How soapy micro dramas became Hollywood’s next big bet

Tech-news Column, streaming, The Stepback November 16, 2025

This is The Stepback, a weekly newsletter breaking down one essential story from the tech world. For more on Hollywood trends and streaming culture, follow Charles Pulliam-Moore. The Stepback arrives in our subscribers’ inboxes at 8AM ET. Opt in for The Stepback here.

Once upon a time (read: a few years ago), there were a pair of upstart streaming services called Quibi and Go90 that were supposed to appeal to phone-addicted millennials. These platforms were supposed to compete with Netflix and Amazon by offering up short-form videos designed to be watched on the go. Both services were touted as being the future of entertainment, and they had sizable financial backing. But neither Quibi nor Go90 managed to gain any real traction before their names became shorthand for “bad ideas exemplifying how out of touch studio and telecom execs can be.”

Quibi and Go90 were not long for this world, and much has been written about how they were doomed from the jump. Quibi was oddly expensive, Go90’s landscape mode-focused branding confused people, and neither service made it easy to share their content on other platforms. Back then, people — especially here in the West — laughed at the idea of watching scripted series that were meant to be viewed on a smartphone. But that same basic concept began to take off in China as the covid-19 pandemic ground the entertainment industry to a halt and forced movie theaters to close. Some were supernatural period dramas, while others were romantically charged thrillers set in the modern day. And their stories were all filled with wild twists that played out over the course of dozens of episodes.

In 2025, “micro drama” companies like DramaBox and ReelShort have demonstrated that there actually is an audience willing to pay for content that can be consumed in small, quick bites. And the recent micro drama boom has been a fascinating case study in old, failed ideas finding wild success in the present day because the way people think about and interact with media has changed.

When you open up any of the dedicated micro drama apps, you can see that the companies behind them took notes from social media platforms like TikTok and streaming services like Netflix in order to create a new, slop-filled third kind of thing. You’re immediately presented with a grid of posters for multipart series whose “episodes” each run for about two minutes max. And the titles — gems like I Kissed a CEO and He Liked It, Betrayed Alpha Queen Rises from the Ashes, and The Unwanted Wife Strikes Back — are as self-explanatory as they are ridiculous. Almost all of the shows involve elements of pulpy romance and women getting revenge after being scorned for not embodying the “right kind” of womanhood or femininity.

Many of the series frame fertility, motherhood, and werewolf / Omegaverse culture as the things that define their heroines’ sense of self. And while these female characters are often introduced as people who are able to fend for themselves independently, their main goal is usually to find a man who can sweep them off their feet and take care of all their worldly needs.

Micro dramas’ overwhelming focus on stories about downtrodden damsels in distress speaks to the fact that female viewers make up a substantial chunk of these platforms’ subscriber base. On some level, these series are tapping into the same kind of tawdry energy that kept the romance lit space humming along even as the larger publishing industry has seen a steady drop in sales. But unlike romance novels from traditional publishing houses with rigorous editorial processes, there’s a slapdash shoddiness to micro dramas’ production values that reflects how incredibly inexpensive they are to make compared to a Netflix or Hulu original.

That relative cheapness is one of the major reasons that ReelShort and DramaBox — which are backed by Chinese and Singaporean companies, respectively — have been making a bigger push into Western markets over the past few years. That’s also why US-owned studios like GammaTime and MicroCo are starting to pop up. It doesn’t seem to bother viewers that basically everything about micro dramas, from the writing to the acting to the lighting, is absolutely terrible. Globally, the micro drama industry is expected to rake in about $3 billion by the end of the year thanks to the platforms’ surprisingly aggressive and gamified pricing strategies. And with Hollywood execs deciding to get more serious about making micro dramas, the business has become something of an unexpected boon for young actors, writers, and production workers trying to maintain careers within a contracting job market.

Though you would be hard-pressed to find a micro drama that felt like a strong piece of storytelling, there’s no denying that people are paying to watch them at a time when traditional streamers have been struggling to draw in new subscribers. Are series like Carrying His Triplets, Becoming His Wifey, and Found a Homeless Billionaire Husband for Christmas destined to become mainstream pop cultural phenomenons? Probably not. But these kinds of projects are keeping people employed and making enough of a profit to justify their existence.

