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Amazon Kindle vs. Kindle Paperwhite: Which one is for you?

Amazon Kindle vs. Kindle Paperwhite: Which one is for you?

If you’re looking for a Kindle and you’re a budget-minded shopper, then you’re probably looking at both the Kindle and Kindle Paperwhite. These e-readers are Amazon’s cheapest offerings, which is crazy, considering just how fast and advanced these e-readers are.

So if you’re deciding between the Kindle and Kindle Paperwhite, the good news is that there aren’t a ton of differences between the devices. Screen and battery specs differ, but core features (more or less) do not. Either way, you’re getting a well-reviewed e-reader, so you can’t lose.

With that in mind, here we go.

Kindle (2024) vs. Kindle Paperwhite (2024): Price

Our first category is the simplest. One number is higher than the other, after all.

In terms of price, the regular Kindle walks away with this one because it’s $50 cheaper than the Paperwhite. Whatever other advantages the Paperwhite may have, it will never have that one.

Winner: Kindle (2024)

Kindle (2024) vs. Kindle Paperwhite (2024): Design


Credit: Samantha Mangino / Mashable

Both devices are imminently recognizable as Kindles, and while one doesn’t necessarily look cooler than the other, there are major size differences to consider.

Here’s how the two Kindles stack up in terms of dimensions:

The Paperwhite is a good deal larger than the regular Kindle, which is its main selling point. It also has an adjustable front light with 19 LEDs, compared to the four LEDs on the regular Kindle. If you need a bigger and/or brighter display, the Paperwhite is the one to get. It also allows you to use a “warm light” option for a more pleasant reading experience in the dark.

Just know that you’re going to sacrifice some weight along the way. The regular Kindle comes in at 5.56 ounces, while the Paperwhite is a relatively bulky 7.4 ounces. Plus, the 6-inch Kindle has a better hand-feel for reading marathons, but the Paperwhite has a bigger screen size for more words per page.

Overall, the Paperwhite has more going for it in terms of design.

Winner: Kindle Paperwhite (2024)

Kindle (2024) vs. Kindle Paperwhite (2024): Features

A Kindle 2024 e-reader on a wood table

Your Kindle library will appear exactly the same on both the Kindle (2024) and Paperwhite (2024).
Credit: Samantha Mangino / Mashable

This would’ve been a much more substantial conversation a few years ago. There was a time when the regular Kindle didn’t even have a front light, which made the Paperwhite much more desirable by comparison. However, times have changed.

These days, the two devices’ functionality is very similar. Both can read books (duh), play audiobooks via Bluetooth, and have screens that should look fine in sunlight due to a lack of glare. Unfortunately, both will display advertisements on the lock screen unless you pay an extra $20 for either Kindle.

Neither offer color, if you want that, you need to swing for the Kindle Colorsoft. Where the Paperwhite does have the upper hand is the adjustable screen warmth.

Because the two devices’ basic functionality is so similar, this one is kind of a wash. You’ll be fine either way.

Winner: Tie

Kindle (2024) vs. Kindle Paperwhite (2024): Storage

Spending a little extra won’t get you extra storage. Both the 2024 Kindle and 2024 Paperwhite come with 16GB of storage, making this match-up a tie. 16GB may not seem like a lot of storage when you’re thinking in terms of smartphones or tablets, but for e-readers, that’s enough space for thousands of ebooks.

But if you want anything more than that, there’s a substantially more expensive Paperwhite Signature Edition with 32GB of storage, but that doesn’t help us here.

Winner: Tie

Kindle (2024) vs. Kindle Paperwhite (2024): Battery life

When it comes to battery life, the more expensive device is the better option.

Amazon rates the 2024 Kindle for six weeks of battery life on a full charge. As for the Paperwhite, the estimated battery life is double that, for a whopping 12 weeks. That makes the Paperwhite the pretty clear winner. Having to charge your e-reader every three months versus every month-and-a-half is a major boon.

Winner: Kindle Paperwhite (2024)

Kindle (2024) vs. Kindle Paperwhite (2024): Water resistance

Some people like reading at the pool, at the beach, or in the bathtub. Why not? It’s super relaxing. If you’re one of those people, there’s a clear winner here.

The 2024 Kindle is not waterproof at all. Don’t get it wet. The 2024 Paperwhite, meanwhile, has an IPX8 rating, which, according to Amazon, means it can survive for up to 60 minutes submerged in up to two meters of water. That seems like a fairly unrealistic scenario, so if you accidentally drop the Kindle Paperwhite in the bathtub, you won’t need to buy another device.

