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5 Companies Competing to Replace the International Space Station

5 Companies Competing to Replace the International Space Station

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NASA and its international partners plan to deorbit the International Space Station at the end of 2030, sending it to a fiery death as it burns up in Earth’s atmosphere. But that doesn’t mean humanity will be giving up its sustained presence in low-Earth orbit.

The demise of the ISS will usher in a new era of commercial space stations. Several companies are already developing orbital research facilities and modular habitats that will allow astronauts to continue living and working in space. Many believe their stations will offer increased flexibility, affordability, and new opportunities for both scientific discovery and space-based industry.

Here are five key companies stepping up to fill the gap the ISS will leave behind.

1. Axiom Space

Axiom Space has received $140 million from NASA to develop Axiom Station through the agency’s LEO Destinations program. In February, the company raised an additional $350 million in private investor funds to accelerate the delivery of its ISS successor.

Construction of Axiom Station is already underway, according to Axiom’s website. The company’s partners at Thales Alenia Space—a global space manufacturer—are in the process of welding and machining the space station’s first module, and the first pieces of fabricated flight hardware are coming together. Axiom plans to launch that module to the ISS in 2027.

Docking the module to the ISS will allow Axiom to test and validate its systems in orbit before the module separates and rendezvous with the second module in orbit. After that, Axiom Station will be able to operate independently, but the company will still need to attach three more modules to fully build out the station’s living and research capabilities.

Once complete, the primary components of Axiom Station will be two habitat modules and a research and manufacturing module, but the company intends to add others too. One planned addition is the SEE-1 module, which Axiom is manufacturing for the British company Space Entertainment Enterprise. SEE-1 will serve as an entertainment venue—potentially the first one in space.

2. Vast Space

A digital rendering of the NASA-supported commercial space station, Vast’s Haven-1 © Vast Space

Axiom isn’t the only company targeting a 2027 launch for its space station. Vast Space is aiming to launch Haven-1 next year, too. Unlike Axiom, however, Vast’s space stations are designed to operate independently from day one.

The first, Haven-1, will be a standalone station capable of supporting a crew of up to four astronauts for short-duration research missions and commercial activities. It will primarily consist of crew quarters, a common area, and a laboratory that will serve as a microgravity research and manufacturing facility. In mid-January, Vast announced that Haven-1 had advanced to the first phase of integration and is on track to launch in the first quarter of 2027.

Haven-1 will be a stepping stone to Haven-2, which is designed to succeed the ISS. Vast plans to launch the first Haven-2 module in 2028, then add new modules every six months for a total of four by 2030. At that size, the space station will be able to support crews of up to eight astronauts. By 2032, Vast plans to expand the station to nine modules capable of supporting up to 12 astronauts.

Vast missed out on the first round of NASA’s LEO Destinations program, but it does have existing agreements with the agency and is vying for a contract in the second round. Earlier this month, the company announced that it has raised $500 million in private funding to accelerate the production of its Haven space stations.

3. Blue Origin and Sierra Space

A digital rendering of the baseline configuration for Blue Origin’s free-flying commercial space station, Orbital Reef
A digital rendering of the baseline configuration for Blue Origin’s free-flying commercial space station, Orbital Reef © Blue Origin

These two aerospace companies have teamed up to lead the development of Orbital Reef, which Blue describes as a “mixed-use business park” 250 miles (400 kilometers) above Earth. The station will be designed to provide research, industrial, international, and commercial customers with space habitation, equipment accommodation, and even an onboard staff.

In its initial phase of deployment, Orbital Reef will consist of five modules. The primary modules will be the Core—a central hub with about a third of the habitable space of the ISS—a research module, and an expandable habitat module. It will be capable of supporting up to 10 crew members.

Orbital Reef has received $172 million from the LEO Destinations program on top of corporate investments. In April 2025, NASA announced that Orbital Reef completed a human-in-the-loop testing milestone, in which people performed day-in-the-life walkthroughs of life-sized mockups of major station components. This will inform design recommendations for the station.

Blue and Sierra plan to launch the first modules by 2027, though that seems optimistic given the fact that Orbital Reef is still in the design phase. It’s also unclear exactly how long it will take to scale the station to its final capacity.

