I live in Minneapolis. I grew up not far from here, in a suburb of St. Paul; after stints on both coasts, my wife and I settled here to raise our daughters in a freezing state that had always welcomed us warmly. As the ongoing occupation by over 3,000 ICE agents stretches into its third week — with no clear end in sight — I’ve received a steady string of messages from increasingly concerned friends across the country. They all start the same way: Uh… is this really as bad as it looks from the outside?
My answer to that question is easy: no, it’s worse. Not since the pandemic has my daily life been ruptured in such a frightening and surreal fashion. Then, at least, there was a semblance of the country being united. Morons who rallied against masks and vaccines aside, most Americans could at least agree that the world would be a better place if Covid-19 didn’t exist.
There’s no such comfort with ICE, which is quite literally a hostile, heavily armed, masked police force violently occupying Minneapolis. No one — certainly not the ICE agents themselves — is even really bothering with the pretext that they’re here to make the city safer. This is Donald Trump’s revenge campaign, and they’re the foot soldiers.
Unfortunately, their obvious incompetence and buffoonery does not make them less dangerous. The killing of Renee Good was bad enough, but the blatant lies DHS Secretary Kristi Noem spun about the incident — and the FBI’s refusal to share evidence that would allow the state of Minnesota to investigate the death of one of its own citizens — made it clear, to both sides, that ICE would face no consequences for anything they did, at least not while Trump is in the White House.
In the days since, ICE agents have acted accordingly. We know they are often under-trained, wear masks to avoid being identified, and have the unquestioning support of an administration almost openly pushing for violence in the streets of Minneapolis. At the time I’m writing this, Trump is still toying with invoking the Insurrection Act and deploying 1,500 paratroopers to the city. How worried am I about what ICE will do to those who oppose its tactics? Enough that I considered whether I should publish this story anonymously.
And so the second question people are texting me — Are YOU okay? — is harder to answer. I guess that’s because the answer is no. Call me naïve, but despite plenty of evidence for the ghoulishness and cynicism of the Trump administration and its operatives, I was not prepared for them to unleash this level of chaos and violence on my city.





The presence of ICE is not an abstraction to the people who live here. It’s a constant threat requiring constant vigilance. Our public schools were closed because the state government could not guarantee students would be safe. Many stores and restaurants, including 80 percent of immigrant-owned businesses, are not open, protecting both staff and patrons from the threat of an ICE raid. Many nonwhite Minnesotans — regardless of whether they are citizens or not — are essentially sheltering in place, skipping grocery runs and doctors’ appointments to stay at home, where ICE (theoretically) needs a judicial warrant to harass them.
There is a right-wing trope, frequently employed by Trump, that anyone who resists ICE must be a paid protestor. Of course, the reality is the opposite. Many of us have families, most of us have jobs, and all of us have bills to pay. None of that has changed, but the task of protecting our community still requires many, many unpaid hours. As a white U.S. citizen, I’m one of the “lucky” ones: ICE may still detain me, as they have many other lawful protesters, but I’m much less likely to be actively targeted. I’ve also been lucky in another sense: So far, I haven’t run into any truly bad situations with my young children in tow. But I expect that luck to run out soon.

Over the past two weeks, I’ve become a volunteer driver, shuttling nonwhite people between their homes and their jobs. My passengers put up the hoods on their winter coats before they get out of the car to hide their faces, walking into homes still bearing cheerful Christmas lights and wreaths. I don’t leave until they’re behind locked doors.

With no alternatives, parents have gotten organized via platforms like Signal and WhatsApp. Working in tandem with people around my community, I’ve taken shifts as a security guard, waiting outside schools, daycares, and community centers to send a rapid-response alert if ICE arrives. I’ve marched and fundraised, while boycotting stores like Target, a Minnesota-based company without the courage to issue even a tepid, mealy mouthed defense of Minnesotans.