Winner: Kindle Paperwhite (2024)

Our winner: Kindle vs. Kindle Paperwhite

A 2024 Amazon Kindle Paperwhite

The good news is that both of these Amazon e-readers offer roughly the same functionality. The major differences are screen brightness, battery life, and water resistance. If you merely want to read books without buying actual books, both Kindles should do the trick just fine.

But those differences do matter. The Kindle Paperwhite’s twelve weeks of battery life is double that of the Kindle’s, and it has water resistance where the Kindle has none. Combine that with a bigger and better display, and the Paperwhite wins this one.

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#Amazon #Kindle #Kindle #Paperwhite

Almost as soon as OpenAI announced that its major investor and cloud partner, Microsoft, no longer has exclusive rights to any of its products, Amazon started gloating.

After the revised OpenAI/Microsoft agreement was announced on Monday, Amazon CEO Andy Jassy noted in a tweet that it was a “very interesting announcement.” That agreement solved OpenAI’s problem of allowing AWS to offer its products, an issue that crystalized after it signed an up-to-$50-billion deal with Amazon.

Amazon announced on Tuesday that AWS’s Bedrock service now has OpenAI’s latest models, its code-writing service Codex, and a new product for creating OpenAI-powered AI agents. Bedrock is Amazon’s AI app building and model-choosing service.

Amazon is calling the new agent service Bedrock Managed Agents. It is specifically designed to use OpenAI’s reasoning models, offering features like agent steering and security.

Amazon promises in its blog post that “this is the beginning of a deeper collaboration between AWS and OpenAI.” And it will certainly be interesting to watch.

The Microsoft/OpenAI relationship has reportedly been deteriorating for some time, with each of them finding comfort in the arms of their partner’s biggest rival. OpenAI has turned to AWS and Oracle. Microsoft to Anthropic; the Redmond-based software giant is also working on a new agent offering powered by Claude.

Techcrunch event

San Francisco, CA | October 13-15, 2026

#Amazon #offering #OpenAI #products #AWS #TechCrunchAmazon,AWS,In Brief,OpenAI">Amazon is already offering new OpenAI products on AWS | TechCrunch
Almost as soon as OpenAI announced that its major investor and cloud partner, Microsoft, no longer has exclusive rights to any of its products, Amazon started gloating.

After the revised OpenAI/Microsoft agreement was announced on Monday, Amazon CEO Andy Jassy noted in a tweet that it was a “very interesting announcement.” That agreement solved OpenAI’s problem of allowing AWS to offer its products, an issue that crystalized after it signed an up-to--billion deal with Amazon.







Amazon announced on Tuesday that AWS’s Bedrock service now has OpenAI’s latest models, its code-writing service Codex, and a new product for creating OpenAI-powered AI agents. Bedrock is Amazon’s AI app building and model-choosing service.

Amazon is calling the new agent service Bedrock Managed Agents. It is specifically designed to use OpenAI’s reasoning models, offering features like agent steering and security.

Amazon promises in its blog post that “this is the beginning of a deeper collaboration between AWS and OpenAI.” And it will certainly be interesting to watch. 

The Microsoft/OpenAI relationship has reportedly been deteriorating for some time, with each of them finding comfort in the arms of their partner’s biggest rival. OpenAI has turned to AWS and Oracle. Microsoft to Anthropic; the Redmond-based software giant is also working on a new agent offering powered by Claude.



	
		
		Techcrunch event
		
			
			
									San Francisco, CA
													|
													October 13-15, 2026
							
			
		
	



#Amazon #offering #OpenAI #products #AWS #TechCrunchAmazon,AWS,In Brief,OpenAI

no longer has exclusive rights to any of its products, Amazon started gloating.

After the revised OpenAI/Microsoft agreement was announced on Monday, Amazon CEO Andy Jassy noted in a tweet that it was a “very interesting announcement.” That agreement solved OpenAI’s problem of allowing AWS to offer its products, an issue that crystalized after it signed an up-to-$50-billion deal with Amazon.

Amazon announced on Tuesday that AWS’s Bedrock service now has OpenAI’s latest models, its code-writing service Codex, and a new product for creating OpenAI-powered AI agents. Bedrock is Amazon’s AI app building and model-choosing service.

Amazon is calling the new agent service Bedrock Managed Agents. It is specifically designed to use OpenAI’s reasoning models, offering features like agent steering and security.

Amazon promises in its blog post that “this is the beginning of a deeper collaboration between AWS and OpenAI.” And it will certainly be interesting to watch.

