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Billions of dollars later and still nobody knows what an Xbox is

Billions of dollars later and still nobody knows what an Xbox is

The last few years of Xbox have been expensive. Under Phil Spencer’s leadership, Microsoft has spent billions of dollars in an attempt to build an ambitious future for gaming that looks a lot like Netflix. And while its subscription service Game Pass started out as a good deal for gamers (although now not so much), that spending spree has led to catastrophic layoffs, studio closures, and confused and inconsistent messaging about what Xbox actually stands for. And with Spencer set to retire as new leadership takes charge, the future of Microsoft’s gaming efforts looks increasingly unclear.

Spencer announced his retirement last week, after over a decade leading the Xbox division and nearly four at Microsoft. He’ll be replaced as CEO by Asha Sharma, formerly president of Microsoft’s CoreAI Product, while Xbox Game Studios boss Matt Booty has been promoted to EVP and CCO. As part of the restructuring, Xbox president Sarah Bond will be leaving Microsoft. One of Sharma’s commitments, she wrote in a memo, is “the return of Xbox.” But given the brand’s uncertain status right now following Spencer’s tenure, what that actually means is anybody’s guess.

Spencer took over the Xbox division in 2014, a year after the launch of the Xbox One. And while he was popular among fans for being the rare exec who also appeared to really be passionate about games, his legacy will ultimately hinge on the transformative changes that took place around Game Pass and cloud gaming.

Despite being a comparative latecomer, Microsoft made up ground quickly in the console race against Sony and Nintendo, due in large part to its prescient focus on online play through Xbox Live. With the follow-up Xbox 360, Microsoft found itself competing closely with the PS3, but that momentum was lost with its third console, the Xbox One, which never really recovered from a messy launch and ultimately sold less than half of what the PS4 sold.

Around this time, signs pointed to the console paradigm changing, with the cycle of releasing a new device every five years giving way to something more fluid, where hardware was less important and games carried over between devices. Meanwhile, streaming services like Netflix were upending the world of film and television. A service like Game Pass was a chance for Microsoft to get out of its third-place position by being early to where the games industry could be headed. At that point, Game Pass was still a nascent but exciting prospect, offering players an all-you-can-eat assortment of games at a reasonable price. But its unproven potential seemed to make Xbox rethink its entire strategy: If it couldn’t compete on console sales, maybe it could win with subscribers?

The Xbox One.
Photo by James Bareham / The Verge

In fact, as early as 2019 Spencer was telling me that console sales didn’t really matter in the long run. “I don’t need to sell any specific version of the console in order for us to reach our business goals,” he said. “The business isn’t how many consoles you sell.” That’s a positive spin when you’re not selling a lot of consoles. So instead the focus was on reaching players where they were through Game Pass and the cloud.

But in order to do that, Game Pass needed games, and Microsoft went out and bought as many as it could. First, Microsoft spent $7.5 billion to acquire Bethesda, and along with it franchises like Fallout and Elder Scrolls, for the express purpose of getting more exclusives it could offer through Game Pass. Then it spent a whopping $68.7 billion on Activision Blizzard, the biggest publisher in the world, giving it access to everything from Call of Duty to Candy Crush to World of Warcraft. (These genre-defining franchises never became Xbox exclusives due to antitrust concerns.)

Problem is, even with all of those games, Game Pass hit a plateau; Microsoft announced that it hit 34 million subscribers in 2024, but there hasn’t been an update since then. Even while offering the service at a subsidized price that made Game Pass relatively affordable, it became clear the audience for a subscription like this wasn’t as large as Microsoft had anticipated. Back in 2022, Spencer hoped to hit 100 million subscribers by 2030. That seems increasingly unlikely now.

Meanwhile, the acquisition spree has had devastating effects. Thousands have been laid off as part of Activision’s integration into Microsoft, while a pair of Bethesda studios were shuttered for good. Games were canceled, and even successful studios like Forza developer Turn 10 were hit hard. Meanwhile, on the business side, the focus on Game Pass also messed up one of most consistent streams of revenue in video games: selling a Call of Duty every year. Putting the shooter series on Game Pass reportedly led to $300 million in lost sales. Game Pass keeps getting more expensive for consumers, and it’s unclear if it’s recouping the losses of selling games directly.

A screenshot from the video game Starfield.

Starfield.
Image: Bethesda Softworks

This shift also significantly watered down the brand. Initially, the sales pitch for an Xbox was obvious: It was a powerful video game console from Microsoft. But with Game Pass and cloud gaming, the messaging changed. The “This is an Xbox” ad campaign tried to position Xbox not as a console, but any device — whether it’s a PC, smart TV, Windows handheld, or your phone — that could play Xbox games. And as these efforts struggled, Microsoft went a step further and made bringing games to rival platforms a pillar of its strategy. It may have bought Activision and Bethesda for exclusives, but now it’s one of the biggest publishers on PlayStation. Xbox is now a state of mind, it seems.

Criticisms have already been levied against Sharma because, unlike Spencer, she’s not a “gamer,” and instead has a background in Microsoft’s AI efforts and at companies like Instacart and Meta. But then again, the current presidents of Nintendo and Sony Interactive Entertainment aren’t known for being gamers, either, and they’ve managed to stay ahead of Xbox (albeit with their own stumbles). And being a gamer didn’t necessarily help Spencer, who saw some of where the industry was going but wasn’t able to change Xbox enough to meet that moment. Sharma could represent a huge shift for how Microsoft operates in gaming, but that’s also exactly what the company needs right now.

Which is all to say that “the return of Xbox” could mean a lot of things, because Xbox now means a lot of things. In her memo, Sharma describes it as “as a renewed commitment to Xbox starting with console” while also noting that “as we expand across PC, mobile, and cloud, Xbox should feel seamless, instant, and worthy of the communities we serve.” Which sounds a lot like the state of things right now.

Maybe we’ll never find out what an Xbox really is.

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A buzzy Bloomberg report citing Netflix data suggests viewers are increasingly abandoning popular shows before the second season. The likely reasons aren’t hard to guess: Netflix frequently cancels shows, there’s too long a wait in between seasons, and much of Netflix’s content is designed for an algorithm instead of for the sake of art.

But the data also points to a shift in how people are consuming entertainment. Netflix’s defining innovation – the binge — was built for an era when streaming was competing with traditional TV. Today, Netflix is competing with TikTok, YouTube, Reels, and various microdrama apps. That shift makes Netflix’s binge model feel like a dated relic from another era.

Bingeing helped Netflix beat TV

When Netflix first dropped an entire season of “House of Cards” in February 2013, it was a revelation.
Ad-free, internet-connected TV meant we could be unshackled from the traditional routine of once-per-week shows punctuated by commercials. Instead, bingeable shows meant viewers could be entertained for hours on end, quickly forming a bond with titles and their characters that would have otherwise taken years to develop. Plus, you could drop in on them at any time — not only the day the network decided to air them, as with linear television.

This way of viewing made sense in a world where Netflix was largely still competing with traditional TV like broadcast, cable, and satellite. But Netflix won that fight. Nielsen in June 2025 announced that the TV era reached a new milestone, when the Netflix-style streaming format for the first time eclipsed broadcast and cable viewing — a milestone that made clear Netflix’s original competition was no longer the threat.

Now Netflix’s competition isn’t the TV of old, but what has become the TV of today: video apps.

TikTok and YouTube are today’s threats

Thanks to the rise of TikTok, Reels, and other short-form video platforms, there’s no need for you to visit Netflix when you have a couple of hours to kill with mindless entertainment. There’s an endless, free supply of video you can turn to instead.

According to eMarketer analysts, TikTok was already nearing Netflix in terms of time spent back in 2024, when U.S. adults were spending an average of 62.1 minutes per day streaming from Netflix and 58.4 minutes per day on TikTok. In 2024, the Financial Times reported that, globally, TikTok users spent an average of 95 minutes per day on the app, the highest engagement rate among major social networks.

Netflix invented binge-watching. Now it may have outgrown it. | TechCrunch
A buzzy Bloomberg report citing Netflix data suggests viewers are increasingly abandoning popular shows before the second season. The likely reasons aren’t hard to guess: Netflix frequently cancels shows, there’s too long a wait in between seasons, and much of Netflix’s content is designed for an algorithm instead of for the sake of art.

But the data also points to a shift in how people are consuming entertainment. Netflix’s defining innovation – the binge — was built for an era when streaming was competing with traditional TV. Today, Netflix is competing with TikTok, YouTube, Reels, and various microdrama apps. That shift makes Netflix’s binge model feel like a dated relic from another era.

