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Volkswagen Thinks Your E-Bike Needs a Pair of Smart Glasses
                Volkswagen is bringing some high-tech car features to a new line of electric bikes, including an optional pair of smart glasses. The German automaker recently unveiled two premium Volkswagen-branded e-bikes developed by n+, a bike company that has previously partnered with Mercedes-AMG’s Formula 1 team. © Volkswagen The companies say the bikes were designed with the same “safety-first philosophy” as a modern passenger vehicle and come packed with tech more commonly found in cars like radar, a rearview camera, blind-spot alerts and turn signals. These e-bikes arrive as automakers and startups are showing growing interest in smaller and cheaper electric vehicles designed for shorter trips. But Volkswagen’s smart bikes are surprisingly loaded with more safety features than many of the alternatives.

 The bikes’ main feature is the Smart View system, which pairs a rear-facing camera with a screen mounted between the bikes’ handlebars. It also uses radar to provide blind-spot alerts, helping riders to stay aware of approaching traffic without having to take their eyes off the road.

 © Volkswagen The bikes also feature an LED strip integrated into the frame’s top tube that acts as a high-visibility daytime running light. It glows red when the rider brakes and amber to signal a turn. Beyond those standard features, Volkswagen and n+ are also offering some optional safety gear. The first is a smart helmet that connects to the bike over Bluetooth and uses high-visibility LEDs that synched to the bike’s brake and turn signals. The helmet also includes a built-in accelerometer that can detect a possible crash and automatically send a text message to the rider’s emergency contacts.

 And finally, riders can grab a pair of smart glasses with a heads-up display that puts navigation directions, blind-spot warnings, and other ride information directly within their field of vision. © Volkswagen “[T]echnologies like these are most commonly known from the automotive world. Seeing them make their way onto an e-bike demonstrates how technologies can evolve and be adapted in meaningful ways,” said Peter Jost, CEO of Volkswagen Accessories, Lifestyle & Licenses, in a press release. The smart e-bikes come in two models. The Sport model is designed with agility in mind, while the Crossover model is built for comfort and includes a rear cargo tray. Both bikes offer pedal assistance up to 25 kilometers per hour (about 15.5 mph) and have a maximum estimated range of 160 kilometers (99 miles). The actual range will vary depending on factors like terrain, wind, tire pressure, and rider weight. Battery extenders are available for both models

 The Sport model starts at ,999, while the Crossover starts at ,349. The optional smart helmet costs 9, and the smart glasses will set customers back another 9.      #Volkswagen #Thinks #EBike #Pair #Smart #Glassese-bikes,smart glasses,Volkswagen

Volkswagen Thinks Your E-Bike Needs a Pair of Smart Glasses

Volkswagen is bringing some high-tech car features to a new line of electric bikes, including an optional pair of smart glasses.

The German automaker recently unveiled two premium Volkswagen-branded e-bikes developed by n+, a bike company that has previously partnered with Mercedes-AMG’s Formula 1 team.

Volkswagen Thinks Your E-Bike Needs a Pair of Smart Glasses
                Volkswagen is bringing some high-tech car features to a new line of electric bikes, including an optional pair of smart glasses. The German automaker recently unveiled two premium Volkswagen-branded e-bikes developed by n+, a bike company that has previously partnered with Mercedes-AMG’s Formula 1 team. © Volkswagen The companies say the bikes were designed with the same “safety-first philosophy” as a modern passenger vehicle and come packed with tech more commonly found in cars like radar, a rearview camera, blind-spot alerts and turn signals. These e-bikes arrive as automakers and startups are showing growing interest in smaller and cheaper electric vehicles designed for shorter trips. But Volkswagen’s smart bikes are surprisingly loaded with more safety features than many of the alternatives.

 The bikes’ main feature is the Smart View system, which pairs a rear-facing camera with a screen mounted between the bikes’ handlebars. It also uses radar to provide blind-spot alerts, helping riders to stay aware of approaching traffic without having to take their eyes off the road.

 © Volkswagen The bikes also feature an LED strip integrated into the frame’s top tube that acts as a high-visibility daytime running light. It glows red when the rider brakes and amber to signal a turn. Beyond those standard features, Volkswagen and n+ are also offering some optional safety gear. The first is a smart helmet that connects to the bike over Bluetooth and uses high-visibility LEDs that synched to the bike’s brake and turn signals. The helmet also includes a built-in accelerometer that can detect a possible crash and automatically send a text message to the rider’s emergency contacts.