The Microsoft/OpenAI relationship has reportedly been deteriorating for some time, with each of them finding comfort in the arms of their partner’s biggest rival. OpenAI has turned to AWS and Oracle. Microsoft to Anthropic; the Redmond-based software giant is also working on a new agent offering powered by Claude.

Techcrunch event

San Francisco, CA | October 13-15, 2026

#Amazon #offering #OpenAI #products #AWS #TechCrunchAmazon,AWS,In Brief,OpenAI">Amazon is already offering new OpenAI products on AWS | TechCrunch

Almost as soon as OpenAI announced that its major investor and cloud partner, Microsoft, no longer has exclusive rights to any of its products, Amazon started gloating.

After the revised OpenAI/Microsoft agreement was announced on Monday, Amazon CEO Andy Jassy noted in a tweet that it was a “very interesting announcement.” That agreement solved OpenAI’s problem of allowing AWS to offer its products, an issue that crystalized after it signed an up-to-$50-billion deal with Amazon.

Amazon announced on Tuesday that AWS’s Bedrock service now has OpenAI’s latest models, its code-writing service Codex, and a new product for creating OpenAI-powered AI agents. Bedrock is Amazon’s AI app building and model-choosing service.

Amazon is calling the new agent service Bedrock Managed Agents. It is specifically designed to use OpenAI’s reasoning models, offering features like agent steering and security.

Amazon promises in its blog post that “this is the beginning of a deeper collaboration between AWS and OpenAI.” And it will certainly be interesting to watch.

The Microsoft/OpenAI relationship has reportedly been deteriorating for some time, with each of them finding comfort in the arms of their partner’s biggest rival. OpenAI has turned to AWS and Oracle. Microsoft to Anthropic; the Redmond-based software giant is also working on a new agent offering powered by Claude.

Techcrunch event

San Francisco, CA | October 13-15, 2026

#Amazon #offering #OpenAI #products #AWS #TechCrunchAmazon,AWS,In Brief,OpenAI
wasn’t our favorite mummy movie, but it did have some recommendable qualities, including its high levels of gruesome gore. We also approved of the ending, which offered a satisfying twist to the agony that came before. And while The Mummy‘s test screenings were targeted by some since-debunked negative rumors (look, James Wan just wanted more snacks, that’s all!), apparently those same early showings helped writer-director Cronin figure out that all-important final note for his film.

Star Jack Reynor talked about the original ending and the changes that were made, and we’ll add one of these in case you haven’t yet seen Lee Cronin’s The Mummy.

‘Lee Cronin’s The Mummy’ Originally Had a Much Bleaker Ending
                Lee Cronin’s The Mummy wasn’t our favorite mummy movie, but it did have some recommendable qualities, including its high levels of gruesome gore. We also approved of the ending, which offered a satisfying twist to the agony that came before. And while The Mummy‘s test screenings were targeted by some since-debunked negative rumors (look, James Wan just wanted more snacks, that’s all!), apparently those same early showings helped writer-director Cronin figure out that all-important final note for his film. Star Jack Reynor talked about the original ending and the changes that were made, and we’ll add one of these in case you haven’t yet seen Lee Cronin’s The Mummy.  At the end of Lee Cronin’s The Mummy, the characters have all realized that young Katie is possessed by a ferocious demon. She was kidnapped years earlier by her friend’s mother, a character the film calls “the Magician,” for the sole purpose of becoming the next containment vessel for this demon over a period of years.

 The sarcophagus and wrappings covered in ancient writing she’s entombed in are meant to trap the demon as part of an obligation upheld by the Magician’s family for generations upon generations. The demon starts to escape when the sarcophagus is moved out of necessity from the Magician’s farm. Instead of relocating safely, the sarcophagus breaks open in a plane crash, and Katie—still alive, albeit mummified and barely clinging to her human soul—is sent from Egypt to New Mexico to reunite with her surprised and thankful mother, father, and two siblings.

 The bulk of Lee Cronin’s The Mummy follows the creature formerly known as Katie causing horrifying, escalating chaos, while an Egyptian detective pokes into the case overseas, and Katie’s father, Charlie, played by Reynor, does his own research in a desperate attempt to figure out what’s wrong with his daughter.

 At the end of the movie, the detective comes to New Mexico and helps Charlie manipulate the demon into leaping out of Katie and into Charlie. He saves his daughter, but dooms himself. That’s where the movie ended originally, apparently. The version that made it into theaters has an additional scene where the Magician, who’s been jailed for kidnapping Katie, gets a visit from a mummified Charlie. Again with the detective’s help, the demon makes another leap between bodies—this time, freeing Charlie and taking over the Magician’s soul instead.

