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How to watch Apple’s WWDC 2025 keynote

How to watch Apple’s WWDC 2025 keynote

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With Google and Microsoft’s developer conferences out of the way, now it’s time for Apple’s WWDC. The Cupertino company is gearing up to unveil new versions (and new numbers) for all its operating systems, as well as taking a second step at convincing everyone it’s a major player in the AI industry.

Rumor has it we may also see a whole new product category from Apple, with a HomePad smart display possibly in the offering. Here’s how to catch it all live.

When is the WWDC keynote?

While WWDC itself runs all week, the keynote with all the major announcements should take just a couple hours on Monday, June 9th. It’s set to start at 1PM ET / 10AM PT.

The keynote event is taking place in person at Apple Park in Cupertino, California, but it’ll be streamed online too. The easiest place for most people to watch it will be YouTube, so we’ve embedded the livestream up above.

If you prefer, Apple will also stream the event itself on Apple.com and on the Apple TV app.

What to expect from Apple’s keynote

Bloomberg reports that Apple is renaming — or rather renumbering — all of its operating systems.

Apparently this year they’ll all make the jump to iOS 26, macOS 26, tvOS 26, and so on, unifying version numbers while tying them to the calendar year just after they release, which should help them sound sufficiently futuristic.

Of course, macOS isn’t giving up its Californian names just yet. Alongside its new number, it’ll apparently be titled Tahoe.

To go with those new numbers, Apple is reportedly planning a design overhaul for its software, inspired by the look of the Vision Pro’s visionOS.

That will mean updated icons, menus, apps, windows, and system buttons across iPhones, Macs, and iPads, with a look that incorporates “light and transparency.” There’ll also be tweaks to toolbars, new pop-out menus that bring up extra options on a click, and larger redesigns for the Phone, Safari, and Camera apps on iPhone and iPad.

This may be Apple’s best chance to show off its long-rumored smart display, a HomePod/iPad hybrid with a speaker and smart home controls.

It had been rumored for a March 2025 release, but expectations then shifted to later this year. Still, even if the release date is still a while away, Apple might want to take WWDC as an excuse to tease what it has in the works.

Apple can’t afford to ignore AI this year, even if Apple Intelligence didn’t get off to the greatest start. We hope, though it might not, Apple brings a second look at its take on AI for iPhones (and beyond), even if some of the features announced a year ago still haven’t arrived.

Apple may have learned its lessons from last year and could focus on AI features that are a bit closer to completion, which may mean it’ll stay quiet on its plans to overhaul Siri. According to Bloomberg that’s likely to mean a focus instead on translation features, AI-powered battery optimization, and opening up Apple’s foundation AI models to third-party developers.

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Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.

Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.)

SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why.

There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped.

That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?

Stranger Things: Tales From ’85 is a bewildering trip to the past.

‘Stranger Things: Tales From ’85’ review: This baffling prequel won’t cure the Season 5 hatred Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.) SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why. There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped. That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?Stranger Things: Tales From ’85 is a bewildering trip to the past. Credit: Netflix Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2. Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series. Mashable Top Stories SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5 However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem. Credit: Netflix That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing. That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.Stranger Things: Tales From ’85 is now streaming on Netflix. Topics Netflix Stranger Things #Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred

Credit: Netflix

Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.

But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2.

Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series.

SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5

However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.

Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.

Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem.

Nikki greets the Hawkins party in "Stranger Things: Tales From '85."

Credit: Netflix

That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.

Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.

In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing.

That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.

Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?

I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?

Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.

Stranger Things: Tales From ’85 is now streaming on Netflix.

Topics Netflix Stranger Things

#Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred">‘Stranger Things: Tales From ’85’ review: This baffling prequel won’t cure the Season 5 hatred Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.) SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why. There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped. That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?Stranger Things: Tales From ’85 is a bewildering trip to the past. Credit: Netflix Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2. Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series. Mashable Top Stories SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5 However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem. Credit: Netflix That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing. That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.Stranger Things: Tales From ’85 is now streaming on Netflix. Topics Netflix Stranger Things #Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred

Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.

Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.)

SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why.

There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped.

That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?

Stranger Things: Tales From ’85 is a bewildering trip to the past.

