×
AI Agents Are Coming for Your Dating LifeOn a Monday afternoon in March, I watched a pixel-art avatar prowl the corridors of a virtual office campus looking for a buddy. With dark brown hair and stubbled chin, the sprite was a representation of me—an AI agent instructed to converse with other people’s agents to see if we might vibe in real life. It jumped into its first interaction: “I’m Joel, by the way.”Running the simulation were three London-based developers: Tomáš Hrdlička and siblings Joon Sang and Uri Lee. The thesis behind their project, Pixel Societies, is that personalized AI agents could help to match real people with highly compatible colleagues, friends, and even romantic partners.Each agent runs atop a customized version of a large language model, fed with a mixture of publicly available data about a person and any additional information they supply. The agents are supposed to function as high-fidelity digital twins, faithfully replicating a person’s manner, speech, interests, and so on.Let loose in simulation, my agent was more like a Hyde to my Jekyll. “I’m always looking for the less-glamorous side of the story,” it said to one agent, one of several journalistic clichés it spouted. “Hype is my daily bread,” it told another. It hallucinated a reporting trip to Sweden and, later, a nonexistent story it said I had been cooking up. It cut short multiple conversations with the phrase, “Let’s skip the pleasantries.”Pixel Societies remains a bare-bones proof-of-concept, and because I offered up little personal data—the responses to a brief personality quiz and links to my public-facing social media—my agent was doomed to life as a walking, talking LinkedIn post. But the developers theorize that deeply trained agents could cycle through interactions at warp speed, gathering intel that their owners could use to find real-world companionship.“As humans, we only live one life. But what if we could live a million?” says Joon Sang Lee. “It would give us more breadth to experiment.”“A Spicy Personality”Pixel Societies was born in early March at a hackathon at University College London hosted by Nvidia, HPE, and Anthropic. Hrdlička and Joon Sang Lee are both members of Unicorn Mafia, an invitation-only group of developers who regularly compete in these kinds of engineering contests. In this case, contestants were told simply to build something simulation-related.Over two days, along with Uri Lee, they developed Pixel Societies, using an image model to generate the sprites and coding automation tools to flesh out the codebase. Then they simulated a mini-hackathon within the virtual world they had created, populated with agents representing the other contestants. Anthropic awarded the team a prize for the best use of its agent tools.I ran into Hrdlička a couple of weeks later at a workshop about OpenClaw, an agentic personal assistant software that blew up in January and whose creator was later hired by OpenAI. (In its simulation, Joelbot interacted with agents belonging to other people at the OpenClaw workshop.) Pixel Societies draws heavy inspiration from OpenClaw, which broke ground with the invention of a “soul file” that informed each agent’s unique identity. “It’s like giving an agent an actually spicy personality. That’s what we used to make the characters feel alive,” says Hrdlička.Encouraged by the reception at the hackathon and among fellow Unicorn Mafia members, the trio intends to turn Pixel Societies into something that looks less like a closed-loop simulator and more like a social platform where agents interact freely and continuously, with the aim of stoking fruitful real-world relationships. They have not yet landed on a business model, but options include selling virtual items for avatar customization and credits for additional simulations.#Agents #Coming #Dating #Lifeartificial intelligence,agentic ai,startups,dating

AI Agents Are Coming for Your Dating Life

On a Monday afternoon in March, I watched a pixel-art avatar prowl the corridors of a virtual office campus looking for a buddy. With dark brown hair and stubbled chin, the sprite was a representation of me—an AI agent instructed to converse with other people’s agents to see if we might vibe in real life. It jumped into its first interaction: “I’m Joel, by the way.”

Running the simulation were three London-based developers: Tomáš Hrdlička and siblings Joon Sang and Uri Lee. The thesis behind their project, Pixel Societies, is that personalized AI agents could help to match real people with highly compatible colleagues, friends, and even romantic partners.

Each agent runs atop a customized version of a large language model, fed with a mixture of publicly available data about a person and any additional information they supply. The agents are supposed to function as high-fidelity digital twins, faithfully replicating a person’s manner, speech, interests, and so on.

Let loose in simulation, my agent was more like a Hyde to my Jekyll. “I’m always looking for the less-glamorous side of the story,” it said to one agent, one of several journalistic clichés it spouted. “Hype is my daily bread,” it told another. It hallucinated a reporting trip to Sweden and, later, a nonexistent story it said I had been cooking up. It cut short multiple conversations with the phrase, “Let’s skip the pleasantries.”