None of what I’m doing is enough. But all of it, I reassure myself, is better than nothing. The most heartening thing about this deeply disturbing moment is seeing how consistently and forcefully Minnesotans of all demographics have been pushing back. It has been galvanizing and radicalizing in ways I’m not sure anyone outside the city can truly understand. High schoolers across the Twin Cities metro area have organized walkouts. Parents who might normally be busy with PTA duties are patrolling their neighborhoods, trailing ICE agents while honking car horns, and blowing whistles to warn the community of their presence. My father-in-law, a devout Catholic in his 70s, made a cardboard sign that read “Love Thy Neighbor” and joined the thousands who rallied against ICE on a frigid afternoon in Powderhorn Park.
This has been an especially difficult year for Minneapolis. The assassination of Democratic state representative Melissa Hortman, and Donald Trump’s characteristically callous response to it, is still an open wound. Many yards still contain pink lawn signs created as a sign of community support after the deadly shooting at Annunciation Catholic School in August. The murder of George Floyd, never far in the background of the city’s collective memory, has returned to the surface, as one needless murder in the streets recalls another. How much can one city take?
I guess we’ll all find out. Over the past two weeks, I wake up more enraged than exhausted and go to bed more exhausted than enraged. I’m eating more restaurant takeout than I should, but it feels like a good time to support local businesses — even if many of them remain closed. I bought a pack of whistles and texted some neighbors to see if anyone needed one. Nobody took me up on it; they’d all bought packs of whistles too.


The community is united in outrage, action, and, remarkably, even good humor. A variety of local businesses, including the Detroit-style pizza hub Wrecktangle and the sex shop Smitten Kitten, have become hubs for resources and community activism. We share ICE sightings over Signal and trawl r/Minneapolis. When conservative influencer Jake Lang — pardoned by Trump after spending four years in prison for assaulting Capitol police officers with a baseball bat — announced an anti-Muslim march in Cedar-Riverside, group chats across the Twin Cities lit up with the same Tom Hardy GIF. We’ve already experienced enough to know when ICE and their allies are trying to bait us.
We talk, optimistically, about the money ICE is burning through every day and how difficult it will be for them to sustain this full-scale assault in the weeks and months to come. We hope that Trump’s distaste for anything complicated means he’ll get frustrated by the stalemate between ICE and the people of Minneapolis or that his toddler-esque obsession with new, shiny things means he’ll just get bored and order his minions to do something else.


We also know that we’ll win. Time is on our side. ICE may have the inflated salaries and the backing of a tyrannical federal government, but we’re the ones who live here, and as the city’s greatest musician Prince once said, the cold keeps the bad people out. And when the ICE agents finally take off their masks, leave their shitty chain hotels, and fly back to wherever they were before they came to terrorize us, we’ll still be here.
Here’s the last thing I text anyone who checks in with me: Wherever you are, get organized now. Figure out who your likeminded neighbors are. Set up your Signal chats. Get some whistles (I can spare a few if you need them). This administration has made it clear that Minneapolis is just the beginning, and when they come to your city, you’ll want to be ready.

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#worse #Minneapolis





![‘The Ghost in the Shell’ Director, Character Designer on Keeping Motoko True to the Manga
Dan Da Dan anime studio Science SARU’s adaptation of The Ghost in the Shell is finally streaming on Prime Video, and its pilot episode looks like a ’90s anime fever dream in the best way possible. Major Motoko Kusanagi kicks all the ass, its soundtrack is a bop, and its action sequences are a chef’s kiss. Don’t just take our word for it; check out the trailer below and see for yourself how Science SARU cooked once again. [embed]https://www.youtube.com/watch?v=ahZn4dVCbvs[/embed] Ahead of its premiere, io9 got to chat with director Mokochan and character designer Shuhei Handa at Anime Expo about how their vision for Masamune Shirow’s seminal cyberpunk manga came to be, as well as a couple of pointed fandom-centric questions for fans who’ve been dying to see Major Motoko Kusanagi realized in all her goofy glory. Left: Shuhei Handa, right: Mokochan. © Isaiah Colbert/io9 This interview was edited for clarity. Isaiah Colbert, io9: From Keep Your Hands Off Eizouken!, Devilman Crybaby, Inu-Oh, Scott Pilgrim Takes Off, and Dan Da Dan to Sanda and Jaadugar: A Witch in Mongolia, Science SARU has built an impressive portfolio and reputation for making bold, expressive, and experimental anime. What about The Ghost in the Shell made it feel like a natural fit as the studio’s next project?
