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Bored Ape Yacht Club is making a comeback — as a metaverse

Bored Ape Yacht Club is making a comeback — as a metaverse

It’s dusk, and bugs are chirping all around me. I’m wandering through the middle of a big, virtual swamp toward the sound of thumping bass off in the distance. There isn’t much else nearby — some trees, a couple of other players. It’s mostly just me and the sound emanating from a large wooden structure strung up with lights sitting farther out into the swamp.

When I finally arrive, it rises above me: the official clubhouse of the Bored Ape Yacht Club. I make for the door to head inside. Except I find I can’t get access; even though the lights are on in the house, the doors don’t actually open. There’s nothing to do.

These were my first steps inside the virtual world themed after the infamous cartoon monkeys that became the symbol of everything about the NFT craze. Even though the NFT hype has died down, Yuga Labs, the company behind BAYC and a few other NFT collections, is about to make a big new digital push with another early 2020s buzzword, a metaverse called Otherside.

Otherside has been a long time coming: The company announced its intention to build Otherside after raising $450 million in funding in 2022, with one of BAYC’s cofounders saying at the time that the company hoped to build an “interoperable,” “gamified,” and “decentralized” virtual world. Yuga Labs has mostly been quiet about the project since then, finally launching an alpha earlier this year. Today, at the company’s ApeFest event in Las Vegas, Yuga Labs announced that Otherside will be officially launching on November 12th.

“It’s basically one of the most ambitious projects ever attempted in the space”

“It’s basically one of the most ambitious projects ever attempted in the space, and it’s finally starting to take shape,” Yuga Labs chief product officer Michael Figge tells The Verge.

The short version of the pitch is that Otherside is something like Roblox or Fortnite, but with crypto: you can use NFTs as avatars to explore virtual worlds created by Yuga Labs and by other players. You can log in with a crypto wallet, but you don’t need an NFT to participate or just hang out; you can just join from a browser using more traditional methods like your email.

“We think that there should be a very low barrier to entry for somebody to try out Otherside, because once they do try it, it’s a really great way to get exposed to what it’s like to actually own digital assets,” Figge says.

There’s a bunch of crypto stuff everywhere you look. NFT avatars, NFT plots of land, blockchain-based currency. Yuga hopes it can build a creator ecosystem around all of this, giving builders a more compelling deal than competing metaverses because these digital assets exist outside of its world and can be moved elsewhere in the future. You can also mostly ignore all of this and just run around Otherside without diving too far into the crypto of it all, if you want to.

In addition to the area I explored, The Swamp, there will be a big virtual hub world called the Nexus. Some community-made experiences will also be available to play, too. Those include a shooter game called Bathroom Blitz (“action so explosive, you’ll be clenching cheeks the whole time,” according to a description on the Otherside website) and a zombie game called Otherside Outbreak. In worlds, you can also create “Bubbles,” which are basically an Otherside version of a social audio room, like a Clubhouse room or an X Space.

“We actually think there’s a really big potential for people that want to make their own experiences on Otherside,” Figge says. “Going after incumbents in the user-generated experience field, like Roblox and Minecraft, is a huge opportunity for us, because I think a lot of people might be disenchanted with that current way of supporting creators and the economic model behind it.”

Yuga Labs and Amazon are partnering on a “Boximus” avatar

Otherside’s in-game avatars are 3D representations of NFTs that players own. “Any NFT collection can submit their avatar collection to be reviewed and used in Otherside,” Figge says. There will also be avatars built using a new system Yuga Labs is calling Voyager. There will initially be two avatar partnerships. One is a 300-piece collection from digital artist Daniel Arsham. Another is a co-branded “tokenized asset” in partnership with Amazon called Boximus that Figge describes as “basically, like, made up of a bunch of Amazon boxes.” Figge says the Amazon avatar will be available directly on Amazon’s website.

These avatars will cost money. “Think of these voyagers like a ‘skin’ from the traditional gaming world,” Figge says. “We aren’t disclosing pricing details just yet, but what we can say is they are meant to be reasonable and affordable.” And because they’re blockchain-based assets, you’ll be able to resell the ones you own, according to Figge, which you can’t do in other metaverse-like games.

I got to run around The Swamp before writing this article. This world seemed to be a giant, 3D social chatroom — there wasn’t any sort of game to play besides exploring the space and chatting with fellow visitors over voice or text. And while I don’t want to judge a pre-launch virtual world too harshly before it launches publicly, it reminded me more of the hollow experiences I’ve had wandering around Meta’s Horizon Worlds or a metaverse fashion show than something immediately fun and engaging like Fortnite.

In The Swamp, there just wasn’t much to see or do besides wander around the outside of the clubhouse (which I couldn’t go inside of) or explore the swamp to see things like an outhouse (closed) and a platform by a train track (with a sign that says “out of order”). To my surprise, as I was walking away from the platform, a train started rumbling by, but my character ran too slowly to catch it. I found a portal that sent me flying in the direction of the moving train, but I missed landing on it and splashed back into the water.

Even if we assume those sorts of nitpicky problems get fixed and The Swamp or the Nexus or Otherside experiences are filled with players, 3D environments that are primarily for socializing are usually very niche or pretty boring. Hits like VRChat are the exception, not the rule. And part of what makes things like Fortnite and Roblox so popular is that they have games to play while hanging out with your friends. At launch, and with such a focus on crypto, I’m not sure Otherside will have that same pull.

Maybe Otherside will develop into something more interesting; Fortnite, Roblox, and Minecraft all snowballed their way into becoming huge hits. But I’m skeptical of what I see right now, and you probably won’t see me on the other side.

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#Bored #Ape #Yacht #Club #making #comeback #metaverse

Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions.

But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
© Kamome Shirahama/Yen Press

If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy.

Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.

For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.

For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie.

Eniale & Dewiela Manga panel of women watching a sunset.
© Kamome Shirahama/Yen Press

So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier">Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier

 has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions.

But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
© Kamome Shirahama/Yen Press

If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy.

Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.

For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.

For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie.

Eniale & Dewiela Manga panel of women watching a sunset.
© Kamome Shirahama/Yen Press

So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier">Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals

Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions.

But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
© Kamome Shirahama/Yen Press

If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy.

Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.

For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.

For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie.

Eniale & Dewiela Manga panel of women watching a sunset.
© Kamome Shirahama/Yen Press

So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
By law, autonomous vehicles aren’t allowed to carry unaccompanied minors in California. Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.

Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.

The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.

The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.

So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.

Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.

In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.

Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”

#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids">Waymo Is Trying to Crack Down on Solo Kids in Driverless CarsBy law, autonomous vehicles aren’t allowed to carry unaccompanied minors in California. Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids

Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.

Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.

The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.

The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.

So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.

Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.

In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.

Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”

#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids">Waymo Is Trying to Crack Down on Solo Kids in Driverless Cars

By law, autonomous vehicles aren’t allowed to carry unaccompanied minors in California. Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.

Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.

The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.

The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.

So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.

Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.

In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.

Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”

#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids

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