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Bill Gurley says that right now, the worst thing you can do for your career is play it safe | TechCrunch

Bill Gurley says that right now, the worst thing you can do for your career is play it safe | TechCrunch

For nearly three decades, Bill Gurley has been among of the most influential voices in Silicon Valley — a general partner at Benchmark whose early bets on companies like Uber, Zillow, and Stitch Fix helped define what modern venture capital looks like. Now, having moved to Austin and stepped back from active investing, the native Texan is channeling that same pattern-recognition instinct into something different: a book, a foundation, and a policy institute aimed at problems he thinks he can actually move.

The book is Runnin’ Down a Dream — a nod to Tom Petty and also an argument that following your passion isn’t just romanticized career advice but an actual competitive strategy, one that becomes only more urgent as AI rapidly reshapes the workforce. The foundation, which he’s calling the Running Down a Dream Foundation, will award 100 grants of $5,000 a year to people who need a financial cushion to make a leap they’ve been afraid to take.

We caught up with Gurley to talk about all of it — including what he makes of the somewhat surreal reality that several of his former peers in tech now hold enormous sway in Washington, why he thinks the 996 grind culture many young founders have adopted is less alarming than it sounds, and what AI really means for your career. The following has been edited for length and clarity. Our full conversation with Gurley drops Tuesday on TC’s StrictlyVC Download podcast.

Why write this book?

I went through a phase where I was reading a lot of biographies — people from very different fields, different time windows — and I started noticing patterns the way I would notice patterns in a market evolving. I wrote them down. A couple years later I got invited to speak at the University of Texas, dusted off the notes, built a presentation. They posted it on YouTube, and James Clear — who wrote Atomic Habits — noticed and posted about it. That’s what got me thinking about a book. And when I went through my own process of moving away from venture and thinking about what I wanted to do next, it became obvious I didn’t want to write about VC or Uber or any of that. I wanted to do something that could have a bigger mission.

Your research with Wharton found that roughly 60% of people would do things differently if they could start their careers over. That shocked you. Why?

When we first ran it as a SurveyMonkey poll we got seven out of ten. When we did it more rigorously with Wharton, we got six out of ten. One of the things that strikes me is that we have a phrase in the book — life is a use it or lose it proposition — and when you’re young, it’s just hard to have that framing. It’s hard to fast-forward through all of your time and recognize how precious it is. Daniel Pink has done a lot of work on what he calls regrets of inaction — the thing that weighs on people most as they get older is the thing they didn’t try, the stone left unturned. That holds across multiple geographies and cultures. And I think a lot of well-intentioned parents feel more responsibility to create economic stability for their kids than to encourage them to truly explore their passion. Especially with AI out there, that may not have been the right call.

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Exploring your passion sounds like easier advice for people who have financial runway. What do you say to someone working paycheck to paycheck?

A few things. First, the book profiles people who started on the very bottom rung and climbed to the top — [celebrity hairstylist and entrepreneur] Jen Atkins moved to LA with $200 in her pocket. There’s nothing in the book that says you need to start anywhere other than right at the beginning. Second, if you’re living paycheck to paycheck, I wouldn’t encourage you to quit. I’d encourage you to use your free time to build a little document on your phone about what your thing might be. Learn. Prepare to jump before you jump. And third — this is why I’m launching the foundation. The last page of the book talks about it: we’re going to give 100 grants a year of $5,000 to people who are in exactly that position, who can convince us in an application that they’ve thought long and hard about where they want to go but need a little help getting there.

You’ve been outspoken for years about regulatory capture — the idea that big companies use regulation to entrench themselves.

I gave a speech on regulatory capture a few years back — it was at the All-In Summit — and at the time I said I had a fear that the AI companies would try to use regulation to protect themselves. I think that’s happening now. The flip side is that there are legitimate questions: Jonathan Haidt’s book Anxious Generation has been on the bestseller list for almost two years, arguing social media has been really bad for children, with academic research to back it up. People would say we should have gotten in front of social media and need to do it with AI. The problem is that the people begging for regulation the most in AI are the actual companies themselves, and that makes me skeptical. There’s also the global dimension — if US AI gets entangled in state-by-state regulation and Chinese models are running free, we’re going to paint ourselves in red tape. I always ask people: what are your favorite five regulations of all time, and how were they successful? Do you have any confidence that people at the state level in a random state know how to write good AI regulation that will actually work?