Bingeing helped Netflix beat TV

When Netflix first dropped an entire season of “House of Cards” in February 2013, it was a revelation. Ad-free, internet-connected TV meant we could be unshackled from the traditional routine of once-per-week shows punctuated by commercials. Instead, bingeable shows meant viewers could be entertained for hours on end, quickly forming a bond with titles and their characters that would have otherwise taken years to develop. Plus, you could drop in on them at any time — not only the day the network decided to air them, as with linear television. 







This way of viewing made sense in a world where Netflix was largely still competing with traditional TV like broadcast, cable, and satellite. But Netflix won that fight. Nielsen in June 2025 announced that the TV era reached a new milestone, when the Netflix-style streaming format for the first time eclipsed broadcast and cable viewing — a milestone that made clear Netflix’s original competition was no longer the threat.

Now Netflix’s competition isn’t the TV of old, but what has become the TV of today: video apps. 

TikTok and YouTube are today’s threats

Thanks to the rise of TikTok, Reels, and other short-form video platforms, there’s no need for you to visit Netflix when you have a couple of hours to kill with mindless entertainment. There’s an endless, free supply of video you can turn to instead.

According to eMarketer analysts, TikTok was already nearing Netflix in terms of time spent back in 2024, when U.S. adults were spending an average of 62.1 minutes per day streaming from Netflix and 58.4 minutes per day on TikTok. In 2024, the Financial Times reported that, globally, TikTok users spent an average of 95 minutes per day on the app, the highest engagement rate among major social networks. 

Image Credits:eMarketer

Then there is YouTube, which offers a combination of both short and longer-form content. Per a report released this year by Digital i, YouTube surpassed Netflix in average daily viewing for the first time, with 99.1 minutes daily in 2025 compared with Netflix’s 93.4 minutes. 

These market reports use differing methodologies and demographics, so they should be taken with a grain of salt — but directionally, they point the same way. YouTube and apps like TikTok are Netflix’s real competition, not TV.

Netflix has even acknowledged this existential threat by way of a product redesign in April that added a TikTok-like feed based on Netflix content.

Where Netflix gets the feed wrong is that it’s still pitched as a way to help you find something to watch, rather than being the thing you watch. It’s understandable why Netflix went this route, given its library, but it’s not necessarily what the end user wants. Today, many people with dopamine-drained attention spans are instead seeking out microdrama apps in growing numbers when they want a serialized storyline they can consume in minutes.

Image Credits:ReelShort

According to data from the app intelligence firm Appfigures, one top microdrama app, ReelShort, saw roughly .2 billion in gross consumer spending in 2025, up 119% from 2024, TechCrunch’s Amanda Silberling previously reported. Meanwhile, another leading app, DramaBox, generated 6 million in gross consumer spending last year, more than doubling its 2024 numbers. Even TikTok acknowledged the competition, launching a microdrama app of its own to test the market appetite for this type of content.

Where does Netflix go from here?

Where does that leave Netflix, whose claim to fame has been full seasons dropped at once for rapid consumption? 







Likely, it will have to rethink how it’s greenlighting, producing, and releasing what it considers a “TV show.” 

That doesn’t mean that the Netflix model has to pivot entirely to short-form to keep up with the competition, but it may need to reconsider how people want to stream. Viewers may no longer want to commit the hours and weeks it takes to get through a show and all of its subsequent seasons, for instance. They want something that feels more “finishable,” the way you can easily get through a YouTube video or TikTok series from a creator.

A simple fix could see Netflix try prioritizing single-season shows, traditionally known as miniseries or limited series, allowing people to tune into a completed work without having to worry whether it would end on a cliffhanger and never be renewed. 

Netflix could also experiment with breaking up shows into smaller chunks, like the before-its-time Quibi model. 

The Jeffrey Katzenberg-backed startup, Quibi, had bet that people would eventually gravitate towards TV content designed to be consumed in shorter sessions. Unfortunately for Quibi, the pandemic hit, and people suddenly had a lot of time to watch TV, leading to its demise.

Many Netflix shows could be easily revamped for shorter viewing sessions, particularly lightweight competition shows like “Nailed It,” “Is It Cake?,” or “Squid Game: The Challenge.” Meanwhile, Netflix could surely produce better microdramas than the ones currently on the market with their awful acting and ridiculous storylines.

To generate interest in its higher-quality content, some Netflix shows could be shifted to the weekly release model. This is something Netflix has already proven works in specific cases. For instance, it drops new episodes of its reality show “Love Is Blind” in weekly dumps, making it great watercooler fodder as everyone is watching the new episodes around the same time. (Faster consumption models could work, too. For instance, Peacock’s “Love Island USA” is the reality hit of the summer, as there’s a new episode almost daily).

But instead of experimenting with different types of short-form content for quick entertainment, combined with slower releases for seasons, or focusing more heavily on miniseries worth watching, Netflix has been dabbling in other areas. 







As of late, it’s expanded its lineup with podcasts, which reportedly no one is watching, and live content, which can be hit or miss. In terms of the latter, Netflix investments in live sports have generally done well, but its recent entry into live reality competition shows, “Star Search,” has already been canceled despite a clever real-time voting feature. More work here is still needed.

Bloomberg’s report framed the problem facing Netflix as a failure to create loyal TV viewers who tune into a Season 2, but the underlying issue facing the streamer is much bigger. Netflix may need to rethink whether it still needs to focus on competing with traditional TV and its long-running shows, or whether it should focus on entertainment projects whose storytelling arcs have less filler and wrap up more quickly. 

To find the right balance between viewers ditching cable and those who just want something better than TikTok, Netflix is finding itself needing to reinvent TV all over again.




When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Netflix #invented #bingewatching #outgrown #TechCrunchNetflix,streaming,tv
Image Credits:eMarketer

Then there is YouTube, which offers a combination of both short and longer-form content. Per a report released this year by Digital i, YouTube surpassed Netflix in average daily viewing for the first time, with 99.1 minutes daily in 2025 compared with Netflix’s 93.4 minutes.

These market reports use differing methodologies and demographics, so they should be taken with a grain of salt — but directionally, they point the same way. YouTube and apps like TikTok are Netflix’s real competition, not TV.

Netflix has even acknowledged this existential threat by way of a product redesign in April that added a TikTok-like feed based on Netflix content.

Where Netflix gets the feed wrong is that it’s still pitched as a way to help you find something to watch, rather than being the thing you watch. It’s understandable why Netflix went this route, given its library, but it’s not necessarily what the end user wants. Today, many people with dopamine-drained attention spans are instead seeking out microdrama apps in growing numbers when they want a serialized storyline they can consume in minutes.

Image Credits:ReelShort

According to data from the app intelligence firm Appfigures, one top microdrama app, ReelShort, saw roughly $1.2 billion in gross consumer spending in 2025, up 119% from 2024, TechCrunch’s Amanda Silberling previously reported. Meanwhile, another leading app, DramaBox, generated $276 million in gross consumer spending last year, more than doubling its 2024 numbers. Even TikTok acknowledged the competition, launching a microdrama app of its own to test the market appetite for this type of content.

Where does Netflix go from here?

Where does that leave Netflix, whose claim to fame has been full seasons dropped at once for rapid consumption?

Likely, it will have to rethink how it’s greenlighting, producing, and releasing what it considers a “TV show.”

That doesn’t mean that the Netflix model has to pivot entirely to short-form to keep up with the competition, but it may need to reconsider how people want to stream. Viewers may no longer want to commit the hours and weeks it takes to get through a show and all of its subsequent seasons, for instance. They want something that feels more “finishable,” the way you can easily get through a YouTube video or TikTok series from a creator.

A simple fix could see Netflix try prioritizing single-season shows, traditionally known as miniseries or limited series, allowing people to tune into a completed work without having to worry whether it would end on a cliffhanger and never be renewed.

Netflix could also experiment with breaking up shows into smaller chunks, like the before-its-time Quibi model.

The Jeffrey Katzenberg-backed startup, Quibi, had bet that people would eventually gravitate towards TV content designed to be consumed in shorter sessions. Unfortunately for Quibi, the pandemic hit, and people suddenly had a lot of time to watch TV, leading to its demise.

Many Netflix shows could be easily revamped for shorter viewing sessions, particularly lightweight competition shows like “Nailed It,” “Is It Cake?,” or “Squid Game: The Challenge.” Meanwhile, Netflix could surely produce better microdramas than the ones currently on the market with their awful acting and ridiculous storylines.