‘Stranger Things: Tales From ’85’ review: This baffling prequel won’t cure the Season 5 hatred Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.) SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why. There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped. That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?Stranger Things: Tales From ’85 is a bewildering trip to the past. Credit: Netflix Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2. Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series. Mashable Top Stories SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5 However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem. Credit: Netflix That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing. That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.Stranger Things: Tales From ’85 is now streaming on Netflix. Topics Netflix Stranger Things #Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred

Credit: Netflix

Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.

But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2.

Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series.

SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5

However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.

Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.

Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem.

Nikki greets the Hawkins party in "Stranger Things: Tales From '85."

Credit: Netflix

That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.

Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.

In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing.

That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.

Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?

I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?

Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.

Stranger Things: Tales From ’85 is now streaming on Netflix.

Topics Netflix Stranger Things

#Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred">‘Stranger Things: Tales From ’85’ review: This baffling prequel won’t cure the Season 5 hatred

Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.

Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.)

SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why.

There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped.

That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?

Stranger Things: Tales From ’85 is a bewildering trip to the past.

‘Stranger Things: Tales From ’85’ review: This baffling prequel won’t cure the Season 5 hatred Stranger Things: Tales From ’85 might be the most bizarre step Stranger Things could have taken.Take the release date, for starters. Tales From ’85 airs just four months after the Stranger Things series finale. That gives fans barely any breathing room between the end of the flagship series and the beginning of this animated spin-off, proof of Netflix’s ambitious, nonstop designs to turn one of its most original shows into a massive franchise. (It’s already got a stage play, books, and games to its name.) SEE ALSO: ‘Stranger Things’ fans are furious about the finale. Here’s why. There’s just one big wrinkle in that plan: Stranger Things‘ final season was so controversial, it left distraught fans theorizing about a secret surprise episode and accusing the Duffer Brothers of writing Season 5 with ChatGPT. The outrage is still too fresh for another TV trip to Hawkins, Indiana, to go the way Netflix hoped. That trip back to Hawkins doesn’t actually move the story of Stranger Things forward. Instead, Tales From ’85 returns to the past, sandwiching itself between Seasons 2 and 3 and raising tons of questions about the series. Namely, why?Stranger Things: Tales From ’85 is a bewildering trip to the past. Credit: Netflix Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2. Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series. Mashable Top Stories SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5 However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem. Credit: Netflix That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing. That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.Stranger Things: Tales From ’85 is now streaming on Netflix. Topics Netflix Stranger Things #Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred

Credit: Netflix

Tales From ’85 is set during the winter of 1985, many months before the Hawkins kids ever set foot in Starcourt Mall. It’s winter break, and Mike (voiced by Luca Diaz), Eleven (voiced by Brooklyn Davey Norstedt), Dustin (voiced by Braxton Quinney), Lucas (voiced by Elisha Williams), Will (voiced by Ben Plessala), and Max (voiced by Jolie Hoang-Rappaport) are excited to enjoy the snow, the Hawkins winter festival, and of course, some Dungeons & Dragons.

But the Upside Down has other plans, as a strange new wave of creatures descends on Hawkins. A “snow shark” burrows through snowdrifts, its relentless motion reminiscent of the Graboids from Tremors. “Jerk-O-Lanterns” plague the pumpkin patch that proved pivotal to Season 2.

Encounters with these beasts range from frightening to full-on fun, thanks to dynamic, vivid animation from Flying Bark Productions. The painterly style is reminiscent of Netflix’s smash hit Arcane, and while that series certainly isn’t the first to pioneer that look, there is a sense that Netflix is trying to recreate that same magic in what could be a blockbuster new animated series.

SEE ALSO: Gaten Matarazzo hoped ‘Stranger Things’ fans would be conflicted about Dustin in Season 5

However, as inventive as each creature or fight gets, there’s a larger issue hanging over Tales From ’85. None of this has any bearing on future seasons of Stranger Things itself. In Season 3 and beyond, no one brings up the perilous winter of ’85, or discusses how the strategies they used while solving this mystery could help them in their current investigations. Dustin even makes a full-on push to start a Hawkins Investigators’ Club, something that would definitely come up in later seasons were Tales From ’85 more than an afterthought.