It’s a little surreal that several prominent figures from your world now hold enormous influence in Washington. What do you make of that?

It’s very ironic. If you go back and watch that regulatory capture talk, who would have thought a few years later David Sacks would actually be [special advisor for AI and crypto in the White House]?

Back in 2018, Mike Moritz of Sequoia wrote in the FT that Americans would lose to China if they didn’t start working harder. It was controversial at the time, but a lot of young founders here seem to have since embraced a punishing work culture — the 996 ethos. What are your thoughts about what’s happening?

I kind of love it, honestly. I think Silicon Valley got really lazy during COVID — people weren’t coming into the office, the culture got soft in a way I hadn’t seen in all my years there. And I’ve been to China six times. I know what Michael Moritz was describing when he said we’re going to lose not because they’re smarter but because they have a better work ethic. But here’s the thing: if you study successful people across a lot of fields, we think it’s wonderful when an athlete practices 12 hours a day or when an artist works obsessively on their craft. Nobody says Jordan didn’t have work-life balance. We just don’t extend the same logic to building a company. If those founders love what they’re doing that much, and they feel like this is the moment to go hard, that’s actually precisely the point of the book: find the thing that makes you feel that way.

You talk about mentorship in the book. What makes a great mentor relationship and how do people find one?

The number one thing is to get out of your head this ideal that gets passed around in the self-help world: ‘go get a mentor,’ and everyone runs out and cold calls someone that’s ridiculously too high and unachievable, and it doesn’t work. For all those people that are really out of reach right now, I call them aspirational mentors — create a persona of them, just like I was talking about with the dream job folder. Get clips of all the books they’ve written, podcasts they’ve done, interviews they’ve done, and study them. You can learn a lot from people without talking to them directly, especially in the modern age. And then for your real mentors, go two levels down from where you thought you were going to aim. Discover somebody — tools like LinkedIn make this so easy — and be the first person to ever call them and ask them to be a mentor, because they’ll be flattered. They’ll be flattered that you knew who they were. Imagine anyone getting their first call to be a mentor. It’s a great feeling. You’re going to have way more success with that interaction than shooting too high.

I’ll tell you a funny story: I started getting so many calls from people who wanted to break into venture that I wrote a three-page PDF called “So You Want to Be a VC,” and hidden in the third page was basically — go do X, go do Y, go do Z, come back and tell me how that went. The number of people that actually ended up talking to me after getting that document was a fraction of the number I sent it to. It’s funny how much it thinned when you gave them a little homework to do.

You started working on this book before the impacts of AI became clearer. Does that at all change how people should think about their careers?

If you’re following the traditional path — going through the career center at your university, signing up on a list, waiting for a recruiter to sit through 30 people in 20-minute slots — you look like a cog. You look mass-produced. For that group, AI looks frightening, and maybe it should. But if you are blazing your own trail, using the techniques in the book, becoming what I call a candidate of one — someone whose path looks completely unique because you’ve built it intentionally — then every tool in this book is amplified by AI. Learning has never been easier than right now, in the entire history of the world. If you’re running toward it, if you’re becoming the most AI-aware person in your field, this thing is nothing but a superpower.

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launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.

Oppo Enco Air 5 Pro Specifications and Features

The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.

Oppo Enco Air 5 Pro India Launch: Price, Features and Availability
	
Oppo has officially launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.



Oppo Enco Air 5 Pro Specifications and Features



The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.







Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.



For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.



The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.



Price and Availability



Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo

Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.

For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.

The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.

Price and Availability

Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo">Oppo Enco Air 5 Pro India Launch: Price, Features and Availability
	
Oppo has officially launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.



Oppo Enco Air 5 Pro Specifications and Features



The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.







Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.



For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.



The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.



Price and Availability



Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo

the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.

Oppo Enco Air 5 Pro Specifications and Features

The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.

Oppo Enco Air 5 Pro India Launch: Price, Features and Availability
	
Oppo has officially launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.



Oppo Enco Air 5 Pro Specifications and Features



The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.







Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.



For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.



The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.



