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‘Marshals’ Season Finale Has Made a Colossal Mistake for Season 2

‘Marshals’ Season Finale Has Made a Colossal Mistake for Season 2

Marshals took the Yellowstone Universe in a different direction throughout its controversial first season, but it wasn’t until the season finale, “Wolves at the Door,” that it all came to an anticlimactic head. As it turns out, the threat to both Broken Rock and East Camp is one and the same: someone whom Kayce Dutton (Luke Grimes) trusted when it appears that he should not have. It’s a shame that Chris Mulkey‘s Tom Weaver was exposed to viewers (though not our heroes themselves) to be Marshals‘ secret “big bag,” and the half-hearted reveal alone reminds us that this Yellowstone spin-off needs to get its act together.

‘Marshals’ Reveals That Tom Weaver Is the “Big Bad” All Along

In “Wolves at the Door,” we discover that the attack against Thomas Rainwater (Gil Birmingham), leading to an intense shootout at the Dutton home at East Camp, is none other than Tom Weaver. The former Wall Street stockbroker-turned-Montana cattle baron has been working hard for a while now to swipe Kayce’s land. To his credit, he’s done so in a way that he never tipped his hand at being the criminal mastermind behind everything that’s happened in Paradise Valley since the pilot, “Piya Wiconi.” Even though Kayce rejects Tom’s offer, there appears to be no bad blood as Kayce and Tom’s daughter, Dolly (Ellyn Jameson), grow closer, and Tom takes Tate (Brecken Merrill) on a fishing trip to Texas (just don’t expect a Dutton Ranch crossover). It’s here, as Tom takes Tate aboard his private jet, that we learn that Weaver’s man, Jeb (Kevin McNamara), was behind all the attacks — the same man who set up Cal (Logan Marshall-Green) and Belle (Arielle Kebbel) on a date with some armed gunmen, leaving their fates up in the air. The whole thing tries to play the reveal off as a cool Yellowstone-ish twist meant to get the blood boiling, but it comes across as just a mediocre letdown.





















































Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown

Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

🛢️Landman

👑Tulsa King

⚖️Mayor of Kingstown

01

Where does your power come from?
In Sheridan’s world, everyone has leverage. The question is what kind.




02

Who do you put first, no matter what?
Loyalty in Sheridan’s universe is always absolute — and always costly.




03

Someone crosses a line. How do you respond?
Every Sheridan protagonist has a line. What matters is what happens after it’s crossed.




04

Where do you feel most in your element?
Sheridan’s worlds are as much about place as they are about people.




05

How do you feel about operating in the grey?
Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.




06

What are you actually fighting to hold onto?
Every Sheridan character is fighting a war. The real question is what they’re defending.




07

How do you lead?
Authority in Sheridan’s world is never given — it’s established, maintained, and constantly tested.




08

Someone new arrives and tries to change how things work. Your reaction?
Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.




09

What has your position cost you?
Nobody gets to where these characters are without paying for it. The bill is always personal.




10

When it’s over, what do you want people to say?
Sheridan’s characters all know the ending is coming. The question is what they leave behind.




Sheridan Has Spoken
You Belong In…

The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you’re complicated enough to straddle two Sheridan universes.

🤠
Yellowstone

🛢️
Landman

👑
Tulsa King

⚖️
Mayor of Kingstown

You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world’s indifference to history, to land, to legacy, is not something you’re willing to accept quietly. You lead from the front, you carry your family’s weight without complaint, and when someone threatens what’s yours, you don’t escalate — you finish it. You’re not cruel. But you are absolute. In Yellowstone’s world, that combination of ferocity and loyalty doesn’t make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You’re a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they’ll do to get it. You’re not naive enough to think this world is fair. You’re smart enough to be the one deciding who it’s fair to.

You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you’re not above reminding people that the two aren’t mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they’d be finished — who find, in an unfamiliar place, that they’re more capable than the world gave them credit for. You don’t need a throne. You build one, wherever you happen to land.

You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you’re the only one positioned to do it without the whole thing collapsing. Mike McLusky’s world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You’ve made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

For one thing, there was no hint, no suggestion, that Tom Weaver was anything but sincere in his dealings with Kayce. From the moment the Dutton lawman saved his life in “The Gathering Storm,” he has only shown Kayce and Tate kindness. The Weaver Ranch offered some cowboys to help Kayce keep up East Camp while he’s been working with the U.S. Marshals. Even when he offered to buy the remnants of the Yellowstone Dutton Ranch out from under the widower, Tom never pushed or pried. When Kayce rejected said offer, there wasn’t an intense showdown between the men like what we saw on Yellowstone with characters like Danny Huston‘s Dan Jenkins, but rather a mutual respect. Sure, characters lie, and had Marshals actually built up to this reveal rather than shoehorning it in at the very end of the season, we may have accepted that. But considering all that, the whole thing feels terribly rushed; it’s hard for us to see this as anything but a lackluster bait-and-switch that doesn’t feel in step with the story that Marshals wanted to be telling.

Tom Weaver Worked Better as the Anti-John Dutton Than the Next Dan Jenkins…

Of course, that’s part of the problem too. Marshals isn’t quite sure what it wants to be, and it’s because of that lack of direction (which, ironically, is on brand for Kayce Dutton) that this clear attempt at another Yellowstone-flavored “I want the Duttons’ land” plot is nothing more than recycled material. This is why Tom’s initial appearances were far more interesting by comparison. When we first met him, Tom came across as the type of man who wanted to be John Dutton (Kevin Costner) but didn’t quite have the same resolve. Instead, he appeared to genuinely care about Kayce, grateful that he saved his life and willing to invest in him as a result. In some sense, Tom Weaver became the anti-John Dutton, and it’s from this point of view that the character (despite his infrequent appearances) best thrived. By subverting those expectations and ignoring a perfectly interesting and compelling villain in Michael Cudlitz‘s Randall Clegg (who should have spent all season trying to dig up the skeletons in Kayce’s closet), Marshals went with the “safe” and uninspired choice.

“Wolves at the Door” leaves us with several questions about the future of Marshals, namely what Tom plans to do with Tate (if anything) and if Dolly has been in on her father’s plan this whole time. It also reframes the events of previous episodes. Could it be that Weaver’s men are responsible for purposely burning the barn that killed Kayce and Cal’s former SEAL brother, Garrett (Riley Green)? It seems likely now that we know the truth, all in a prolonged effort to demoralize Kayce into selling. Even so, the whole thing comes off as quite underwhelming. After all, Weaver is the obvious choice, the “dark force” behind Kayce’s recent pain, the threat who wants his land as his own. There’s nothing particularly shocking or surprising about this reveal, only disheartening, as Tom’s previous function as the anti-John Dutton would’ve made for a more interesting long-term character arc.

Had Tom Weaver slowly moved toward villainy through a series of unfortunate happenstances, that may even have been acceptable. But as it stands now, we don’t have a clue as to his motivation for attacking Rainwater or the U.S. Marshals. Maybe he’s invested in the oil pipeline project? Maybe he’s just out for blood? Either way, this reveal is just another reminder that Marshals doesn’t know where to go next, which is par for the course with the Yellowstone Universe.



Release Date

2026 – 2026

Showrunner

Spencer Hudnut

Writers

Spencer Hudnut, Tom Mularz, Dana Greenblatt


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