By launching a new kind of labor contract designed to address “the unique needs” of actors working on serialized micro dramas, like ensuring they’re paid a fair wage and earn screen credits for their labor, SAG-AFTRA has sent a signal to the rest of the entertainment industry about this kind of content’s future potential. These shows might not be particularly good right now, but that could change if the studios put more effort into producing them. And even if micro dramas were to stick to their current style of stilted acting / lackluster directing / weak writing, their success right now suggests that their subscribers might not really be interested in something “better.”

As different segments of the tech and entertainment industries vie for people’s attention, micro dramas feel like an unusually strong contender. Micro dramas don’t quite add up to streaming series in the way we typically think of them, and they don’t exactly scratch the same “look watch some randos do stuff” itch that TikTok is built for. Ironically, ReelShort and DramaBox’s success feels like a direct byproduct of the way that TikTok, Instagram, and YouTube have gotten people into the habit of endlessly scrolling through vertically shot video. But these micro dramas are their own weird thing that have carved out a unique niche and found a ravenous audience in the process. And if these new platforms can keep their upward momentum going, it wouldn’t be at all surprising to see their streaming and social media competitors rushing to make the similar content of their own.

More and more micro drama production houses are embracing generative artificial intelligence into their workflows to keep production costs down while churning content out even faster. As ill-suited as the tech generally is for more polished projects, it makes a lot of sense for the style these kinds of shows are known for. It’ll be interesting to see if micro dramas’ use of AI will become a point of contention for the human actors relying on these projects for work.
Micro dramas’ rise in prominence also happens to coincide with a sharp downturn of film and TV production in Los Angeles. That’s another reason more performers are turning to the platforms to stay afloat, and this moment could be a choice opportunity for micro dramas to establish themselves as a viable source of entertainment.

Though micro dramas are currently on the come up, this Puck piece does an excellent job of illustrating some of the challenges these platforms will be up against as their growth leads to market saturation.
It’s important to understand just how hostile toward users basically all of the big micro drama apps are. Janko Roettgers’ recent piece here breaks down what makes these apps feel so predatory, and how many of them have been informed by mobile gaming’s freemium model.
The Ankler had a great sit-down with ReelShort CEO Joey Jia about how the company’s approach to monetization turned it into a billion-dollar business. The piece also includes a chat with actor Kasey Esser about how working on micro dramas has had a profound impact on his career.
SAG-AFTRA’s micro drama contract makes it seem like the union is being proactive about shifts within the entertainment industry. But this Variety piece digs into how the new contract was — at least partially — a response to the fact that some actors were just deciding to work nonunion.

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Charles Pulliam-Moore

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New Mexico Attorney General Raúl Torrez won a historic sum of $375 million in a landmark child safety case against Meta earlier this year. But the next stage of the fight could be even more consequential for Meta and the social media industry at large.

Beginning Monday, attorneys for Meta and New Mexico will return to a Santa Fe courthouse for a three-week public nuisance trial, where they’ll argue over the changes the AG wants the judge to order Meta make to Facebook, Instagram, and WhatsApp. Those changes include adding age verification for New Mexico users, prohibiting end-to-end encryption for users under 18 and capping their use to 90 hours per month, limiting engagement-boosting features like infinite scroll and autoplay, and requiring Meta to detect 99 percent of new child sexual abuse material (CSAM).

“From the outset, our goal was to try and change the way the company’s doing business,” Torrez told The Verge on a recent visit to Washington, DC, to advocate for new kids safety legislation. “I recognize that even at $375 million for a company this big and this profitable, it’s not enough in and of itself to change the way they’re doing business. In fact, there’s probably some folks in that company who think of it as the cost of doing business.”