Price and Availability



Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo

Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.

For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.

The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.

Price and Availability

Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo">Oppo Enco Air 5 Pro India Launch: Price, Features and Availability

Oppo has officially launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.

Oppo Enco Air 5 Pro Specifications and Features

The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.

Oppo Enco Air 5 Pro India Launch: Price, Features and Availability
	
Oppo has officially launched the Enco Air 5 Pro TWS earbuds in India, featuring premium audio, robust active noise cancellation, and long battery life. The new earbuds are designed for users who listen to music, attend calls, travel frequently, or stream content daily. Oppo is offering the earbuds in Matte Black and Pearl White.



Oppo Enco Air 5 Pro Specifications and Features



The Enco Air 5 Pro earbuds feature up to 55dB of Active Noise Cancellation for a quieter, more focused listening experience. Oppo claims the earbuds can reduce noise across a broad 5,000Hz frequency range, helping block voices and background sounds more effectively. Adaptive ANC automatically adjusts noise cancellation based on the user’s environment. The earbuds have also received TUV Rheinland certification for high-performance noise cancellation.







Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.



For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.



The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.



Price and Availability



Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo

Oppo has added a triple-mic system to the earbuds for better call quality. The AI-backed noise cancellation feature focuses on the user’s voice while lowering unwanted environmental sounds. The earbuds are claimed to deliver clearer calls even in windy conditions or busy outdoor areas.

For audio performance, Oppo uses the Enco Air 5 Pro with 12mm titanium-coated drivers to deliver deeper bass, balanced vocals, and detailed sound. Hi-Res Audio certification, as well as the LHDC 5.0, ensure high-quality audio signal transmission. Oppo also features Alive Audio, which provides a broader, richer sound experience for music, streaming, and gaming.

The Enco Air 5 Pro offers up to 54 hours of combined battery life along with the charging case. The earbuds alone can run for up to 13 hours on a single charge with selected settings. Fast charging support is also available, and a 10-minute charge can deliver enough power for long listening sessions. Oppo notes that battery life may vary depending on whether ANC or high-resolution LHDC audio is enabled.

Price and Availability

Oppo has launched the Enco Air 5 Pro in India at a price of Rs 4,999. The earbuds are currently available for pre-order on Oppo India’s official website, with official sales beginning on May 28, 2026.

#Oppo #Enco #Air #Pro #India #Launch #Price #Features #AvailabilityOppo
Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality.

While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same wayTatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw ManDream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before. 

Satoshi Kon’s Manga Deserve Just as Much Love as His Iconic Anime
                Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality. While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same way, Tatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw Man, Dream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before.  © Satoshi Kon/Kodansha If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet. 

 Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

 But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.  While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

 © Satoshi Kon Dark Horse Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond.  Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.  			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 		  Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

 Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.  Witness the stunning remaster of PERFECT BLUE, coming to 4K UHD Steelbook for the first time ever. Packed with tons of extras including interviews & lectures from director Satoshi Kon.  Available June 16. 🎀 💙 Pre-order now: https://t.co/AqyLo0ygZ3 pic.twitter.com/VsnVtJjTRq — GKIDS Films (@GKIDSfilms) May 21, 2026  But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of Opus. In the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

 © Satoshi Kon/Dark Horse While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon
© Satoshi Kon/Kodansha

If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet.

Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.

While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

Opus manga volume cover.
© Satoshi Kon Dark Horse

Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond

Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.

Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.

But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of OpusIn the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

Opus illustration by Satoshi.
© Satoshi Kon/Dark Horse

While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon">Satoshi Kon’s Manga Deserve Just as Much Love as His Iconic Anime
                Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality. While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same way, Tatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw Man, Dream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before.  © Satoshi Kon/Kodansha If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet. 

 Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

 But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.  While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

 © Satoshi Kon Dark Horse Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond.  Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.  			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 		  Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

 Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.  Witness the stunning remaster of PERFECT BLUE, coming to 4K UHD Steelbook for the first time ever. Packed with tons of extras including interviews & lectures from director Satoshi Kon.  Available June 16. 🎀 💙 Pre-order now: https://t.co/AqyLo0ygZ3 pic.twitter.com/VsnVtJjTRq — GKIDS Films (@GKIDSfilms) May 21, 2026  But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of Opus. In the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

 © Satoshi Kon/Dark Horse While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon

Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality.

