Yiyang Zhuge learned last week that when you go extremely viral, the people you have been following for years suddenly start following you back. Zhuge logged onto X and found that a string of famous professors and scholars were in her list of new followers. A PhD candidate in political philosophy at Boston College, Zhuge had previously only lurked on X to keep up with the latest debates and gossip in academia. The vast majority of her social media activity happens on the Chinese internet, where she goes by the alias Zhong Shu and hosts a popular podcast with hundreds of thousands of loyal listeners.

Late last month, Zhuge, who is in her late twenties, interviewed Christopher Nolan, one of the most influential directors in Hollywood, who was in Beijing promoting The Odyssey. Rather than asking about celebrities or Hollywood, Zhuge posed a series of deeply philosophical questions to Nolan about the Christianization of Greek philosophy and how to portray heroes in films. The first thing she asked: “Are you a bard for a civilization at dusk?”

Nolan was visibly impressed by Zhuge. After the interview was published in China, Geoff Keighley, a video game journalist and the son of Nolan’s longtime friend David Keighley, shared the interview on X, calling it “a great listen.” Keighley’s video has been watched over 18 million times, and when Zhuge later posted the interview on her own X account, it racked up another 6.9 million views.

For the first time, Zhuge had become the main character of the English-speaking internet. She was being praised, mocked, criticized, and defended all at the same time. Many people said it was the best interview Nolan has done for The Odyssey, while the National Review called it a “CCP hostage video.” But everyone ultimately wanted to know the same thing: Who was this young Chinese woman with a bob haircut talking about the decline of civilizations?

While almost no one in the West knows her name, Zhuge is already one of the most prominent young intellectuals in China and has been interviewed by many of the country’s cultural elite. She was featured in Vogue China as an example of a successful woman in her twenties and frequently shares yoga and fitness tips to her 360,000 fans on the Chinese social media platform Xiaohongshu.

When I spoke to Zhuge this week, she framed her success as being born out of personal tragedy. “I was going through an adulterous divorce in which my ex-husband sued me and I accumulated a lot of legal debt,” she says. “I felt discouraged in the English-speaking academia because of certain personal experiences related to that personal tragedy, so I turned my attention back to the Chinese-speaking world to build a career there and pay off my debt.”

When I started digging into Zhuge’s career, I was shocked by her level of productivity. Aside from publishing philosophy translations and writing articles for Chinese media outlets, she has recorded more than 360 episodes of her podcast Monologues of a Committed Observer in just the last three years. That’s an average of one new episode every three days. Most of the time, she just monologues about political science concepts for a half an hour, seemingly unscripted. On XiaoyuzhouFM, the most popular podcast streaming platform in China, she has over 940,000 subscribers.

But despite her prolific posting, Zhuge claims she isn’t interested in being famous. “I have no attachment to fame and no desire to preserve it for its own sake,” she tells me. “What I want is enough freedom and time to build a life centered on thought. That life requires some money, but not very much.”

View From America

When Zhuge asked Nolan if he saw himself as “a bard for a civilization at dusk,” she says she didn’t have a particular civilization in mind.

She views the question instead as part of the long philosophical tradition of pondering the demise of value systems. “I was not primarily attempting to issue a verdict on the contemporary United States,” she says, but “people are free to interpret the phrase through current debates about American or Western decline.”