“Even at $375 million for a company this big and this profitable, it’s not enough in and of itself to change the way they’re doing business”

While any changes ordered by the judge would only apply to Meta and its operations in New Mexico, the company could apply the changes in other states for the sake of simplicity. Or, as it’s threatened to do, it could simply go dark in the state. A court order could send a message to other tech companies that courts may be willing to alter their businesses if they’re found liable.

During the trial, New Mexico will argue Meta has become a public nuisance by creating a public health hazard in the state. The AG’s office expects to call on about 15 witnesses, including experts who will testify to the feasibility of their proposed remedies, and fact witnesses who will testify about Meta’s alleged harms. After Meta makes its defense, Judge Bryan Biedscheid will evaluate which proposals are relevant and feasible — a process that could take some time, compared to the speedy turnaround of the jury verdict in March.

A sweeping win for New Mexico could energize Torrez and thousands of other plaintiffs currently pursuing cases against tech companies. Conversely, a limited order could be a significant blow. The outcome won’t directly impact other cases, but it will almost certainly color negotiations over potential settlements.

Several of Torrez’s requests are hot-button tech policy issues. Age verification would almost certainly require Meta or a third-party provider to collect more personal information on adults and minors alike, which privacy advocates have consistently warned can make users less safe. Don McGowan, who previously served on the board of the National Center for Missing and Exploited Children (NCMEC), said that barring encrypted communications on platforms like Facebook “is a great way to make sure that nobody uses Facebook Messenger anymore and just moves their activity to other platforms that aren’t touched by this lawsuit.”

The mandate may do little to change the reality of certain parts of the business — Meta recently announced it was getting rid of end-to-end encrypted messaging on Instagram that it said “very few people” actually used.

Peter Chapman, associate director of the Knight-Georgetown Institute, which works to connect policymakers and others with independent tech policy research, said there could be “significant tradeoffs” to a prohibition on encryption, and other changes may be more effective. For example, evidence presented by the state showed that Meta’s own profile recommendations were connecting adults and minors, a feature that poses a clearer danger of harm without much benefit, and which Torrez is also asking the court to stop. “There’s an opportunity to intervene at that level and try to prevent more of these harmful interactions from taking place without having to tackle encryption,” said Chapman.

No single feature change is likely to solve the entire child and teen safety problem, said Chapman, which is why it’s notable that Torrez plans to ask for several layers of changes. Still, the overall effectiveness of any given remedy will also depend on how it’s implemented and monitored. For instance, what would be the methodology Meta uses to report a 99 percent detection rate of new CSAM? How does it count or surmise what it hasn’t caught? The same goes for the accuracy and reliability of any mandated age verification.

Meta points to this potential issue in its argument against Torrez’s proposed remedies. “Regardless of where the accuracy threshold is set, Meta would never be able to prove that the system met that standard, because doing the calculation would require that Meta detect 100% of CSAM to use as the denominator,” the company wrote in a legal filing. Torrez’s chief deputy, James Grayson, said on a press call that the court and an appointed independent monitor would have some discretion over tracking; the office hasn’t yet identified who this monitor would be.

“The demands that are being made in New Mexico are ill-informed and provide massive additional exposure for other kinds of exploitation”

Meta and other groups that oppose the AG’s approach say the outcomes he’s seeking are counterproductive. “The demands that are being made in New Mexico are ill-informed and provide massive additional exposure for other kinds of exploitation,” said Maureen Flatley, president of Stop Child Predators, a group that advocates for more funding for enforcement of criminal laws against child predators, and has received funding from Meta-backed trade group NetChoice. “This notion that the platforms have to be responsible for pushing all these people out would be like saying to the US Bankers Association, ‘By the way, you are responsible for all the bank robberies from now on,’ which is ludicrous.”

“The New Mexico Attorney General’s focus on a single platform is a misguided strategy that ignores the hundreds of other apps teens use daily,” Meta spokesperson Chris Sgro said in a statement. “The state’s proposed mandates infringe on parental rights and stifle free expression for all New Mexicans. Regardless, we remain committed to providing safe, age-appropriate experiences and have already launched many of the protections the state seeks, including 13 safety measures this past year.”