To generate interest in its higher-quality content, some Netflix shows could be shifted to the weekly release model. This is something Netflix has already proven works in specific cases. For instance, it drops new episodes of its reality show “Love Is Blind” in weekly dumps, making it great watercooler fodder as everyone is watching the new episodes around the same time. (Faster consumption models could work, too. For instance, Peacock’s “Love Island USA” is the reality hit of the summer, as there’s a new episode almost daily).

But instead of experimenting with different types of short-form content for quick entertainment, combined with slower releases for seasons, or focusing more heavily on miniseries worth watching, Netflix has been dabbling in other areas.

As of late, it’s expanded its lineup with podcasts, which reportedly no one is watching, and live content, which can be hit or miss. In terms of the latter, Netflix investments in live sports have generally done well, but its recent entry into live reality competition shows, “Star Search,” has already been canceled despite a clever real-time voting feature. More work here is still needed.

Bloomberg’s report framed the problem facing Netflix as a failure to create loyal TV viewers who tune into a Season 2, but the underlying issue facing the streamer is much bigger. Netflix may need to rethink whether it still needs to focus on competing with traditional TV and its long-running shows, or whether it should focus on entertainment projects whose storytelling arcs have less filler and wrap up more quickly.

To find the right balance between viewers ditching cable and those who just want something better than TikTok, Netflix is finding itself needing to reinvent TV all over again.

When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.

#Netflix #invented #bingewatching #outgrown #TechCrunchNetflix,streaming,tv">Netflix invented binge-watching. Now it may have outgrown it. | TechCrunch
A buzzy Bloomberg report citing Netflix data suggests viewers are increasingly abandoning popular shows before the second season. The likely reasons aren’t hard to guess: Netflix frequently cancels shows, there’s too long a wait in between seasons, and much of Netflix’s content is designed for an algorithm instead of for the sake of art.

But the data also points to a shift in how people are consuming entertainment. Netflix’s defining innovation – the binge — was built for an era when streaming was competing with traditional TV. Today, Netflix is competing with TikTok, YouTube, Reels, and various microdrama apps. That shift makes Netflix’s binge model feel like a dated relic from another era.

Bingeing helped Netflix beat TV

When Netflix first dropped an entire season of “House of Cards” in February 2013, it was a revelation. Ad-free, internet-connected TV meant we could be unshackled from the traditional routine of once-per-week shows punctuated by commercials. Instead, bingeable shows meant viewers could be entertained for hours on end, quickly forming a bond with titles and their characters that would have otherwise taken years to develop. Plus, you could drop in on them at any time — not only the day the network decided to air them, as with linear television. 







This way of viewing made sense in a world where Netflix was largely still competing with traditional TV like broadcast, cable, and satellite. But Netflix won that fight. Nielsen in June 2025 announced that the TV era reached a new milestone, when the Netflix-style streaming format for the first time eclipsed broadcast and cable viewing — a milestone that made clear Netflix’s original competition was no longer the threat.

Now Netflix’s competition isn’t the TV of old, but what has become the TV of today: video apps. 

TikTok and YouTube are today’s threats

Thanks to the rise of TikTok, Reels, and other short-form video platforms, there’s no need for you to visit Netflix when you have a couple of hours to kill with mindless entertainment. There’s an endless, free supply of video you can turn to instead.

According to eMarketer analysts, TikTok was already nearing Netflix in terms of time spent back in 2024, when U.S. adults were spending an average of 62.1 minutes per day streaming from Netflix and 58.4 minutes per day on TikTok. In 2024, the Financial Times reported that, globally, TikTok users spent an average of 95 minutes per day on the app, the highest engagement rate among major social networks. 

Image Credits:eMarketer

Then there is YouTube, which offers a combination of both short and longer-form content. Per a report released this year by Digital i, YouTube surpassed Netflix in average daily viewing for the first time, with 99.1 minutes daily in 2025 compared with Netflix’s 93.4 minutes. 

These market reports use differing methodologies and demographics, so they should be taken with a grain of salt — but directionally, they point the same way. YouTube and apps like TikTok are Netflix’s real competition, not TV.

Netflix has even acknowledged this existential threat by way of a product redesign in April that added a TikTok-like feed based on Netflix content.

Where Netflix gets the feed wrong is that it’s still pitched as a way to help you find something to watch, rather than being the thing you watch. It’s understandable why Netflix went this route, given its library, but it’s not necessarily what the end user wants. Today, many people with dopamine-drained attention spans are instead seeking out microdrama apps in growing numbers when they want a serialized storyline they can consume in minutes.

Image Credits:ReelShort

According to data from the app intelligence firm Appfigures, one top microdrama app, ReelShort, saw roughly .2 billion in gross consumer spending in 2025, up 119% from 2024, TechCrunch’s Amanda Silberling previously reported. Meanwhile, another leading app, DramaBox, generated 6 million in gross consumer spending last year, more than doubling its 2024 numbers. Even TikTok acknowledged the competition, launching a microdrama app of its own to test the market appetite for this type of content.

Where does Netflix go from here?

Where does that leave Netflix, whose claim to fame has been full seasons dropped at once for rapid consumption? 







Likely, it will have to rethink how it’s greenlighting, producing, and releasing what it considers a “TV show.” 

That doesn’t mean that the Netflix model has to pivot entirely to short-form to keep up with the competition, but it may need to reconsider how people want to stream. Viewers may no longer want to commit the hours and weeks it takes to get through a show and all of its subsequent seasons, for instance. They want something that feels more “finishable,” the way you can easily get through a YouTube video or TikTok series from a creator.

A simple fix could see Netflix try prioritizing single-season shows, traditionally known as miniseries or limited series, allowing people to tune into a completed work without having to worry whether it would end on a cliffhanger and never be renewed. 

Netflix could also experiment with breaking up shows into smaller chunks, like the before-its-time Quibi model. 

The Jeffrey Katzenberg-backed startup, Quibi, had bet that people would eventually gravitate towards TV content designed to be consumed in shorter sessions. Unfortunately for Quibi, the pandemic hit, and people suddenly had a lot of time to watch TV, leading to its demise.

Many Netflix shows could be easily revamped for shorter viewing sessions, particularly lightweight competition shows like “Nailed It,” “Is It Cake?,” or “Squid Game: The Challenge.” Meanwhile, Netflix could surely produce better microdramas than the ones currently on the market with their awful acting and ridiculous storylines.

To generate interest in its higher-quality content, some Netflix shows could be shifted to the weekly release model. This is something Netflix has already proven works in specific cases. For instance, it drops new episodes of its reality show “Love Is Blind” in weekly dumps, making it great watercooler fodder as everyone is watching the new episodes around the same time. (Faster consumption models could work, too. For instance, Peacock’s “Love Island USA” is the reality hit of the summer, as there’s a new episode almost daily).

But instead of experimenting with different types of short-form content for quick entertainment, combined with slower releases for seasons, or focusing more heavily on miniseries worth watching, Netflix has been dabbling in other areas. 







As of late, it’s expanded its lineup with podcasts, which reportedly no one is watching, and live content, which can be hit or miss. In terms of the latter, Netflix investments in live sports have generally done well, but its recent entry into live reality competition shows, “Star Search,” has already been canceled despite a clever real-time voting feature. More work here is still needed.

Bloomberg’s report framed the problem facing Netflix as a failure to create loyal TV viewers who tune into a Season 2, but the underlying issue facing the streamer is much bigger. Netflix may need to rethink whether it still needs to focus on competing with traditional TV and its long-running shows, or whether it should focus on entertainment projects whose storytelling arcs have less filler and wrap up more quickly. 

To find the right balance between viewers ditching cable and those who just want something better than TikTok, Netflix is finding itself needing to reinvent TV all over again.




When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Netflix #invented #bingewatching #outgrown #TechCrunchNetflix,streaming,tv

Bloomberg report citing Netflix data suggests viewers are increasingly abandoning popular shows before the second season. The likely reasons aren’t hard to guess: Netflix frequently cancels shows, there’s too long a wait in between seasons, and much of Netflix’s content is designed for an algorithm instead of for the sake of art.

But the data also points to a shift in how people are consuming entertainment. Netflix’s defining innovation – the binge — was built for an era when streaming was competing with traditional TV. Today, Netflix is competing with TikTok, YouTube, Reels, and various microdrama apps. That shift makes Netflix’s binge model feel like a dated relic from another era.

Bingeing helped Netflix beat TV

When Netflix first dropped an entire season of “House of Cards” in February 2013, it was a revelation.
Ad-free, internet-connected TV meant we could be unshackled from the traditional routine of once-per-week shows punctuated by commercials. Instead, bingeable shows meant viewers could be entertained for hours on end, quickly forming a bond with titles and their characters that would have otherwise taken years to develop. Plus, you could drop in on them at any time — not only the day the network decided to air them, as with linear television.