Mokochan: For all of the works done by Science SARU, using animation to do storytelling is very important. That’s why we use a lot of hand-drawn animation in it. For The Ghost in the Shell, the most important thing is to use the visuals to capture its world. It’s the same policy with other series as well.
TVアニメ「#攻殻機動隊 THE GHOST IN THE SHELL」⋱ご視聴ありがとうございました⋰ ◤◢◤◢◤◢◤◢◤◢◤◢◤◢ 第01話より草薙素子と荒巻大輔の出会い 👩🏻 🐵迫力の原画を大公開! 原画|小島崇史 さん ◤◢◤◢◤◢◤◢◤◢◤◢◤◢https://t.co/wICYD3OlUm pic.twitter.com/6rNlJdXZZk — サイエンスSARU (@sciencesaru) July 7, 2026 io9: From the jump, The Ghost in the Shell marks a stark tonal shift—a return—towards Masamune Shirow’s lighter, more mischievous vision of the cyberpunk epic. What led Science SARU to pivot away from the austere, military tone that Mamoru Oshii’s 1995 film would go on to cement as the franchise’s vibe for decades? Mokochan: We didn’t intentionally try to change the tone from how director Mamoru Oshii did previously because the concept for making this new series is to base it on the original manga, so we already had our own way of making this one.
© Masamune Shirow/Kodansha io9: In an era when people often use AI to cheaply mimic retro anime aesthetics, the new Ghost in the Shell feels like a deliberate rejection of AI’s pervasiveness in the arts—where every frame in the trailers looks unmistakably hand‑crafted. It’s a phenomenon that’s certainly paradoxical, considering that the manga prophesied how such technologies would be utilized in the not-so-far-off year of 2029. What’s Science SARU’s stance on AI, and what specific animation techniques did it use most to capture the show’s aesthetic through the power of collective human artistry? Mokochan: One of the concepts of the original manga is about the mysterious part of the human being. So we wanted to honor how the original creator captured the world and how we express all of the story in the original manga. So we wanted to follow the same concept using the same method to show humanity by using hand-drawn art. We prefer to just use our arms to draw all of the animation. Handa: It’s because the main concept is about the human body, so that’s why we prefer hand-drawn art over AI.
© Science SARU io9: Major Kusanagi has long been read as a bisexual icon in the West, especially because of Shirow’s famous island-escapade chapter with her gal pals, which has been lost in some Western reprints of the original manga. She’s also considerably goofier in the manga, a trait fans lovingly call a “bisexual disaster.” In what ways was it important for Science SARU to depict Kusanagi’s inherent goofball nature and her queerness in this adaptation, and what does portraying that side of her mean for a global audience in 2026? Mokochan: During the process of making the new series, we were actually very surprised by it because, compared to the original manga, a lot of the thoughts about sexuality are very advanced, exploring many possibilities. It’s not just about sexuality; it’s also about the human being, technology, and many other things. [The manga] accepts everything in the world. That was a very big surprise. We didn’t intend to modernize the content to make it fit the new era.
© Science SARU [The Ghost in the Shell producers’ note in regard to Science SARU’s adaptation of Motoko’s vacation scene from the original manga: “We had to adjust the depictions in the original work to match the rating.”] Handa: When we portray Kusanagi’s character, we like to bring out all the comical parts because they’re in the original manga. It’s kind of different how director Oshii portrays her in the previous series because, in those series, Kusanagi was not that expressive. We prefer to keep the authentic parts of the original manga, so we thought we definitely needed to keep the comical parts in the character, so that’s why we included that content. © Science SARU © Science SARU © Science SARU © Science SARU io9: As a fan of the series, I’ve seen Ghost in the Shell go through different iterations, reinterpretations, and reboots. And in that, Motoko’s design has changed in a way that reflects how different people interpret her. But while her outer shell is different, the themes—the ghost in the original story—remain in each adaptation. For Science SARU’s newer adaptation of The Ghost in the Shell, which themes from the original manga feel more prescient now than when it first came out?
