Spotify has found itself the target of artists’ ire for many reasons over the years: poor audio quality, terrible payouts, giving Joe Rogan millions of dollars… the list goes on. But recently it’s been CEO and founder Daniel Ek’s extracurricular activities that have been cause for consternation. Over the past few months his funding of German defense company Helsing through his investment firm Prima Materia has been the final straw for many acts, including Hotline TNT, Massive Attack, Godspeed You! Black Emperor, Deerhoof, and more.
Then, on Tuesday, Ek announced that he would be stepping down as CEO. Neither Ek nor Spotify gave any indication that the growing furor over his pivot to warfare was the impetus behind the decision. But, if the company was hoping that a byproduct of replacing Ek as CEO would be to stem the tide of artists leaving the platform, I have some bad news.
“Our issues with this particular streaming platform go far beyond one reptile.”
— Will Anderson of Hotline TNT
The Verge reached out to a number of artists and labels who had removed their music from Spotify, and it doesn’t sound like any of them plan to change their tune anytime soon. Part of this is due to the fact that Ek’s title change is little more than that. He will remain the executive chairman and, even in the announcement of Gustav Söderström and Alex Norström being named the new co-CEOs, Ek immediately undercut their authority, saying, “Gustav and Alex will continue to report to me … I will be more hands on than some of my U.S. peers who have a Chairman title.” When asked for clarification about how Ek’s role would change, Spotify declined to comment.
So, Ek might be handing over some responsibility for day-to-day operations, but he will still hold significant sway over the company’s decisions. Jeremy Leaird-Koch, who releases music under the name Jeremy Blake and hosts the YouTube channel Red Means Recording, removed his music in July. He told The Verge that this boardroom shuffling “changes nothing.” He quickly pointed out that “an Executive Chairman is a key leadership position that leads the board of directors while also holding an active, strategic, and often hands-on role in the day-to-day business and executive management of the company.”
Will Anderson of Hotline TNT had a similar takeaway, telling The Verge, “By the company’s own admission, nothing will be changing. Their statement says the move ‘formalizes how Spotify has successfully operated since 2023’. To me this sounds like the company is aware of shifting public sentiment and is trying to publicize a little title adjustment for their CEO to claw back some good will before things snowball out of control.”
“The rare thing Senate Republicans and Democrats seem to agree on is that Spotify is out of control.”
Colin Volvert, label manager for Kalahari Oyster Cult, which pulled its entire catalog from Spotify in June, was also unswayed. “We remain attentive to developments, but as it stands, it’s not more than an optics-driven management stunt,” he told The Verge. “Not exactly the clean slate we’d hope for. More likely, it frees him to pursue his more controversial endeavours.”
What Anderson, Leaird-Koch, and others have made clear, though, is that this was never just about Daniel Ek. Anderson says, “Our issues with this particular streaming platform go far beyond one reptile.” His “funding AI battle tech,” to use Deerhoof drummer Greg Saunier’s words, was merely the last thing in a litany of issues. Satomi Matsuzaki, Deerhoof’s vocalist, was unequivocal in a statement to The Verge:
“We won’t return to Spotify unless they start to treat every artist respectfully and pay them a fair amount. They must stop making money by using AI scams. Artists are struggling to survive. Spotify’s payment of $0.003 per stream won’t even get us a can of soda. Their system won’t change dramatically. Good news is Deerhoof will still exist without Spotify if you type ‘Deerhoof’ into your search engine. Spotify does not define our existence.”
Spotify’s payouts have long been the biggest issue for artists and, without a change, it’s unlikely that this recent exodus will slow. Spotify has one of the lowest per-stream rates in the industry. Most estimates place it between $0.003 and $0.005 in recent years. (Though Spotify’s opaque method of calculating royalties makes it hard to know for sure.) It’s the primary reason big names like Thom Yorke and Taylor Swift have pulled their music from the service in the past, though both artists eventually returned. And for small artists, those whose tracks get fewer than 1,000 streams per year, the payout is $0. The company’s payouts are so low, in fact, that it has attracted the attention of the European Parliament and the United States Congress.
The issue goes beyond simply undervaluing artists. In 2024 the company changed its Premium plan to include audiobooks, which allowed it to suppress royalty payouts by bundling audiobooks with music. With dramatically more hours of content to divide subscription revenue among, royalty payouts dropped by $150 million, while Spotify’s revenue continued to climb dramatically. The underhanded tactics the company uses to artificially suppress royalty rates were even the target of a bipartisan call for an investigation in June — the rare thing Senate Republicans and Democrats seem to agree on is that Spotify is out of control.
