance from Return of the Jedi (deleted scenes from the original film that this footage was taken from portrayed Jabba as a human, leading to an awkward addition here where Han “accidentally” steps on Jabba’s tail while walking behind him) as well as a brief appearance by Boba Fett in the background, and a scene added to the Yavin IV base where Luke and Biggs reunite with each other, giving the latter’s death during the Death Star assault more dramatic weight. The Special Edition cut also restores the “Blast it, Biggs” line change initially corrected in the mono mix of the film, presumably to further display Luke and Biggs’ bond.

Then there is, of course, the most debated tweak of all: the Special Edition adds an initial shot fired by Greedo during his cantina encounter with Han, moments before Han pulls the trigger on his own blaster to kill the bounty hunter, to create an impression that Han acted in self-defense rather than pragmatism. We’re not going to get into it, but we will revisit it over the course of the rest of this timeline, because people will spend years getting angry about it.

2004

The original trilogy’s first DVD releases, based on the Special Editions, incorporated further changes beyond remastering for the format, altering some of the additions from the 1997 releases while also providing some connective elements to the prequel trilogy, in full swing at the time of the release.

In the case of A New Hope, many of the changes are broadly audio-based, tweaking the effects on certain lines of dialogue or incorporating new sounds at certain moments—perhaps most significantly in terms of audio was a total rework of the voice filter used on Darth Vader, to better align A New Hope with the rest of the original trilogy—as well as corrections on color grading errors introduced in some sequences, like a pinkish hue over the scenes depicting Luke and Obi-Wan’s arrival in Mos Eisley. A newly updated CG model of Jabba to replace the one used in the Special Edition’s additions was also included, and for the first time, English language signage seen throughout the film was replaced with Aurebesh typography, marking a radical overhaul of the history of the written word in Star Wars.

Then, of course, Tatooine is also the home of another change: the Han and Greedo encounter is altered yet again so that the two fire almost simultaneously (although Greedo is still, by the blink of an eye, the first to pull the trigger). No one continues to be satisfied by this.

2006

The 2004 DVD cuts of the original trilogy were re-released for a limited time two years later, with one significant addition. As well as newly remastered versions of the 2004 editions, each release came with a bonus disc containing the so-called original versions of the films, available for the first time in a home format since 1995.

In actuality, these versions weren’t quite the originals. Although A New Hope reinstated the original, pre-1981 opening crawl from a remaining print, the rest of the audio and visual presentation was derived from the versions made for the 1993 laserdisc transfers of the original trilogy released as The Definitive Collection. Until 2027, this will remain the last official release of any version of the pre-Special Edition versions of the film.

Star Wars Han Greedo 2019 Version
© Lucasfilm

2011

The saga’s release on Blu-ray for the first time introduced yet further changes beyond those included in 2004 and 1997. Again, these were broadly audio tweaks rather than anything particularly significant (such as Obi-Wan’s krayt dragon call to scare off the Tusken Raiders, changed again from a tweak made in the 2004 mix—the same scene includes an awkwardly framed piece of rock placed in front of R2-D2 in the small alcove he initially hides from Obi-Wan in).

That doesn’t mean the Han and Greedo scene doesn’t get yet further tweaks, though. A few frames from the moment of blaster fire are shaved off, bringing the timing of the altered scene back closer in line to the original, even as it keeps the near-simultaneous, Greedo-first tweaks introduced in 2004. No one continues to be satisfied by this.

2019

The launch of Disney+ in the United States brought with it yet another alteration of the film, part of a process to restore the film to 4K streaming quality. The streaming version of A New Hope arguably contains some of the slightest alterations to the post-Special Edition version of the film released over the course of the 21st century, broadly adjusting color correction issues on scenes introduced in the 1997, 2004, and 2011 releases.

That does not mean the most-tweaked scene in Star Wars history got off scott free, however. Now Han and Greedo’s encounter climaxes with an awkward cut to Greedo shouting “Ma Klounkee” before he fires. The scene otherwise maintains the pacing of the 2011 iteration, although it also removes a very brief visible shot of the Greedo dummy before it violently explodes. Not only does no one continue to be satisfied by this, they’re mostly comedically confused, birthing a new Star Wars meme in the process.