Pixel Societies remains a bare-bones proof-of-concept, and because I offered up little personal data—the responses to a brief personality quiz and links to my public-facing social media—my agent was doomed to life as a walking, talking LinkedIn post. But the developers theorize that deeply trained agents could cycle through interactions at warp speed, gathering intel that their owners could use to find real-world companionship.

“As humans, we only live one life. But what if we could live a million?” says Joon Sang Lee. “It would give us more breadth to experiment.”

“A Spicy Personality”

Pixel Societies was born in early March at a hackathon at University College London hosted by Nvidia, HPE, and Anthropic. Hrdlička and Joon Sang Lee are both members of Unicorn Mafia, an invitation-only group of developers who regularly compete in these kinds of engineering contests. In this case, contestants were told simply to build something simulation-related.

Over two days, along with Uri Lee, they developed Pixel Societies, using an image model to generate the sprites and coding automation tools to flesh out the codebase. Then they simulated a mini-hackathon within the virtual world they had created, populated with agents representing the other contestants. Anthropic awarded the team a prize for the best use of its agent tools.

I ran into Hrdlička a couple of weeks later at a workshop about OpenClaw, an agentic personal assistant software that blew up in January and whose creator was later hired by OpenAI. (In its simulation, Joelbot interacted with agents belonging to other people at the OpenClaw workshop.) Pixel Societies draws heavy inspiration from OpenClaw, which broke ground with the invention of a “soul file” that informed each agent’s unique identity. “It’s like giving an agent an actually spicy personality. That’s what we used to make the characters feel alive,” says Hrdlička.

Encouraged by the reception at the hackathon and among fellow Unicorn Mafia members, the trio intends to turn Pixel Societies into something that looks less like a closed-loop simulator and more like a social platform where agents interact freely and continuously, with the aim of stoking fruitful real-world relationships. They have not yet landed on a business model, but options include selling virtual items for avatar customization and credits for additional simulations.

#Agents #Coming #Dating #Lifeartificial intelligence,agentic ai,startups,dating

On a Monday afternoon in March, I watched a pixel-art avatar prowl the corridors of a virtual office campus looking for a buddy. With dark brown hair and stubbled chin, the sprite was a representation of me—an AI agent instructed to converse with other people’s agents to see if we might vibe in real life. It jumped into its first interaction: “I’m Joel, by the way.”

Running the simulation were three London-based developers: Tomáš Hrdlička and siblings Joon Sang and Uri Lee. The thesis behind their project, Pixel Societies, is that personalized AI agents could help to match real people with highly compatible colleagues, friends, and even romantic partners.

Each agent runs atop a customized version of a large language model, fed with a mixture of publicly available data about a person and any additional information they supply. The agents are supposed to function as high-fidelity digital twins, faithfully replicating a person’s manner, speech, interests, and so on.

Let loose in simulation, my agent was more like a Hyde to my Jekyll. “I’m always looking for the less-glamorous side of the story,” it said to one agent, one of several journalistic clichés it spouted. “Hype is my daily bread,” it told another. It hallucinated a reporting trip to Sweden and, later, a nonexistent story it said I had been cooking up. It cut short multiple conversations with the phrase, “Let’s skip the pleasantries.”

Pixel Societies remains a bare-bones proof-of-concept, and because I offered up little personal data—the responses to a brief personality quiz and links to my public-facing social media—my agent was doomed to life as a walking, talking LinkedIn post. But the developers theorize that deeply trained agents could cycle through interactions at warp speed, gathering intel that their owners could use to find real-world companionship.

“As humans, we only live one life. But what if we could live a million?” says Joon Sang Lee. “It would give us more breadth to experiment.”

“A Spicy Personality”

Pixel Societies was born in early March at a hackathon at University College London hosted by Nvidia, HPE, and Anthropic. Hrdlička and Joon Sang Lee are both members of Unicorn Mafia, an invitation-only group of developers who regularly compete in these kinds of engineering contests. In this case, contestants were told simply to build something simulation-related.

Over two days, along with Uri Lee, they developed Pixel Societies, using an image model to generate the sprites and coding automation tools to flesh out the codebase. Then they simulated a mini-hackathon within the virtual world they had created, populated with agents representing the other contestants. Anthropic awarded the team a prize for the best use of its agent tools.