4. Starlab Space LLC

A digital rendering of the Starlab free-flying commercial destination,
A digital rendering of the Starlab free-flying commercial destination © Starlab

Starlab Space LLC, a joint venture between Voyager Space and Airbus, is developing Starlab Space Station as part of the LEO Destinations program. In mid-February, the company announced that it had completed a critical NASA review, clearing the way to proceed with fabrication, testing, and assembly of its station.

Like Haven-1, Starlab Space Station will launch as an operationally independent system capable of supporting up to four astronauts. It will consist of a service module—providing propulsion, power, and systems support—and a habitat module that will be launched to orbit on a single flight set to take place in 2029.

The station will be equipped with both a laboratory designed to support a range of experiments and technology demonstrations in microgravity. The lab will be divided into two main sections: the Internal Payload Laboratory (IPL) and the External Payload Laboratory (EPL). The IPL will support biological studies, human studies, materials studies, and more, while the EPL will support the testing and operation of payloads.

5. Max Space

A digital rendering of Thunderbird Station 2
A digital rendering of Thunderbird Station 2, Max Space’s expandable space station © Max Space

This Florida-based startup is the newcomer on the scene. Max Space unveiled its plans to develop Thunderbird Station in December 2025, though it first shared plans for inflatable space station modules back in 2024. The company did not compete for a Phase 1 award from the LEO Destinations program but now hopes to win a NASA contract in Phase 2.

Thunderbird is another small, single launch station capable of supporting up to four astronauts at a time. The design is based on Max Space’s inflatable habitat technology. Once in orbit, it will expand to a volume of more than 12,000 cubic feet (350 cubic meters)—the company claims it will be the most spacious space station ever built. The station will be equipped with payload lockers to support government and commercial missions as well as research equipment.

Max Space is targeting a 2029 launch, but it’s still too early to say whether the company is on track to hit that target. The company aims to launch its first in-orbit expandable habitat demonstration in the first quarter of 2027.

Earlier this month, Max Space announced a “multi-million-dollar” strategic investment from Voyager Technologies to “advance the development of next-generation expandable space habitats supporting sustained lunar operations and future deep-space missions,” but it’s unclear how much of that funding—if any—will go toward Thunderbird.

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gaming mouse world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it.

A New Way to Click

The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback.

In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon.

Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions.

The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995.

#Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g">Logitech PRO X2 SUPERSTRIKE Mouse Debuts With Haptic Click System, 44K DPI The gaming mouse world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it. A New Way to Click The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback. In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon. Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions. The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995. #Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g

world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it.

A New Way to Click

The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback.

In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon.

Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions.

The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995.

#Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g">Logitech PRO X2 SUPERSTRIKE Mouse Debuts With Haptic Click System, 44K DPI

The gaming mouse world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it.

A New Way to Click

The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback.

In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon.

Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions.

The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995.

#Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g
wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod.

That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

Okay, but how “back” is it?

The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024.

Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more.

The World Is Basically Begging for Another iPod Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that. Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails. None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it. There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange. Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at per month. It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music. Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.” Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway. #World #Basically #Begging #iPodApple,audio,iPod
© Mario Tama / Getty Images

On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

There’s also the Spotify of it all.

Remember owning stuff?

There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod.

According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that?

It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching $13 a month. For context, in 2023, subscription fees rose from $9.99 to $10.99, and again in 2024 from $10.99 to $11.99. Apple Music is more affordable, but not by much at $11 per month.

It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course.

New Ipod Launch
© Cate Gillon / Staff

“I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.”

As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto.

“There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.

#World #Basically #Begging #iPodApple,audio,iPod">The World Is Basically Begging for Another iPod Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that. Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails. None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it. There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange. Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at per month. It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music. Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.” Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway. #World #Basically #Begging #iPodApple,audio,iPod

enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod.

That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

Okay, but how “back” is it?

The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024.

Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more.

The World Is Basically Begging for Another iPod Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that. Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails. None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it. There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange. Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at per month. It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music. Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.” Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway. #World #Basically #Begging #iPodApple,audio,iPod
© Mario Tama / Getty Images

On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

There’s also the Spotify of it all.