2027

That brings us back to last weeks news of that the previously announced 50th anniversary screenings of A New Hope will now not just arrive earlier in 2027, but with a version of the “original” film. As with everything we’ve gone through above, what that means with Star Wars certainly remains in flux, and Lucasfilm has yet to provide any kind of details about this release beyond its existence. A statement released by the studio has simply described it as “a newly restored version of the classic Star Wars (1977) theatrical release.”

We’ve got two years before we find out what the galaxy far, far away’s latest definition of “original” is.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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recording you discreetly, you probably don’t like smart glasses. Video and photo capture are easily some of the most divisive aspects of the form factor, if not the most divisive. However divisive the recording part is, though, there are unifying aspects of smart glasses with cameras—things that fans and critics can hate together. Take subscriptions, for example.

As noted by Wired, L’Atitude 52°N, a smart glasses company that successfully crowdfunded last year, just launched its Berlin model of AI specs, which is set to go on sale May 26, and they have one tiny little quirk that I haven’t seen yet, or at least not to this extent: the AI features on the smart glasses (a good deal of the stuff that might actually convince you to buy them) will all be paywalled after a year’s trial.

Smart Glasses Are Eyeing the One Thing People Hate More Than Being Spied On If you don’t like the idea of someone recording you discreetly, you probably don’t like smart glasses. Video and photo capture are easily some of the most divisive aspects of the form factor, if not the most divisive. However divisive the recording part is, though, there are unifying aspects of smart glasses with cameras—things that fans and critics can hate together. Take subscriptions, for example. As noted by Wired, L’Atitude 52°N, a smart glasses company that successfully crowdfunded last year, just launched its Berlin model of AI specs, which is set to go on sale May 26, and they have one tiny little quirk that I haven’t seen yet, or at least not to this extent: the AI features on the smart glasses (a good deal of the stuff that might actually convince you to buy them) will all be paywalled after a year’s trial. © L’Atitude 52°N Per Wired, which spoke to L’Atitude 52°N CEO Gary Chen, there’s no word on how much the 9 smart glasses’ subscription will cost, but if you don’t pay up, Berlin will be limited to “base features,” which include playing music and capturing media. I guess anyone interested in buying Berlin will have to be okay with a looming, unknown cost down the road. It’s an interesting choice for a company that positions its smart glasses as being ideal for travel, pitching stuff like an “AI tour guide” that uses computer vision to provide information on your surroundings as a centerpiece of that travel functionality. Outside of a tour guide, the Berlin smart glasses also appear to lean into translation and a voice assistant in the AI department. On the bright side—call it transparency if you want—at least Chen is being honest about future ambitions to squeeze recurring profits out of anyone who buys the company’s smart glasses. A lot of the time, that’s just an unacknowledged minefield customers unknowingly step onto when buying any gadget with a cloud service. If you’re okay with potentially having to cough up a monthly sum to get the most out of your smart glasses, the Berlin look like a decent pair, but not quite the best. There’s no screen, but there’s a 12-megapixel camera, which is the same as the Ray-Ban Meta AI glasses, though there’s a significant difference in capture resolution. The Berlin have a max recording resolution of 1080p, while the Ray-Ban Meta AI glasses can record in 3K. They do look stylish, or at the very least unique, and if they can compete on open-ear audio, they might be a worthy consideration even with that very annoying subscription caveat. I’m skeptical that smart glasses are practical enough to justify paying for monthly, but I guess the only way to find out is by adding to everyone’s already Sisyphean monthly subscription budget. #Smart #Glasses #Eyeing #People #Hate #Spiedsmart glasses,wearables
© L’Atitude 52°N

Per Wired, which spoke to L’Atitude 52°N CEO Gary Chen, there’s no word on how much the $399 smart glasses’ subscription will cost, but if you don’t pay up, Berlin will be limited to “base features,” which include playing music and capturing media. I guess anyone interested in buying Berlin will have to be okay with a looming, unknown cost down the road.

It’s an interesting choice for a company that positions its smart glasses as being ideal for travel, pitching stuff like an “AI tour guide” that uses computer vision to provide information on your surroundings as a centerpiece of that travel functionality. Outside of a tour guide, the Berlin smart glasses also appear to lean into translation and a voice assistant in the AI department.