 And finally, riders can grab a pair of smart glasses with a heads-up display that puts navigation directions, blind-spot warnings, and other ride information directly within their field of vision. © Volkswagen “[T]echnologies like these are most commonly known from the automotive world. Seeing them make their way onto an e-bike demonstrates how technologies can evolve and be adapted in meaningful ways,” said Peter Jost, CEO of Volkswagen Accessories, Lifestyle & Licenses, in a press release. The smart e-bikes come in two models. The Sport model is designed with agility in mind, while the Crossover model is built for comfort and includes a rear cargo tray. Both bikes offer pedal assistance up to 25 kilometers per hour (about 15.5 mph) and have a maximum estimated range of 160 kilometers (99 miles). The actual range will vary depending on factors like terrain, wind, tire pressure, and rider weight. Battery extenders are available for both models

 The Sport model starts at ,999, while the Crossover starts at ,349. The optional smart helmet costs 9, and the smart glasses will set customers back another 9.      #Volkswagen #Thinks #EBike #Pair #Smart #Glassese-bikes,smart glasses,Volkswagen
© Volkswagen

The companies say the bikes were designed with the same “safety-first philosophy” as a modern passenger vehicle and come packed with tech more commonly found in cars like radar, a rearview camera, blind-spot alerts and turn signals.

These e-bikes arrive as automakers and startups are showing growing interest in smaller and cheaper electric vehicles designed for shorter trips. But Volkswagen’s smart bikes are surprisingly loaded with more safety features than many of the alternatives.

The bikes’ main feature is the Smart View system, which pairs a rear-facing camera with a screen mounted between the bikes’ handlebars. It also uses radar to provide blind-spot alerts, helping riders to stay aware of approaching traffic without having to take their eyes off the road.

Smart View Volkswagen
© Volkswagen

The bikes also feature an LED strip integrated into the frame’s top tube that acts as a high-visibility daytime running light. It glows red when the rider brakes and amber to signal a turn.

Beyond those standard features, Volkswagen and n+ are also offering some optional safety gear.

The first is a smart helmet that connects to the bike over Bluetooth and uses high-visibility LEDs that synched to the bike’s brake and turn signals. The helmet also includes a built-in accelerometer that can detect a possible crash and automatically send a text message to the rider’s emergency contacts.

And finally, riders can grab a pair of smart glasses with a heads-up display that puts navigation directions, blind-spot warnings, and other ride information directly within their field of vision.

Volkswagen Smart Glasses
© Volkswagen

“[T]echnologies like these are most commonly known from the automotive world. Seeing them make their way onto an e-bike demonstrates how technologies can evolve and be adapted in meaningful ways,” said Peter Jost, CEO of Volkswagen Accessories, Lifestyle & Licenses, in a press release.

The smart e-bikes come in two models. The Sport model is designed with agility in mind, while the Crossover model is built for comfort and includes a rear cargo tray.

Both bikes offer pedal assistance up to 25 kilometers per hour (about 15.5 mph) and have a maximum estimated range of 160 kilometers (99 miles). The actual range will vary depending on factors like terrain, wind, tire pressure, and rider weight. Battery extenders are available for both models

The Sport model starts at $3,999, while the Crossover starts at $4,349. The optional smart helmet costs $399, and the smart glasses will set customers back another $499.

#Volkswagen #Thinks #EBike #Pair #Smart #Glassese-bikes,smart glasses,Volkswagen

Volkswagen is bringing some high-tech car features to a new line of electric bikes, including an optional pair of smart glasses.

The German automaker recently unveiled two premium Volkswagen-branded e-bikes developed by n+, a bike company that has previously partnered with Mercedes-AMG’s Formula 1 team.

© Volkswagen

The companies say the bikes were designed with the same “safety-first philosophy” as a modern passenger vehicle and come packed with tech more commonly found in cars like radar, a rearview camera, blind-spot alerts and turn signals.

These e-bikes arrive as automakers and startups are showing growing interest in smaller and cheaper electric vehicles designed for shorter trips. But Volkswagen’s smart bikes are surprisingly loaded with more safety features than many of the alternatives.

The bikes’ main feature is the Smart View system, which pairs a rear-facing camera with a screen mounted between the bikes’ handlebars. It also uses radar to provide blind-spot alerts, helping riders to stay aware of approaching traffic without having to take their eyes off the road.