I ran into Hrdlička a couple of weeks later at a workshop about OpenClaw, an agentic personal assistant software that blew up in January and whose creator was later hired by OpenAI. (In its simulation, Joelbot interacted with agents belonging to other people at the OpenClaw workshop.) Pixel Societies draws heavy inspiration from OpenClaw, which broke ground with the invention of a “soul file” that informed each agent’s unique identity. “It’s like giving an agent an actually spicy personality. That’s what we used to make the characters feel alive,” says Hrdlička.

Encouraged by the reception at the hackathon and among fellow Unicorn Mafia members, the trio intends to turn Pixel Societies into something that looks less like a closed-loop simulator and more like a social platform where agents interact freely and continuously, with the aim of stoking fruitful real-world relationships. They have not yet landed on a business model, but options include selling virtual items for avatar customization and credits for additional simulations.

Source link
#Agents #Coming #Dating #Life

For obvious reasons, I’ve had Moon on the mind all week. So I was trying to figure out what I should recommend this week that would thematically fit. Brian Eno’s Apollo: Atmospheres and Soundtracks is incredible, and if you haven’t listened to it, go do that now. But it also seemed a bit on the nose. Radiohead’s A Moon Shaped Pool also came to mind. But it also felt a bit obvious. Then I remembered Kate NV’s Room for the Moon, a record I had on repeat in 2020.

Russian artist Kate Shilonosova chases ideas across 11 tracks inspired by Russian and Japanese pop from the ‘70s and ‘80s, as well as children’s movies. This obviously leads Room for the Moon to indulge its most whimsical impulses. It’s a fairytale rendered in snappy Talking Heads-esque bass, proggy synths, and reverbed drum machines.

The opener “Not Not Not” is almost goofy, its chaotic melodies constantly dancing around each other in a perpetually disorienting way. It lurches forward asymetrically, grooving like a flat tire. The instrumental “Da Na” follows, drawing on a familiar yet slightly uncanny palette of sounds. The clarinet (?) drifts in and out of dissonance as if drunk. The tuned percussion elements flit around what might be a kenari seed shell shaker or someone running their fingers over the tines of a comb. It’s truly impossible to tell, and both seem as likely as the other.

“Sayonara (Full Moon Version)” is the fantastical daydream counterpart to Oingo Boingo’s nightmare new wave theatrics. The least strange track on the record is probably “Plans,” which fully embraces 80s dance pop aesthetics. But even that song finds room for a minute-long instrumental passage featuring a bleating, almost atonal saxophone solo.

While the sounds are strange, uneasy, and almost queasy at times, the songs are light and fantastical. Despite not understanding the lyrics, which are mostly in Russian, it’s impossible not to get a sense of hope from them. Kate NV’s Room for the Moon is not a somber lunar lullaby, but the pleasant dreams of an innocent mind.

#Room #Moon #thrillingly #weird #experimental #popColumn,Entertainment,Music,Music Review">Room for the Moon is thrillingly weird experimental popFor obvious reasons, I’ve had Moon on the mind all week. So I was trying to figure out what I should recommend this week that would thematically fit. Brian Eno’s Apollo: Atmospheres and Soundtracks is incredible, and if you haven’t listened to it, go do that now. But it also seemed a bit on the nose. Radiohead’s A Moon Shaped Pool also came to mind. But it also felt a bit obvious. Then I remembered Kate NV’s Room for the Moon, a record I had on repeat in 2020.Russian artist Kate Shilonosova chases ideas across 11 tracks inspired by Russian and Japanese pop from the ‘70s and ‘80s, as well as children’s movies. This obviously leads Room for the Moon to indulge its most whimsical impulses. It’s a fairytale rendered in snappy Talking Heads-esque bass, proggy synths, and reverbed drum machines.The opener “Not Not Not” is almost goofy, its chaotic melodies constantly dancing around each other in a perpetually disorienting way. It lurches forward asymetrically, grooving like a flat tire. The instrumental “Da Na” follows, drawing on a familiar yet slightly uncanny palette of sounds. The clarinet (?) drifts in and out of dissonance as if drunk. The tuned percussion elements flit around what might be a kenari seed shell shaker or someone running their fingers over the tines of a comb. It’s truly impossible to tell, and both seem as likely as the other.“Sayonara (Full Moon Version)” is the fantastical daydream counterpart to Oingo Boingo’s nightmare new wave theatrics. The least strange track on the record is probably “Plans,” which fully embraces 80s dance pop aesthetics. But even that song finds room for a minute-long instrumental passage featuring a bleating, almost atonal saxophone solo.While the sounds are strange, uneasy, and almost queasy at times, the songs are light and fantastical. Despite not understanding the lyrics, which are mostly in Russian, it’s impossible not to get a sense of hope from them. Kate NV’s Room for the Moon is not a somber lunar lullaby, but the pleasant dreams of an innocent mind.#Room #Moon #thrillingly #weird #experimental #popColumn,Entertainment,Music,Music Review

