When Mission to Zyxx debuted in 2017, the podcasting space was very different. There were fewer shows, and more money was being spent as companies rushed to figure out how to capitalize on the growing medium. At a time when many big podcasts were focused on news and investigative reporting, Zyxx — an improvised comedy about a group of alien diplomats journeying across the galaxy in search of adventure — felt like an oddity that was channeling the spirit of classic radio dramas.
The show was a loving sendup of Star Wars and Star Trek’s most iconic (and ridiculous) narrative beats. And while nostalgia was a big part of Zyxx’s appeal, meticulous sound design and inspired, on-the-spot performances made each episode sound like something from podcasting’s future.
When Mission to Zyxx came to an end in 2022, the show’s creators — Alden Ford, Jeremy Bent, Allie Kokesh, Seth Lind, Winston Noel, and Moujan Zolfaghari — needed a break and time to figure out what they wanted to do next. Eventually they landed on The Young Old Derf Chronicles; it’s set in the same universe as Mission to Zyxx and features many voices from the original, but it’s a very different kind of (mini)series, one that’s lampooning something much more modern about sci-fi.
When I recently sat down with Ford and Lind ahead of The Young Old Derf Chronicles’ debut at this year’s Tribeca Film Festival, they told me that their new podcast is, in part, a response to the way that studios have become obsessed with expanding their established franchises with prequels. But The Young Old Derf Chronicles is also the creative team’s way of showing fans how important their continued support has been.
This interview has been edited and condensed for clarity.
Looking back, how has the Zyxx fandom evolved, would you say, and how has fan engagement impacted the show?
Alden Ford: When we started in season 2, we started a Patreon to help fund some of the more ambitious aspects of the show and pay [sound designer] Shane [O’Connell] for the work that he was increasingly putting into every episode to make them bigger and crazier. That really connected us to our listeners in a way that I don’t think we really would have expected in season 1 when it was just a show that was out there and people liked it.
Seth Lind: Something that surprised us was just how deeply so many of the fans care about the show. When we set out to make it, we wanted it to be funny, we wanted people to like it, and we wanted it to be popular. But we didn’t really dare to hope that it would become so important and meaningful to people. We heard from people saying, “I was in the deepest depression of my life and this was the thing I would look forward to,” or “My partner passed away and this is the first thing that made me laugh.”
Right around the time the show was ending, a group of fans made us this thick book they called Mission to Zine that was a collection of art and letters saying what the show had meant to them. Things like that made us feel a responsibility to our fans. The show is violent and it can get very blue, but we always worked to protect its heart and make it feel like it was coming from a good place. If there was something that seemed like it was punching down, we’d cut it out, and while characters could be mean as individuals, but like the show as a whole couldn’t. I think those instincts led to us cultivating a fandom that really cares for each other. And having that community made it so much more meaningful to make the show.
AF: As fans of sci-fi, we all know very, very intimately how disappointing it can be when you’re a fan of something that doesn’t land the plane or gets canceled too soon. And so for us, once we got a few seasons in we got invested in making it as good as possible. Especially in the back half of season 5, we were like, “What are the ways to wrap up this show so that everyone who listens and cares about it is going to be satisfied by it?” Of course, that’s an impossible task because you’re never going to do something that makes everybody happy. But I think we ended it on our own terms, which is more than a lot of shows can say.
AF: There’s a couple different reasons. The fun reason is that we all know how much Star Wars there is now. I’m not complaining, but I do think it has become its own kind of cliché that no character, no matter how silly or tertiary, deserves their own fully fledged miniseries where you explain every possible aspect of their backstory.
You’re not hype for a Glup Shitto series?
AF: [Laughs] I mean, yes, I’m looking forward to the Salacious B. Crumb trilogy and the show chronicling Max Rebo’s rise to stardom. But yeah, we thought that if we were going to do something else in the Zyxx universe, it’d be fun to do exactly the things Star Wars would do — something like an Obi-Wan, or a Mandalorian, or a Boba Fett series. Parodying the genre and the tropes around it felt very true to us generally. But the other reason is that Justin [Tyler] is a guy we all love and he’s a fan favorite.
SL: Derf is the closest thing to being the Obi-Wan of this universe, and just being able to call him “Young Old Derf” completely sold me on the idea of doing a show about him. Because, like, that’s so stupid, and “the story of Derf when he was slightly less old” is a spinoff no one asked for. But I also remember Justin very early on in the first couple episodes, he gave Alden some feedback about the show, saying that, like, “Pleck has to be important.”
Especially in the early seasons, Pleck — who’s the audience surrogate — was kind of a punching bag, and it was kind of a joke that he was important. But Justin was like, “As silly as this all is, this guy actually has to be someone who ends up being significant and he has to have an arc to follow.” I think that really helped the show find its voice, and is a big part of what helped us last so many seasons.