Smart View Volkswagen
© Volkswagen

The bikes also feature an LED strip integrated into the frame’s top tube that acts as a high-visibility daytime running light. It glows red when the rider brakes and amber to signal a turn.

Beyond those standard features, Volkswagen and n+ are also offering some optional safety gear.

The first is a smart helmet that connects to the bike over Bluetooth and uses high-visibility LEDs that synched to the bike’s brake and turn signals. The helmet also includes a built-in accelerometer that can detect a possible crash and automatically send a text message to the rider’s emergency contacts.

And finally, riders can grab a pair of smart glasses with a heads-up display that puts navigation directions, blind-spot warnings, and other ride information directly within their field of vision.

Volkswagen Smart Glasses
© Volkswagen

“[T]echnologies like these are most commonly known from the automotive world. Seeing them make their way onto an e-bike demonstrates how technologies can evolve and be adapted in meaningful ways,” said Peter Jost, CEO of Volkswagen Accessories, Lifestyle & Licenses, in a press release.

The smart e-bikes come in two models. The Sport model is designed with agility in mind, while the Crossover model is built for comfort and includes a rear cargo tray.

Both bikes offer pedal assistance up to 25 kilometers per hour (about 15.5 mph) and have a maximum estimated range of 160 kilometers (99 miles). The actual range will vary depending on factors like terrain, wind, tire pressure, and rider weight. Battery extenders are available for both models

The Sport model starts at $3,999, while the Crossover starts at $4,349. The optional smart helmet costs $399, and the smart glasses will set customers back another $499.