On the bright side—call it transparency if you want—at least Chen is being honest about future ambitions to squeeze recurring profits out of anyone who buys the company’s smart glasses. A lot of the time, that’s just an unacknowledged minefield customers unknowingly step onto when buying any gadget with a cloud service.

If you’re okay with potentially having to cough up a monthly sum to get the most out of your smart glasses, the Berlin look like a decent pair, but not quite the best. There’s no screen, but there’s a 12-megapixel camera, which is the same as the Ray-Ban Meta AI glasses, though there’s a significant difference in capture resolution. The Berlin have a max recording resolution of 1080p, while the Ray-Ban Meta AI glasses can record in 3K. They do look stylish, or at the very least unique, and if they can compete on open-ear audio, they might be a worthy consideration even with that very annoying subscription caveat.

I’m skeptical that smart glasses are practical enough to justify paying for monthly, but I guess the only way to find out is by adding to everyone’s already Sisyphean monthly subscription budget.

#Smart #Glasses #Eyeing #People #Hate #Spiedsmart glasses,wearables">Smart Glasses Are Eyeing the One Thing People Hate More Than Being Spied On If you don’t like the idea of someone recording you discreetly, you probably don’t like smart glasses. Video and photo capture are easily some of the most divisive aspects of the form factor, if not the most divisive. However divisive the recording part is, though, there are unifying aspects of smart glasses with cameras—things that fans and critics can hate together. Take subscriptions, for example. As noted by Wired, L’Atitude 52°N, a smart glasses company that successfully crowdfunded last year, just launched its Berlin model of AI specs, which is set to go on sale May 26, and they have one tiny little quirk that I haven’t seen yet, or at least not to this extent: the AI features on the smart glasses (a good deal of the stuff that might actually convince you to buy them) will all be paywalled after a year’s trial. © L’Atitude 52°N Per Wired, which spoke to L’Atitude 52°N CEO Gary Chen, there’s no word on how much the 9 smart glasses’ subscription will cost, but if you don’t pay up, Berlin will be limited to “base features,” which include playing music and capturing media. I guess anyone interested in buying Berlin will have to be okay with a looming, unknown cost down the road. It’s an interesting choice for a company that positions its smart glasses as being ideal for travel, pitching stuff like an “AI tour guide” that uses computer vision to provide information on your surroundings as a centerpiece of that travel functionality. Outside of a tour guide, the Berlin smart glasses also appear to lean into translation and a voice assistant in the AI department. On the bright side—call it transparency if you want—at least Chen is being honest about future ambitions to squeeze recurring profits out of anyone who buys the company’s smart glasses. A lot of the time, that’s just an unacknowledged minefield customers unknowingly step onto when buying any gadget with a cloud service. If you’re okay with potentially having to cough up a monthly sum to get the most out of your smart glasses, the Berlin look like a decent pair, but not quite the best. There’s no screen, but there’s a 12-megapixel camera, which is the same as the Ray-Ban Meta AI glasses, though there’s a significant difference in capture resolution. The Berlin have a max recording resolution of 1080p, while the Ray-Ban Meta AI glasses can record in 3K. They do look stylish, or at the very least unique, and if they can compete on open-ear audio, they might be a worthy consideration even with that very annoying subscription caveat. I’m skeptical that smart glasses are practical enough to justify paying for monthly, but I guess the only way to find out is by adding to everyone’s already Sisyphean monthly subscription budget. #Smart #Glasses #Eyeing #People #Hate #Spiedsmart glasses,wearables

, you probably don’t like smart glasses. Video and photo capture are easily some of the most divisive aspects of the form factor, if not the most divisive. However divisive the recording part is, though, there are unifying aspects of smart glasses with cameras—things that fans and critics can hate together. Take subscriptions, for example.

As noted by Wired, L’Atitude 52°N, a smart glasses company that successfully crowdfunded last year, just launched its Berlin model of AI specs, which is set to go on sale May 26, and they have one tiny little quirk that I haven’t seen yet, or at least not to this extent: the AI features on the smart glasses (a good deal of the stuff that might actually convince you to buy them) will all be paywalled after a year’s trial.