While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same wayTatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw ManDream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before. 

Satoshi Kon’s Manga Deserve Just as Much Love as His Iconic Anime
                Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality. While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same way, Tatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw Man, Dream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before.  © Satoshi Kon/Kodansha If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet. 

 Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

 But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.  While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

 © Satoshi Kon Dark Horse Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond.  Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.  			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 		  Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

 Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.  Witness the stunning remaster of PERFECT BLUE, coming to 4K UHD Steelbook for the first time ever. Packed with tons of extras including interviews & lectures from director Satoshi Kon.  Available June 16. 🎀 💙 Pre-order now: https://t.co/AqyLo0ygZ3 pic.twitter.com/VsnVtJjTRq — GKIDS Films (@GKIDSfilms) May 21, 2026  But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of Opus. In the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

 © Satoshi Kon/Dark Horse While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon
© Satoshi Kon/Kodansha

If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet.

Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.

While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

Opus manga volume cover.
© Satoshi Kon Dark Horse

Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond

Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.

Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.

But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of OpusIn the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

Opus illustration by Satoshi.
© Satoshi Kon/Dark Horse

While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon">Satoshi Kon’s Manga Deserve Just as Much Love as His Iconic Anime

Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality.

While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same wayTatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw ManDream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before. 

Satoshi Kon’s Manga Deserve Just as Much Love as His Iconic Anime
                Whenever folks think of the late Satoshi Kon, the first thing that usually comes to mind is the legendary anime director’s films: Perfect Blue, Millennium Actress, Tokyo Godfathers, Paprika, and the trippy Paranoia Agent TV show. But what doesn’t get enough love is Dream Fossil and Opus, Kon’s works as a manga creator before he became a household name. Manga, I’d argue, make for the perfect bookend for folks like myself who’ve made his films an annual rewatch to appreciate the full scope of his unique ability to blur the lines between dreams and reality. While I’d heard of Opus before, I stumbled upon Dream Fossil by complete happenstance while browsing my local bookstore. In the same way, Tatsuki Fujimoto 17-26 piqued my interest as a collection of short stories before he hit it big with Fire Punch and Chainsaw Man, Dream Fossil: The Complete Stories of Satoshi Kon was the quickest purchase of my life. Why? Well, it’s a collection of fifteen short stories he wrote before he dove into directorial work. As a fan of Kon, whom critically acclaimed directors like Christopher Nolan and Darren Aronofsky have paid homage to (and ripped off, respectively), I was curious to see the kinds of works the auteur wove before stunning the world with his anime. Unsurprisingly, I walked away from the book with a newfound appreciation for Kon, with inklings of ideas he’d revisit in the larger arc of his work, while learning a couple of really cool facts about him I hadn’t connected the dots on before.  © Satoshi Kon/Kodansha If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet. 

 Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

 But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.  While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

 © Satoshi Kon Dark Horse Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond.  Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.  			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 			 				 			 				 				© Satoshi Kon/Dark Horse 				 		  Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

 Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.  Witness the stunning remaster of PERFECT BLUE, coming to 4K UHD Steelbook for the first time ever. Packed with tons of extras including interviews & lectures from director Satoshi Kon.  Available June 16. 🎀 💙 Pre-order now: https://t.co/AqyLo0ygZ3 pic.twitter.com/VsnVtJjTRq — GKIDS Films (@GKIDSfilms) May 21, 2026  But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of Opus. In the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

 © Satoshi Kon/Dark Horse While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon
© Satoshi Kon/Kodansha

If I were to pin down the overall vibe of the 15 short stories in Dream Fossil, I’d say they’re the less-depressing doppelgänger of Paranoia Agent. Sure, there are speculative fiction thrillers in there to showcase his ability to dream up imaginative stories. Key among them are Carve, a tale about two twins gifted with ESP trying to survive in a FUBAR world; Guests, a humorous tale about a family trying their damnedest to ignore that their fancy countryside house is haunted by ghosts; and Toriko, his two-part Akira-esque dystopian story about a rebellious boy running away from robot police in a desperate attempt to avoid being tossed into a rehabilitation center for the crime of buying cigarettes and sneaking liquor from his parents’ cabinet.