Remember owning stuff?

There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod.

According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that?

It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching $13 a month. For context, in 2023, subscription fees rose from $9.99 to $10.99, and again in 2024 from $10.99 to $11.99. Apple Music is more affordable, but not by much at $11 per month.

It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course.

New Ipod Launch
© Cate Gillon / Staff

“I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.”

As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto.

“There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.

#World #Basically #Begging #iPodApple,audio,iPod">The World Is Basically Begging for Another iPod

Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod.

That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

Okay, but how “back” is it?

The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024.

Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more.

The World Is Basically Begging for Another iPod Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that. Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails. None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it. There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange. Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at per month. It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music. Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.” Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway. #World #Basically #Begging #iPodApple,audio,iPod
© Mario Tama / Getty Images

On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

There’s also the Spotify of it all.

Remember owning stuff?

There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod.

According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that?

It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching $13 a month. For context, in 2023, subscription fees rose from $9.99 to $10.99, and again in 2024 from $10.99 to $11.99. Apple Music is more affordable, but not by much at $11 per month.

It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course.

New Ipod Launch
© Cate Gillon / Staff

“I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.”

As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto.

“There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.

#World #Basically #Begging #iPodApple,audio,iPod
A lot of these travel mugs tend to take the form of a sippy cup. But when sitting at home, my ideal pick is the Fellow Carter, which sips like a normal drinking vessel and is stainless steel—not plastic. It’s ceramic-lined on its interior to avoid coffee-oil buildup or any hint of metallic tang. If you like sippy cups, Fellow also offers a nice 3-in-1 lid system ($57) with straw and slider lids.

What I tend to do is drop a four-cup batch of coffee into the Carter, and screw the lid off and on when I take a sip. Sixteen ounces of coffee can stay warm for hours without introducing a lot of oxidation or heat. The coffee in a thermal-insulated drinking container tends to taste better, longer, than any coffee that’s been subjected to the heat and air of a coffee warmer.

This said, while the Carter is prettier than most travel mugs, it’s never going to be my favorite mug (which, for the record, is a Grinderman tour mug from 2010.) The Carter also doesn’t release aromatics quite as well as a more open-topped mug. I could, technically, keep coffee warm in the Carter and then pour it into another mug I am more sentimental about. But in practice, I don’t. I just drink out of the Carter. It’s still a good morning.

Other Coffee Mug Warmers We Recommend

Ember Mug 2 for $150: Oh, the Ember. It is likely the most sophisticated and technologically advanced of self-warming mugs. It has an app. It’ll light up a little LED or even notify your phone when your coffee is ready to drink. Honestly, one can go back and forth on its virtues and excesses. It’ll “wake up” when you pour coffee in. It’ll go to sleep when you’re not around. And unlike other picks here, it’s a true self-heating mug with a battery, and it can travel with you on your dog walk. But after using the Ember for years, WIRED reviewer Simon Hill turned instead to the Ohom Ui 3. Why? In part, it’s that the Ember only works with a proprietary mug that’s not dishwasher-safe or dunk-proof. Replacement mugs and heating elements are expensive. But mostly it was a yen for simplicity: Not everything needs an app, and thermal mugs are now good enough that I sort of prefer them while on the go. Still, the Ember mug has had fervent fans at WIRED, it’s a nifty device, and its makers are continually working to improve it. Arguably, the people at Ember are thinking harder about coffee warming than anyone alive, and I’ll always happily test the next and the next version to see what’s up their sleeve.

Bestinnkits Mug Warmer for $26: This utilitarian little mug warmer turns on when you have a mug atop it, and turns off when you don’t. The scale is its only “smart” feature. No Alexa, no Siri, no app. This is a nice feature, and great for safety. This said, it does mean the warmer doesn’t start warming till your cup’s atop it, vs a warmer like the Cosori or Mr. Coffee that can preheat before your cup is there and thus keep temp immediately. It’s a decision, and it’s yours to make. The cost difference is somewhat negligible among them all.