Plus, not to be too much of a stickler for canon, but Eleven is pushing her psychic abilities here to almost Season 5 levels of superhero-dom, all without breaking a sweat. (Nosebleeds are still included, of course.) That comes down to the magic of animation, which allows Tales From ’85 to go wild with its portrayal of Eleven’s powers. As epic as it is, it’s also divorced from the reality of the main series. For something that’s meant to fit into Stranger Things, Tales From ’85 winds up feeling woefully disjointed. Nowhere is that clearer than when it introduces a new key character whom we know has to disappear from Hawkins before Season 3.

Nikki is the heart of Stranger Things: Tales From ’85… and its biggest problem.

Nikki greets the Hawkins party in "Stranger Things: Tales From '85."

Credit: Netflix

That new character is Nikki Baxter (voiced by Odessa A’zion). A brawny punk accustomed to moving towns with her scientist mother Anna (Janeane Garofalo), Nikki’s not used to putting down roots. But when she gets caught up in a snow shark attack and witnesses Eleven’s powers firsthand, she’s welcomed into the Hawkins party and quickly becomes fast friends with them.

Despite her intimidating appearance, Nikki proves to have a heart of gold (as well as a keen ability for tinkering that makes her indispensable to the party’s investigation). While she often serves as the friend group therapist, mediating arguments with ease, she also bonds with Will over their outsider status, encouraging him to embrace what makes him different. Tales From ’85 overtly ties Will’s “difference” to his supernatural troubles in Seasons 1 and 2, although given his coming out as gay in Season 5, Nikki’s advice takes on new meaning here. Does Tales From ’85 act further on that subtext, or do anything in its power to reflect more meaningfully onto the show’s next seasons? No.

In rewinding us to the time period between Seasons 2 and 3, Tales From ’85 traps its characters in an odd arrested development. We know where their character arcs lead them, but here, we’ve taken several leaps back in their journeys. That none of the original actors lend their voices to the series doesn’t help either. While the voice cast does a solid job, even nailing several of their live-action counterparts’ mannerisms, there’s no denying how important the original cast was in establishing these characters. Without them, the Tales From ’85 versions of the Hawkins party wind up as uncanny simulacra of the real thing.

That’s why Nikki is so important to Tales From ’85. As an original character, she’s a breath of fresh air in an ensemble we’ve spent a decade with. It’s exciting to shake up the Hawkins party with a new face, even if her worries about moving away or not fitting in are fairly cliché.

Given that Nikki doesn’t appear or even get mentioned in future Stranger Things seasons, audiences will know she eventually exits the narrative. Does she continue Stranger Things‘ proud tradition of introducing a beloved side character only to kill them off? (See: Barb, Bob, Alexei, and Eddie.) Does she move away as she’s always feared? Does she get wiped from everyone’s memories somehow?

I tried to banish these questions from my mind as I watched Tales From ’85, hoping to meet the show more on its level. But when its level is awkwardly shoehorning itself into a broader show in order to keep a franchise chugging, how can I not be thinking of how it will all eventually connect, and why this exists in the first place?

Of course, we already know why it exists: franchising. More than that, though, it’s an attempt to stir up easy nostalgia for earlier Stranger Things seasons, which fans might be more willing to digest following their reaction to Season 5. But a franchise needs more than nostalgia to survive, and it’s clear from Tales From ’85 that Stranger Things still needs to learn that lesson.

Stranger Things: Tales From ’85 is now streaming on Netflix.

Topics Netflix Stranger Things

#Stranger #Tales #review #baffling #prequel #wont #cure #Season #hatred

On top of that, almost immediately after Trump’s announcement, Mizan, an Iranian state news agency, called the president a liar. “Last night, Donald Trump, citing a completely false news story, called on Iran to overturn the death sentences of eight women.” Mizan said that some of the women had already been released and others were facing prison time but not execution, and furthermore said that Tehran had made no concessions — presumably, the status of the women has not changed.

The X account for the Iranian embassy in South Africa, perhaps the most relentless shitposter among Iran’s state-affiliated accounts, was quick to pile on by generating its own set of eight women:

The collage that Trump posted is, at the very least, AI-modified, Mahsa Alimardani, the associate director of the Technology Threats & Opportunities program at WITNESS, told The Verge. But the women themselves are real. The woman in the top right corner of the collage is Bita Hemmati, whose photograph appeared in several news stories in various right-leaning news outlets last week. Hemmati is confirmed to have received a death sentence issued by Branch 26 of the Tehran Revolutionary Court for “operational action for the hostile government of the United States and hostile groups.”