Smart Glasses Are Eyeing the One Thing People Hate More Than Being Spied On If you don’t like the idea of someone recording you discreetly, you probably don’t like smart glasses. Video and photo capture are easily some of the most divisive aspects of the form factor, if not the most divisive. However divisive the recording part is, though, there are unifying aspects of smart glasses with cameras—things that fans and critics can hate together. Take subscriptions, for example. As noted by Wired, L’Atitude 52°N, a smart glasses company that successfully crowdfunded last year, just launched its Berlin model of AI specs, which is set to go on sale May 26, and they have one tiny little quirk that I haven’t seen yet, or at least not to this extent: the AI features on the smart glasses (a good deal of the stuff that might actually convince you to buy them) will all be paywalled after a year’s trial. © L’Atitude 52°N Per Wired, which spoke to L’Atitude 52°N CEO Gary Chen, there’s no word on how much the 9 smart glasses’ subscription will cost, but if you don’t pay up, Berlin will be limited to “base features,” which include playing music and capturing media. I guess anyone interested in buying Berlin will have to be okay with a looming, unknown cost down the road. It’s an interesting choice for a company that positions its smart glasses as being ideal for travel, pitching stuff like an “AI tour guide” that uses computer vision to provide information on your surroundings as a centerpiece of that travel functionality. Outside of a tour guide, the Berlin smart glasses also appear to lean into translation and a voice assistant in the AI department. On the bright side—call it transparency if you want—at least Chen is being honest about future ambitions to squeeze recurring profits out of anyone who buys the company’s smart glasses. A lot of the time, that’s just an unacknowledged minefield customers unknowingly step onto when buying any gadget with a cloud service. If you’re okay with potentially having to cough up a monthly sum to get the most out of your smart glasses, the Berlin look like a decent pair, but not quite the best. There’s no screen, but there’s a 12-megapixel camera, which is the same as the Ray-Ban Meta AI glasses, though there’s a significant difference in capture resolution. The Berlin have a max recording resolution of 1080p, while the Ray-Ban Meta AI glasses can record in 3K. They do look stylish, or at the very least unique, and if they can compete on open-ear audio, they might be a worthy consideration even with that very annoying subscription caveat. I’m skeptical that smart glasses are practical enough to justify paying for monthly, but I guess the only way to find out is by adding to everyone’s already Sisyphean monthly subscription budget. #Smart #Glasses #Eyeing #People #Hate #Spiedsmart glasses,wearables
© L’Atitude 52°N

Per Wired, which spoke to L’Atitude 52°N CEO Gary Chen, there’s no word on how much the $399 smart glasses’ subscription will cost, but if you don’t pay up, Berlin will be limited to “base features,” which include playing music and capturing media. I guess anyone interested in buying Berlin will have to be okay with a looming, unknown cost down the road.

It’s an interesting choice for a company that positions its smart glasses as being ideal for travel, pitching stuff like an “AI tour guide” that uses computer vision to provide information on your surroundings as a centerpiece of that travel functionality. Outside of a tour guide, the Berlin smart glasses also appear to lean into translation and a voice assistant in the AI department.

On the bright side—call it transparency if you want—at least Chen is being honest about future ambitions to squeeze recurring profits out of anyone who buys the company’s smart glasses. A lot of the time, that’s just an unacknowledged minefield customers unknowingly step onto when buying any gadget with a cloud service.

If you’re okay with potentially having to cough up a monthly sum to get the most out of your smart glasses, the Berlin look like a decent pair, but not quite the best. There’s no screen, but there’s a 12-megapixel camera, which is the same as the Ray-Ban Meta AI glasses, though there’s a significant difference in capture resolution. The Berlin have a max recording resolution of 1080p, while the Ray-Ban Meta AI glasses can record in 3K. They do look stylish, or at the very least unique, and if they can compete on open-ear audio, they might be a worthy consideration even with that very annoying subscription caveat.

I’m skeptical that smart glasses are practical enough to justify paying for monthly, but I guess the only way to find out is by adding to everyone’s already Sisyphean monthly subscription budget.

