×
Confessions of the ICE Agent Whisperer

Confessions of the ICE Agent Whisperer

As immigration became one of the defining focuses of Donald Trump’s second administration, the Department of Homeland Security (DHS) has taken center stage. Under the 2025 One Big Beautiful Bill Act, DHS, which oversees Immigration and Customs Enforcement (ICE), Customs and Border Protection (CBP), US Citizenship and Immigration Services (USCIS), and several other agencies, received more than $80 billion in additional funding, and in January the agency announced that it had hired more than 12,000 new agents.

Even as cities like Los Angeles and Minneapolis have seen a surge of immigration officers descend upon them, DHS has maintained a high level of opacity around its operations. Officers carrying out raids and arrests are often masked and driving in unmarked cars. As enforcement has pulled in federal law enforcement personnel from across the government, it has become difficult to tell what agency a given officer works for, let alone who they actually are. Though DHS has been combative with the media, ICE agents themselves have been mostly quiet, even if some have mixed feelings about their work and where the agency is headed.

Karl Loftus, an independent journalist who runs the Instagram account @deadcrab_films, started a new project following the immigration surge in Minneapolis called Confessions of an ICE Agent. There, he publishes interviews with people who work in immigration enforcement across DHS. This includes agents and officers with the two main divisions of ICE—Homeland Security Investigations and Enforcement and Removal Operations—as well as CBP officers. He offers them anonymity and a place to speak their minds outside the structures of traditional media, and in return gets a glimpse of what the people inside the agency are experiencing, creating an archive of this moment in its history.

In one post, a biracial agent speaking shortly after Trump announced that he would be replacing DHS Secretary Kristi Noem told Loftus he believed Noem was a “DEI” hire. In another, an HSI agent called the people leading the US government “imbeciles,” saying they were “disgusted by nearly all of them.” Another HSI agent expressed concerns about DHS colleagues violating the law, and complained of having to pause investigation into child sexual abuse cases to focus on immigration work. “If they gave child exploitation cases a fraction of the attention, funding, resources, personnel, analytical support, etc. that they’re now giving immigration enforcement, we could do so much good,” they said.

WIRED spoke to Loftus about the public response to a polarizing topic, how he vets his sources, and the pressure to pick a side. A DHS spokesperson responded to WIRED’s request for comment saying that they cannot verify anonymous interviews but that DHS and its Homeland Security Investigations unit “is not slowing down and remains committed to all aspects of its mission, leveraging a whole-of-government approach to address threats to public safety and national security.”

This conversation has been edited for length and clarity.

WIRED: Before this project, your account mostly focused on things like disaster recovery after Hurricane Helene and similar topics. How did you start working on ICE?

Karl Loftus: In 2018 I was a volunteer in North Carolina during Hurricane Florence. I was there during the hurricane for four days doing search and rescue. That kind of started my passion for disaster response. I had been in Jamaica for seven weeks responding to Hurricane Melissa, working with a handful of different NGOs. I worked with Global Empowerment Mission repairing roofs of hospitals and medical centers to try to get the medical infrastructure back on track. I worked with World Central Kitchen. I was there documenting. I had planned to go to Wisconsin for the holidays, which is where I’m from, to visit some family, but I ended up staying in Jamaica. In early January, I finally made it up to the Midwest to see some family, and that’s when the Renee Good shooting happened. I was like, “Man, I know shit’s about to go insane the following day, and there’s going to be protests and riots and all this stuff.” So I decided to make the trip to Minneapolis.

Source link
#Confessions #ICE #Agent #Whisperer

launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.

Oppo Enco Air 5 Pro Specifications and Features

The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.

Oppo Enco Air 5 Pro India Launch: Price, Features and Availability
	
Oppo has officially launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.



Oppo Enco Air 5 Pro Specifications and Features



The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.







Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.



For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.



The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.



Price and Availability



Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo

Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.

For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.

The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.

Price and Availability

Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo">Oppo Enco Air 5 Pro India Launch: Price, Features and Availability
	
Oppo has officially launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.



Oppo Enco Air 5 Pro Specifications and Features



The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.







Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.



For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.



The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.



Price and Availability



Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo

the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.

Oppo Enco Air 5 Pro Specifications and Features

The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.

Oppo Enco Air 5 Pro India Launch: Price, Features and Availability
	
Oppo has officially launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.



Oppo Enco Air 5 Pro Specifications and Features



The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.







Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.



For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.



The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.



Price and Availability



Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo

Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.

For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.

The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.

Price and Availability

Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo">Oppo Enco Air 5 Pro India Launch: Price, Features and Availability

Oppo has officially launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.