But Torrez has taken aim at the broader tech industry, too. He recently visited Washington, DC, to advocate for new protections for kids online and an overhaul of Section 230, the law that protects tech platforms from being held liable for their users’ posts. “While we were able to prevail in our district court in Santa Fe, I still think the law as it currently exists creates a lot of ambiguity,” he told The Verge on that visit. “If Section 230 were not something that these companies could hide behind, then it increases the chances that they’re going to have to actually make their case to a jury.”

But Chapman said regulation through lawsuits isn’t an “uncommon sort of story” in the US. “Whether that’s tobacco, opioids, e-cigarettes, there is precedent for legal action moving a broader policy conversation.”

Follow topics and authors from this story to see more like this in your personalized homepage feed and to receive email updates.

Lauren Feiner

#Metas #historic #loss #court #cost #lot #millionLaw,Meta,Policy,Privacy,Speech,Tech">

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New Mexico Attorney General Raúl Torrez won a historic sum of $375 million in a landmark child safety case against Meta earlier this year. But the next stage of the fight could be even more consequential for Meta and the social media industry at large.
Beginning Monday, attorneys for Meta and New Mexico will return to a Santa Fe courthouse for a three-week public nuisance trial, where they’ll argue over the changes the AG wants the judge to order Meta make to Facebook, Instagram, and WhatsApp. Those changes include adding age verification for New Mexico users, prohibiting end-to-end encryption for users under 18 and capping their use to 90 hours per month, limiting engagement-boosting features like infinite scroll and autoplay, and requiring Meta to detect 99 percent of new child sexual abuse material (CSAM).
“From the outset, our goal was to try and change the way the company’s doing business,” Torrez told The Verge on a recent visit to Washington, DC, to advocate for new kids safety legislation. “I recognize that even at $375 million for a company this big and this profitable, it’s not enough in and of itself to change the way they’re doing business. In fact, there’s probably some folks in that company who think of it as the cost of doing business.”
“Even at $375 million for a company this big and this profitable, it’s not enough in and of itself to change the way they’re doing business”
While any changes ordered by the judge would only apply to Meta and its operations in New Mexico, the company could apply the changes in other states for the sake of simplicity. Or, as it’s threatened to do, it could simply go dark in the state. A court order could send a message to other tech companies that courts may be willing to alter their businesses if they’re found liable.
During the trial, New Mexico will argue Meta has become a public nuisance by creating a public health hazard in the state. The AG’s office expects to call on about 15 witnesses, including experts who will testify to the feasibility of their proposed remedies, and fact witnesses who will testify about Meta’s alleged harms. After Meta makes its defense, Judge Bryan Biedscheid will evaluate which proposals are relevant and feasible — a process that could take some time, compared to the speedy turnaround of the jury verdict in March.
A sweeping win for New Mexico could energize Torrez and thousands of other plaintiffs currently pursuing cases against tech companies. Conversely, a limited order could be a significant blow. The outcome won’t directly impact other cases, but it will almost certainly color negotiations over potential settlements.
Several of Torrez’s requests are hot-button tech policy issues. Age verification would almost certainly require Meta or a third-party provider to collect more personal information on adults and minors alike, which privacy advocates have consistently warned can make users less safe. Don McGowan, who previously served on the board of the National Center for Missing and Exploited Children (NCMEC), said that barring encrypted communications on platforms like Facebook “is a great way to make sure that nobody uses Facebook Messenger anymore and just moves their activity to other platforms that aren’t touched by this lawsuit.”