obvious reasons, I’ve had Moon on the mind all week. So I was trying to figure out what I should recommend this week that would thematically fit. Brian Eno’s Apollo: Atmospheres and Soundtracks is incredible, and if you haven’t listened to it, go do that now. But it also seemed a bit on the nose. Radiohead’s A Moon Shaped Pool also came to mind. But it also felt a bit obvious. Then I remembered Kate NV’s Room for the Moon, a record I had on repeat in 2020.

Russian artist Kate Shilonosova chases ideas across 11 tracks inspired by Russian and Japanese pop from the ‘70s and ‘80s, as well as children’s movies. This obviously leads Room for the Moon to indulge its most whimsical impulses. It’s a fairytale rendered in snappy Talking Heads-esque bass, proggy synths, and reverbed drum machines.

The opener “Not Not Not” is almost goofy, its chaotic melodies constantly dancing around each other in a perpetually disorienting way. It lurches forward asymetrically, grooving like a flat tire. The instrumental “Da Na” follows, drawing on a familiar yet slightly uncanny palette of sounds. The clarinet (?) drifts in and out of dissonance as if drunk. The tuned percussion elements flit around what might be a kenari seed shell shaker or someone running their fingers over the tines of a comb. It’s truly impossible to tell, and both seem as likely as the other.

“Sayonara (Full Moon Version)” is the fantastical daydream counterpart to Oingo Boingo’s nightmare new wave theatrics. The least strange track on the record is probably “Plans,” which fully embraces 80s dance pop aesthetics. But even that song finds room for a minute-long instrumental passage featuring a bleating, almost atonal saxophone solo.

While the sounds are strange, uneasy, and almost queasy at times, the songs are light and fantastical. Despite not understanding the lyrics, which are mostly in Russian, it’s impossible not to get a sense of hope from them. Kate NV’s Room for the Moon is not a somber lunar lullaby, but the pleasant dreams of an innocent mind.

#Room #Moon #thrillingly #weird #experimental #popColumn,Entertainment,Music,Music Review">Room for the Moon is thrillingly weird experimental pop

For obvious reasons, I’ve had Moon on the mind all week. So I was trying to figure out what I should recommend this week that would thematically fit. Brian Eno’s Apollo: Atmospheres and Soundtracks is incredible, and if you haven’t listened to it, go do that now. But it also seemed a bit on the nose. Radiohead’s A Moon Shaped Pool also came to mind. But it also felt a bit obvious. Then I remembered Kate NV’s Room for the Moon, a record I had on repeat in 2020.

Russian artist Kate Shilonosova chases ideas across 11 tracks inspired by Russian and Japanese pop from the ‘70s and ‘80s, as well as children’s movies. This obviously leads Room for the Moon to indulge its most whimsical impulses. It’s a fairytale rendered in snappy Talking Heads-esque bass, proggy synths, and reverbed drum machines.

The opener “Not Not Not” is almost goofy, its chaotic melodies constantly dancing around each other in a perpetually disorienting way. It lurches forward asymetrically, grooving like a flat tire. The instrumental “Da Na” follows, drawing on a familiar yet slightly uncanny palette of sounds. The clarinet (?) drifts in and out of dissonance as if drunk. The tuned percussion elements flit around what might be a kenari seed shell shaker or someone running their fingers over the tines of a comb. It’s truly impossible to tell, and both seem as likely as the other.

“Sayonara (Full Moon Version)” is the fantastical daydream counterpart to Oingo Boingo’s nightmare new wave theatrics. The least strange track on the record is probably “Plans,” which fully embraces 80s dance pop aesthetics. But even that song finds room for a minute-long instrumental passage featuring a bleating, almost atonal saxophone solo.

While the sounds are strange, uneasy, and almost queasy at times, the songs are light and fantastical. Despite not understanding the lyrics, which are mostly in Russian, it’s impossible not to get a sense of hope from them. Kate NV’s Room for the Moon is not a somber lunar lullaby, but the pleasant dreams of an innocent mind.