#Dont #Drink #Lukewarm #Coffee #Warmershopping,kitchen,buying guides,food and drink,coffee">You Don’t Have to Drink Lukewarm Coffee Ever Again. Get a WarmerA lot of these travel mugs tend to take the form of a sippy cup. But when sitting at home, my ideal pick is the Fellow Carter, which sips like a normal drinking vessel and is stainless steel—not plastic. It’s ceramic-lined on its interior to avoid coffee-oil buildup or any hint of metallic tang. If you like sippy cups, Fellow also offers a nice 3-in-1 lid system () with straw and slider lids.What I tend to do is drop a four-cup batch of coffee into the Carter, and screw the lid off and on when I take a sip. Sixteen ounces of coffee can stay warm for hours without introducing a lot of oxidation or heat. The coffee in a thermal-insulated drinking container tends to taste better, longer, than any coffee that’s been subjected to the heat and air of a coffee warmer.This said, while the Carter is prettier than most travel mugs, it’s never going to be my favorite mug (which, for the record, is a Grinderman tour mug from 2010.) The Carter also doesn’t release aromatics quite as well as a more open-topped mug. I could, technically, keep coffee warm in the Carter and then pour it into another mug I am more sentimental about. But in practice, I don’t. I just drink out of the Carter. It’s still a good morning.Other Coffee Mug Warmers We RecommendEmber Mug 2 for 0: Oh, the Ember. It is likely the most sophisticated and technologically advanced of self-warming mugs. It has an app. It’ll light up a little LED or even notify your phone when your coffee is ready to drink. Honestly, one can go back and forth on its virtues and excesses. It’ll “wake up” when you pour coffee in. It’ll go to sleep when you’re not around. And unlike other picks here, it’s a true self-heating mug with a battery, and it can travel with you on your dog walk. But after using the Ember for years, WIRED reviewer Simon Hill turned instead to the Ohom Ui 3. Why? In part, it’s that the Ember only works with a proprietary mug that’s not dishwasher-safe or dunk-proof. Replacement mugs and heating elements are expensive. But mostly it was a yen for simplicity: Not everything needs an app, and thermal mugs are now good enough that I sort of prefer them while on the go. Still, the Ember mug has had fervent fans at WIRED, it’s a nifty device, and its makers are continually working to improve it. Arguably, the people at Ember are thinking harder about coffee warming than anyone alive, and I’ll always happily test the next and the next version to see what’s up their sleeve.Bestinnkits Mug Warmer for : This utilitarian little mug warmer turns on when you have a mug atop it, and turns off when you don’t. The scale is its only “smart” feature. No Alexa, no Siri, no app. This is a nice feature, and great for safety. This said, it does mean the warmer doesn’t start warming till your cup’s atop it, vs a warmer like the Cosori or Mr. Coffee that can preheat before your cup is there and thus keep temp immediately. It’s a decision, and it’s yours to make. The cost difference is somewhat negligible among them all.#Dont #Drink #Lukewarm #Coffee #Warmershopping,kitchen,buying guides,food and drink,coffee

3-in-1 lid system ($57) with straw and slider lids.

What I tend to do is drop a four-cup batch of coffee into the Carter, and screw the lid off and on when I take a sip. Sixteen ounces of coffee can stay warm for hours without introducing a lot of oxidation or heat. The coffee in a thermal-insulated drinking container tends to taste better, longer, than any coffee that’s been subjected to the heat and air of a coffee warmer.

This said, while the Carter is prettier than most travel mugs, it’s never going to be my favorite mug (which, for the record, is a Grinderman tour mug from 2010.) The Carter also doesn’t release aromatics quite as well as a more open-topped mug. I could, technically, keep coffee warm in the Carter and then pour it into another mug I am more sentimental about. But in practice, I don’t. I just drink out of the Carter. It’s still a good morning.