The mandate may do little to change the reality of certain parts of the business — Meta recently announced it was getting rid of end-to-end encrypted messaging on Instagram that it said “very few people” actually used.
Peter Chapman, associate director of the Knight-Georgetown Institute, which works to connect policymakers and others with independent tech policy research, said there could be “significant tradeoffs” to a prohibition on encryption, and other changes may be more effective. For example, evidence presented by the state showed that Meta’s own profile recommendations were connecting adults and minors, a feature that poses a clearer danger of harm without much benefit, and which Torrez is also asking the court to stop. “There’s an opportunity to intervene at that level and try to prevent more of these harmful interactions from taking place without having to tackle encryption,” said Chapman.
No single feature change is likely to solve the entire child and teen safety problem, said Chapman, which is why it’s notable that Torrez plans to ask for several layers of changes. Still, the overall effectiveness of any given remedy will also depend on how it’s implemented and monitored. For instance, what would be the methodology Meta uses to report a 99 percent detection rate of new CSAM? How does it count or surmise what it hasn’t caught? The same goes for the accuracy and reliability of any mandated age verification.
Meta points to this potential issue in its argument against Torrez’s proposed remedies. “Regardless of where the accuracy threshold is set, Meta would never be able to prove that the system met that standard, because doing the calculation would require that Meta detect 100% of CSAM to use as the denominator,” the company wrote in a legal filing. Torrez’s chief deputy, James Grayson, said on a press call that the court and an appointed independent monitor would have some discretion over tracking; the office hasn’t yet identified who this monitor would be.
“The demands that are being made in New Mexico are ill-informed and provide massive additional exposure for other kinds of exploitation”
Meta and other groups that oppose the AG’s approach say the outcomes he’s seeking are counterproductive. “The demands that are being made in New Mexico are ill-informed and provide massive additional exposure for other kinds of exploitation,” said Maureen Flatley, president of Stop Child Predators, a group that advocates for more funding for enforcement of criminal laws against child predators, and has received funding from Meta-backed trade group NetChoice. “This notion that the platforms have to be responsible for pushing all these people out would be like saying to the US Bankers Association, ‘By the way, you are responsible for all the bank robberies from now on,’ which is ludicrous.”
“The New Mexico Attorney General’s focus on a single platform is a misguided strategy that ignores the hundreds of other apps teens use daily,” Meta spokesperson Chris Sgro said in a statement. “The state’s proposed mandates infringe on parental rights and stifle free expression for all New Mexicans. Regardless, we remain committed to providing safe, age-appropriate experiences and have already launched many of the protections the state seeks, including 13 safety measures this past year.”
But Torrez has taken aim at the broader tech industry, too. He recently visited Washington, DC, to advocate for new protections for kids online and an overhaul of Section 230, the law that protects tech platforms from being held liable for their users’ posts. “While we were able to prevail in our district court in Santa Fe, I still think the law as it currently exists creates a lot of ambiguity,” he told The Verge on that visit. “If Section 230 were not something that these companies could hide behind, then it increases the chances that they’re going to have to actually make their case to a jury.”
But Chapman said regulation through lawsuits isn’t an “uncommon sort of story” in the US. “Whether that’s tobacco, opioids, e-cigarettes, there is precedent for legal action moving a broader policy conversation.”
Follow topics and authors from this story to see more like this in your personalized homepage feed and to receive email updates.
Lauren Feiner