#Smart #Glasses #Eyeing #People #Hate #Spiedsmart glasses,wearables">Smart Glasses Are Eyeing the One Thing People Hate More Than Being Spied On

If you don’t like the idea of someone recording you discreetly, you probably don’t like smart glasses. Video and photo capture are easily some of the most divisive aspects of the form factor, if not the most divisive. However divisive the recording part is, though, there are unifying aspects of smart glasses with cameras—things that fans and critics can hate together. Take subscriptions, for example.

As noted by Wired, L’Atitude 52°N, a smart glasses company that successfully crowdfunded last year, just launched its Berlin model of AI specs, which is set to go on sale May 26, and they have one tiny little quirk that I haven’t seen yet, or at least not to this extent: the AI features on the smart glasses (a good deal of the stuff that might actually convince you to buy them) will all be paywalled after a year’s trial.

Smart Glasses Are Eyeing the One Thing People Hate More Than Being Spied On If you don’t like the idea of someone recording you discreetly, you probably don’t like smart glasses. Video and photo capture are easily some of the most divisive aspects of the form factor, if not the most divisive. However divisive the recording part is, though, there are unifying aspects of smart glasses with cameras—things that fans and critics can hate together. Take subscriptions, for example. As noted by Wired, L’Atitude 52°N, a smart glasses company that successfully crowdfunded last year, just launched its Berlin model of AI specs, which is set to go on sale May 26, and they have one tiny little quirk that I haven’t seen yet, or at least not to this extent: the AI features on the smart glasses (a good deal of the stuff that might actually convince you to buy them) will all be paywalled after a year’s trial. © L’Atitude 52°N Per Wired, which spoke to L’Atitude 52°N CEO Gary Chen, there’s no word on how much the 9 smart glasses’ subscription will cost, but if you don’t pay up, Berlin will be limited to “base features,” which include playing music and capturing media. I guess anyone interested in buying Berlin will have to be okay with a looming, unknown cost down the road. It’s an interesting choice for a company that positions its smart glasses as being ideal for travel, pitching stuff like an “AI tour guide” that uses computer vision to provide information on your surroundings as a centerpiece of that travel functionality. Outside of a tour guide, the Berlin smart glasses also appear to lean into translation and a voice assistant in the AI department. On the bright side—call it transparency if you want—at least Chen is being honest about future ambitions to squeeze recurring profits out of anyone who buys the company’s smart glasses. A lot of the time, that’s just an unacknowledged minefield customers unknowingly step onto when buying any gadget with a cloud service. If you’re okay with potentially having to cough up a monthly sum to get the most out of your smart glasses, the Berlin look like a decent pair, but not quite the best. There’s no screen, but there’s a 12-megapixel camera, which is the same as the Ray-Ban Meta AI glasses, though there’s a significant difference in capture resolution. The Berlin have a max recording resolution of 1080p, while the Ray-Ban Meta AI glasses can record in 3K. They do look stylish, or at the very least unique, and if they can compete on open-ear audio, they might be a worthy consideration even with that very annoying subscription caveat. I’m skeptical that smart glasses are practical enough to justify paying for monthly, but I guess the only way to find out is by adding to everyone’s already Sisyphean monthly subscription budget. #Smart #Glasses #Eyeing #People #Hate #Spiedsmart glasses,wearables
© L’Atitude 52°N

Per Wired, which spoke to L’Atitude 52°N CEO Gary Chen, there’s no word on how much the $399 smart glasses’ subscription will cost, but if you don’t pay up, Berlin will be limited to “base features,” which include playing music and capturing media. I guess anyone interested in buying Berlin will have to be okay with a looming, unknown cost down the road.

It’s an interesting choice for a company that positions its smart glasses as being ideal for travel, pitching stuff like an “AI tour guide” that uses computer vision to provide information on your surroundings as a centerpiece of that travel functionality. Outside of a tour guide, the Berlin smart glasses also appear to lean into translation and a voice assistant in the AI department.

On the bright side—call it transparency if you want—at least Chen is being honest about future ambitions to squeeze recurring profits out of anyone who buys the company’s smart glasses. A lot of the time, that’s just an unacknowledged minefield customers unknowingly step onto when buying any gadget with a cloud service.