Mokochan: Because the original intent of this project is to follow the original manga—not just Kusanagi, but also all the content and the world’s concept—we didn’t try to modernize any part of it. The creative team, all of whom are also big fans of the original manga. So, for the world, the story, the characters, and the theme, it’s all the same because we want to honor the original manga. ウオオオ攻殻機動隊1話にLOと作画監督で参加させていただきました!憧れの攻殻機動隊に関わることができて感激です🔥LOはセンターの子供が撃たれるあたりから脱走するところまで、作監は冒頭からOP前あたりまでです。少佐かっこよくて可愛かった〜!こちら担当LOのうちの1カットです🙏🏻#攻殻機動隊 pic.twitter.com/zUlxgD9fin — 宮かなえ (@miyakanae_) July 7, 2026 The Ghost in the Shell is streaming now on Prime Video. io9 is on the ground at Anime Expo 2026. We’ll be bringing you updates on all the biggest panels, screenings, and announcements, plus exclusive one-on-one interviews with the people behind some of the best and most popular anime around. You can check out all of io9’s Anime Expo coverage here. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who. #Ghost #Shell #Director #Character #Designer #Keeping #Motoko #True #MangaAnime,Anime Expo,Science Saru,The Ghost in the Shell ‘The Ghost in the Shell’ Director, Character Designer on Keeping Motoko True to the Manga
Dan Da Dan anime studio Science SARU’s adaptation of The Ghost in the Shell is finally streaming on Prime Video, and its pilot episode looks like a ’90s anime fever dream in the best way possible. Major Motoko Kusanagi kicks all the ass, its soundtrack is a bop, and its action sequences are a chef’s kiss. Don’t just take our word for it; check out the trailer below and see for yourself how Science SARU cooked once again. [embed]https://www.youtube.com/watch?v=ahZn4dVCbvs[/embed] Ahead of its premiere, io9 got to chat with director Mokochan and character designer Shuhei Handa at Anime Expo about how their vision for Masamune Shirow’s seminal cyberpunk manga came to be, as well as a couple of pointed fandom-centric questions for fans who’ve been dying to see Major Motoko Kusanagi realized in all her goofy glory. Left: Shuhei Handa, right: Mokochan. © Isaiah Colbert/io9 This interview was edited for clarity. Isaiah Colbert, io9: From Keep Your Hands Off Eizouken!, Devilman Crybaby, Inu-Oh, Scott Pilgrim Takes Off, and Dan Da Dan to Sanda and Jaadugar: A Witch in Mongolia, Science SARU has built an impressive portfolio and reputation for making bold, expressive, and experimental anime. What about The Ghost in the Shell made it feel like a natural fit as the studio’s next project?
Mokochan: For all of the works done by Science SARU, using animation to do storytelling is very important. That’s why we use a lot of hand-drawn animation in it. For The Ghost in the Shell, the most important thing is to use the visuals to capture its world. It’s the same policy with other series as well.
TVアニメ「#攻殻機動隊 THE GHOST IN THE SHELL」⋱ご視聴ありがとうございました⋰ ◤◢◤◢◤◢◤◢◤◢◤◢◤◢ 第01話より草薙素子と荒巻大輔の出会い 👩🏻 🐵迫力の原画を大公開! 原画|小島崇史 さん ◤◢◤◢◤◢◤◢◤◢◤◢◤◢https://t.co/wICYD3OlUm pic.twitter.com/6rNlJdXZZk — サイエンスSARU (@sciencesaru) July 7, 2026 io9: From the jump, The Ghost in the Shell marks a stark tonal shift—a return—towards Masamune Shirow’s lighter, more mischievous vision of the cyberpunk epic. What led Science SARU to pivot away from the austere, military tone that Mamoru Oshii’s 1995 film would go on to cement as the franchise’s vibe for decades? Mokochan: We didn’t intentionally try to change the tone from how director Mamoru Oshii did previously because the concept for making this new series is to base it on the original manga, so we already had our own way of making this one.