#Metas #historic #loss #court #cost #lot #millionLaw,Meta,Policy,Privacy,Speech,Tech">Meta’s historic loss in court could cost a lot more than $375 million

“Even at $375 million for a company this big and this profitable, it’s not enough in and of itself to change the way they’re doing business”

“The demands that are being made in New Mexico are ill-informed and provide massive additional exposure for other kinds of exploitation”

Follow topics and authors from this story to see more like this in your personalized homepage feed and to receive email updates.

Lauren Feiner

#Metas #historic #loss #court #cost #lot #millionLaw,Meta,Policy,Privacy,Speech,Tech

Audiences will have to wait a few months longer to see “Narnia: The Magician’s Nephew,” with the release date pushed back from Thanksgiving to February 12, 2027.

In addition to relaunching “Narnia” on big screens and serving as writer-director Greta Gerwig’s first film since “Barbie,” “The Magician’s Nephew” also looks like the next step in Netflix’s relationship with movie theaters — and it’s becoming an even bigger step with the delay.

The company had previously said “The Magician’s Nephew” would play exclusively on Imax screens for at least two weeks before a streaming release for Christmas. That would be an ambitious theatrical release by Netflix’s standards, but relatively limited compared to many other Hollywood blockbusters.

Now, Netflix says “The Magician’s Nephew” will begin exclusive Imax previews on February 10, 2027, followed by a wide global release in theaters on February 12. (In Netflix’s words, it will be a “global eventized release.”) The movie won’t start streaming until April 2.

The company’s announcement doesn’t get more specific about which theaters will be showing “The Magician’s Nephew,” but Imax released a statement noting that the delay will allow the film to have “a full theatrical window,” so the major theater chains are unlikely to complain

In fact, AMC Theatres recently highlighted the success of its“Stranger Things” finale screenings and said it has plans for more collaborations with Netflix. At the same time, the streamer’s limited support for theatrical releases and its resistance to exclusive theatrical windows was reportedly a “dealbreaker” in negotiations with the creators of “Stranger Things,” who ultimately signed an exclusive deal with Paramount.

With a cast that includes Daniel Craig and Meryl Streep, “The Magician’s Nephew” adapts one of the later books in C.S. Lewis’ classic fantasy series — a prequel that lays out the origins of Narnia.

Techcrunch event

San Francisco, CA | October 13-15, 2026

In Netflix’s announcement, Gerwig said she first read the book as a child, when she “fell in love with the gorgeously improbable but completely brilliant concept of a cosmic lion singing the world of Narnia to life.”

When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.

#Netflix #delays #Greta #Gerwigs #Narnia #movie #big #theatrical #push #TechCrunchGreta Gerwig,Narnia: The Magician’s Nephew,Netflix">

Netflix delays Greta Gerwig’s ‘Narnia’ movie for big theatrical push in 2027 | TechCrunch
Audiences will have to wait a few months longer to see “Narnia: The Magician’s Nephew,” with the release date pushed back from Thanksgiving to February 12, 2027.

In addition to relaunching “Narnia” on big screens and serving as writer-director Greta Gerwig’s first film since “Barbie,” “The Magician’s Nephew” also looks like the next step in Netflix’s relationship with movie theaters — and it’s becoming an even bigger step with the delay.

The company had previously said “The Magician’s Nephew” would play exclusively on Imax screens for at least two weeks before a streaming release for Christmas. That would be an ambitious theatrical release by Netflix’s standards, but relatively limited compared to many other Hollywood blockbusters.

Now, Netflix says “The Magician’s Nephew” will begin exclusive Imax previews on February 10, 2027, followed by a wide global release in theaters on February 12. (In Netflix’s words, it will be a “global eventized release.”) The movie won’t start streaming until April 2.

The company’s announcement doesn’t get more specific about which theaters will be showing “The Magician’s Nephew,” but Imax released a statement noting that the delay will allow the film to have “a full theatrical window,” so the major theater chains are unlikely to complain

In fact, AMC Theatres recently highlighted the success of its“Stranger Things” finale screenings and said it has plans for more collaborations with Netflix. At the same time, the streamer’s limited support for theatrical releases and its resistance to exclusive theatrical windows was reportedly a “dealbreaker” in negotiations with the creators of “Stranger Things,” who ultimately signed an exclusive deal with Paramount.

With a cast that includes Daniel Craig and Meryl Streep, “The Magician’s Nephew” adapts one of the later books in C.S. Lewis’ classic fantasy series — a prequel that lays out the origins of Narnia.

Techcrunch event

San Francisco, CA
|
October 13-15, 2026

In Netflix’s announcement, Gerwig said she first read the book as a child, when she “fell in love with the gorgeously improbable but completely brilliant concept of a cosmic lion singing the world of Narnia to life.”
When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Netflix #delays #Greta #Gerwigs #Narnia #movie #big #theatrical #push #TechCrunchGreta Gerwig,Narnia: The Magician’s Nephew,Netflix

mwasimuddin125 0

Audiences will have to wait a few months longer to see “Narnia: The Magician’s Nephew,” with the release date pushed back from Thanksgiving to February 12, 2027.

In addition to relaunching “Narnia” on big screens and serving as writer-director Greta Gerwig’s first film since “Barbie,” “The Magician’s Nephew” also looks like the next step in Netflix’s relationship with movie theaters — and it’s becoming an even bigger step with the delay.