 That was a reshoot, Reynor told the Hollywood Reporter. “We came back and picked it up, which was cool because it was the one day where I actually got to be the Mummy. It’s fun to get into the makeup and get to be part of that legacy,” Reynor said, name-checking the Boris Karloff and Christopher Lee versions of the character. Even beyond becoming part of horror history, though, he understood the reason for the change.

 “You make these decisions because you want to give the audience what they want, and I understand that. Is it a better movie, objectively speaking? I don’t know. I did like Lee’s original ending,” Reynor admitted. “But I also understand that if I went to see that movie with my teenage kids and they were bummed out because it was so fucking bleak at the end, maybe I’d be [more in favor of the new ending]. So I get it both ways. I see the merits of both for different reasons.” The new ending is cathartic; after all, the Magician was the one who singled Katie out for years of unimaginable torture, not to mention inflicting torment on her family. She deserves some payback other than prison time. But it also left another lingering question: what happens next?

 The Magician was the person in charge of handing down the knowledge of how to contain the demon to the next generation. Now that she’s become its current vessel, who will be keeping an eye out? Presumably, that burden now transfers to her only surviving child—a girl around Katie’s age—who’ll have to select a new innocent victim someday and perform the same ritual once her mother’s body starts to break down. We probably won’t get another Lee Cronin’s The Mummy to explore that further, but thinking about it too much does make the new ending a little less suffused with the gleeful spirit of revenge.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Lee #Cronins #Mummy #Originally #BleakerJack Reynor,Lee Cronin’s The Mummy

At the end of Lee Cronin’s The Mummy, the characters have all realized that young Katie is possessed by a ferocious demon. She was kidnapped years earlier by her friend’s mother, a character the film calls “the Magician,” for the sole purpose of becoming the next containment vessel for this demon over a period of years.

The sarcophagus and wrappings covered in ancient writing she’s entombed in are meant to trap the demon as part of an obligation upheld by the Magician’s family for generations upon generations.

The demon starts to escape when the sarcophagus is moved out of necessity from the Magician’s farm. Instead of relocating safely, the sarcophagus breaks open in a plane crash, and Katie—still alive, albeit mummified and barely clinging to her human soul—is sent from Egypt to New Mexico to reunite with her surprised and thankful mother, father, and two siblings.

The bulk of Lee Cronin’s The Mummy follows the creature formerly known as Katie causing horrifying, escalating chaos, while an Egyptian detective pokes into the case overseas, and Katie’s father, Charlie, played by Reynor, does his own research in a desperate attempt to figure out what’s wrong with his daughter.

At the end of the movie, the detective comes to New Mexico and helps Charlie manipulate the demon into leaping out of Katie and into Charlie. He saves his daughter, but dooms himself.

That’s where the movie ended originally, apparently. The version that made it into theaters has an additional scene where the Magician, who’s been jailed for kidnapping Katie, gets a visit from a mummified Charlie. Again with the detective’s help, the demon makes another leap between bodies—this time, freeing Charlie and taking over the Magician’s soul instead.

That was a reshoot, Reynor told the Hollywood Reporter.

“We came back and picked it up, which was cool because it was the one day where I actually got to be the Mummy. It’s fun to get into the makeup and get to be part of that legacy,” Reynor said, name-checking the Boris Karloff and Christopher Lee versions of the character.

Even beyond becoming part of horror history, though, he understood the reason for the change.

“You make these decisions because you want to give the audience what they want, and I understand that. Is it a better movie, objectively speaking? I don’t know. I did like Lee’s original ending,” Reynor admitted. “But I also understand that if I went to see that movie with my teenage kids and they were bummed out because it was so fucking bleak at the end, maybe I’d be [more in favor of the new ending]. So I get it both ways. I see the merits of both for different reasons.”

The new ending is cathartic; after all, the Magician was the one who singled Katie out for years of unimaginable torture, not to mention inflicting torment on her family. She deserves some payback other than prison time. But it also left another lingering question: what happens next?

The Magician was the person in charge of handing down the knowledge of how to contain the demon to the next generation. Now that she’s become its current vessel, who will be keeping an eye out? Presumably, that burden now transfers to her only surviving child—a girl around Katie’s age—who’ll have to select a new innocent victim someday and perform the same ritual once her mother’s body starts to break down.