This way of viewing made sense in a world where Netflix was largely still competing with traditional TV like broadcast, cable, and satellite. But Netflix won that fight. Nielsen in June 2025 announced that the TV era reached a new milestone, when the Netflix-style streaming format for the first time eclipsed broadcast and cable viewing — a milestone that made clear Netflix’s original competition was no longer the threat.

Now Netflix’s competition isn’t the TV of old, but what has become the TV of today: video apps.

TikTok and YouTube are today’s threats

Thanks to the rise of TikTok, Reels, and other short-form video platforms, there’s no need for you to visit Netflix when you have a couple of hours to kill with mindless entertainment. There’s an endless, free supply of video you can turn to instead.

According to eMarketer analysts, TikTok was already nearing Netflix in terms of time spent back in 2024, when U.S. adults were spending an average of 62.1 minutes per day streaming from Netflix and 58.4 minutes per day on TikTok. In 2024, the Financial Times reported that, globally, TikTok users spent an average of 95 minutes per day on the app, the highest engagement rate among major social networks.

Netflix invented binge-watching. Now it may have outgrown it. | TechCrunch
A buzzy Bloomberg report citing Netflix data suggests viewers are increasingly abandoning popular shows before the second season. The likely reasons aren’t hard to guess: Netflix frequently cancels shows, there’s too long a wait in between seasons, and much of Netflix’s content is designed for an algorithm instead of for the sake of art.

But the data also points to a shift in how people are consuming entertainment. Netflix’s defining innovation – the binge — was built for an era when streaming was competing with traditional TV. Today, Netflix is competing with TikTok, YouTube, Reels, and various microdrama apps. That shift makes Netflix’s binge model feel like a dated relic from another era.

Bingeing helped Netflix beat TV

When Netflix first dropped an entire season of “House of Cards” in February 2013, it was a revelation. Ad-free, internet-connected TV meant we could be unshackled from the traditional routine of once-per-week shows punctuated by commercials. Instead, bingeable shows meant viewers could be entertained for hours on end, quickly forming a bond with titles and their characters that would have otherwise taken years to develop. Plus, you could drop in on them at any time — not only the day the network decided to air them, as with linear television. 







This way of viewing made sense in a world where Netflix was largely still competing with traditional TV like broadcast, cable, and satellite. But Netflix won that fight. Nielsen in June 2025 announced that the TV era reached a new milestone, when the Netflix-style streaming format for the first time eclipsed broadcast and cable viewing — a milestone that made clear Netflix’s original competition was no longer the threat.

Now Netflix’s competition isn’t the TV of old, but what has become the TV of today: video apps. 

TikTok and YouTube are today’s threats

Thanks to the rise of TikTok, Reels, and other short-form video platforms, there’s no need for you to visit Netflix when you have a couple of hours to kill with mindless entertainment. There’s an endless, free supply of video you can turn to instead.

According to eMarketer analysts, TikTok was already nearing Netflix in terms of time spent back in 2024, when U.S. adults were spending an average of 62.1 minutes per day streaming from Netflix and 58.4 minutes per day on TikTok. In 2024, the Financial Times reported that, globally, TikTok users spent an average of 95 minutes per day on the app, the highest engagement rate among major social networks. 

Image Credits:eMarketer

Then there is YouTube, which offers a combination of both short and longer-form content. Per a report released this year by Digital i, YouTube surpassed Netflix in average daily viewing for the first time, with 99.1 minutes daily in 2025 compared with Netflix’s 93.4 minutes. 

These market reports use differing methodologies and demographics, so they should be taken with a grain of salt — but directionally, they point the same way. YouTube and apps like TikTok are Netflix’s real competition, not TV.

Netflix has even acknowledged this existential threat by way of a product redesign in April that added a TikTok-like feed based on Netflix content.

Where Netflix gets the feed wrong is that it’s still pitched as a way to help you find something to watch, rather than being the thing you watch. It’s understandable why Netflix went this route, given its library, but it’s not necessarily what the end user wants. Today, many people with dopamine-drained attention spans are instead seeking out microdrama apps in growing numbers when they want a serialized storyline they can consume in minutes.

Image Credits:ReelShort

According to data from the app intelligence firm Appfigures, one top microdrama app, ReelShort, saw roughly .2 billion in gross consumer spending in 2025, up 119% from 2024, TechCrunch’s Amanda Silberling previously reported. Meanwhile, another leading app, DramaBox, generated 6 million in gross consumer spending last year, more than doubling its 2024 numbers. Even TikTok acknowledged the competition, launching a microdrama app of its own to test the market appetite for this type of content.

Where does Netflix go from here?

Where does that leave Netflix, whose claim to fame has been full seasons dropped at once for rapid consumption? 







Likely, it will have to rethink how it’s greenlighting, producing, and releasing what it considers a “TV show.” 

That doesn’t mean that the Netflix model has to pivot entirely to short-form to keep up with the competition, but it may need to reconsider how people want to stream. Viewers may no longer want to commit the hours and weeks it takes to get through a show and all of its subsequent seasons, for instance. They want something that feels more “finishable,” the way you can easily get through a YouTube video or TikTok series from a creator.

A simple fix could see Netflix try prioritizing single-season shows, traditionally known as miniseries or limited series, allowing people to tune into a completed work without having to worry whether it would end on a cliffhanger and never be renewed. 

Netflix could also experiment with breaking up shows into smaller chunks, like the before-its-time Quibi model. 

The Jeffrey Katzenberg-backed startup, Quibi, had bet that people would eventually gravitate towards TV content designed to be consumed in shorter sessions. Unfortunately for Quibi, the pandemic hit, and people suddenly had a lot of time to watch TV, leading to its demise.

Many Netflix shows could be easily revamped for shorter viewing sessions, particularly lightweight competition shows like “Nailed It,” “Is It Cake?,” or “Squid Game: The Challenge.” Meanwhile, Netflix could surely produce better microdramas than the ones currently on the market with their awful acting and ridiculous storylines.

To generate interest in its higher-quality content, some Netflix shows could be shifted to the weekly release model. This is something Netflix has already proven works in specific cases. For instance, it drops new episodes of its reality show “Love Is Blind” in weekly dumps, making it great watercooler fodder as everyone is watching the new episodes around the same time. (Faster consumption models could work, too. For instance, Peacock’s “Love Island USA” is the reality hit of the summer, as there’s a new episode almost daily).

But instead of experimenting with different types of short-form content for quick entertainment, combined with slower releases for seasons, or focusing more heavily on miniseries worth watching, Netflix has been dabbling in other areas. 







As of late, it’s expanded its lineup with podcasts, which reportedly no one is watching, and live content, which can be hit or miss. In terms of the latter, Netflix investments in live sports have generally done well, but its recent entry into live reality competition shows, “Star Search,” has already been canceled despite a clever real-time voting feature. More work here is still needed.

Bloomberg’s report framed the problem facing Netflix as a failure to create loyal TV viewers who tune into a Season 2, but the underlying issue facing the streamer is much bigger. Netflix may need to rethink whether it still needs to focus on competing with traditional TV and its long-running shows, or whether it should focus on entertainment projects whose storytelling arcs have less filler and wrap up more quickly. 

To find the right balance between viewers ditching cable and those who just want something better than TikTok, Netflix is finding itself needing to reinvent TV all over again.




When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Netflix #invented #bingewatching #outgrown #TechCrunchNetflix,streaming,tv
Image Credits:eMarketer

Then there is YouTube, which offers a combination of both short and longer-form content. Per a report released this year by Digital i, YouTube surpassed Netflix in average daily viewing for the first time, with 99.1 minutes daily in 2025 compared with Netflix’s 93.4 minutes.

These market reports use differing methodologies and demographics, so they should be taken with a grain of salt — but directionally, they point the same way. YouTube and apps like TikTok are Netflix’s real competition, not TV.

Netflix has even acknowledged this existential threat by way of a product redesign in April that added a TikTok-like feed based on Netflix content.

Where Netflix gets the feed wrong is that it’s still pitched as a way to help you find something to watch, rather than being the thing you watch. It’s understandable why Netflix went this route, given its library, but it’s not necessarily what the end user wants. Today, many people with dopamine-drained attention spans are instead seeking out microdrama apps in growing numbers when they want a serialized storyline they can consume in minutes.

