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At WWDC 2025, Apple sang developers’ praises amid AI letdowns and App Store battles

At WWDC 2025, Apple sang developers’ praises amid AI letdowns and App Store battles

At the end of the WWDC 2025 keynote address on Monday, the company literally sang its praises to app developers, as singer-songwriter Allen White humorously turned customers’ positive App Store reviews into song lyrics for a tune titled “6 out of 5 stars.”

“Best app I’ve ever set my sorry eyes upon,” he crooned. “This is not an app. It’s a piece of art.”

Image Credits:Apple (screenshot)

What Apple didn’t mention, however, was anything related to the tumultuous past few years for its developer community, or more broadly, why its developers should continue to put their trust in a company that’s fighting them for every nickel and dime while failing them in other ways.

In recent years, the Cupertino-based tech giant has put its app developer community through the wringer as it stringently fought against regulation, lawsuits, and any other efforts to rein in its alleged App Store monopoly by nations, lawmakers, and the courts.

Meanwhile, it has yet to deliver on some of the key technology advances that could modernize developers’ apps for the AI era.

In March, it delayed its “more personalized,” AI-powered Siri, demonstrated at last year’s WWDC. Apple only briefly acknowledged this fumble during this year’s keynote address, when SVP of Software Engineering Craig Federighi said the work “needed more time” to meet Apple’s high bar.

Apple's Visual Intelligence feature demoed at WWDC 2025
Image Credits:Apple

At WWDC, Apple’s scattered mentions of AI related to features that Google’s AI already has, such as Apple’s AI-powered translation features, though it tried to differentiate from Google by offering lyrics translation in Apple Music. Apple’s AI-powered Visual Intelligence feature was even demonstrated by tapping into Google’s app for image search results, something that feels more native on Android devices with innovations like Circle to Search, Lens’s multisearch, visual search in videos, and more.

Elsewhere, Apple appeased developers’ demand for AI with further integrations with OpenAI technology, like the addition of ChatGPT in Apple’s Image Playground app and for coding assistance in Xcode. But no deals with other AI providers were announced, despite rumors that Google Gemini integration was on the way and that Apple was teaming up with Anthropic on an AI-powered coding assistance tool.

Image Credits:Apple

Apple also made its scripting and automations app Shortcuts easier to use with the addition of AI features, but this ended up feeling more like a stop-gap to tide over power users until an AI Siri could take actions in their apps for them.

Then there was the deafening silence over the increasingly controversial App Store commissions.

In the U.S., for instance, Apple is fresh off a key loss in its battle with Fortnite maker Epic Games that forces Apple to now allow U.S. developers to point to alternative payment mechanisms on the web, where it can’t take a commission.

Yet Apple didn’t spend time during its hour-and-a-half-long keynote to talk about how its App Store is the best place to build an app business, improvements it’s made to payment processing systems, or how it’s weeding out scams. (It touted some of its developer benefits in the days leading up to WWDC, where it focused on its anti-fraud features and developer revenues.)

Apple also launched a standalone Games app, but the keynote address focused on the consumer benefits — Challenges, social features, easy access to Apple’s own gaming store Arcade — not on what it could do for mobile developers.

Image Credits:Apple

Nor, as some had hoped, did Apple announce a reduction in its App Store commissions across the board for all developers, finally putting the question to rest as to whether Apple’s in-app payments system is worth its price.

While arguably more developer-focused improvements will roll out this week at WWDC, through its developer keynote, Platforms State of the Union, and its various sessions, Apple missed a chance to surprise its developer community with some sort of acknowledgement that it’s understood that these past years have been tough, but ultimately it’s on developers’ sides.

Instead, the only reference so far to the changing market dynamics of the App Store ecosystem was a small update to its App Review Guidelines, which has swapped out the wording “alternative app marketplace” for “alternative distribution” — a subtle reminder that Apple only thinks the only app “marketplace” that can exist is its own App Store.

As for boosting developers’ businesses, Apple seemed to be thinking of itself and its own coffers first. In the initial developer beta of iOS 26, the App Store opens up to its Search page by default, meaning that Apple is pushing developers to spend more on its App Store Search ads for discovery.

Image Credits:Apple

Other changes point to Apple seeing developers as just another lever to be pulled to make the company more money, while it focuses on delighting consumers with new bells and whistles, like its interface design overhaul dubbed Liquid Glass.

Though inspired by its VR headset Vision Pro, Apple didn’t offer developers an explanation as to why they should make over their perfectly functional apps to meet these new design guidelines. The company could have at least hinted at the fact that Liquid Glass seems an obvious precursor to building an operating system that would eventually extend beyond smartphones and tablets, to reach new computing platforms, like AR glasses.

But Apple’s cultural preference for keeping secrets, despite years of comprehensive leaks, largely from Bloomberg’s Mark Gurman, kept it from suggesting that Liquid Glass was anything but an updated new look to wow consumers.

In wrapping the event by singing cheery App Store reviews (a system now beset by bots and fake reviews, as developers know), Apple tried to lighten the mood. It knew that this year’s event would let down its developer community with its AI delays, amid an aggressive pursuit of developer revenue.