We probably won’t get another Lee Cronin’s The Mummy to explore that further, but thinking about it too much does make the new ending a little less suffused with the gleeful spirit of revenge.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Lee #Cronins #Mummy #Originally #BleakerJack Reynor,Lee Cronin’s The Mummy">‘Lee Cronin’s The Mummy’ Originally Had a Much Bleaker Ending
                Lee Cronin’s The Mummy wasn’t our favorite mummy movie, but it did have some recommendable qualities, including its high levels of gruesome gore. We also approved of the ending, which offered a satisfying twist to the agony that came before. And while The Mummy‘s test screenings were targeted by some since-debunked negative rumors (look, James Wan just wanted more snacks, that’s all!), apparently those same early showings helped writer-director Cronin figure out that all-important final note for his film. Star Jack Reynor talked about the original ending and the changes that were made, and we’ll add one of these in case you haven’t yet seen Lee Cronin’s The Mummy.  At the end of Lee Cronin’s The Mummy, the characters have all realized that young Katie is possessed by a ferocious demon. She was kidnapped years earlier by her friend’s mother, a character the film calls “the Magician,” for the sole purpose of becoming the next containment vessel for this demon over a period of years.

 The sarcophagus and wrappings covered in ancient writing she’s entombed in are meant to trap the demon as part of an obligation upheld by the Magician’s family for generations upon generations. The demon starts to escape when the sarcophagus is moved out of necessity from the Magician’s farm. Instead of relocating safely, the sarcophagus breaks open in a plane crash, and Katie—still alive, albeit mummified and barely clinging to her human soul—is sent from Egypt to New Mexico to reunite with her surprised and thankful mother, father, and two siblings.

 The bulk of Lee Cronin’s The Mummy follows the creature formerly known as Katie causing horrifying, escalating chaos, while an Egyptian detective pokes into the case overseas, and Katie’s father, Charlie, played by Reynor, does his own research in a desperate attempt to figure out what’s wrong with his daughter.

 At the end of the movie, the detective comes to New Mexico and helps Charlie manipulate the demon into leaping out of Katie and into Charlie. He saves his daughter, but dooms himself. That’s where the movie ended originally, apparently. The version that made it into theaters has an additional scene where the Magician, who’s been jailed for kidnapping Katie, gets a visit from a mummified Charlie. Again with the detective’s help, the demon makes another leap between bodies—this time, freeing Charlie and taking over the Magician’s soul instead.

 That was a reshoot, Reynor told the Hollywood Reporter. “We came back and picked it up, which was cool because it was the one day where I actually got to be the Mummy. It’s fun to get into the makeup and get to be part of that legacy,” Reynor said, name-checking the Boris Karloff and Christopher Lee versions of the character. Even beyond becoming part of horror history, though, he understood the reason for the change.

 “You make these decisions because you want to give the audience what they want, and I understand that. Is it a better movie, objectively speaking? I don’t know. I did like Lee’s original ending,” Reynor admitted. “But I also understand that if I went to see that movie with my teenage kids and they were bummed out because it was so fucking bleak at the end, maybe I’d be [more in favor of the new ending]. So I get it both ways. I see the merits of both for different reasons.” The new ending is cathartic; after all, the Magician was the one who singled Katie out for years of unimaginable torture, not to mention inflicting torment on her family. She deserves some payback other than prison time. But it also left another lingering question: what happens next?

 The Magician was the person in charge of handing down the knowledge of how to contain the demon to the next generation. Now that she’s become its current vessel, who will be keeping an eye out? Presumably, that burden now transfers to her only surviving child—a girl around Katie’s age—who’ll have to select a new innocent victim someday and perform the same ritual once her mother’s body starts to break down. We probably won’t get another Lee Cronin’s The Mummy to explore that further, but thinking about it too much does make the new ending a little less suffused with the gleeful spirit of revenge.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Lee #Cronins #Mummy #Originally #BleakerJack Reynor,Lee Cronin’s The Mummy

mummy movie, but it did have some recommendable qualities, including its high levels of gruesome gore. We also approved of the ending, which offered a satisfying twist to the agony that came before. And while The Mummy‘s test screenings were targeted by some since-debunked negative rumors (look, James Wan just wanted more snacks, that’s all!), apparently those same early showings helped writer-director Cronin figure out that all-important final note for his film.

Star Jack Reynor talked about the original ending and the changes that were made, and we’ll add one of these in case you haven’t yet seen Lee Cronin’s The Mummy.