#Room #Moon #thrillingly #weird #experimental #popColumn,Entertainment,Music,Music Review
Treasury Secretary Scott Bessent and Federal Reserve Chair Jerome Powell summoned bank executives for a meeting this week where they encouraged the executives to use Anthropic’s new Mythos model to detect vulnerabilities, according to Bloomberg

Indeed, while JPMorgan Chase was the only bank listed as one of the initial partner organizations with access to the model, Goldman Sachs, Citigroup, Bank of America, and Morgan Stanley are reportedly testing Mythos as well.

Anthropic announced the model this week but said it would be limiting access for now, in part because Mythos — despite not being trained specifically for cybersecurity — is too good at finding security vulnerabilities. (Others suggested this was hype or simply a smart enterprise sales strategy.)

The report is particularly surprising since Anthropic is currently battling the Trump administration in court over the Department of Defense’s designation of Anthropic as a supply-chain risk; that designation came after negotiations fell apart over the company’s efforts to limit how its AI models can be used by the government.

Meanwhile, the Financial Times reports that U.K. financial regulators are also discussing the risk posed by Mythos.

#Trump #officials #encouraging #banks #test #Anthropics #Mythos #model #TechCrunchAnthropic,jerome powell,Scott Bessent">Trump officials may be encouraging banks to test Anthropic’s Mythos model | TechCrunch
Treasury Secretary Scott Bessent and Federal Reserve Chair Jerome Powell summoned bank executives for a meeting this week where they encouraged the executives to use Anthropic’s new Mythos model to detect vulnerabilities, according to Bloomberg. 

Indeed, while JPMorgan Chase was the only bank listed as one of the initial partner organizations with access to the model, Goldman Sachs, Citigroup, Bank of America, and Morgan Stanley are reportedly testing Mythos as well.







Anthropic announced the model this week but said it would be limiting access for now, in part because Mythos — despite not being trained specifically for cybersecurity — is too good at finding security vulnerabilities. (Others suggested this was hype or simply a smart enterprise sales strategy.)

The report is particularly surprising since Anthropic is currently battling the Trump administration in court over the Department of Defense’s designation of Anthropic as a supply-chain risk; that designation came after negotiations fell apart over the company’s efforts to limit how its AI models can be used by the government.

Meanwhile, the Financial Times reports that U.K. financial regulators are also discussing the risk posed by Mythos.
#Trump #officials #encouraging #banks #test #Anthropics #Mythos #model #TechCrunchAnthropic,jerome powell,Scott Bessent

according to Bloomberg

Indeed, while JPMorgan Chase was the only bank listed as one of the initial partner organizations with access to the model, Goldman Sachs, Citigroup, Bank of America, and Morgan Stanley are reportedly testing Mythos as well.

Anthropic announced the model this week but said it would be limiting access for now, in part because Mythos — despite not being trained specifically for cybersecurity — is too good at finding security vulnerabilities. (Others suggested this was hype or simply a smart enterprise sales strategy.)

The report is particularly surprising since Anthropic is currently battling the Trump administration in court over the Department of Defense’s designation of Anthropic as a supply-chain risk; that designation came after negotiations fell apart over the company’s efforts to limit how its AI models can be used by the government.

Meanwhile, the Financial Times reports that U.K. financial regulators are also discussing the risk posed by Mythos.

#Trump #officials #encouraging #banks #test #Anthropics #Mythos #model #TechCrunchAnthropic,jerome powell,Scott Bessent">Trump officials may be encouraging banks to test Anthropic’s Mythos model | TechCrunch

Treasury Secretary Scott Bessent and Federal Reserve Chair Jerome Powell summoned bank executives for a meeting this week where they encouraged the executives to use Anthropic’s new Mythos model to detect vulnerabilities, according to Bloomberg

Indeed, while JPMorgan Chase was the only bank listed as one of the initial partner organizations with access to the model, Goldman Sachs, Citigroup, Bank of America, and Morgan Stanley are reportedly testing Mythos as well.

Anthropic announced the model this week but said it would be limiting access for now, in part because Mythos — despite not being trained specifically for cybersecurity — is too good at finding security vulnerabilities. (Others suggested this was hype or simply a smart enterprise sales strategy.)

The report is particularly surprising since Anthropic is currently battling the Trump administration in court over the Department of Defense’s designation of Anthropic as a supply-chain risk; that designation came after negotiations fell apart over the company’s efforts to limit how its AI models can be used by the government.

Meanwhile, the Financial Times reports that U.K. financial regulators are also discussing the risk posed by Mythos.

#Trump #officials #encouraging #banks #test #Anthropics #Mythos #model #TechCrunchAnthropic,jerome powell,Scott Bessent

Post Comment