Did Andor inform your approach to crafting The Young Old Derf Chronicles?
AF: One of the challenges we gave ourselves is making a new kind of show. Not that we wanted to reinvent the wheel or anything, but we wanted to make Derf distinctly different in substance and structure from the original show. With the new show, it’s essentially a first-person narrative where pretty much everything is pretty being told from Derf’s perspective. And from an improv standpoint, we approached it way less from the typical Zyxx format where we start on the ship, we get a mission, and then we’re on the planet of the week.
With Derf, we thought, what if we treated it more just like a “fuck around” where we’re just having fun with Derf in these new settings with a lot more walk-ons, digressions, and longer scenes where weirder stuff happens and we’re not as worried about the propulsion of the plot or a strict three-act structure? It’s been way harder to make and way harder to edit and produce, but it’s really fulfilling for us especially because we’re not just palette-swapping Mission to Zyxx. I don’t know if Andor was trying to do that by mixing up the structure and the style, but I do think that’s been the key for getting us creatively excited about making this thing.
Would you be open to more Zyxx beyond The Young Old Derf Chronicles?
AF: Absolutely. I think doing this show as a limited series has really felt like a good and sustainable way to keep things going. We’ve all talked about doing this new show, you know, seeing how listeners respond, and then reassessing our workload to see if doing more in the future makes sense with our lives now. If we continue to make shows in the Zyxx world, it will probably be in ways like this where we’ll come up with something, we can produce 10 episodes, work for a year to actually make the thing, and then regroup to see what the next thing is.
The Young Old Derf Chronicles does not yet have a firm release date. But if you’re interested in seeing the Mission to Zyxx crew perform and produce an episode live, tickets are still available for their upcoming live show at Caveat in New York City, which will also be livestreamed.
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![This former notorious red-light district is now one of the world’s top AI hubs | TechCrunch
What every U.K. AI startup wants to know these days is, how can I get office space in King’s Cross?
The area is so hot that a VC firm allegedly recently won a deal by promising a founder office space in the neighborhood. “We stop at nothing to win deals [for] and to support” founders, “including helping them source office space when needed,” the firm told me when asked about the rumor, declining to confirm or deny any details.
The neighborhood’s popularity began back in 2016 when DeepMind — then newly acquired by Google — moved in. Soon after, a flood of AI startups followed, wanting to be around the Google DeepMind magic. Today, they hope to take advantage of the cluster of AI talent there.
This has transformed King’s Cross into one of the world’s top AI hubs, rivaled only by San Francisco and Beijing. Around London, it’s known by the sobriquet “Knowledge Quarter,” as it’s home to names like OpenAI, Meta, Isomorphic Labs, Cusp AI, Wayne, Recursive, and, a little farther down the road, Synthesia and Anthropic. The European Technology Network (ETN) just moved into a glossy new office nearby, while University College London sits around the corner.
Mixed in with the new developments are trendy food spots like Hoppers and BAO. Hop a train from King’s Cross, and founders can be in Cambridge in 45 minutes to source talent or can be in Paris in two hours to strike a deal.
Who would have guessed that a little more than 20 years ago, this was one of the seediest areas in London?
“In the ’80s, crack and heroin made the area a major narcotics market,” Hussein Kanji, an investor at Hoxton Ventures, said, recalling syringes in tree trunks and gangs patrolling the streets. “In 1982, the local church was occupied by the English Collective of Prostitutes for 12 straight days.” Then, in the early 2000s, a real estate developer had a dream and, well, “now it is the AI hotbed of the United Kingdom,” Kanji said. “What a change.” Around 18 months ago, his portfolio company BioCorteX moved from the neighborhood Holborn to the Jellicoe building in King’s Cross, hoping to be near the action. “Lots going on in London right now,” Nik Sharma, co-founder of BioCorteX, told me. “Lots of hyperscalers moving in.” That includes, reportedly, Jeff Bezos’ AI company Prometheus, which is also said to be in talks to move into the Jellicoe.
There are around 3,600 AI startups in London, which, together, have raised around .1 billion out of the .8 billion raised in the city since late July, according to Dealroom. Since the start of June, AI-related startups have leased more than 1 million square feet of office space in London, according to the real estate firm Knight Frank. With that, prime rents in King’s Cross have risen 18% over the past three years, Chris Dunn, a commercial insight associate at the firm, told me. That percentage represents only the largest leases encompassing at least 10,000 square feet, like the ones OpenAI and Prometheus are signing. The shorter deals go for even more, he said, and now the vacancy rate for conventional office space is just 0.9%. “Demand has outstripped supply,” he continued.