Oppo Enco Air 5 Pro Specifications and Features

The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.

Oppo Enco Air 5 Pro India Launch: Price, Features and Availability
	
Oppo has officially launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.



Oppo Enco Air 5 Pro Specifications and Features



The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.







Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.



For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.



The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.



Price and Availability



Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo

Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.

For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.

The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.

Price and Availability

Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo
Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality.

While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same wayTatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw ManDream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before. 

Satoshi Kon’s Manga Deserve Just as Much Love as His Iconic Anime
                Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality. While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same way, Tatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw Man, Dream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before.  © Satoshi Kon/Kodansha If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet. 

 Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

 But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.  While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

 © Satoshi Kon Dark Horse Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond.  Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.  			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 		  Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

 Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.  Witness the stunning remaster of PERFECT BLUE, coming to 4K UHD Steelbook for the first time ever. Packed with tons of extras including interviews & lectures from director Satoshi Kon.  Available June 16. 🎀 💙 Pre-order now: https://t.co/AqyLo0ygZ3 pic.twitter.com/VsnVtJjTRq — GKIDS Films (@GKIDSfilms) May 21, 2026  But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of Opus. In the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

 © Satoshi Kon/Dark Horse While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon
© Satoshi Kon/Kodansha

If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet.

Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.

While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

Opus manga volume cover.
© Satoshi Kon Dark Horse

Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond

Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.

Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.

But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of OpusIn the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

Opus illustration by Satoshi.
© Satoshi Kon/Dark Horse

While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon">Satoshi Kon’s Manga Deserve Just as Much Love as His Iconic Anime
                Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality. While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same way, Tatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw Man, Dream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before.  © Satoshi Kon/Kodansha If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet. 

 Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

 But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.  While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

 © Satoshi Kon Dark Horse Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond.  Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.  			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 		  Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

 Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.  Witness the stunning remaster of PERFECT BLUE, coming to 4K UHD Steelbook for the first time ever. Packed with tons of extras including interviews & lectures from director Satoshi Kon.  Available June 16. 🎀 💙 Pre-order now: https://t.co/AqyLo0ygZ3 pic.twitter.com/VsnVtJjTRq — GKIDS Films (@GKIDSfilms) May 21, 2026  But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of Opus. In the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

 © Satoshi Kon/Dark Horse While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon

Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality.

While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same wayTatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw ManDream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before. 

Satoshi Kon’s Manga Deserve Just as Much Love as His Iconic Anime
                Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality. While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same way, Tatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw Man, Dream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before.  © Satoshi Kon/Kodansha If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet. 

 Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

 But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.  While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

 © Satoshi Kon Dark Horse Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond.  Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.  			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 		  Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

 Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.  Witness the stunning remaster of PERFECT BLUE, coming to 4K UHD Steelbook for the first time ever. Packed with tons of extras including interviews & lectures from director Satoshi Kon.  Available June 16. 🎀 💙 Pre-order now: https://t.co/AqyLo0ygZ3 pic.twitter.com/VsnVtJjTRq — GKIDS Films (@GKIDSfilms) May 21, 2026  But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of Opus. In the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

 © Satoshi Kon/Dark Horse While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon
© Satoshi Kon/Kodansha

If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet.

Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.

While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

Opus manga volume cover.
© Satoshi Kon Dark Horse

Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond

Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.

Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.

But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of OpusIn the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

Opus illustration by Satoshi.
© Satoshi Kon/Dark Horse

While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon">Satoshi Kon’s Manga Deserve Just as Much Love as His Iconic Anime

Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality.

While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same wayTatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw ManDream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before. 

Satoshi Kon’s Manga Deserve Just as Much Love as His Iconic Anime
                Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality. While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same way, Tatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw Man, Dream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before.  © Satoshi Kon/Kodansha If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet. 

 Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

 But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.  While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

 © Satoshi Kon Dark Horse Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond.  Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.  			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 		  Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

 Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.  Witness the stunning remaster of PERFECT BLUE, coming to 4K UHD Steelbook for the first time ever. Packed with tons of extras including interviews & lectures from director Satoshi Kon.  Available June 16. 🎀 💙 Pre-order now: https://t.co/AqyLo0ygZ3 pic.twitter.com/VsnVtJjTRq — GKIDS Films (@GKIDSfilms) May 21, 2026  But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of Opus. In the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

 © Satoshi Kon/Dark Horse While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon
© Satoshi Kon/Kodansha

If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet.

Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.

While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

Opus manga volume cover.
© Satoshi Kon Dark Horse

Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond

Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.

Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.

But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of OpusIn the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

Opus illustration by Satoshi.
© Satoshi Kon/Dark Horse

While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon

Post Comment