Image Credits:ReelShort

According to data from the app intelligence firm Appfigures, one top microdrama app, ReelShort, saw roughly $1.2 billion in gross consumer spending in 2025, up 119% from 2024, TechCrunch’s Amanda Silberling previously reported. Meanwhile, another leading app, DramaBox, generated $276 million in gross consumer spending last year, more than doubling its 2024 numbers. Even TikTok acknowledged the competition, launching a microdrama app of its own to test the market appetite for this type of content.

Where does Netflix go from here?

Where does that leave Netflix, whose claim to fame has been full seasons dropped at once for rapid consumption?

Likely, it will have to rethink how it’s greenlighting, producing, and releasing what it considers a “TV show.”

That doesn’t mean that the Netflix model has to pivot entirely to short-form to keep up with the competition, but it may need to reconsider how people want to stream. Viewers may no longer want to commit the hours and weeks it takes to get through a show and all of its subsequent seasons, for instance. They want something that feels more “finishable,” the way you can easily get through a YouTube video or TikTok series from a creator.

A simple fix could see Netflix try prioritizing single-season shows, traditionally known as miniseries or limited series, allowing people to tune into a completed work without having to worry whether it would end on a cliffhanger and never be renewed.

Netflix could also experiment with breaking up shows into smaller chunks, like the before-its-time Quibi model.

The Jeffrey Katzenberg-backed startup, Quibi, had bet that people would eventually gravitate towards TV content designed to be consumed in shorter sessions. Unfortunately for Quibi, the pandemic hit, and people suddenly had a lot of time to watch TV, leading to its demise.

Many Netflix shows could be easily revamped for shorter viewing sessions, particularly lightweight competition shows like “Nailed It,” “Is It Cake?,” or “Squid Game: The Challenge.” Meanwhile, Netflix could surely produce better microdramas than the ones currently on the market with their awful acting and ridiculous storylines.

To generate interest in its higher-quality content, some Netflix shows could be shifted to the weekly release model. This is something Netflix has already proven works in specific cases. For instance, it drops new episodes of its reality show “Love Is Blind” in weekly dumps, making it great watercooler fodder as everyone is watching the new episodes around the same time. (Faster consumption models could work, too. For instance, Peacock’s “Love Island USA” is the reality hit of the summer, as there’s a new episode almost daily).

But instead of experimenting with different types of short-form content for quick entertainment, combined with slower releases for seasons, or focusing more heavily on miniseries worth watching, Netflix has been dabbling in other areas.

As of late, it’s expanded its lineup with podcasts, which reportedly no one is watching, and live content, which can be hit or miss. In terms of the latter, Netflix investments in live sports have generally done well, but its recent entry into live reality competition shows, “Star Search,” has already been canceled despite a clever real-time voting feature. More work here is still needed.

Bloomberg’s report framed the problem facing Netflix as a failure to create loyal TV viewers who tune into a Season 2, but the underlying issue facing the streamer is much bigger. Netflix may need to rethink whether it still needs to focus on competing with traditional TV and its long-running shows, or whether it should focus on entertainment projects whose storytelling arcs have less filler and wrap up more quickly.

To find the right balance between viewers ditching cable and those who just want something better than TikTok, Netflix is finding itself needing to reinvent TV all over again.

When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.

#Netflix #invented #bingewatching #outgrown #TechCrunchNetflix,streaming,tv">Netflix invented binge-watching. Now it may have outgrown it. | TechCrunch

A buzzy Bloomberg report citing Netflix data suggests viewers are increasingly abandoning popular shows before the second season. The likely reasons aren’t hard to guess: Netflix frequently cancels shows, there’s too long a wait in between seasons, and much of Netflix’s content is designed for an algorithm instead of for the sake of art.

But the data also points to a shift in how people are consuming entertainment. Netflix’s defining innovation – the binge — was built for an era when streaming was competing with traditional TV. Today, Netflix is competing with TikTok, YouTube, Reels, and various microdrama apps. That shift makes Netflix’s binge model feel like a dated relic from another era.

Bingeing helped Netflix beat TV

When Netflix first dropped an entire season of “House of Cards” in February 2013, it was a revelation.
Ad-free, internet-connected TV meant we could be unshackled from the traditional routine of once-per-week shows punctuated by commercials. Instead, bingeable shows meant viewers could be entertained for hours on end, quickly forming a bond with titles and their characters that would have otherwise taken years to develop. Plus, you could drop in on them at any time — not only the day the network decided to air them, as with linear television.

This way of viewing made sense in a world where Netflix was largely still competing with traditional TV like broadcast, cable, and satellite. But Netflix won that fight. Nielsen in June 2025 announced that the TV era reached a new milestone, when the Netflix-style streaming format for the first time eclipsed broadcast and cable viewing — a milestone that made clear Netflix’s original competition was no longer the threat.

Now Netflix’s competition isn’t the TV of old, but what has become the TV of today: video apps.

TikTok and YouTube are today’s threats

Thanks to the rise of TikTok, Reels, and other short-form video platforms, there’s no need for you to visit Netflix when you have a couple of hours to kill with mindless entertainment. There’s an endless, free supply of video you can turn to instead.

According to eMarketer analysts, TikTok was already nearing Netflix in terms of time spent back in 2024, when U.S. adults were spending an average of 62.1 minutes per day streaming from Netflix and 58.4 minutes per day on TikTok. In 2024, the Financial Times reported that, globally, TikTok users spent an average of 95 minutes per day on the app, the highest engagement rate among major social networks.

Netflix invented binge-watching. Now it may have outgrown it. | TechCrunch
A buzzy Bloomberg report citing Netflix data suggests viewers are increasingly abandoning popular shows before the second season. The likely reasons aren’t hard to guess: Netflix frequently cancels shows, there’s too long a wait in between seasons, and much of Netflix’s content is designed for an algorithm instead of for the sake of art.

But the data also points to a shift in how people are consuming entertainment. Netflix’s defining innovation – the binge — was built for an era when streaming was competing with traditional TV. Today, Netflix is competing with TikTok, YouTube, Reels, and various microdrama apps. That shift makes Netflix’s binge model feel like a dated relic from another era.

Bingeing helped Netflix beat TV

When Netflix first dropped an entire season of “House of Cards” in February 2013, it was a revelation. Ad-free, internet-connected TV meant we could be unshackled from the traditional routine of once-per-week shows punctuated by commercials. Instead, bingeable shows meant viewers could be entertained for hours on end, quickly forming a bond with titles and their characters that would have otherwise taken years to develop. Plus, you could drop in on them at any time — not only the day the network decided to air them, as with linear television. 







This way of viewing made sense in a world where Netflix was largely still competing with traditional TV like broadcast, cable, and satellite. But Netflix won that fight. Nielsen in June 2025 announced that the TV era reached a new milestone, when the Netflix-style streaming format for the first time eclipsed broadcast and cable viewing — a milestone that made clear Netflix’s original competition was no longer the threat.

Now Netflix’s competition isn’t the TV of old, but what has become the TV of today: video apps. 

TikTok and YouTube are today’s threats

Thanks to the rise of TikTok, Reels, and other short-form video platforms, there’s no need for you to visit Netflix when you have a couple of hours to kill with mindless entertainment. There’s an endless, free supply of video you can turn to instead.

According to eMarketer analysts, TikTok was already nearing Netflix in terms of time spent back in 2024, when U.S. adults were spending an average of 62.1 minutes per day streaming from Netflix and 58.4 minutes per day on TikTok. In 2024, the Financial Times reported that, globally, TikTok users spent an average of 95 minutes per day on the app, the highest engagement rate among major social networks. 

Image Credits:eMarketer

Then there is YouTube, which offers a combination of both short and longer-form content. Per a report released this year by Digital i, YouTube surpassed Netflix in average daily viewing for the first time, with 99.1 minutes daily in 2025 compared with Netflix’s 93.4 minutes. 

These market reports use differing methodologies and demographics, so they should be taken with a grain of salt — but directionally, they point the same way. YouTube and apps like TikTok are Netflix’s real competition, not TV.

Netflix has even acknowledged this existential threat by way of a product redesign in April that added a TikTok-like feed based on Netflix content.

Where Netflix gets the feed wrong is that it’s still pitched as a way to help you find something to watch, rather than being the thing you watch. It’s understandable why Netflix went this route, given its library, but it’s not necessarily what the end user wants. Today, many people with dopamine-drained attention spans are instead seeking out microdrama apps in growing numbers when they want a serialized storyline they can consume in minutes.

Image Credits:ReelShort

According to data from the app intelligence firm Appfigures, one top microdrama app, ReelShort, saw roughly .2 billion in gross consumer spending in 2025, up 119% from 2024, TechCrunch’s Amanda Silberling previously reported. Meanwhile, another leading app, DramaBox, generated 6 million in gross consumer spending last year, more than doubling its 2024 numbers. Even TikTok acknowledged the competition, launching a microdrama app of its own to test the market appetite for this type of content.