Other Coffee Mug Warmers We Recommend

Ember Mug 2 for $150: Oh, the Ember. It is likely the most sophisticated and technologically advanced of self-warming mugs. It has an app. It’ll light up a little LED or even notify your phone when your coffee is ready to drink. Honestly, one can go back and forth on its virtues and excesses. It’ll “wake up” when you pour coffee in. It’ll go to sleep when you’re not around. And unlike other picks here, it’s a true self-heating mug with a battery, and it can travel with you on your dog walk. But after using the Ember for years, WIRED reviewer Simon Hill turned instead to the Ohom Ui 3. Why? In part, it’s that the Ember only works with a proprietary mug that’s not dishwasher-safe or dunk-proof. Replacement mugs and heating elements are expensive. But mostly it was a yen for simplicity: Not everything needs an app, and thermal mugs are now good enough that I sort of prefer them while on the go. Still, the Ember mug has had fervent fans at WIRED, it’s a nifty device, and its makers are continually working to improve it. Arguably, the people at Ember are thinking harder about coffee warming than anyone alive, and I’ll always happily test the next and the next version to see what’s up their sleeve.

Bestinnkits Mug Warmer for $26: This utilitarian little mug warmer turns on when you have a mug atop it, and turns off when you don’t. The scale is its only “smart” feature. No Alexa, no Siri, no app. This is a nice feature, and great for safety. This said, it does mean the warmer doesn’t start warming till your cup’s atop it, vs a warmer like the Cosori or Mr. Coffee that can preheat before your cup is there and thus keep temp immediately. It’s a decision, and it’s yours to make. The cost difference is somewhat negligible among them all.

#Dont #Drink #Lukewarm #Coffee #Warmershopping,kitchen,buying guides,food and drink,coffee">You Don’t Have to Drink Lukewarm Coffee Ever Again. Get a Warmer

A lot of these travel mugs tend to take the form of a sippy cup. But when sitting at home, my ideal pick is the Fellow Carter, which sips like a normal drinking vessel and is stainless steel—not plastic. It’s ceramic-lined on its interior to avoid coffee-oil buildup or any hint of metallic tang. If you like sippy cups, Fellow also offers a nice 3-in-1 lid system ($57) with straw and slider lids.

What I tend to do is drop a four-cup batch of coffee into the Carter, and screw the lid off and on when I take a sip. Sixteen ounces of coffee can stay warm for hours without introducing a lot of oxidation or heat. The coffee in a thermal-insulated drinking container tends to taste better, longer, than any coffee that’s been subjected to the heat and air of a coffee warmer.

This said, while the Carter is prettier than most travel mugs, it’s never going to be my favorite mug (which, for the record, is a Grinderman tour mug from 2010.) The Carter also doesn’t release aromatics quite as well as a more open-topped mug. I could, technically, keep coffee warm in the Carter and then pour it into another mug I am more sentimental about. But in practice, I don’t. I just drink out of the Carter. It’s still a good morning.

Other Coffee Mug Warmers We Recommend

Ember Mug 2 for $150: Oh, the Ember. It is likely the most sophisticated and technologically advanced of self-warming mugs. It has an app. It’ll light up a little LED or even notify your phone when your coffee is ready to drink. Honestly, one can go back and forth on its virtues and excesses. It’ll “wake up” when you pour coffee in. It’ll go to sleep when you’re not around. And unlike other picks here, it’s a true self-heating mug with a battery, and it can travel with you on your dog walk. But after using the Ember for years, WIRED reviewer Simon Hill turned instead to the Ohom Ui 3. Why? In part, it’s that the Ember only works with a proprietary mug that’s not dishwasher-safe or dunk-proof. Replacement mugs and heating elements are expensive. But mostly it was a yen for simplicity: Not everything needs an app, and thermal mugs are now good enough that I sort of prefer them while on the go. Still, the Ember mug has had fervent fans at WIRED, it’s a nifty device, and its makers are continually working to improve it. Arguably, the people at Ember are thinking harder about coffee warming than anyone alive, and I’ll always happily test the next and the next version to see what’s up their sleeve.

Bestinnkits Mug Warmer for $26: This utilitarian little mug warmer turns on when you have a mug atop it, and turns off when you don’t. The scale is its only “smart” feature. No Alexa, no Siri, no app. This is a nice feature, and great for safety. This said, it does mean the warmer doesn’t start warming till your cup’s atop it, vs a warmer like the Cosori or Mr. Coffee that can preheat before your cup is there and thus keep temp immediately. It’s a decision, and it’s yours to make. The cost difference is somewhat negligible among them all.

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