Today, one of the big topics of the area is sovereignty. It was a wake-up call for many when Anthropic shut off access to Mythos and Fable this summer, leaving some in the ecosystem to conclude: “We’d better look after ourselves,” Saul Klein, co-founder of the VC firm Phoenix Court, told me.
Phoenix Court is located in the King’s Cross area and has three portfolio companies in the vicinity, including Olix (which just announced a .3 billion valuation), Early Health and CoMind. Robin Klein, co-founder of the firm, said the shutdown of Fable and Mythos access was a “small but sharp reminder that Europe can’t simply rent its AI capabilities and capacity; it needs to build and hold some of its own.” King’s Cross, he said, is where much of this building is actually happening.
“The bigger question,” he continued, “is whether the U.K. builds the infrastructure, compute, energy, capital, to make this self-reliance durable, rather than just hosting outposts of U.S. labs.”
Image Credits:Phoenix Court
Top founders want to stay
Simon Kohl, founder of Latent Labs, has offices in King’s Cross and San Francisco. The London office, at the moment, is growing faster, and he’s more bullish than ever on the ecosystem, he said. “The mood right now feels less like London trying to catch up and more like London becoming one of the default places to start a serious AI company,” he said. Look around and you are likely to see Wayve testing its autonomous cars. Founded in 2017 by co-founder Alex Kendall, the unicorn is one of London’s biggest success stories.
“Ten years ago, building a frontier AI company from London felt like an unusual choice,” Kendall told me. “Now it feels like an obvious one.” Wayve moved into King’s Cross in 2018 looking for a space that could double as a garage — “a rare combination in Central London,” Kendall said. He has watched the ecosystem mature around him — and it’s now evident that a startup can stay in London, raise serious capital, hire world-class AI talent, and remain globally competitive, he said. Down the street from Anthropic’s new 158,000-square-foot office is the AI agent builder Sierra and the AI video platform Synthesia.
Laura Gonzalez Florez, Synthesia’s chief of staff and head of people, says the company moved into its glossy new office building a year ago to accommodate its growing team. They were drawn to the area for the same reason as everyone else: “It’s very close to the airport … very close to where a lot of investors are,” she said.
Image Credits:Synthesia
Around two-thirds of Synthesia’s engineers are remote, Gonzalez Florez said, letting the company tap into an affordable, international, and diverse talent pool and helping it scale faster. “From London, we can hire and work, without any problem, people from anywhere, from Slovenia to Portugal,” she said.
Unsurprisingly, London’s AI boom is also causing a talent war.U.K. AI job postings have skyrocketed in the past few years, per data from PwC. When Anthropic announced it moved into town earlier this year, it listed, for example, a salary range of £260,000 to £630,000 for a machine learning research engineer when the average salary in London for the same role is around £102,000. Some founders in the U.K., like those in Silicon Valley, are being forced to raise more and bigger rounds to keep up.
“The real test is whether more globally significant AI companies are founded, funded, and scaled from the U.K., while continuing to attract the world’s best talent to build them here,” Zain Ali, founder of the King’s Cross-based AI legal firm Centuro, told me. “If that continues to happen, King’s Cross won’t just be an AI hub. It’ll become one of the U.K.’s most important strategic assets.”
When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Thisformernotorious #redlight #districtis #nowone #worlds #top #hubs #TechCrunchUK This former notorious red-light district is now one of the world’s top AI hubs | TechCrunch
What every U.K. AI startup wants to know these days is, how can I get office space in King’s Cross?
The area is so hot that a VC firm allegedly recently won a deal by promising a founder office space in the neighborhood. “We stop at nothing to win deals [for] and to support” founders, “including helping them source office space when needed,” the firm told me when asked about the rumor, declining to confirm or deny any details.
The neighborhood’s popularity began back in 2016 when DeepMind — then newly acquired by Google — moved in. Soon after, a flood of AI startups followed, wanting to be around the Google DeepMind magic. Today, they hope to take advantage of the cluster of AI talent there.
This has transformed King’s Cross into one of the world’s top AI hubs, rivaled only by San Francisco and Beijing. Around London, it’s known by the sobriquet “Knowledge Quarter,” as it’s home to names like OpenAI, Meta, Isomorphic Labs, Cusp AI, Wayne, Recursive, and, a little farther down the road, Synthesia and Anthropic. The European Technology Network (ETN) just moved into a glossy new office nearby, while University College London sits around the corner.
Mixed in with the new developments are trendy food spots like Hoppers and BAO. Hop a train from King’s Cross, and founders can be in Cambridge in 45 minutes to source talent or can be in Paris in two hours to strike a deal.
Who would have guessed that a little more than 20 years ago, this was one of the seediest areas in London?