Alimardani named six of the women (Bita Hemmati, Mahboubeh Shabani, Venus Hossein-Nejad, Golnaz Naraghi, Diana Taherabadi, Ghazal Ghalandri), and said that the identities of the final two (said to be Panah Movahedi and Ensieh Nejati) were still unverified. The six verified women participated in protests against the government in January. Aside from Hemmati, none of the other women are reported to have received death sentences.

It’s not surprising that Trump has a careless disregard for the truth; it’s not surprising, either, for the Iranian regime to fudge the details to suit its own narrative, or to make light of real political prisoners in order to dunk on the United States.

The additional wrinkle is that the account mocking Trump for coming to the rescue of “8 AI-generated women” is the very same one that landed South Korean president Lee Jae-myung in hot water when he quoted a misleading labeled video posted by that account. Israeli officials have accused the account of being “well-known for spreading disinformation.” The case of the sketchy Lee Jae-myung quote-post is a story of mingled truth and misinformation, where the post got facts very wrong, but the video — of Israeli Defense Forces soldiers shoving a limp body off a rooftop in Gaza — was real, documenting an event that possibly implicates Israeli forces in a violation of international law.

The case of the eight Iranian protesters also features that same mingling of fact and fiction into a fuzzy distortion that fuels an endless disputation of real human rights violations. Their lives have been reduced to glossy pixels and quote-dunks, the stuff of propaganda and parody. While known liars fight with each other on the internet about who these women are and what will happen to them, they — verifiably six of them, at least — remain real people who exist beyond the Iranian internet blackout.

#Iranian #women #Trump #saved #execution #simultaneously #real #AImanipulatedPolicy,Politics">The Iranian women Trump ‘saved’ from execution are simultaneously real and AI-manipulatedOnly the night before, he had posted on Truth Social about the imminent executions of these women, quoting a screenshot that included a collage of eight glamorously backlit, soft-focus portraits. The photos of the women were immediately accused of being AI-generated. “Trump is begging Iranian leaders to not execute 8 AI-generated women. This is the funniest thing I’ve ever seen,” said one viral X post.On top of that, almost immediately after Trump’s announcement, Mizan, an Iranian state news agency, called the president a liar. “Last night, Donald Trump, citing a completely false news story, called on Iran to overturn the death sentences of eight women.” Mizan said that some of the women had already been released and others were facing prison time but not execution, and furthermore said that Tehran had made no concessions — presumably, the status of the women has not changed.The X account for the Iranian embassy in South Africa, perhaps the most relentless shitposter among Iran’s state-affiliated accounts, was quick to pile on by generating its own set of eight women:The collage that Trump posted is, at the very least, AI-modified, Mahsa Alimardani, the associate director of the Technology Threats & Opportunities program at WITNESS, told The Verge. But the women themselves are real. The woman in the top right corner of the collage is Bita Hemmati, whose photograph appeared in several news stories in various right-leaning news outlets last week. Hemmati is confirmed to have received a death sentence issued by Branch 26 of the Tehran Revolutionary Court for “operational action for the hostile government of the United States and hostile groups.”Alimardani named six of the women (Bita Hemmati, Mahboubeh Shabani, Venus Hossein-Nejad, Golnaz Naraghi, Diana Taherabadi, Ghazal Ghalandri), and said that the identities of the final two (said to be Panah Movahedi and Ensieh Nejati) were still unverified. The six verified women participated in protests against the government in January. Aside from Hemmati, none of the other women are reported to have received death sentences.It’s not surprising that Trump has a careless disregard for the truth; it’s not surprising, either, for the Iranian regime to fudge the details to suit its own narrative, or to make light of real political prisoners in order to dunk on the United States.The additional wrinkle is that the account mocking Trump for coming to the rescue of “8 AI-generated women” is the very same one that landed South Korean president Lee Jae-myung in hot water when he quoted a misleading labeled video posted by that account. Israeli officials have accused the account of being “well-known for spreading disinformation.” The case of the sketchy Lee Jae-myung quote-post is a story of mingled truth and misinformation, where the post got facts very wrong, but the video — of Israeli Defense Forces soldiers shoving a limp body off a rooftop in Gaza — was real, documenting an event that possibly implicates Israeli forces in a violation of international law.The case of the eight Iranian protesters also features that same mingling of fact and fiction into a fuzzy distortion that fuels an endless disputation of real human rights violations. Their lives have been reduced to glossy pixels and quote-dunks, the stuff of propaganda and parody. While known liars fight with each other on the internet about who these women are and what will happen to them, they — verifiably six of them, at least — remain real people who exist beyond the Iranian internet blackout.#Iranian #women #Trump #saved #execution #simultaneously #real #AImanipulatedPolicy,Politics