If you’re okay with potentially having to cough up a monthly sum to get the most out of your smart glasses, the Berlin look like a decent pair, but not quite the best. There’s no screen, but there’s a 12-megapixel camera, which is the same as the Ray-Ban Meta AI glasses, though there’s a significant difference in capture resolution. The Berlin have a max recording resolution of 1080p, while the Ray-Ban Meta AI glasses can record in 3K. They do look stylish, or at the very least unique, and if they can compete on open-ear audio, they might be a worthy consideration even with that very annoying subscription caveat.

I’m skeptical that smart glasses are practical enough to justify paying for monthly, but I guess the only way to find out is by adding to everyone’s already Sisyphean monthly subscription budget.

#Smart #Glasses #Eyeing #People #Hate #Spiedsmart glasses,wearables
L’Atitude 52°N’s glasses is called Goya, named after Francisco Goya, the famous Spanish artist who painted renowned masterpieces of romanticism.

CEO and founder Gary Chen, who has worked on wearable devices for companies like Oppo, OnePlus, and HTC, says his company’s glasses are focused on travelers, with AI features that act like a tour guide and talk about all the paintings in famous museums.

“Basically, you can say, ‘Hey, Goya, what is the story about Mona Lisa?’” Chen says. “You can ask anything and, with your permission, they will take a photo to analyze what’s in front of you.”

I ask if you could quiz it about perhaps the most famous Goya painting, the terrifying, Gothic horror-esque image of Saturn devouring his own son.

“Yes, yes,” Chen says, “It can also give you some recommendations about restaurants.”

Image may contain Accessories Sunglasses and Glasses

Berlin-based L’Atitude 52°N is a new player in the smart glasses space, selling its first pairs on Kickstarter in September 2025, where the campaign surpassed its funding goal and raised more than $400,000. There have been some bumps since then, as shipments were delayed from an originally announced release date in February 2026, and one model in development was scrapped outright. Now, L’Atitude 52°N has announced an official release date for its smart glasses.

Preorders for one model, called Berlin, start on May 19. The glasses actually go on sale on May 26. This might be a disappointment for Kickstarter backers, as the most recent official update from the campaign came in March and said shipping would begin on April 15 for Berlin units and June 7 for the second model, called Milan. L’Atitude 52°N still hasn’t set an official launch date for the Milan, except to say that it will be “arriving in the second quarter of 2026.”

The Berlin glasses cost $399. Add another $50 for the photochromatic lenses. There is one very big catch: The AI features enabled on the device will only work for 12 months, which L’Atitude 52°N calls an “AI feature trial.” After that, customers have to pay for a subscription service, or will be limited to the base features, like playing music and capturing media.

How much will that subscription service cost? Chen says he doesn’t know.

#Smart #Glasses #ExOnePlus #Engineers #Hidden #Costsmart glasses,wearables,design,gadgets">These New Smart Glasses From Ex-OnePlus Engineers Have a Hidden CostLots of smart glasses have AI bots inside them now. The one in L’Atitude 52°N’s glasses is called Goya, named after Francisco Goya, the famous Spanish artist who painted renowned masterpieces of romanticism.CEO and founder Gary Chen, who has worked on wearable devices for companies like Oppo, OnePlus, and HTC, says his company’s glasses are focused on travelers, with AI features that act like a tour guide and talk about all the paintings in famous museums.“Basically, you can say, ‘Hey, Goya, what is the story about Mona Lisa?’” Chen says. “You can ask anything and, with your permission, they will take a photo to analyze what’s in front of you.”I ask if you could quiz it about perhaps the most famous Goya painting, the terrifying, Gothic horror-esque image of Saturn devouring his own son.“Yes, yes,” Chen says, “It can also give you some recommendations about restaurants.”Berlin-based L’Atitude 52°N is a new player in the smart glasses space, selling its first pairs on Kickstarter in September 2025, where the campaign surpassed its funding goal and raised more than 0,000. There have been some bumps since then, as shipments were delayed from an originally announced release date in February 2026, and one model in development was scrapped outright. Now, L’Atitude 52°N has announced an official release date for its smart glasses.Preorders for one model, called Berlin, start on May 19. The glasses actually go on sale on May 26. This might be a disappointment for Kickstarter backers, as the most recent official update from the campaign came in March and said shipping would begin on April 15 for Berlin units and June 7 for the second model, called Milan. L’Atitude 52°N still hasn’t set an official launch date for the Milan, except to say that it will be “arriving in the second quarter of 2026.”The Berlin glasses cost 9. Add another for the photochromatic lenses. There is one very big catch: The AI features enabled on the device will only work for 12 months, which L’Atitude 52°N calls an “AI feature trial.” After that, customers have to pay for a subscription service, or will be limited to the base features, like playing music and capturing media.How much will that subscription service cost? Chen says he doesn’t know.#Smart #Glasses #ExOnePlus #Engineers #Hidden #Costsmart glasses,wearables,design,gadgets