‘Lee Cronin’s The Mummy’ Originally Had a Much Bleaker Ending
                Lee Cronin’s The Mummy wasn’t our favorite mummy movie, but it did have some recommendable qualities, including its high levels of gruesome gore. We also approved of the ending, which offered a satisfying twist to the agony that came before. And while The Mummy‘s test screenings were targeted by some since-debunked negative rumors (look, James Wan just wanted more snacks, that’s all!), apparently those same early showings helped writer-director Cronin figure out that all-important final note for his film. Star Jack Reynor talked about the original ending and the changes that were made, and we’ll add one of these in case you haven’t yet seen Lee Cronin’s The Mummy.  At the end of Lee Cronin’s The Mummy, the characters have all realized that young Katie is possessed by a ferocious demon. She was kidnapped years earlier by her friend’s mother, a character the film calls “the Magician,” for the sole purpose of becoming the next containment vessel for this demon over a period of years.

 The sarcophagus and wrappings covered in ancient writing she’s entombed in are meant to trap the demon as part of an obligation upheld by the Magician’s family for generations upon generations. The demon starts to escape when the sarcophagus is moved out of necessity from the Magician’s farm. Instead of relocating safely, the sarcophagus breaks open in a plane crash, and Katie—still alive, albeit mummified and barely clinging to her human soul—is sent from Egypt to New Mexico to reunite with her surprised and thankful mother, father, and two siblings.

 The bulk of Lee Cronin’s The Mummy follows the creature formerly known as Katie causing horrifying, escalating chaos, while an Egyptian detective pokes into the case overseas, and Katie’s father, Charlie, played by Reynor, does his own research in a desperate attempt to figure out what’s wrong with his daughter.

 At the end of the movie, the detective comes to New Mexico and helps Charlie manipulate the demon into leaping out of Katie and into Charlie. He saves his daughter, but dooms himself. That’s where the movie ended originally, apparently. The version that made it into theaters has an additional scene where the Magician, who’s been jailed for kidnapping Katie, gets a visit from a mummified Charlie. Again with the detective’s help, the demon makes another leap between bodies—this time, freeing Charlie and taking over the Magician’s soul instead.

 That was a reshoot, Reynor told the Hollywood Reporter. “We came back and picked it up, which was cool because it was the one day where I actually got to be the Mummy. It’s fun to get into the makeup and get to be part of that legacy,” Reynor said, name-checking the Boris Karloff and Christopher Lee versions of the character. Even beyond becoming part of horror history, though, he understood the reason for the change.

 “You make these decisions because you want to give the audience what they want, and I understand that. Is it a better movie, objectively speaking? I don’t know. I did like Lee’s original ending,” Reynor admitted. “But I also understand that if I went to see that movie with my teenage kids and they were bummed out because it was so fucking bleak at the end, maybe I’d be [more in favor of the new ending]. So I get it both ways. I see the merits of both for different reasons.” The new ending is cathartic; after all, the Magician was the one who singled Katie out for years of unimaginable torture, not to mention inflicting torment on her family. She deserves some payback other than prison time. But it also left another lingering question: what happens next?

 The Magician was the person in charge of handing down the knowledge of how to contain the demon to the next generation. Now that she’s become its current vessel, who will be keeping an eye out? Presumably, that burden now transfers to her only surviving child—a girl around Katie’s age—who’ll have to select a new innocent victim someday and perform the same ritual once her mother’s body starts to break down. We probably won’t get another Lee Cronin’s The Mummy to explore that further, but thinking about it too much does make the new ending a little less suffused with the gleeful spirit of revenge.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Lee #Cronins #Mummy #Originally #BleakerJack Reynor,Lee Cronin’s The Mummy

At the end of Lee Cronin’s The Mummy, the characters have all realized that young Katie is possessed by a ferocious demon. She was kidnapped years earlier by her friend’s mother, a character the film calls “the Magician,” for the sole purpose of becoming the next containment vessel for this demon over a period of years.

The sarcophagus and wrappings covered in ancient writing she’s entombed in are meant to trap the demon as part of an obligation upheld by the Magician’s family for generations upon generations.

The demon starts to escape when the sarcophagus is moved out of necessity from the Magician’s farm. Instead of relocating safely, the sarcophagus breaks open in a plane crash, and Katie—still alive, albeit mummified and barely clinging to her human soul—is sent from Egypt to New Mexico to reunite with her surprised and thankful mother, father, and two siblings.

The bulk of Lee Cronin’s The Mummy follows the creature formerly known as Katie causing horrifying, escalating chaos, while an Egyptian detective pokes into the case overseas, and Katie’s father, Charlie, played by Reynor, does his own research in a desperate attempt to figure out what’s wrong with his daughter.

At the end of the movie, the detective comes to New Mexico and helps Charlie manipulate the demon into leaping out of Katie and into Charlie. He saves his daughter, but dooms himself.