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अनुराग कश्यप ने चार दीवारी को किया प्रेज़ेंट, साइकोलॉजिकल हॉरर थ्रिलर का नॉर्थ अमेरिका में होगा प्रीमियर <div> <p><strong>Anurag Kashyap:</strong> अनुराग कश्यप और रंजन सिंह द्वारा प्रस्तुत चार दीवारी इस साल चुनी गई गिनी-चुनी भारतीय फिल्मों में से एक है। फिल्म का नॉर्थ अमेरिका प्रीमियर 30 जुलाई को मॉन्ट्रियल में आयोजित प्रतिष्ठित फेगमेंट्स ड’ऐसी सेक्शन में होगा।</p> <div class="big_center_img" data-cl-cnt="1" data-cnt-t="0" data-gal-src="https://hindi.filmibeat.com/img/2026/07/2-2026-07-21t220220-318-40111784651545.jpg"> <div> <figure> <div id="oi-vox" data-hyb-ssp-in-image-overlay="60fac30b4d506e181c9ee91b"><picture><source srcset="https://images.filmibeat.com/webp/hi/img/2026/07/2-2026-07-21t220220-318-40111784651545.jpg"/><img src="https://images.filmibeat.com/hi/img/2026/07/2-2026-07-21t220220-318-40111784651545.jpg" vspace="5" id="preview-img" hspace="5" class="image_listical c1" alt="Anurag Kashyap" width="600" height="338" title="Anurag Kashyap" data-cl-slideshow="" data-cl-title="Anurag Kashyap" data-cl-description="" data-cl-imageid="177455-1"/></picture></div> </figure> </div> </div> <p>प्रसिद्ध फिल्ममेकर अनुराग कश्यप फिल्ममेकर सैयद शादान की नई शॉर्ट फिल्म चार दीवारी को प्रेज़ेंट करने जा रहे हैं। यह फिल्म 2026 के फैंटासिया इंटरनेशन फिल्म फेस्टिवल में कनाडा के मॉन्ट्रियल में अपना नॉर्थ अमेरिका प्रीमियर करेगी।</p> <section> </section> <p>यह भारतीय स्वतंत्र सिनेमा (इंडिपेंडेंट सिनेमा) के लिए एक बड़ी उपलब्धि है, क्योंकि चार दीवारी इस साल इस प्रतिष्ठित अंतरराष्ट्रीय फिल्म फेस्टिवल के लिए चुनी गई गिनी-चुनी भारतीय फिल्मों में शामिल है। फैंटासिया इंटरनेशन फिल्म फेस्टिवल को दुनिया का सबसे बड़ा जॉनर फिल्म फेस्टिवल माना जाता है।</p> <p>शिवेक गुप्ता और सैयद शादान द्वारा निर्मित यह साइकोलॉजिकल हॉरर थ्रिलर फिल्म फेगमेंट्स ड’ऐसी सेक्शन के लिए चुनी गई है और इसका नॉर्थ अमेरिका प्रीमियर 30 जुलाई 2026 को होगा।</p> <p>चार दीवारी की कहानी एक ऐसे व्यक्ति की है, जो रहने के लिए एक साधारण सा घर किराए पर लेता है। लेकिन जल्द ही उसे पता चलता है कि उस घर की दीवारों में एक बेहद डरावना राज छिपा है। मनोवैज्ञानिक तनाव और डरावने माहौल से भरपूर यह फिल्म डर, अकेलेपन और उन अनदेखे रहस्यों की कहानी है, जो कभी-कभी हमारे अपने घरों में भी छिपे हो सकते हैं।</p> <p>नई और अलग तरह की फिल्मों को हमेशा समर्थन देने वाले अनुराग कश्यप ने रंजन सिंह के साथ मिलकर चार दीवारी को प्रेज़ेंट करने का फैसला किया है। इससे फिल्म की कलात्मक सोच और अंतरराष्ट्रीय स्तर पर उसकी पहचान को और मज़बूती मिली है। उनकी मौजूदगी इस फिल्म को वैश्विक फिल्म फेस्टिवल सर्किट में एक नई पहचान दिलाने में मदद करेगी।</p> <p>फिल्म के बारे में बात करते हुए अनुराग कश्यप ने कहा, “‘चार दीवारी’ आपको शुरू से ही एक अजीब-सा डर महसूस कराती है। आप जो कुछ होता हुआ देखते हैं, आपको लगता है कि ऐसा हो ही नहीं सकता। लेकिन धीरे-धीरे फिल्म आपको उसी डर के बीच ले जाती है, जिससे आप पूरे समय बचना चाहते हैं। मुझे यह फिल्म बहुत पसंद आई।”</p> <p>रंजन सिंह ने कहा,”चार दीवारी एक बेहतरीन शॉर्ट थ्रिलर है। इसने मुझे इस जॉनर की कई क्लासिक फिल्मों की याद दिला दी। फिल्म का माहौल रहस्यमय, गंभीर और चौंकाने वाला है। शादान की अपनी एक अलग पहचान और कहानी कहने का अंदाज़ है, और मुझे लगता है कि फैंटासिया इस फिल्म के प्रीमियर के लिए बिल्कुल सही मंच है।”</p> <p>फिल्म के नॉर्थ अमेरिका प्रीमियर और अनुराग कश्यप के समर्थन पर खुशी जताते हुए सैयद शादान ने कहा, “चार दीवारी की शुरुआत एक साधारण लेकिन बेचैन कर देने वाले विचार से हुई थी – क्या हो अगर हमारे आसपास की दीवारें हमसे ज़्यादा बातें याद रखती हों? यह डर, अकेलेपन और उन अनदेखे बोझों की कहानी है जो जगहें अपने भीतर समेटे रहती हैं। फैंटासिया जैसे फिल्म फेस्टिवल में फिल्म का प्रीमियर होना मेरे लिए एक सपना पूरा होने जैसा है। यह फेस्टिवल हमेशा से अलग और साहसी जॉनर फिल्मों का सम्मान करता आया है। अनुराग सर का इस फिल्म से बतौर प्रेज़ेंटर जुड़ना इस सफर को और भी खास बना देता है। एक इंडिपेंडेंट फिल्ममेकर के तौर पर उनकी सराहना और समर्थन मेरे लिए बहुत मायने रखता है।”</p> <p>फैंटासिया इंटरनेशन फिल्म फेस्टिवल दुनिया के सबसे प्रतिष्ठित जॉनर फिल्म फेस्टिवल्स में से एक है। यह हॉरर, थ्रिलर, फैंटेसी और साइंस फिक्शन फिल्मों के लिए एक बड़ा मंच माना जाता है और दुनियाभर की कई बेहतरीन फिल्मों की शुरुआत इसी फेस्टिवल से हुई है। चार दीवारी का फेगमेंट्स ड’ऐसी सेक्शन में चयन होना समकालीन एशियाई सिनेमा की चुनिंदा फिल्मों के बीच इसकी मज़बूत पहचान को दर्शाता है और फिल्म को नॉर्थ अमेरिका में अपनी शुरुआत के लिए एक महत्वपूर्ण अंतरराष्ट्रीय मंच प्रदान करता है।</p> <p>अनुराग कश्यप और रंजन सिंह द्वारा प्रस्तुत और दुनिया के सबसे प्रतिष्ठित जॉनर फिल्म फेस्टिवल्स में नॉर्थ अमेरिका प्रीमियर के साथ, चार दीवारी सैयद शादान और भारतीय इंडिपेंडेंट सिनेमा के लिए एक महत्वपूर्ण उपलब्धि साबित होने जा रही है।</p> <section> </section> </div>