Where does Netflix go from here?

Where does that leave Netflix, whose claim to fame has been full seasons dropped at once for rapid consumption? 







Likely, it will have to rethink how it’s greenlighting, producing, and releasing what it considers a “TV show.” 

That doesn’t mean that the Netflix model has to pivot entirely to short-form to keep up with the competition, but it may need to reconsider how people want to stream. Viewers may no longer want to commit the hours and weeks it takes to get through a show and all of its subsequent seasons, for instance. They want something that feels more “finishable,” the way you can easily get through a YouTube video or TikTok series from a creator.

A simple fix could see Netflix try prioritizing single-season shows, traditionally known as miniseries or limited series, allowing people to tune into a completed work without having to worry whether it would end on a cliffhanger and never be renewed. 

Netflix could also experiment with breaking up shows into smaller chunks, like the before-its-time Quibi model. 

The Jeffrey Katzenberg-backed startup, Quibi, had bet that people would eventually gravitate towards TV content designed to be consumed in shorter sessions. Unfortunately for Quibi, the pandemic hit, and people suddenly had a lot of time to watch TV, leading to its demise.

Many Netflix shows could be easily revamped for shorter viewing sessions, particularly lightweight competition shows like “Nailed It,” “Is It Cake?,” or “Squid Game: The Challenge.” Meanwhile, Netflix could surely produce better microdramas than the ones currently on the market with their awful acting and ridiculous storylines.

To generate interest in its higher-quality content, some Netflix shows could be shifted to the weekly release model. This is something Netflix has already proven works in specific cases. For instance, it drops new episodes of its reality show “Love Is Blind” in weekly dumps, making it great watercooler fodder as everyone is watching the new episodes around the same time. (Faster consumption models could work, too. For instance, Peacock’s “Love Island USA” is the reality hit of the summer, as there’s a new episode almost daily).

But instead of experimenting with different types of short-form content for quick entertainment, combined with slower releases for seasons, or focusing more heavily on miniseries worth watching, Netflix has been dabbling in other areas. 







As of late, it’s expanded its lineup with podcasts, which reportedly no one is watching, and live content, which can be hit or miss. In terms of the latter, Netflix investments in live sports have generally done well, but its recent entry into live reality competition shows, “Star Search,” has already been canceled despite a clever real-time voting feature. More work here is still needed.

Bloomberg’s report framed the problem facing Netflix as a failure to create loyal TV viewers who tune into a Season 2, but the underlying issue facing the streamer is much bigger. Netflix may need to rethink whether it still needs to focus on competing with traditional TV and its long-running shows, or whether it should focus on entertainment projects whose storytelling arcs have less filler and wrap up more quickly. 

To find the right balance between viewers ditching cable and those who just want something better than TikTok, Netflix is finding itself needing to reinvent TV all over again.




When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Netflix #invented #bingewatching #outgrown #TechCrunchNetflix,streaming,tv
Image Credits:eMarketer

Then there is YouTube, which offers a combination of both short and longer-form content. Per a report released this year by Digital i, YouTube surpassed Netflix in average daily viewing for the first time, with 99.1 minutes daily in 2025 compared with Netflix’s 93.4 minutes.

These market reports use differing methodologies and demographics, so they should be taken with a grain of salt — but directionally, they point the same way. YouTube and apps like TikTok are Netflix’s real competition, not TV.

Netflix has even acknowledged this existential threat by way of a product redesign in April that added a TikTok-like feed based on Netflix content.

Where Netflix gets the feed wrong is that it’s still pitched as a way to help you find something to watch, rather than being the thing you watch. It’s understandable why Netflix went this route, given its library, but it’s not necessarily what the end user wants. Today, many people with dopamine-drained attention spans are instead seeking out microdrama apps in growing numbers when they want a serialized storyline they can consume in minutes.

Image Credits:ReelShort

According to data from the app intelligence firm Appfigures, one top microdrama app, ReelShort, saw roughly $1.2 billion in gross consumer spending in 2025, up 119% from 2024, TechCrunch’s Amanda Silberling previously reported. Meanwhile, another leading app, DramaBox, generated $276 million in gross consumer spending last year, more than doubling its 2024 numbers. Even TikTok acknowledged the competition, launching a microdrama app of its own to test the market appetite for this type of content.

Where does Netflix go from here?

Where does that leave Netflix, whose claim to fame has been full seasons dropped at once for rapid consumption?

Likely, it will have to rethink how it’s greenlighting, producing, and releasing what it considers a “TV show.”

That doesn’t mean that the Netflix model has to pivot entirely to short-form to keep up with the competition, but it may need to reconsider how people want to stream. Viewers may no longer want to commit the hours and weeks it takes to get through a show and all of its subsequent seasons, for instance. They want something that feels more “finishable,” the way you can easily get through a YouTube video or TikTok series from a creator.

A simple fix could see Netflix try prioritizing single-season shows, traditionally known as miniseries or limited series, allowing people to tune into a completed work without having to worry whether it would end on a cliffhanger and never be renewed.

Netflix could also experiment with breaking up shows into smaller chunks, like the before-its-time Quibi model.

The Jeffrey Katzenberg-backed startup, Quibi, had bet that people would eventually gravitate towards TV content designed to be consumed in shorter sessions. Unfortunately for Quibi, the pandemic hit, and people suddenly had a lot of time to watch TV, leading to its demise.

Many Netflix shows could be easily revamped for shorter viewing sessions, particularly lightweight competition shows like “Nailed It,” “Is It Cake?,” or “Squid Game: The Challenge.” Meanwhile, Netflix could surely produce better microdramas than the ones currently on the market with their awful acting and ridiculous storylines.

To generate interest in its higher-quality content, some Netflix shows could be shifted to the weekly release model. This is something Netflix has already proven works in specific cases. For instance, it drops new episodes of its reality show “Love Is Blind” in weekly dumps, making it great watercooler fodder as everyone is watching the new episodes around the same time. (Faster consumption models could work, too. For instance, Peacock’s “Love Island USA” is the reality hit of the summer, as there’s a new episode almost daily).

But instead of experimenting with different types of short-form content for quick entertainment, combined with slower releases for seasons, or focusing more heavily on miniseries worth watching, Netflix has been dabbling in other areas.

As of late, it’s expanded its lineup with podcasts, which reportedly no one is watching, and live content, which can be hit or miss. In terms of the latter, Netflix investments in live sports have generally done well, but its recent entry into live reality competition shows, “Star Search,” has already been canceled despite a clever real-time voting feature. More work here is still needed.

Bloomberg’s report framed the problem facing Netflix as a failure to create loyal TV viewers who tune into a Season 2, but the underlying issue facing the streamer is much bigger. Netflix may need to rethink whether it still needs to focus on competing with traditional TV and its long-running shows, or whether it should focus on entertainment projects whose storytelling arcs have less filler and wrap up more quickly.

To find the right balance between viewers ditching cable and those who just want something better than TikTok, Netflix is finding itself needing to reinvent TV all over again.

When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.

#Netflix #invented #bingewatching #outgrown #TechCrunchNetflix,streaming,tv
ASUS has unveiled the newly designed Vivobook 15 in the Indian market. This laptop is the first in the country to feature Intel’s new Core 5 Series 3 processor and targets users seeking an optimal combination of performance, portability, and AI capabilities. Along with the newly announced model, ASUS is providing discounts on other laptop variants.

ASUS VivoBook 15 Features and Specifications

ASUS Vivobook 15 is equipped with the latest Intel Core 5 Series 3 Processor, along with the advanced Intel AI Boost NPU, delivering up to 16 TOPS of performance. It also supports AI-enabled Windows features and includes 16GB of DDR5 RAM and 512GB of PCIe 4.0 SSD storage. The laptop has a 15.6-inch Full HD anti-glare screen and Wi-Fi 6.

ASUS has designed the Vivobook 15 with a lightweight 1.7kg body for better portability. It has added a backlit keyboard with a dedicated Copilot key, a fingerprint sensor for secure access, and an HD webcam with a privacy shutter.

ASUS TUF Gaming A15

ASUS Launches Vivobook 15 with Special Prime Day & Flipkart GOAT Sale Offers
	
Ahead of Amazon Prime Day and the Flipkart GOAT Sale, ASUS has unveiled the newly designed Vivobook 15 in the Indian market. This laptop is the first in the country to feature Intel’s new Core 5 Series 3 processor and targets users seeking an optimal combination of performance, portability, and AI capabilities. Along with the newly announced model, ASUS is providing discounts on other laptop variants.