The end result made the song feel like a performative act of developer appreciation — yes, an actual performance! — rather than a true reflection of how valuable developers are to Apple’s ability to ship more iPhones and make consumers happy.

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#WWDC #Apple #sang #developers #praises #letdowns #App #Store #battles

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gaming mouse world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it.

A New Way to Click

The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback.

In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon.

Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions.

The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995.

#Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g">Logitech PRO X2 SUPERSTRIKE Mouse Debuts With Haptic Click System, 44K DPI
	
The gaming mouse world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it. 



A New Way to Click



The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback.



In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon. 



Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions.



The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995.





#Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g

world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it.

A New Way to Click

The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback.

In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon.

Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions.

The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995.

#Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g">Logitech PRO X2 SUPERSTRIKE Mouse Debuts With Haptic Click System, 44K DPI

The gaming mouse world has pretty much been the same for the last few years, with the only real improvement being weight savings. Now, Logitech has just introduced a new high-end gaming mouse in India, the Pro X2 Superstrike, and it’s bringing something genuinely new to the table. With it, the company is trying to rethink how mouse clicks work entirely, replacing traditional mechanical switches with a new system designed for faster response and better control. Here’s what you need to know about it.

A New Way to Click

The biggest highlight of the PRO X2 SUPERSTRIKE is its Haptic Inductive Trigger System (HITS), which ditches conventional microswitches in favor of inductive analog sensing paired with real-time haptic feedback.

In simpler terms, clicks aren’t just registered—they’re felt instantly. The system allows players to adjust the sensitivity of each click, with multiple actuation levels and reset points to suit their playstyle. Whether you prefer quick taps in FPS games or more deliberate clicks in strategy titles, the mouse can be tuned accordingly. Logitech claims this setup can reduce click latency by up to 30 milliseconds, and if this is true, it’ll reshape the landscape altogether. We have the Pro X2 for testing purposes, so keep an eye out for the full review dropping soon.

Beyond the click tech, the PRO X2 SUPERSTRIKE packs serious hardware. It features Logitech’s HERO 2 sensor with up to 44K DPI and supports an 8K polling rate, meaning it sends data to your PC every 0.125 milliseconds. The mouse is also capable of tracking extremely fast movements, with support for high acceleration and precise tracking even during rapid flicks. Despite all that, Logitech has kept the weight down to around 65 grams, making it suitable for long gaming sessions without fatigue. It also includes PTFE feet for smoother gliding and a battery life of up to 90 hours, which should easily last through extended sessions.

The Logitech G PRO X2 SUPERSTRIKE will be available in India in a Lunar Eclipse color option, priced at ₹23,995.

#Logitech #PRO #SUPERSTRIKE #Mouse #Debuts #Haptic #Click #System #44K #DPIlogitech,logitech g
wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod.

That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

Okay, but how “back” is it?

The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024.

Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more.

The World Is Basically Begging for Another iPod
                Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

 Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

 None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

 There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

 Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching  a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at  per month.

 It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

 Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

 Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.      #World #Basically #Begging #iPodApple,audio,iPod
© Mario Tama / Getty Images

On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

There’s also the Spotify of it all.

Remember owning stuff?

There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod.

According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that?

It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching $13 a month. For context, in 2023, subscription fees rose from $9.99 to $10.99, and again in 2024 from $10.99 to $11.99. Apple Music is more affordable, but not by much at $11 per month.

It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course.

New Ipod Launch
© Cate Gillon / Staff

“I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.”

As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto.

“There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.

#World #Basically #Begging #iPodApple,audio,iPod">The World Is Basically Begging for Another iPod
                Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

 Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

 None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

 There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

 Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching  a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at  per month.

 It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

 Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

 Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.      #World #Basically #Begging #iPodApple,audio,iPod

enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod.

That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

Okay, but how “back” is it?

The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024.

Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more.

The World Is Basically Begging for Another iPod
                Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

 Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

 None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

 There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

 Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching  a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at  per month.

 It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

 Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

 Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.      #World #Basically #Begging #iPodApple,audio,iPod
© Mario Tama / Getty Images

On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

There’s also the Spotify of it all.

Remember owning stuff?

There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod.

According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that?

It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching $13 a month. For context, in 2023, subscription fees rose from $9.99 to $10.99, and again in 2024 from $10.99 to $11.99. Apple Music is more affordable, but not by much at $11 per month.

It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course.

New Ipod Launch
© Cate Gillon / Staff

“I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.”

As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto.

“There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.

#World #Basically #Begging #iPodApple,audio,iPod">The World Is Basically Begging for Another iPod

Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod.

That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

Okay, but how “back” is it?

The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024.

Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more.

The World Is Basically Begging for Another iPod
                Audio nostalgia is a thing right now, and it’s not just wired earbuds enjoying all of the shine. A yearning for wired audio is bringing its good friend along for the ride: the king of all things MP3. The one, the only, the iPod. That’s right, the iPod is f*cking back. Not in an official sense, of course—it was discontinued officially in 2022—but it’s back in a very unofficial capacity. By nostalgia’s standards, the iPod is relevant once more, and you’ve probably got your phone (or the icky apps in it) to thank for that.