With the rise in popularity of pickleball, a “pickleball movie” was inevitable. But I’m frankly relieved that The Dink is in the hands of director Josh Greenbaum. He’s the helmer of the brilliant buddy comedy Barb and Star Go to Vista del Mar and the buddy documentary Will & Harper

Not only are both of these movies top-tier when it comes to feel-good films, but each centers on older women without making them the butt of any jokes about aging. Instead, both celebrate their heroines for their brightness, humor, horniness, and brave honesty. And The Dink follows in their footsteps, while being a bit more mainstream. 

The Dink brings together Jake Johnson, Mary Steenburgen, Ed Harris, Patton Oswalt, and Aaron Chen for a buddy comedy that’s laugh-out-loud hilarious and terrifically heartwarming. But of course, it begins with the fiery rivalry between tennis players and pickleballers. 

The Dink is a sensationally silly sports comedy. 

Jake Johnson stars as lovable loser Dusty Boyd, who’ll tell anyone who’ll listen about his brush with long-passed glory. As a child, Dusty was a tennis prodigy, coached by his father Chuck (a comically mirthless Ed Harris) to be the next hard-hitting legend. But after a disastrous match against Andy Roddick (yes, Andy Roddick), his reputation was destroyed. So here he is, a lollygagging tennis coach to children at a club run by his father. 

But Dusty has a chance to redeem himself in his father’s eyes when a new enemy invades their pristine tennis courts. You guessed it: pickleballers. 

In a deranged slideshow presentation, Chuck explains to Dusty how the pickleballers — led by Patton Oswalt — are demanding more courts, which will obviously lead to pickleball dominating the world, so no one can play tennis again! To beat them back, Chuck sets up a tournament, pitting the best tennis player against the best pickleballer. Winner makes the call on the courts. 

However, Dusty’s mission to squash the pickleballers gets sidetracked when he begins playing himself, alongside some charismatic older women, including Candace (Mary Steenburgen). While it’s a rough start learning the game and its playful lingo, Dusty grows close to Candace at movie nights and country bars. And through their friendship, they both begin to realize how they’ve gotten stuck in the narratives of their past, which is inhibiting their growth toward a better future. Naturally, those lessons will be tied into a big final match, where pickleball becomes a metaphor for life. 

Don’t worry. You won’t have to strain to catch that message. Greenbaum’s got John McEnroe making a cameo in The Dink, playing an unsolicited commentator on the big match. 

Jake Johnson and Mary Steenburgen lead a hilarious cast. 

With many years of New Girl behind him, Johnson has a lot of practice at playing a lovelorn buffoon. And given Steenburgen’s elegance, it’s easy to see how Dusty would fall for Candace. But The Dink rejects the temptation to become a cliched rom-com of opposites attract. Instead, Johnson will play the fool, while Steenburgen will be his straight man. Their chemistry is crackling and their comedic timing sublime. 

But Johnson switches gears opposite Aaron Chen, who plays a co-worker who idolizes Dusty and believes every tall tale. With Chen, Greenbaum is able to reach into more offbeat humor through goofy visual gags and a flat delivery that’s a sharp foil to Johnson’s funny floundering. 

Beyond that, The Dink has a jaw-dropping list of comedians turning up for gleefully ludicrous bit parts, like Ben Stiller as a rambling doctor, Oswalt as an uptight pickleballer, Chris Parnell as a smug tennis player, Chloe Fineman as a mean ex, and the late Lynne Marie Stewart (It’s Always Sunny in Philadelphia and Pee-wee’s Playhouse) as a flirty friend of Candace’s. However, Ed Harris deserves a special shout-out here.

Ed Harris had me howling in The Dink.

This long-celebrated American actor has really sunk his teeth into playing a string of ruthless fathers, from the grisly thriller Love Lies Bleeding to the dark comedies Riff Raff and How to Make a Killing, and now The Dink. Where Johnson goes broad and Chen goes offbeat for punchlines, Harris goes unflinchingly serious. He’s treating this squabble between club members and courts as if it’s a threat to the Earth as we know it. He regards every Dusty freakout with a stern but unfurrowed brow. And that’s what makes his bits hysterical. 