ASUS VivoBook 15 Features and Specifications



ASUS Vivobook 15 is equipped with the latest Intel Core 5 Series 3 Processor, along with the advanced Intel AI Boost NPU, delivering up to 16 TOPS of performance. It also supports AI-enabled Windows features and includes 16GB of DDR5 RAM and 512GB of PCIe 4.0 SSD storage. The laptop has a 15.6-inch Full HD anti-glare screen and Wi-Fi 6.



ASUS has designed the Vivobook 15 with a lightweight 1.7kg body for better portability. It has added a backlit keyboard with a dedicated Copilot key, a fingerprint sensor for secure access, and an HD webcam with a privacy shutter. 



ASUS TUF Gaming A15







Alongside the Vivobook 15, ASUS has launched another model, the TUF Gaming A15, which will be available exclusively on Amazon Prime Day. The gaming laptop is equipped with an AMD Ryzen 7 8845HS chip and an NVIDIA GeForce RTX 3050 graphics card that has 4GB of graphics memory. This gaming laptop also has 16GB of DDR5 RAM and a 512GB PCIe 4.0 NVMe SSD.



The laptop features a 15.6-inch Full HD display with a 144Hz refresh rate for smoother visuals. ASUS offers the TUF Gaming A15 in Graphite Black. It is available at a launch price of Rs. 1,24,990 during the Prime Day sale.



Price, Availability, and Sale Offers



ASUS is combining the launch of the Vivobook 15 with limited-time shopping offers across its laptop portfolio. The new laptop is priced at Rs. 1,07,990 and will be available only on Amazon and Flipkart. Buyers can pick from Cool Silver, Quiet Blue, and Terra Cotta color options. They can also access bank discounts, Easy Pay benefits, and no-cost EMI for up to nine months.



The sale extends beyond the Vivobook 15. ASUS is offering discounts of up to 55% across selected consumer, gaming, and creator laptops. Buyers can also get instant bank discounts of up to Rs. 6,000, exchange bonuses of up to Rs. 20,000, and no-cost EMI for up to 18 months on select models. ASUS is also introducing the TUF Gaming A15 as an Amazon Prime Day special.

#ASUS #Launches #Vivobook #Special #Prime #Day #Flipkart #GOAT #Sale #OffersAsus

Alongside the Vivobook 15, ASUS has launched another model, the TUF Gaming A15, which will be available exclusively on Amazon Prime Day. The gaming laptop is equipped with an AMD Ryzen 7 8845HS chip and an NVIDIA GeForce RTX 3050 graphics card that has 4GB of graphics memory. This gaming laptop also has 16GB of DDR5 RAM and a 512GB PCIe 4.0 NVMe SSD.

The laptop features a 15.6-inch Full HD display with a 144Hz refresh rate for smoother visuals. ASUS offers the TUF Gaming A15 in Graphite Black. It is available at a launch price of Rs. 1,24,990 during the Prime Day sale.

Price, Availability, and Sale Offers

ASUS is combining the launch of the Vivobook 15 with limited-time shopping offers across its laptop portfolio. The new laptop is priced at Rs. 1,07,990 and will be available only on Amazon and Flipkart. Buyers can pick from Cool Silver, Quiet Blue, and Terra Cotta color options. They can also access bank discounts, Easy Pay benefits, and no-cost EMI for up to nine months.

The sale extends beyond the Vivobook 15. ASUS is offering discounts of up to 55% across selected consumer, gaming, and creator laptops. Buyers can also get instant bank discounts of up to Rs. 6,000, exchange bonuses of up to Rs. 20,000, and no-cost EMI for up to 18 months on select models. ASUS is also introducing the TUF Gaming A15 as an Amazon Prime Day special.

#ASUS #Launches #Vivobook #Special #Prime #Day #Flipkart #GOAT #Sale #OffersAsus">ASUS Launches Vivobook 15 with Special Prime Day & Flipkart GOAT Sale Offers
	
Ahead of Amazon Prime Day and the Flipkart GOAT Sale, ASUS has unveiled the newly designed Vivobook 15 in the Indian market. This laptop is the first in the country to feature Intel’s new Core 5 Series 3 processor and targets users seeking an optimal combination of performance, portability, and AI capabilities. Along with the newly announced model, ASUS is providing discounts on other laptop variants.



ASUS VivoBook 15 Features and Specifications



ASUS Vivobook 15 is equipped with the latest Intel Core 5 Series 3 Processor, along with the advanced Intel AI Boost NPU, delivering up to 16 TOPS of performance. It also supports AI-enabled Windows features and includes 16GB of DDR5 RAM and 512GB of PCIe 4.0 SSD storage. The laptop has a 15.6-inch Full HD anti-glare screen and Wi-Fi 6.



ASUS has designed the Vivobook 15 with a lightweight 1.7kg body for better portability. It has added a backlit keyboard with a dedicated Copilot key, a fingerprint sensor for secure access, and an HD webcam with a privacy shutter. 



ASUS TUF Gaming A15







Alongside the Vivobook 15, ASUS has launched another model, the TUF Gaming A15, which will be available exclusively on Amazon Prime Day. The gaming laptop is equipped with an AMD Ryzen 7 8845HS chip and an NVIDIA GeForce RTX 3050 graphics card that has 4GB of graphics memory. This gaming laptop also has 16GB of DDR5 RAM and a 512GB PCIe 4.0 NVMe SSD.



The laptop features a 15.6-inch Full HD display with a 144Hz refresh rate for smoother visuals. ASUS offers the TUF Gaming A15 in Graphite Black. It is available at a launch price of Rs. 1,24,990 during the Prime Day sale.



Price, Availability, and Sale Offers



ASUS is combining the launch of the Vivobook 15 with limited-time shopping offers across its laptop portfolio. The new laptop is priced at Rs. 1,07,990 and will be available only on Amazon and Flipkart. Buyers can pick from Cool Silver, Quiet Blue, and Terra Cotta color options. They can also access bank discounts, Easy Pay benefits, and no-cost EMI for up to nine months.



The sale extends beyond the Vivobook 15. ASUS is offering discounts of up to 55% across selected consumer, gaming, and creator laptops. Buyers can also get instant bank discounts of up to Rs. 6,000, exchange bonuses of up to Rs. 20,000, and no-cost EMI for up to 18 months on select models. ASUS is also introducing the TUF Gaming A15 as an Amazon Prime Day special.

#ASUS #Launches #Vivobook #Special #Prime #Day #Flipkart #GOAT #Sale #OffersAsus

has unveiled the newly designed Vivobook 15 in the Indian market. This laptop is the first in the country to feature Intel’s new Core 5 Series 3 processor and targets users seeking an optimal combination of performance, portability, and AI capabilities. Along with the newly announced model, ASUS is providing discounts on other laptop variants.

ASUS VivoBook 15 Features and Specifications

ASUS Vivobook 15 is equipped with the latest Intel Core 5 Series 3 Processor, along with the advanced Intel AI Boost NPU, delivering up to 16 TOPS of performance. It also supports AI-enabled Windows features and includes 16GB of DDR5 RAM and 512GB of PCIe 4.0 SSD storage. The laptop has a 15.6-inch Full HD anti-glare screen and Wi-Fi 6.

ASUS has designed the Vivobook 15 with a lightweight 1.7kg body for better portability. It has added a backlit keyboard with a dedicated Copilot key, a fingerprint sensor for secure access, and an HD webcam with a privacy shutter.

ASUS TUF Gaming A15

ASUS Launches Vivobook 15 with Special Prime Day & Flipkart GOAT Sale Offers
	
Ahead of Amazon Prime Day and the Flipkart GOAT Sale, ASUS has unveiled the newly designed Vivobook 15 in the Indian market. This laptop is the first in the country to feature Intel’s new Core 5 Series 3 processor and targets users seeking an optimal combination of performance, portability, and AI capabilities. Along with the newly announced model, ASUS is providing discounts on other laptop variants.



ASUS VivoBook 15 Features and Specifications



ASUS Vivobook 15 is equipped with the latest Intel Core 5 Series 3 Processor, along with the advanced Intel AI Boost NPU, delivering up to 16 TOPS of performance. It also supports AI-enabled Windows features and includes 16GB of DDR5 RAM and 512GB of PCIe 4.0 SSD storage. The laptop has a 15.6-inch Full HD anti-glare screen and Wi-Fi 6.



ASUS has designed the Vivobook 15 with a lightweight 1.7kg body for better portability. It has added a backlit keyboard with a dedicated Copilot key, a fingerprint sensor for secure access, and an HD webcam with a privacy shutter. 