’s glasses is called Goya, named after Francisco Goya, the famous Spanish artist who painted renowned masterpieces of romanticism.

CEO and founder Gary Chen, who has worked on wearable devices for companies like Oppo, OnePlus, and HTC, says his company’s glasses are focused on travelers, with AI features that act like a tour guide and talk about all the paintings in famous museums.

“Basically, you can say, ‘Hey, Goya, what is the story about Mona Lisa?’” Chen says. “You can ask anything and, with your permission, they will take a photo to analyze what’s in front of you.”

I ask if you could quiz it about perhaps the most famous Goya painting, the terrifying, Gothic horror-esque image of Saturn devouring his own son.

“Yes, yes,” Chen says, “It can also give you some recommendations about restaurants.”

Image may contain Accessories Sunglasses and Glasses

Berlin-based L’Atitude 52°N is a new player in the smart glasses space, selling its first pairs on Kickstarter in September 2025, where the campaign surpassed its funding goal and raised more than $400,000. There have been some bumps since then, as shipments were delayed from an originally announced release date in February 2026, and one model in development was scrapped outright. Now, L’Atitude 52°N has announced an official release date for its smart glasses.

Preorders for one model, called Berlin, start on May 19. The glasses actually go on sale on May 26. This might be a disappointment for Kickstarter backers, as the most recent official update from the campaign came in March and said shipping would begin on April 15 for Berlin units and June 7 for the second model, called Milan. L’Atitude 52°N still hasn’t set an official launch date for the Milan, except to say that it will be “arriving in the second quarter of 2026.”

The Berlin glasses cost $399. Add another $50 for the photochromatic lenses. There is one very big catch: The AI features enabled on the device will only work for 12 months, which L’Atitude 52°N calls an “AI feature trial.” After that, customers have to pay for a subscription service, or will be limited to the base features, like playing music and capturing media.

How much will that subscription service cost? Chen says he doesn’t know.

#Smart #Glasses #ExOnePlus #Engineers #Hidden #Costsmart glasses,wearables,design,gadgets">These New Smart Glasses From Ex-OnePlus Engineers Have a Hidden Cost

Lots of smart glasses have AI bots inside them now. The one in L’Atitude 52°N’s glasses is called Goya, named after Francisco Goya, the famous Spanish artist who painted renowned masterpieces of romanticism.

CEO and founder Gary Chen, who has worked on wearable devices for companies like Oppo, OnePlus, and HTC, says his company’s glasses are focused on travelers, with AI features that act like a tour guide and talk about all the paintings in famous museums.

“Basically, you can say, ‘Hey, Goya, what is the story about Mona Lisa?’” Chen says. “You can ask anything and, with your permission, they will take a photo to analyze what’s in front of you.”

I ask if you could quiz it about perhaps the most famous Goya painting, the terrifying, Gothic horror-esque image of Saturn devouring his own son.

“Yes, yes,” Chen says, “It can also give you some recommendations about restaurants.”

Image may contain Accessories Sunglasses and Glasses

Berlin-based L’Atitude 52°N is a new player in the smart glasses space, selling its first pairs on Kickstarter in September 2025, where the campaign surpassed its funding goal and raised more than $400,000. There have been some bumps since then, as shipments were delayed from an originally announced release date in February 2026, and one model in development was scrapped outright. Now, L’Atitude 52°N has announced an official release date for its smart glasses.