“In the ’80s, crack and heroin made the area a major narcotics market,” Hussein Kanji, an investor at Hoxton Ventures, said, recalling syringes in tree trunks and gangs patrolling the streets. “In 1982, the local church was occupied by the English Collective of Prostitutes for 12 straight days.” Then, in the early 2000s, a real estate developer had a dream and, well, “now it is the AI hotbed of the United Kingdom,” Kanji said. “What a change.” Around 18 months ago, his portfolio company BioCorteX moved from the neighborhood Holborn to the Jellicoe building in King’s Cross, hoping to be near the action. “Lots going on in London right now,” Nik Sharma, co-founder of BioCorteX, told me. “Lots of hyperscalers moving in.” That includes, reportedly, Jeff Bezos’ AI company Prometheus, which is also said to be in talks to move into the Jellicoe.
There are around 3,600 AI startups in London, which, together, have raised around .1 billion out of the .8 billion raised in the city since late July, according to Dealroom. Since the start of June, AI-related startups have leased more than 1 million square feet of office space in London, according to the real estate firm Knight Frank. With that, prime rents in King’s Cross have risen 18% over the past three years, Chris Dunn, a commercial insight associate at the firm, told me. That percentage represents only the largest leases encompassing at least 10,000 square feet, like the ones OpenAI and Prometheus are signing. The shorter deals go for even more, he said, and now the vacancy rate for conventional office space is just 0.9%. “Demand has outstripped supply,” he continued.
Today, one of the big topics of the area is sovereignty. It was a wake-up call for many when Anthropic shut off access to Mythos and Fable this summer, leaving some in the ecosystem to conclude: “We’d better look after ourselves,” Saul Klein, co-founder of the VC firm Phoenix Court, told me.
Phoenix Court is located in the King’s Cross area and has three portfolio companies in the vicinity, including Olix (which just announced a .3 billion valuation), Early Health and CoMind. Robin Klein, co-founder of the firm, said the shutdown of Fable and Mythos access was a “small but sharp reminder that Europe can’t simply rent its AI capabilities and capacity; it needs to build and hold some of its own.” King’s Cross, he said, is where much of this building is actually happening.
“The bigger question,” he continued, “is whether the U.K. builds the infrastructure, compute, energy, capital, to make this self-reliance durable, rather than just hosting outposts of U.S. labs.”
Image Credits:Phoenix Court
Top founders want to stay
Simon Kohl, founder of Latent Labs, has offices in King’s Cross and San Francisco. The London office, at the moment, is growing faster, and he’s more bullish than ever on the ecosystem, he said. “The mood right now feels less like London trying to catch up and more like London becoming one of the default places to start a serious AI company,” he said. Look around and you are likely to see Wayve testing its autonomous cars. Founded in 2017 by co-founder Alex Kendall, the unicorn is one of London’s biggest success stories.
“Ten years ago, building a frontier AI company from London felt like an unusual choice,” Kendall told me. “Now it feels like an obvious one.” Wayve moved into King’s Cross in 2018 looking for a space that could double as a garage — “a rare combination in Central London,” Kendall said. He has watched the ecosystem mature around him — and it’s now evident that a startup can stay in London, raise serious capital, hire world-class AI talent, and remain globally competitive, he said. Down the street from Anthropic’s new 158,000-square-foot office is the AI agent builder Sierra and the AI video platform Synthesia.
Laura Gonzalez Florez, Synthesia’s chief of staff and head of people, says the company moved into its glossy new office building a year ago to accommodate its growing team. They were drawn to the area for the same reason as everyone else: “It’s very close to the airport … very close to where a lot of investors are,” she said.
Image Credits:Synthesia
Around two-thirds of Synthesia’s engineers are remote, Gonzalez Florez said, letting the company tap into an affordable, international, and diverse talent pool and helping it scale faster. “From London, we can hire and work, without any problem, people from anywhere, from Slovenia to Portugal,” she said.
Unsurprisingly, London’s AI boom is also causing a talent war.U.K. AI job postings have skyrocketed in the past few years, per data from PwC. When Anthropic announced it moved into town earlier this year, it listed, for example, a salary range of £260,000 to £630,000 for a machine learning research engineer when the average salary in London for the same role is around £102,000. Some founders in the U.K., like those in Silicon Valley, are being forced to raise more and bigger rounds to keep up.
“The real test is whether more globally significant AI companies are founded, funded, and scaled from the U.K., while continuing to attract the world’s best talent to build them here,” Zain Ali, founder of the King’s Cross-based AI legal firm Centuro, told me. “If that continues to happen, King’s Cross won’t just be an AI hub. It’ll become one of the U.K.’s most important strategic assets.”
When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Thisformernotorious #redlight #districtis #nowone #worlds #top #hubs #TechCrunchUK](https://techcrunch.com/wp-content/uploads/2026/08/DM9A2852.jpg?w=680)

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