Greenbaum smartly blends these different styles of comedy to craft a movie that’ll be a crowd-pleaser. There are bits in here weird enough to exist in the wacky and wondrous world of Barb and Star. Then there are riffs of physical comedy or a serene absurdity that feels in line with the comedy of Will Ferrell and Harper Steele. Johnson plays more broadly, expertly hitting every beat with aplomb. Steenburgen offers support with stinging one-liners and lively reactions. And I can’t stress enough: The Dink won’t mock pickleball or those who play it. 

Greenbaum’s brand of comedy is defiantly wacky, welcoming, and humane, never mean. So The Dink is sure to please, whatever your age or interest in its central sport. 

The Dink premieres on Apple TV on July 24.

#Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser">‘The Dink’ review: Apple’s pickleball movie is a laugh-out-loud crowd-pleaser
                                                            With the rise in popularity of pickleball, a “pickleball movie” was inevitable. But I’m frankly relieved that The Dink is in the hands of director Josh Greenbaum. He’s the helmer of the brilliant buddy comedy Barb and Star Go to Vista del Mar and the buddy documentary Will & Harper. Not only are both of these movies top-tier when it comes to feel-good films, but each centers on older women without making them the butt of any jokes about aging. Instead, both celebrate their heroines for their brightness, humor, horniness, and brave honesty. And The Dink follows in their footsteps, while being a bit more mainstream. The Dink brings together Jake Johnson, Mary Steenburgen, Ed Harris, Patton Oswalt, and Aaron Chen for a buddy comedy that’s laugh-out-loud hilarious and terrifically heartwarming. But of course, it begins with the fiery rivalry between tennis players and pickleballers. 
The Dink is a sensationally silly sports comedy. Jake Johnson stars as lovable loser Dusty Boyd, who’ll tell anyone who’ll listen about his brush with long-passed glory. As a child, Dusty was a tennis prodigy, coached by his father Chuck (a comically mirthless Ed Harris) to be the next hard-hitting legend. But after a disastrous match against Andy Roddick (yes, Andy Roddick), his reputation was destroyed. So here he is, a lollygagging tennis coach to children at a club run by his father. But Dusty has a chance to redeem himself in his father’s eyes when a new enemy invades their pristine tennis courts. You guessed it: pickleballers. In a deranged slideshow presentation, Chuck explains to Dusty how the pickleballers — led by Patton Oswalt — are demanding more courts, which will obviously lead to pickleball dominating the world, so no one can play tennis again! To beat them back, Chuck sets up a tournament, pitting the best tennis player against the best pickleballer. Winner makes the call on the courts. However, Dusty’s mission to squash the pickleballers gets sidetracked when he begins playing himself, alongside some charismatic older women, including Candace (Mary Steenburgen). While it’s a rough start learning the game and its playful lingo, Dusty grows close to Candace at movie nights and country bars. And through their friendship, they both begin to realize how they’ve gotten stuck in the narratives of their past, which is inhibiting their growth toward a better future. Naturally, those lessons will be tied into a big final match, where pickleball becomes a metaphor for life. 
        
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Don’t worry. You won’t have to strain to catch that message. Greenbaum’s got John McEnroe making a cameo in The Dink, playing an unsolicited commentator on the big match. Jake Johnson and Mary Steenburgen lead a hilarious cast. With many years of New Girl behind him, Johnson has a lot of practice at playing a lovelorn buffoon. And given Steenburgen’s elegance, it’s easy to see how Dusty would fall for Candace. But The Dink rejects the temptation to become a cliched rom-com of opposites attract. Instead, Johnson will play the fool, while Steenburgen will be his straight man. Their chemistry is crackling and their comedic timing sublime. But Johnson switches gears opposite Aaron Chen, who plays a co-worker who idolizes Dusty and believes every tall tale. With Chen, Greenbaum is able to reach into more offbeat humor through goofy visual gags and a flat delivery that’s a sharp foil to Johnson’s funny floundering. Beyond that, The Dink has a jaw-dropping list of comedians turning up for gleefully ludicrous bit parts, like Ben Stiller as a rambling doctor, Oswalt as an uptight pickleballer, Chris Parnell as a smug tennis player, Chloe Fineman as a mean ex, and the late Lynne Marie Stewart (It’s Always Sunny in Philadelphia and Pee-wee’s Playhouse) as a flirty friend of Candace’s. However, Ed Harris deserves a special shout-out here. Ed Harris had me howling in The Dink. This long-celebrated American actor has really sunk his teeth into playing a string of ruthless fathers, from the grisly thriller Love Lies Bleeding to the dark comedies Riff Raff and How to Make a Killing, and now The Dink. Where Johnson goes broad and Chen goes offbeat for punchlines, Harris goes unflinchingly serious. He’s treating this squabble between club members and courts as if it’s a threat to the Earth as we know it. He regards every Dusty freakout with a stern but unfurrowed brow. And that’s what makes his bits hysterical. Greenbaum smartly blends these different styles of comedy to craft a movie that’ll be a crowd-pleaser. There are bits in here weird enough to exist in the wacky and wondrous world of Barb and Star. Then there are riffs of physical comedy or a serene absurdity that feels in line with the comedy of Will Ferrell and Harper Steele. Johnson plays more broadly, expertly hitting every beat with aplomb. Steenburgen offers support with stinging one-liners and lively reactions. And I can’t stress enough: The Dink won’t mock pickleball or those who play it. Greenbaum’s brand of comedy is defiantly wacky, welcoming, and humane, never mean. So The Dink is sure to please, whatever your age or interest in its central sport. The Dink premieres on Apple TV on July 24.