Leaird-Koch sees this valuing of profit over art as the ultimate problem. “Spotify is going to have to make Herculean efforts to roll back tons of damaging choices they’ve introduced to their platform over the years. I don’t see that happening with a publicly traded company that’s beholden to generate profit for shareholders,” he said.
Some artists have proven that, while it might not always be easy, you can find success without Spotify. Joanna Newsom has never put her music on Spotify, calling it a “villainous cabal” in an interview with the Los Angeles Times. And Cindy Lee made herself a critical darling with Pitchfork’s No. 1 record of 2024, Diamond Jubilee, but the album is unavailable on streaming platforms.
Between the proliferation of AI slop, association with controversial figures, and terrible royalty rates, Spotify has plenty of other baggage beyond Daniel Ek’s investment in military companies. Xiu Xiu’s Jamie Stewart told Anthony Fantano that “us being off of Spotify is not going to make any real financial impact for them. It really has more to do with our conscience.” But Anderson was a bit more optimistic about artists’ ability to effect change: “It seems like Spotify is rattled, and they should be.”
Source link
#Daniel #stepping #artists #boycotting #Spotify
![Scientists Say Some Black Holes Are Born From Other Black Holes
Since LIGO’s Nobel-winning discovery of gravitational waves—ripples in spacetime—the U.S.-based detector has been picking up on hundreds of signals from black hole mergers. And, after a decade of studying gravitational waves, researchers believe a significant fraction of black holes may come from cosmic chain reactions. A recent paper published in Physical Review Letters describes an analysis of 155 pairs of binary black holes, identified by LIGO and its sisters, Virgo and KAGRA, in Italy and Japan, respectively. According to the study, about 14% of merging black holes may be what’s called “second-generation black holes,” or black holes that form from previous mergers of two smaller black holes. This “hierarchical” backstory is vastly different from the textbook version of how black holes emerge from the explosive death of a star. “Overall in the universe, black holes are merging all the time,” Cailin Plunkett, the study’s first author and a graduate student at the Massachusetts Institute of Technology, told MIT News. “Now we’re seeing a relatively consistent picture where there’s a decent percentage of black holes that are coming from this repeated pathway.”
Tracking the invisible Gravitational waves that reach Earth’s detectors typically come from extremely intense events. Over the years, LIGO has picked up some truly perplexing signals. For example, last summer it found the most colossal black hole merger ever—and if that wasn’t wild enough, the black holes that took part in the merger lie within a cosmic “dead zone” for black holes.
This zone refers to a range of black hole masses in which, physically speaking, black holes can’t form through ordinary stellar collapse. From these discoveries, astronomers realized just how little we knew about black holes, which are challenging to investigate directly. In that sense, it was a no-brainer that the ever-growing catalog of LIGO’s gravitational signals would turn up entirely new insights about black holes. “It is increasingly clear, both from individual events and population analyses, that massive black holes exist in [this] range,” the researchers wrote in the latest paper. “These observations have spurred further investigation into mechanisms that can populate this gap.”
A wobbly imprint The latest research represents one such investigation. During mergers, the two black holes spiral toward each other along an orbital plane. When one or both black hole spins are misaligned, the orbital plane can wobble, or “precess,” the researchers explained to MIT News. The degree to which the disk wobbles acts as a parameter from which researchers can measure the masses and spins of the merging black holes. One telling sign of hierarchical mergers is that they’re “lopsided,” meaning one of the pair has a much higher spin and mass than the other. For the study, the team created an analytic model to capture the kind of wobble that would have emerged from second-generation black holes. Around 14% of merging black holes followed this pattern, and the second-generation black holes identified had a very specific range of masses, at around 20 solar masses or 40 solar masses and above. Of mysterious origins To be fair, that might not sound like a whole lot. But it demonstrates that a sizeable portion of known black holes indeed follow this pattern. As for why, the team suspects hierarchical mergers emerge from dense stellar environments. Simply, when multiple neighboring stars die and collapse into black holes, the dense environment can make it easier for those black holes to find each other and merge. That could further lead to the formation of second-generation black holes. Theoretically, this could “repeat potentially ad infinitum, by virtue of the fact that you have a ton of stars and black holes in this really dense environment,” Plunkett said.