Picnic, the full-color short story Dream Fossil‘s editor’s notes all but declare as the sister tale to Akira, came with the casual mention that Kon was a former assistant to Akira creator Katsuhiro Otomo, a fact that makes a lot of sense when I think about their uncannily similar art styles and the themes in their works. We love the goated assistant-to-mentor pipeline in manga. 

But my absolute favorite short stories in Dream Fossil were the ones teeming with slice-of-life whimsy. Tales like Summer of Anxiety, where a bike rider strikes up a meet-cute romance with a woman while being chased by her ex. Or Joyful Bell, a story about a mall Santa who spends his night helping a little girl find her way home while she pesters him about getting her a daddy for Christmas. But my favorite of all of Kon’s short stories was Beyond The Sun, an unserious Looney Tunes-like adventure about a nurse giving chase to her elderly patient after her hospital bed unlocks and it becomes the whole town’s problem. Every one of these stories had the magical ability to conjure up a visceral sense of nostalgia, like the heat of the summer sun on my skin as I walked under trees to the school bus in elementary school. And it managed to do so for a time I wasn’t alive for. Mind you, this was Kon before the world really knew what he was about.

While Dream Fossil touches on the latent potential Kon had at the onset of his career, Opus lands with a painful what-if that made me go, “Oh my god, it ends like that?!” out loud at my big age.

Opus manga volume cover.
© Satoshi Kon Dark Horse

Whenever folks think of the big what-if of Kon’s career, they often think of Dream Machine, his proposed fifth film that never came to be before he died in 2010 at the age of 46. But the pang of agony I felt after reading Opus was leagues beyond my everyday misery over the indefinite hiatuses of Ai Yazawa’s Nana and Takehiko Inoue’s Vagabond

Opus, in my humblest opinion, is the most ambitious, experimental story Kon has ever concocted. Like what-if-Paprika-were-a-manga levels of ambition. What’s more, despite its metanarrative premise being pretty common, I’ve never experienced a story quite like Kon’s. Opus follows Chikara Nagai, a famous mangaka on the verge of penning the final page of Resonance, his beloved sci-fi manga. The only problem is that the final page of the manga is stolen by the very character he planned to shockingly kill on that page, leading to Nagai being spirited away into his own series.

Since this is Satoshi Kon we’re talking about, what follows in the manga’s rousing adventure isn’t as clear-cut as Nagai and Satoko, the heroine of Nagai’s manga, teaming up to fetch the final page from her rogue sidekick and save the day. Things are far messier than that. For starters, the fact that Nagai wastes no time revealing that he made Satoko and the world she inhabits—including all the trauma she’s experienced thus far—for entertainment value (and to please his editor) leaves her existentially conflicted about helping him. The manga dives headfirst into how messy their whole arrangement is through imaginative panels that take full advantage of using the medium as a canvas to tell its meta story.

Key among its breathtaking panel work are moments where over-detailed background art gives way to rough outlines of crowd shots and characters mixed with a flood of overlapping panels where characters break reality, diving through a maze of memories and graphic novel volumes like ripping portals through a page.

But my big “oh shit” moment with Opus is that its manga never reaches a conclusion. You see, the series was halted so Kon could take a hiatus and make Perfect Blue. That hiatus ended up being permanent and Opus was never completed. Worse yet, it ends on a cliffhanger. Like, I’m talking Berserk-level cliffhanger from when Kentaro Miura passed away. Thankfully, there’s a half step toward a happy ending to the shock I felt in real time flipping through the not-climax of OpusIn the greatest bit of posthumous metanarrative writing I’ve ever seen, the folks at Dark Horse were able to acquire an additional rough chapter that Kon worked on for Opus but never officially released and add it to the end of the manga.

Opus illustration by Satoshi.
© Satoshi Kon/Dark Horse

While I won’t give away what happens in the additional chapter, I will say that it goes even further beyond how over-the-top meta Opus already was. It had me guffawing and misty-eyed. But more importantly, it cemented Kon’s legacy as an absolute master of his craft.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Satoshi #Kons #Manga #Deserve #Love #Iconic #AnimeDark Horse,Kodansha,Manga,Satoshi Kon

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