That’s where the movie ended originally, apparently. The version that made it into theaters has an additional scene where the Magician, who’s been jailed for kidnapping Katie, gets a visit from a mummified Charlie. Again with the detective’s help, the demon makes another leap between bodies—this time, freeing Charlie and taking over the Magician’s soul instead.

That was a reshoot, Reynor told the Hollywood Reporter.

“We came back and picked it up, which was cool because it was the one day where I actually got to be the Mummy. It’s fun to get into the makeup and get to be part of that legacy,” Reynor said, name-checking the Boris Karloff and Christopher Lee versions of the character.

Even beyond becoming part of horror history, though, he understood the reason for the change.

“You make these decisions because you want to give the audience what they want, and I understand that. Is it a better movie, objectively speaking? I don’t know. I did like Lee’s original ending,” Reynor admitted. “But I also understand that if I went to see that movie with my teenage kids and they were bummed out because it was so fucking bleak at the end, maybe I’d be [more in favor of the new ending]. So I get it both ways. I see the merits of both for different reasons.”

The new ending is cathartic; after all, the Magician was the one who singled Katie out for years of unimaginable torture, not to mention inflicting torment on her family. She deserves some payback other than prison time. But it also left another lingering question: what happens next?

The Magician was the person in charge of handing down the knowledge of how to contain the demon to the next generation. Now that she’s become its current vessel, who will be keeping an eye out? Presumably, that burden now transfers to her only surviving child—a girl around Katie’s age—who’ll have to select a new innocent victim someday and perform the same ritual once her mother’s body starts to break down.

We probably won’t get another Lee Cronin’s The Mummy to explore that further, but thinking about it too much does make the new ending a little less suffused with the gleeful spirit of revenge.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Lee #Cronins #Mummy #Originally #BleakerJack Reynor,Lee Cronin’s The Mummy">‘Lee Cronin’s The Mummy’ Originally Had a Much Bleaker Ending

Lee Cronin’s The Mummy wasn’t our favorite mummy movie, but it did have some recommendable qualities, including its high levels of gruesome gore. We also approved of the ending, which offered a satisfying twist to the agony that came before. And while The Mummy‘s test screenings were targeted by some since-debunked negative rumors (look, James Wan just wanted more snacks, that’s all!), apparently those same early showings helped writer-director Cronin figure out that all-important final note for his film.

Star Jack Reynor talked about the original ending and the changes that were made, and we’ll add one of these in case you haven’t yet seen Lee Cronin’s The Mummy.

‘Lee Cronin’s The Mummy’ Originally Had a Much Bleaker Ending
                Lee Cronin’s The Mummy wasn’t our favorite mummy movie, but it did have some recommendable qualities, including its high levels of gruesome gore. We also approved of the ending, which offered a satisfying twist to the agony that came before. And while The Mummy‘s test screenings were targeted by some since-debunked negative rumors (look, James Wan just wanted more snacks, that’s all!), apparently those same early showings helped writer-director Cronin figure out that all-important final note for his film. Star Jack Reynor talked about the original ending and the changes that were made, and we’ll add one of these in case you haven’t yet seen Lee Cronin’s The Mummy.  At the end of Lee Cronin’s The Mummy, the characters have all realized that young Katie is possessed by a ferocious demon. She was kidnapped years earlier by her friend’s mother, a character the film calls “the Magician,” for the sole purpose of becoming the next containment vessel for this demon over a period of years.

 The sarcophagus and wrappings covered in ancient writing she’s entombed in are meant to trap the demon as part of an obligation upheld by the Magician’s family for generations upon generations. The demon starts to escape when the sarcophagus is moved out of necessity from the Magician’s farm. Instead of relocating safely, the sarcophagus breaks open in a plane crash, and Katie—still alive, albeit mummified and barely clinging to her human soul—is sent from Egypt to New Mexico to reunite with her surprised and thankful mother, father, and two siblings.

 The bulk of Lee Cronin’s The Mummy follows the creature formerly known as Katie causing horrifying, escalating chaos, while an Egyptian detective pokes into the case overseas, and Katie’s father, Charlie, played by Reynor, does his own research in a desperate attempt to figure out what’s wrong with his daughter.

 At the end of the movie, the detective comes to New Mexico and helps Charlie manipulate the demon into leaping out of Katie and into Charlie. He saves his daughter, but dooms himself. That’s where the movie ended originally, apparently. The version that made it into theaters has an additional scene where the Magician, who’s been jailed for kidnapping Katie, gets a visit from a mummified Charlie. Again with the detective’s help, the demon makes another leap between bodies—this time, freeing Charlie and taking over the Magician’s soul instead.