© Masamune Shirow/Kodansha io9: In an era when people often use AI to cheaply mimic retro anime aesthetics, the new Ghost in the Shell feels like a deliberate rejection of AI’s pervasiveness in the arts—where every frame in the trailers looks unmistakably hand‑crafted. It’s a phenomenon that’s certainly paradoxical, considering that the manga prophesied how such technologies would be utilized in the not-so-far-off year of 2029. What’s Science SARU’s stance on AI, and what specific animation techniques did it use most to capture the show’s aesthetic through the power of collective human artistry? Mokochan: One of the concepts of the original manga is about the mysterious part of the human being. So we wanted to honor how the original creator captured the world and how we express all of the story in the original manga. So we wanted to follow the same concept using the same method to show humanity by using hand-drawn art. We prefer to just use our arms to draw all of the animation. Handa: It’s because the main concept is about the human body, so that’s why we prefer hand-drawn art over AI.
© Science SARU io9: Major Kusanagi has long been read as a bisexual icon in the West, especially because of Shirow’s famous island-escapade chapter with her gal pals, which has been lost in some Western reprints of the original manga. She’s also considerably goofier in the manga, a trait fans lovingly call a “bisexual disaster.” In what ways was it important for Science SARU to depict Kusanagi’s inherent goofball nature and her queerness in this adaptation, and what does portraying that side of her mean for a global audience in 2026? Mokochan: During the process of making the new series, we were actually very surprised by it because, compared to the original manga, a lot of the thoughts about sexuality are very advanced, exploring many possibilities. It’s not just about sexuality; it’s also about the human being, technology, and many other things. [The manga] accepts everything in the world. That was a very big surprise. We didn’t intend to modernize the content to make it fit the new era.
© Science SARU [The Ghost in the Shell producers’ note in regard to Science SARU’s adaptation of Motoko’s vacation scene from the original manga: “We had to adjust the depictions in the original work to match the rating.”] Handa: When we portray Kusanagi’s character, we like to bring out all the comical parts because they’re in the original manga. It’s kind of different how director Oshii portrays her in the previous series because, in those series, Kusanagi was not that expressive. We prefer to keep the authentic parts of the original manga, so we thought we definitely needed to keep the comical parts in the character, so that’s why we included that content. © Science SARU © Science SARU © Science SARU © Science SARU io9: As a fan of the series, I’ve seen Ghost in the Shell go through different iterations, reinterpretations, and reboots. And in that, Motoko’s design has changed in a way that reflects how different people interpret her. But while her outer shell is different, the themes—the ghost in the original story—remain in each adaptation. For Science SARU’s newer adaptation of The Ghost in the Shell, which themes from the original manga feel more prescient now than when it first came out?
Mokochan: Because the original intent of this project is to follow the original manga—not just Kusanagi, but also all the content and the world’s concept—we didn’t try to modernize any part of it. The creative team, all of whom are also big fans of the original manga. So, for the world, the story, the characters, and the theme, it’s all the same because we want to honor the original manga. ウオオオ攻殻機動隊1話にLOと作画監督で参加させていただきました!憧れの攻殻機動隊に関わることができて感激です🔥LOはセンターの子供が撃たれるあたりから脱走するところまで、作監は冒頭からOP前あたりまでです。少佐かっこよくて可愛かった〜!こちら担当LOのうちの1カットです🙏🏻#攻殻機動隊 pic.twitter.com/zUlxgD9fin — 宮かなえ (@miyakanae_) July 7, 2026 The Ghost in the Shell is streaming now on Prime Video. io9 is on the ground at Anime Expo 2026. We’ll be bringing you updates on all the biggest panels, screenings, and announcements, plus exclusive one-on-one interviews with the people behind some of the best and most popular anime around. You can check out all of io9’s Anime Expo coverage here. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who. #Ghost #Shell #Director #Character #Designer #Keeping #Motoko #True #MangaAnime,Anime Expo,Science Saru,The Ghost in the Shell](https://gizmodo.com/app/uploads/2026/07/The-Ghost-in-the-Shell-Mokachan-Shuhei-Handa.jpg)







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