Preorders for one model, called Berlin, start on May 19. The glasses actually go on sale on May 26. This might be a disappointment for Kickstarter backers, as the most recent official update from the campaign came in March and said shipping would begin on April 15 for Berlin units and June 7 for the second model, called Milan. L’Atitude 52°N still hasn’t set an official launch date for the Milan, except to say that it will be “arriving in the second quarter of 2026.”

The Berlin glasses cost $399. Add another $50 for the photochromatic lenses. There is one very big catch: The AI features enabled on the device will only work for 12 months, which L’Atitude 52°N calls an “AI feature trial.” After that, customers have to pay for a subscription service, or will be limited to the base features, like playing music and capturing media.

How much will that subscription service cost? Chen says he doesn’t know.

#Smart #Glasses #ExOnePlus #Engineers #Hidden #Costsmart glasses,wearables,design,gadgets

Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.

Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.)

SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why.

There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped.

That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?

Stranger Things: Tales From ’85 is a bewildering trip to the past.

‘Stranger Things: Tales From ’85’ review: This baffling prequel won’t cure the Season 5 hatred Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.) SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why. There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped. That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?Stranger Things: Tales From ’85 is a bewildering trip to the past. Credit: Netflix Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2. Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series. Mashable Top Stories SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5 However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem. Credit: Netflix That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing. That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.Stranger Things: Tales From ’85 is now streaming on Netflix. Topics Netflix Stranger Things #Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred

Credit: Netflix

Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.

But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2.

Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series.

SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5

However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.

Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.

Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem.

Nikki greets the Hawkins party in "Stranger Things: Tales From '85."

Credit: Netflix

That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.

Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.

In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing.

That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.

Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?

I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?

Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.

Stranger Things: Tales From ’85 is now streaming on Netflix.

Topics Netflix Stranger Things

#Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred">‘Stranger Things: Tales From ’85’ review: This baffling prequel won’t cure the Season 5 hatred Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.) SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why. There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped. That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?Stranger Things: Tales From ’85 is a bewildering trip to the past. Credit: Netflix Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2. Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series. Mashable Top Stories SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5 However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem. Credit: Netflix That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing. That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.Stranger Things: Tales From ’85 is now streaming on Netflix. Topics Netflix Stranger Things #Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred

Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.

Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.)

SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why.

There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped.

That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?

Stranger Things: Tales From ’85 is a bewildering trip to the past.

‘Stranger Things: Tales From ’85’ review: This baffling prequel won’t cure the Season 5 hatred Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.) SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why. There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped. That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?Stranger Things: Tales From ’85 is a bewildering trip to the past. Credit: Netflix Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2. Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series. Mashable Top Stories SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5 However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem. Credit: Netflix That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing. That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.Stranger Things: Tales From ’85 is now streaming on Netflix. Topics Netflix Stranger Things #Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred

Credit: Netflix

Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.

But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2.

Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series.

SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5

However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.

Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.

Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem.

Nikki greets the Hawkins party in "Stranger Things: Tales From '85."

Credit: Netflix

That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.

Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.

In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing.

That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.

Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?

I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?

Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.

Stranger Things: Tales From ’85 is now streaming on Netflix.

Topics Netflix Stranger Things

#Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred">‘Stranger Things: Tales From ’85’ review: This baffling prequel won’t cure the Season 5 hatred

Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.

Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.)

SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why.

There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped.

That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?

Stranger Things: Tales From ’85 is a bewildering trip to the past.

‘Stranger Things: Tales From ’85’ review: This baffling prequel won’t cure the Season 5 hatred Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.) SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why. There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped. That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?Stranger Things: Tales From ’85 is a bewildering trip to the past. Credit: Netflix Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2. Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series. Mashable Top Stories SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5 However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem. Credit: Netflix That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing. That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.Stranger Things: Tales From ’85 is now streaming on Netflix. Topics Netflix Stranger Things #Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred

Credit: Netflix

Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.

But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2.

Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series.

SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5

However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.

Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.

Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem.

Nikki greets the Hawkins party in "Stranger Things: Tales From '85."

Credit: Netflix

That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.

Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.

In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing.

That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.

Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?

I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?

Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.

Stranger Things: Tales From ’85 is now streaming on Netflix.

Topics Netflix Stranger Things

#Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred

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