                    
                                            
                            
    
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                                    #Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser

The Dink premieres on Apple TV on July 24.

#Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser">‘The Dink’ review: Apple’s pickleball movie is a laugh-out-loud crowd-pleaser

With the rise in popularity of pickleball, a “pickleball movie” was inevitable. But I’m frankly relieved that The Dink is in the hands of director Josh Greenbaum. He’s the helmer of the brilliant buddy comedy Barb and Star Go to Vista del Mar and the buddy documentary Will & Harper

Not only are both of these movies top-tier when it comes to feel-good films, but each centers on older women without making them the butt of any jokes about aging. Instead, both celebrate their heroines for their brightness, humor, horniness, and brave honesty. And The Dink follows in their footsteps, while being a bit more mainstream. 

The Dink brings together Jake Johnson, Mary Steenburgen, Ed Harris, Patton Oswalt, and Aaron Chen for a buddy comedy that’s laugh-out-loud hilarious and terrifically heartwarming. But of course, it begins with the fiery rivalry between tennis players and pickleballers. 

The Dink is a sensationally silly sports comedy. 

Jake Johnson stars as lovable loser Dusty Boyd, who’ll tell anyone who’ll listen about his brush with long-passed glory. As a child, Dusty was a tennis prodigy, coached by his father Chuck (a comically mirthless Ed Harris) to be the next hard-hitting legend. But after a disastrous match against Andy Roddick (yes, Andy Roddick), his reputation was destroyed. So here he is, a lollygagging tennis coach to children at a club run by his father. 

But Dusty has a chance to redeem himself in his father’s eyes when a new enemy invades their pristine tennis courts. You guessed it: pickleballers. 

In a deranged slideshow presentation, Chuck explains to Dusty how the pickleballers — led by Patton Oswalt — are demanding more courts, which will obviously lead to pickleball dominating the world, so no one can play tennis again! To beat them back, Chuck sets up a tournament, pitting the best tennis player against the best pickleballer. Winner makes the call on the courts. 

However, Dusty’s mission to squash the pickleballers gets sidetracked when he begins playing himself, alongside some charismatic older women, including Candace (Mary Steenburgen). While it’s a rough start learning the game and its playful lingo, Dusty grows close to Candace at movie nights and country bars. And through their friendship, they both begin to realize how they’ve gotten stuck in the narratives of their past, which is inhibiting their growth toward a better future. Naturally, those lessons will be tied into a big final match, where pickleball becomes a metaphor for life. 

Don’t worry. You won’t have to strain to catch that message. Greenbaum’s got John McEnroe making a cameo in The Dink, playing an unsolicited commentator on the big match. 

Jake Johnson and Mary Steenburgen lead a hilarious cast. 

With many years of New Girl behind him, Johnson has a lot of practice at playing a lovelorn buffoon. And given Steenburgen’s elegance, it’s easy to see how Dusty would fall for Candace. But The Dink rejects the temptation to become a cliched rom-com of opposites attract. Instead, Johnson will play the fool, while Steenburgen will be his straight man. Their chemistry is crackling and their comedic timing sublime. 

But Johnson switches gears opposite Aaron Chen, who plays a co-worker who idolizes Dusty and believes every tall tale. With Chen, Greenbaum is able to reach into more offbeat humor through goofy visual gags and a flat delivery that’s a sharp foil to Johnson’s funny floundering. 