ASUS TUF Gaming A15







Alongside the Vivobook 15, ASUS has launched another model, the TUF Gaming A15, which will be available exclusively on Amazon Prime Day. The gaming laptop is equipped with an AMD Ryzen 7 8845HS chip and an NVIDIA GeForce RTX 3050 graphics card that has 4GB of graphics memory. This gaming laptop also has 16GB of DDR5 RAM and a 512GB PCIe 4.0 NVMe SSD.



The laptop features a 15.6-inch Full HD display with a 144Hz refresh rate for smoother visuals. ASUS offers the TUF Gaming A15 in Graphite Black. It is available at a launch price of Rs. 1,24,990 during the Prime Day sale.



Price, Availability, and Sale Offers



ASUS is combining the launch of the Vivobook 15 with limited-time shopping offers across its laptop portfolio. The new laptop is priced at Rs. 1,07,990 and will be available only on Amazon and Flipkart. Buyers can pick from Cool Silver, Quiet Blue, and Terra Cotta color options. They can also access bank discounts, Easy Pay benefits, and no-cost EMI for up to nine months.



The sale extends beyond the Vivobook 15. ASUS is offering discounts of up to 55% across selected consumer, gaming, and creator laptops. Buyers can also get instant bank discounts of up to Rs. 6,000, exchange bonuses of up to Rs. 20,000, and no-cost EMI for up to 18 months on select models. ASUS is also introducing the TUF Gaming A15 as an Amazon Prime Day special.

#ASUS #Launches #Vivobook #Special #Prime #Day #Flipkart #GOAT #Sale #OffersAsus

Alongside the Vivobook 15, ASUS has launched another model, the TUF Gaming A15, which will be available exclusively on Amazon Prime Day. The gaming laptop is equipped with an AMD Ryzen 7 8845HS chip and an NVIDIA GeForce RTX 3050 graphics card that has 4GB of graphics memory. This gaming laptop also has 16GB of DDR5 RAM and a 512GB PCIe 4.0 NVMe SSD.

The laptop features a 15.6-inch Full HD display with a 144Hz refresh rate for smoother visuals. ASUS offers the TUF Gaming A15 in Graphite Black. It is available at a launch price of Rs. 1,24,990 during the Prime Day sale.

Price, Availability, and Sale Offers

ASUS is combining the launch of the Vivobook 15 with limited-time shopping offers across its laptop portfolio. The new laptop is priced at Rs. 1,07,990 and will be available only on Amazon and Flipkart. Buyers can pick from Cool Silver, Quiet Blue, and Terra Cotta color options. They can also access bank discounts, Easy Pay benefits, and no-cost EMI for up to nine months.

The sale extends beyond the Vivobook 15. ASUS is offering discounts of up to 55% across selected consumer, gaming, and creator laptops. Buyers can also get instant bank discounts of up to Rs. 6,000, exchange bonuses of up to Rs. 20,000, and no-cost EMI for up to 18 months on select models. ASUS is also introducing the TUF Gaming A15 as an Amazon Prime Day special.

#ASUS #Launches #Vivobook #Special #Prime #Day #Flipkart #GOAT #Sale #OffersAsus">ASUS Launches Vivobook 15 with Special Prime Day & Flipkart GOAT Sale Offers

Ahead of Amazon Prime Day and the Flipkart GOAT Sale, ASUS has unveiled the newly designed Vivobook 15 in the Indian market. This laptop is the first in the country to feature Intel’s new Core 5 Series 3 processor and targets users seeking an optimal combination of performance, portability, and AI capabilities. Along with the newly announced model, ASUS is providing discounts on other laptop variants.

ASUS VivoBook 15 Features and Specifications

ASUS Vivobook 15 is equipped with the latest Intel Core 5 Series 3 Processor, along with the advanced Intel AI Boost NPU, delivering up to 16 TOPS of performance. It also supports AI-enabled Windows features and includes 16GB of DDR5 RAM and 512GB of PCIe 4.0 SSD storage. The laptop has a 15.6-inch Full HD anti-glare screen and Wi-Fi 6.

ASUS has designed the Vivobook 15 with a lightweight 1.7kg body for better portability. It has added a backlit keyboard with a dedicated Copilot key, a fingerprint sensor for secure access, and an HD webcam with a privacy shutter.

ASUS TUF Gaming A15

ASUS Launches Vivobook 15 with Special Prime Day & Flipkart GOAT Sale Offers
	
Ahead of Amazon Prime Day and the Flipkart GOAT Sale, ASUS has unveiled the newly designed Vivobook 15 in the Indian market. This laptop is the first in the country to feature Intel’s new Core 5 Series 3 processor and targets users seeking an optimal combination of performance, portability, and AI capabilities. Along with the newly announced model, ASUS is providing discounts on other laptop variants.



ASUS VivoBook 15 Features and Specifications



ASUS Vivobook 15 is equipped with the latest Intel Core 5 Series 3 Processor, along with the advanced Intel AI Boost NPU, delivering up to 16 TOPS of performance. It also supports AI-enabled Windows features and includes 16GB of DDR5 RAM and 512GB of PCIe 4.0 SSD storage. The laptop has a 15.6-inch Full HD anti-glare screen and Wi-Fi 6.



ASUS has designed the Vivobook 15 with a lightweight 1.7kg body for better portability. It has added a backlit keyboard with a dedicated Copilot key, a fingerprint sensor for secure access, and an HD webcam with a privacy shutter. 



ASUS TUF Gaming A15







Alongside the Vivobook 15, ASUS has launched another model, the TUF Gaming A15, which will be available exclusively on Amazon Prime Day. The gaming laptop is equipped with an AMD Ryzen 7 8845HS chip and an NVIDIA GeForce RTX 3050 graphics card that has 4GB of graphics memory. This gaming laptop also has 16GB of DDR5 RAM and a 512GB PCIe 4.0 NVMe SSD.



The laptop features a 15.6-inch Full HD display with a 144Hz refresh rate for smoother visuals. ASUS offers the TUF Gaming A15 in Graphite Black. It is available at a launch price of Rs. 1,24,990 during the Prime Day sale.



Price, Availability, and Sale Offers



ASUS is combining the launch of the Vivobook 15 with limited-time shopping offers across its laptop portfolio. The new laptop is priced at Rs. 1,07,990 and will be available only on Amazon and Flipkart. Buyers can pick from Cool Silver, Quiet Blue, and Terra Cotta color options. They can also access bank discounts, Easy Pay benefits, and no-cost EMI for up to nine months.



The sale extends beyond the Vivobook 15. ASUS is offering discounts of up to 55% across selected consumer, gaming, and creator laptops. Buyers can also get instant bank discounts of up to Rs. 6,000, exchange bonuses of up to Rs. 20,000, and no-cost EMI for up to 18 months on select models. ASUS is also introducing the TUF Gaming A15 as an Amazon Prime Day special.

#ASUS #Launches #Vivobook #Special #Prime #Day #Flipkart #GOAT #Sale #OffersAsus

Alongside the Vivobook 15, ASUS has launched another model, the TUF Gaming A15, which will be available exclusively on Amazon Prime Day. The gaming laptop is equipped with an AMD Ryzen 7 8845HS chip and an NVIDIA GeForce RTX 3050 graphics card that has 4GB of graphics memory. This gaming laptop also has 16GB of DDR5 RAM and a 512GB PCIe 4.0 NVMe SSD.

The laptop features a 15.6-inch Full HD display with a 144Hz refresh rate for smoother visuals. ASUS offers the TUF Gaming A15 in Graphite Black. It is available at a launch price of Rs. 1,24,990 during the Prime Day sale.

Price, Availability, and Sale Offers

ASUS is combining the launch of the Vivobook 15 with limited-time shopping offers across its laptop portfolio. The new laptop is priced at Rs. 1,07,990 and will be available only on Amazon and Flipkart. Buyers can pick from Cool Silver, Quiet Blue, and Terra Cotta color options. They can also access bank discounts, Easy Pay benefits, and no-cost EMI for up to nine months.

The sale extends beyond the Vivobook 15. ASUS is offering discounts of up to 55% across selected consumer, gaming, and creator laptops. Buyers can also get instant bank discounts of up to Rs. 6,000, exchange bonuses of up to Rs. 20,000, and no-cost EMI for up to 18 months on select models. ASUS is also introducing the TUF Gaming A15 as an Amazon Prime Day special.

#ASUS #Launches #Vivobook #Special #Prime #Day #Flipkart #GOAT #Sale #OffersAsus

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