But an ensuing mystery concerns those black holes in the 40-and-above regime, which coincides with the aforementioned “death zones” for black hole masses. According to stellar evolution theory, black holes born of supernovas shouldn’t leave any black holes above roughly 45 solar masses, explained Plunkett. “Yet we have seen black holes that are that massive,” she mused. “And the question is: Where did they come from?” For now, it’s hard to say when we’ll get an answer to that question, if ever. But one thing seems to be clear: black holes are a lot weirder than we could ever imagine. #Scientists #Black #Holes #Born #Black #HolesBlack holes,Gravitational wave,LIGO Scientists Say Some Black Holes Are Born From Other Black Holes
Since LIGO’s Nobel-winning discovery of gravitational waves—ripples in spacetime—the U.S.-based detector has been picking up on hundreds of signals from black hole mergers. And, after a decade of studying gravitational waves, researchers believe a significant fraction of black holes may come from cosmic chain reactions. A recent paper published in Physical Review Letters describes an analysis of 155 pairs of binary black holes, identified by LIGO and its sisters, Virgo and KAGRA, in Italy and Japan, respectively. According to the study, about 14% of merging black holes may be what’s called “second-generation black holes,” or black holes that form from previous mergers of two smaller black holes. This “hierarchical” backstory is vastly different from the textbook version of how black holes emerge from the explosive death of a star. “Overall in the universe, black holes are merging all the time,” Cailin Plunkett, the study’s first author and a graduate student at the Massachusetts Institute of Technology, told MIT News. “Now we’re seeing a relatively consistent picture where there’s a decent percentage of black holes that are coming from this repeated pathway.”
Tracking the invisible Gravitational waves that reach Earth’s detectors typically come from extremely intense events. Over the years, LIGO has picked up some truly perplexing signals. For example, last summer it found the most colossal black hole merger ever—and if that wasn’t wild enough, the black holes that took part in the merger lie within a cosmic “dead zone” for black holes.
This zone refers to a range of black hole masses in which, physically speaking, black holes can’t form through ordinary stellar collapse. From these discoveries, astronomers realized just how little we knew about black holes, which are challenging to investigate directly. In that sense, it was a no-brainer that the ever-growing catalog of LIGO’s gravitational signals would turn up entirely new insights about black holes. “It is increasingly clear, both from individual events and population analyses, that massive black holes exist in [this] range,” the researchers wrote in the latest paper. “These observations have spurred further investigation into mechanisms that can populate this gap.”
A wobbly imprint The latest research represents one such investigation. During mergers, the two black holes spiral toward each other along an orbital plane. When one or both black hole spins are misaligned, the orbital plane can wobble, or “precess,” the researchers explained to MIT News. The degree to which the disk wobbles acts as a parameter from which researchers can measure the masses and spins of the merging black holes. One telling sign of hierarchical mergers is that they’re “lopsided,” meaning one of the pair has a much higher spin and mass than the other. For the study, the team created an analytic model to capture the kind of wobble that would have emerged from second-generation black holes. Around 14% of merging black holes followed this pattern, and the second-generation black holes identified had a very specific range of masses, at around 20 solar masses or 40 solar masses and above. Of mysterious origins To be fair, that might not sound like a whole lot. But it demonstrates that a sizeable portion of known black holes indeed follow this pattern. As for why, the team suspects hierarchical mergers emerge from dense stellar environments. Simply, when multiple neighboring stars die and collapse into black holes, the dense environment can make it easier for those black holes to find each other and merge. That could further lead to the formation of second-generation black holes. Theoretically, this could “repeat potentially ad infinitum, by virtue of the fact that you have a ton of stars and black holes in this really dense environment,” Plunkett said.
But an ensuing mystery concerns those black holes in the 40-and-above regime, which coincides with the aforementioned “death zones” for black hole masses. According to stellar evolution theory, black holes born of supernovas shouldn’t leave any black holes above roughly 45 solar masses, explained Plunkett. “Yet we have seen black holes that are that massive,” she mused. “And the question is: Where did they come from?” For now, it’s hard to say when we’ll get an answer to that question, if ever. But one thing seems to be clear: black holes are a lot weirder than we could ever imagine. #Scientists #Black #Holes #Born #Black #HolesBlack holes,Gravitational wave,LIGO](https://gizmodo.com/app/uploads/2026/07/black-hole-hierarchial-mergers-1280x853.jpg)
Post Comment