Beyond that, The Dink has a jaw-dropping list of comedians turning up for gleefully ludicrous bit parts, like Ben Stiller as a rambling doctor, Oswalt as an uptight pickleballer, Chris Parnell as a smug tennis player, Chloe Fineman as a mean ex, and the late Lynne Marie Stewart (It’s Always Sunny in Philadelphia and Pee-wee’s Playhouse) as a flirty friend of Candace’s. However, Ed Harris deserves a special shout-out here.

Ed Harris had me howling in The Dink.

This long-celebrated American actor has really sunk his teeth into playing a string of ruthless fathers, from the grisly thriller Love Lies Bleeding to the dark comedies Riff Raff and How to Make a Killing, and now The Dink. Where Johnson goes broad and Chen goes offbeat for punchlines, Harris goes unflinchingly serious. He’s treating this squabble between club members and courts as if it’s a threat to the Earth as we know it. He regards every Dusty freakout with a stern but unfurrowed brow. And that’s what makes his bits hysterical. 

Greenbaum smartly blends these different styles of comedy to craft a movie that’ll be a crowd-pleaser. There are bits in here weird enough to exist in the wacky and wondrous world of Barb and Star. Then there are riffs of physical comedy or a serene absurdity that feels in line with the comedy of Will Ferrell and Harper Steele. Johnson plays more broadly, expertly hitting every beat with aplomb. Steenburgen offers support with stinging one-liners and lively reactions. And I can’t stress enough: The Dink won’t mock pickleball or those who play it. 

Greenbaum’s brand of comedy is defiantly wacky, welcoming, and humane, never mean. So The Dink is sure to please, whatever your age or interest in its central sport. 

The Dink premieres on Apple TV on July 24.

#Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser

Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.

On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.

With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.

I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.

Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at $599, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)

The Halliday Gen 2 are available for preorder starting today with a $10 deposit and a subsequent $100 discount on the final price. The glasses are expected to ship in September.

#Hallidays #latest #smart #glasses #feature #muchimproved #displayAI,Gadgets,Hands-on,News,Reviews,Tech,Wearable">Halliday’s latest smart glasses feature a much-improved displayI first slipped on Halliday’s original smart glasses at CES 2025. I was not a fan. The glasses had a tiny, movable display window embedded into the frame that was incredibly finicky to see, and my 30-minute demo left me with achy eyeballs. It was an interesting concept with terrible execution, especially compared to the several other smart glasses on the show floor. So I was skeptical when a few weeks ago, Halliday reached out to say its second attempt at smart glasses was much better.Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at 9, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)The Halliday Gen 2 are available for preorder starting today with a  deposit and a subsequent 0 discount on the final price. The glasses are expected to ship in September.#Hallidays #latest #smart #glasses #feature #muchimproved #displayAI,Gadgets,Hands-on,News,Reviews,Tech,Wearable

Halliday’s original smart glasses at CES 2025. I was not a fan. The glasses had a tiny, movable display window embedded into the frame that was incredibly finicky to see, and my 30-minute demo left me with achy eyeballs. It was an interesting concept with terrible execution, especially compared to the several other smart glasses on the show floor. So I was skeptical when a few weeks ago, Halliday reached out to say its second attempt at smart glasses was much better.

Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.

On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.

With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.

I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.

Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at $599, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)

The Halliday Gen 2 are available for preorder starting today with a $10 deposit and a subsequent $100 discount on the final price. The glasses are expected to ship in September.

#Hallidays #latest #smart #glasses #feature #muchimproved #displayAI,Gadgets,Hands-on,News,Reviews,Tech,Wearable">Halliday’s latest smart glasses feature a much-improved display

I first slipped on Halliday’s original smart glasses at CES 2025. I was not a fan. The glasses had a tiny, movable display window embedded into the frame that was incredibly finicky to see, and my 30-minute demo left me with achy eyeballs. It was an interesting concept with terrible execution, especially compared to the several other smart glasses on the show floor. So I was skeptical when a few weeks ago, Halliday reached out to say its second attempt at smart glasses was much better.

Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.

On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.

With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.

I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.

Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at $599, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)

The Halliday Gen 2 are available for preorder starting today with a $10 deposit and a subsequent $100 discount on the final price. The glasses are expected to ship in September.

#Hallidays #latest #smart #glasses #feature #muchimproved #displayAI,Gadgets,Hands-on,News,Reviews,Tech,Wearable

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