 Okay, but how “back” is it? The iPod is pretty back, to be honest. As the AP notes, secondhand sites like eBay are basically loaded with listings for used iPods, and on a more empirical level, Back Market, which also sells used and refurbished electronics, tells the AP that used iPod sales jumped 48% since 2024. Anecdotally, I’ve been seeing the iPod everywhere, not just in a literal sense, but in a spiritual one. As I’ve written about before, digital audio players (DAPs) are seemingly a real category again, and new DAPs come in all shapes and sizes. There are DAPs shaped like cassette players, big utilitarian rectangles, and tiny little MP3-playing hunks of plastic. None of them has the iPod’s iconic click wheel, of course, but the spirit that the iPod helped popularize is still there. It’s a dedicated device that carries your music and almost nothing more. © Mario Tama / Getty Images On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

 None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

 There’s also the Spotify of it all. Remember owning stuff? There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod. According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

 Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that? It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching  a month. For context, in 2023, subscription fees rose from .99 to .99, and again in 2024 from .99 to .99. Apple Music is more affordable, but not by much at  per month.

 It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course. © Cate Gillon / Staff “I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

 Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.” As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto. “There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

 Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.      #World #Basically #Begging #iPodApple,audio,iPod
© Mario Tama / Getty Images

On a more iPod-specific note, there are also people trying to replicate the iPod experience on your phone, like this guy building an iPod maker. Or how about people marrying AirPods Max with an iPod—wires and all. It’s even inspiring new products, like this upcoming AI gadget from two ex-Apple employees who tell Wired that the iPod Shuffle was a big inspiration design-wise. Those are all just window dressing, though, compared to the loads of people who actually bother to refurbish iPods, whether for personal use, resale, or because they’re nostalgic about the days when you could walk around listening to music without your phone delivering stress-inducing emails.

None of this interest in iPods is brand new, by any means—people have been modding iPods or selling them secondhand for a while now, but it feels as though it’s reached a tipping point. It’s hard to pinpoint why exactly iPods feel more relevant than ever, but nostalgia doesn’t quite cover it.

There’s also the Spotify of it all.

Remember owning stuff?

There’s no denying that nostalgia is a driving force in the iPod’s renewed relevance. Gen Z in particular has zeroed in on the early-2000s for inspiration, whether in fashion or tech, and there’s not a more iconic gadget from the early aughts than the iPod.

According to Anshel Sag, a tech analyst for Moor Insights & Strategy, renewed interest in the iPod has been a long time coming. For one, Sag says there’s a resurgence in interest in wired earbuds, specifically EarPods, Apple’s wired earbuds that predate AirPods. Not only are they cheap, but they also deliver much higher fidelity than lots of wireless earbuds you can buy, even in the midrange.

Then there’s the comeback of formats like vinyl and CDs, which have helped to create more interest in the idea of owning music as opposed to just borrowing it through a streaming service. Owning things! Remember that?

It’s that last part, streaming, that feels particularly potent, though. As convenient as streaming music is, people have felt the slow creep of subscriptions on their wallets, and Spotify is a part of that. In January, Spotify raised its prices once again, this time reaching $13 a month. For context, in 2023, subscription fees rose from $9.99 to $10.99, and again in 2024 from $10.99 to $11.99. Apple Music is more affordable, but not by much at $11 per month.

It’s been a slow turn of the dial, but coupled with the weight of other streaming services, the burden is palpable. And how does one deal with that burden? By opting out, of course.

New Ipod Launch
© Cate Gillon / Staff

“I think people are evaluating all their streaming services, whether it’s music or TV or movies…because the price has ballooned,” Sag told Gizmodo. “Every time a service goes up in price, they become hyperaware of all the streaming services they’re paying for, and that includes music.

Sag also says that the younger generation is also more aware of how artists make money and how much of a cut they get from streaming services. “They might not want to actually pay for the streaming service because they don’t think the artists are getting what they deserve and might otherwise just pay for the music directly from the artist and put it on their iPod, or whatever their choice of music player is.”

As others have covered, it’s impossible to discount the ripple effects from the backlash against phones when it comes to nostalgic gadgets like iPods. There’s a yearning for phone-free experiences, and iPods deliver that. Sag notes that there’s also independence with gadgets like iPods or CDs and vinyl that appeals to those (particularly Gen Z) who feel bereft of things to hold onto.

“There’s a demand for something that isn’t tied to a streaming connection that always sounds good, no matter where you are—and you’re in control of the experience,” Sag says. “And that’s why I think stuff like iPods is having a bit of a comeback.”

Mostly, it’s what Sag calls “a perfect storm.” There’s no one answer to why iPods are back, and whether our love of them ever left is debatable, but somehow they do feel magnetic again. We’ll probably not live to see the day when new iPods exist, getting churned out of Foxconn like the next iPhone, but that’s for the best. They’d probably just have Apple Music on them anyway.

#World #Basically #Begging #iPodApple,audio,iPod

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