 That was a reshoot, Reynor told the Hollywood Reporter. “We came back and picked it up, which was cool because it was the one day where I actually got to be the Mummy. It’s fun to get into the makeup and get to be part of that legacy,” Reynor said, name-checking the Boris Karloff and Christopher Lee versions of the character. Even beyond becoming part of horror history, though, he understood the reason for the change.

 “You make these decisions because you want to give the audience what they want, and I understand that. Is it a better movie, objectively speaking? I don’t know. I did like Lee’s original ending,” Reynor admitted. “But I also understand that if I went to see that movie with my teenage kids and they were bummed out because it was so fucking bleak at the end, maybe I’d be [more in favor of the new ending]. So I get it both ways. I see the merits of both for different reasons.” The new ending is cathartic; after all, the Magician was the one who singled Katie out for years of unimaginable torture, not to mention inflicting torment on her family. She deserves some payback other than prison time. But it also left another lingering question: what happens next?

 The Magician was the person in charge of handing down the knowledge of how to contain the demon to the next generation. Now that she’s become its current vessel, who will be keeping an eye out? Presumably, that burden now transfers to her only surviving child—a girl around Katie’s age—who’ll have to select a new innocent victim someday and perform the same ritual once her mother’s body starts to break down. We probably won’t get another Lee Cronin’s The Mummy to explore that further, but thinking about it too much does make the new ending a little less suffused with the gleeful spirit of revenge.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Lee #Cronins #Mummy #Originally #BleakerJack Reynor,Lee Cronin’s The Mummy

At the end of Lee Cronin’s The Mummy, the characters have all realized that young Katie is possessed by a ferocious demon. She was kidnapped years earlier by her friend’s mother, a character the film calls “the Magician,” for the sole purpose of becoming the next containment vessel for this demon over a period of years.

The sarcophagus and wrappings covered in ancient writing she’s entombed in are meant to trap the demon as part of an obligation upheld by the Magician’s family for generations upon generations.

The demon starts to escape when the sarcophagus is moved out of necessity from the Magician’s farm. Instead of relocating safely, the sarcophagus breaks open in a plane crash, and Katie—still alive, albeit mummified and barely clinging to her human soul—is sent from Egypt to New Mexico to reunite with her surprised and thankful mother, father, and two siblings.

The bulk of Lee Cronin’s The Mummy follows the creature formerly known as Katie causing horrifying, escalating chaos, while an Egyptian detective pokes into the case overseas, and Katie’s father, Charlie, played by Reynor, does his own research in a desperate attempt to figure out what’s wrong with his daughter.

At the end of the movie, the detective comes to New Mexico and helps Charlie manipulate the demon into leaping out of Katie and into Charlie. He saves his daughter, but dooms himself.

That’s where the movie ended originally, apparently. The version that made it into theaters has an additional scene where the Magician, who’s been jailed for kidnapping Katie, gets a visit from a mummified Charlie. Again with the detective’s help, the demon makes another leap between bodies—this time, freeing Charlie and taking over the Magician’s soul instead.

That was a reshoot, Reynor told the Hollywood Reporter.

“We came back and picked it up, which was cool because it was the one day where I actually got to be the Mummy. It’s fun to get into the makeup and get to be part of that legacy,” Reynor said, name-checking the Boris Karloff and Christopher Lee versions of the character.

Even beyond becoming part of horror history, though, he understood the reason for the change.

“You make these decisions because you want to give the audience what they want, and I understand that. Is it a better movie, objectively speaking? I don’t know. I did like Lee’s original ending,” Reynor admitted. “But I also understand that if I went to see that movie with my teenage kids and they were bummed out because it was so fucking bleak at the end, maybe I’d be [more in favor of the new ending]. So I get it both ways. I see the merits of both for different reasons.”

The new ending is cathartic; after all, the Magician was the one who singled Katie out for years of unimaginable torture, not to mention inflicting torment on her family. She deserves some payback other than prison time. But it also left another lingering question: what happens next?

The Magician was the person in charge of handing down the knowledge of how to contain the demon to the next generation. Now that she’s become its current vessel, who will be keeping an eye out? Presumably, that burden now transfers to her only surviving child—a girl around Katie’s age—who’ll have to select a new innocent victim someday and perform the same ritual once her mother’s body starts to break down.

We probably won’t get another Lee Cronin’s The Mummy to explore that further, but thinking about it too much does make the new ending a little less suffused with the gleeful spirit of revenge.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Lee #Cronins #Mummy #Originally #BleakerJack Reynor,Lee Cronin’s The Mummy

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