The company had previously said “The Magician’s Nephew” would play exclusively on Imax screens for at least two weeks before a streaming release for Christmas. That would be an ambitious theatrical release by Netflix’s standards, but relatively limited compared to many other Hollywood blockbusters.

Now, Netflix says “The Magician’s Nephew” will begin exclusive Imax previews on February 10, 2027, followed by a wide global release in theaters on February 12. (In Netflix’s words, it will be a “global eventized release.”) The movie won’t start streaming until April 2.

The company’s announcement doesn’t get more specific about which theaters will be showing “The Magician’s Nephew,” but Imax released a statement noting that the delay will allow the film to have “a full theatrical window,” so the major theater chains are unlikely to complain

In fact, AMC Theatres recently highlighted the success of its“Stranger Things” finale screenings and said it has plans for more collaborations with Netflix. At the same time, the streamer’s limited support for theatrical releases and its resistance to exclusive theatrical windows was reportedly a “dealbreaker” in negotiations with the creators of “Stranger Things,” who ultimately signed an exclusive deal with Paramount.

With a cast that includes Daniel Craig and Meryl Streep, “The Magician’s Nephew” adapts one of the later books in C.S. Lewis’ classic fantasy series — a prequel that lays out the origins of Narnia.

Techcrunch event

San Francisco, CA | October 13-15, 2026

In Netflix’s announcement, Gerwig said she first read the book as a child, when she “fell in love with the gorgeously improbable but completely brilliant concept of a cosmic lion singing the world of Narnia to life.”

When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.

#Netflix #delays #Greta #Gerwigs #Narnia #movie #big #theatrical #push #TechCrunchGreta Gerwig,Narnia: The Magician’s Nephew,Netflix">Netflix delays Greta Gerwig’s ‘Narnia’ movie for big theatrical push in 2027 | TechCrunch

Audiences will have to wait a few months longer to see “Narnia: The Magician’s Nephew,” with the release date pushed back from Thanksgiving to February 12, 2027.

Techcrunch event

San Francisco, CA | October 13-15, 2026

When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.

#Netflix #delays #Greta #Gerwigs #Narnia #movie #big #theatrical #push #TechCrunchGreta Gerwig,Narnia: The Magician’s Nephew,Netflix

Infinix Introduces GT 50 Pro for Gamers with Improved Cooling and Control Features

Infinix has introduced the GT 50 Pro as a gaming-focused smartphone with meaningful upgrades. It solves problems such as overheating and delays when playing for long hours. The device integrates an advanced cooling mechanism, improved control, and strong performance capability.

The GT 50 Pro is for gamers seeking a high-end smartphone with no interruptions. While other phones focus on making phone calls and sending text messages, the GT 50 Pro is designed for gamers. This means better control and cooling features to ensure good performance.

Smart Cooling That Prevents Overheating

The HydroFlow Liquid Cooling system is specifically designed to address overheating in gaming phones. The cooling mechanism ensures overheating does not occur by shielding the heat-producing parts and simultaneously circulating liquid to disperse heat.

In addition, to make the gaming experience easy and smooth, the GT 50 Pro comes with pressure-sensitive GT Triggers. Such triggers offer fast input and control in extreme gaming situations, along with adjustable settings options.

Display and Performance

The GT 50 Pro is equipped with an enormous 6.78 inches 1.5K screen with a maximum refresh rate of 144Hz. This ensures that the visuals are crisp and clear, especially when gaming or scrolling. In addition, the phone has high-brightness capabilities, ensuring you can view the screen in various lighting conditions. The phone is equipped with eye-care features that minimize eye strain during use. When it comes to audio, the device supports Dolby Atmos.

The GT 50 Pro runs on the MediaTek Dimensity 8400 Ultimate chip, which uses a very efficient 4nm process. As such, the phone delivers smooth performance in any game and does so in a very power-efficient manner, meaning it won’t overheat or drain its battery.

Camera and Battery

Infinix has added a balanced camera setup to the GT 50 Pro. The primary 50 MP camera should take clear photos thanks to the stabilization system and is used for landscape shots, alongside the 8 MP ultra-wide-angle camera. The 13 MP front camera is effective for selfies and video calls.

With a large 6500mAh battery, the GT 50 Pro offers longer battery life, including when playing games. The device supports not only wired but also wireless fast charging. Furthermore, the reverse charging feature is present; additionally, bypass charging provides heat management.

Price and Availability

In terms of availability, the GT 50 Pro is available in two storage variants, with 12GB of RAM and expansion support. It also supports RAM expansion for better efficiency. However, the price will depend on the region and may vary in different markets.

#Infinix #Introduces #Pro #Gamers #Improved #Cooling #Control #Featuresinfinix

#Infinix #Introduces #Pro #Gamers #Improved #Cooling #Control #Featuresinfinix">

mwasimuddin125 0

Infinix has introduced the GT 50 Pro as a gaming-focused smartphone with meaningful upgrades. It solves problems such as overheating and delays when playing for long hours. The device integrates an advanced cooling mechanism, improved control, and strong performance capability.

The GT 50 Pro is for gamers seeking a high-end smartphone with no interruptions. While other phones focus on making phone calls and sending text messages, the GT 50 Pro is designed for gamers. This means better control and cooling features to ensure good performance.

Smart Cooling That Prevents Overheating

The HydroFlow Liquid Cooling system is specifically designed to address overheating in gaming phones. The cooling mechanism ensures overheating does not occur by shielding the heat-producing parts and simultaneously circulating liquid to disperse heat.

In addition, to make the gaming experience easy and smooth, the GT 50 Pro comes with pressure-sensitive GT Triggers. Such triggers offer fast input and control in extreme gaming situations, along with adjustable settings options.

Display and Performance

The GT 50 Pro is equipped with an enormous 6.78 inches 1.5K screen with a maximum refresh rate of 144Hz. This ensures that the visuals are crisp and clear, especially when gaming or scrolling. In addition, the phone has high-brightness capabilities, ensuring you can view the screen in various lighting conditions. The phone is equipped with eye-care features that minimize eye strain during use. When it comes to audio, the device supports Dolby Atmos.

The GT 50 Pro runs on the MediaTek Dimensity 8400 Ultimate chip, which uses a very efficient 4nm process. As such, the phone delivers smooth performance in any game and does so in a very power-efficient manner, meaning it won’t overheat or drain its battery.

Camera and Battery

Infinix has added a balanced camera setup to the GT 50 Pro. The primary 50 MP camera should take clear photos thanks to the stabilization system and is used for landscape shots, alongside the 8 MP ultra-wide-angle camera. The 13 MP front camera is effective for selfies and video calls.

With a large 6500mAh battery, the GT 50 Pro offers longer battery life, including when playing games. The device supports not only wired but also wireless fast charging. Furthermore, the reverse charging feature is present; additionally, bypass charging provides heat management.

Price and Availability

In terms of availability, the GT 50 Pro is available in two storage variants, with 12GB of RAM and expansion support. It also supports RAM expansion for better efficiency. However, the price will depend on the region and may vary in different markets.

#Infinix #Introduces #Pro #Gamers #Improved #Cooling #Control #Featuresinfinix">Infinix Introduces GT 50 Pro for Gamers with Improved Cooling and Control Features

Infinix has introduced the GT 50 Pro as a gaming-focused smartphone with meaningful upgrades. It solves problems such as overheating and delays when playing for long hours. The device integrates an advanced cooling mechanism, improved control, and strong performance capability.

The GT 50 Pro is for gamers seeking a high-end smartphone with no interruptions. While other phones focus on making phone calls and sending text messages, the GT 50 Pro is designed for gamers. This means better control and cooling features to ensure good performance.

Smart Cooling That Prevents Overheating

Display and Performance

Camera and Battery

Price and Availability

#Infinix #Introduces #Pro #Gamers #Improved #Cooling #Control #Featuresinfinix

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