called the president a liar. “Last night, Donald Trump, citing a completely false news story, called on Iran to overturn the death sentences of eight women.” Mizan said that some of the women had already been released and others were facing prison time but not execution, and furthermore said that Tehran had made no concessions — presumably, the status of the women has not changed.

The X account for the Iranian embassy in South Africa, perhaps the most relentless shitposter among Iran’s state-affiliated accounts, was quick to pile on by generating its own set of eight women:

The collage that Trump posted is, at the very least, AI-modified, Mahsa Alimardani, the associate director of the Technology Threats & Opportunities program at WITNESS, told The Verge. But the women themselves are real. The woman in the top right corner of the collage is Bita Hemmati, whose photograph appeared in several news stories in various right-leaning news outlets last week. Hemmati is confirmed to have received a death sentence issued by Branch 26 of the Tehran Revolutionary Court for “operational action for the hostile government of the United States and hostile groups.”

Alimardani named six of the women (Bita Hemmati, Mahboubeh Shabani, Venus Hossein-Nejad, Golnaz Naraghi, Diana Taherabadi, Ghazal Ghalandri), and said that the identities of the final two (said to be Panah Movahedi and Ensieh Nejati) were still unverified. The six verified women participated in protests against the government in January. Aside from Hemmati, none of the other women are reported to have received death sentences.

It’s not surprising that Trump has a careless disregard for the truth; it’s not surprising, either, for the Iranian regime to fudge the details to suit its own narrative, or to make light of real political prisoners in order to dunk on the United States.

The additional wrinkle is that the account mocking Trump for coming to the rescue of “8 AI-generated women” is the very same one that landed South Korean president Lee Jae-myung in hot water when he quoted a misleading labeled video posted by that account. Israeli officials have accused the account of being “well-known for spreading disinformation.” The case of the sketchy Lee Jae-myung quote-post is a story of mingled truth and misinformation, where the post got facts very wrong, but the video — of Israeli Defense Forces soldiers shoving a limp body off a rooftop in Gaza — was real, documenting an event that possibly implicates Israeli forces in a violation of international law.

The case of the eight Iranian protesters also features that same mingling of fact and fiction into a fuzzy distortion that fuels an endless disputation of real human rights violations. Their lives have been reduced to glossy pixels and quote-dunks, the stuff of propaganda and parody. While known liars fight with each other on the internet about who these women are and what will happen to them, they — verifiably six of them, at least — remain real people who exist beyond the Iranian internet blackout.

#Iranian #women #Trump #saved #execution #simultaneously #real #AImanipulatedPolicy,Politics">The Iranian women Trump ‘saved’ from execution are simultaneously real and AI-manipulated

Only the night before, he had posted on Truth Social about the imminent executions of these women, quoting a screenshot that included a collage of eight glamorously backlit, soft-focus portraits. The photos of the women were immediately accused of being AI-generated. “Trump is begging Iranian leaders to not execute 8 AI-generated women. This is the funniest thing I’ve ever seen,” said one viral X post.

On top of that, almost immediately after Trump’s announcement, Mizan, an Iranian state news agency, called the president a liar. “Last night, Donald Trump, citing a completely false news story, called on Iran to overturn the death sentences of eight women.” Mizan said that some of the women had already been released and others were facing prison time but not execution, and furthermore said that Tehran had made no concessions — presumably, the status of the women has not changed.

The X account for the Iranian embassy in South Africa, perhaps the most relentless shitposter among Iran’s state-affiliated accounts, was quick to pile on by generating its own set of eight women:

The collage that Trump posted is, at the very least, AI-modified, Mahsa Alimardani, the associate director of the Technology Threats & Opportunities program at WITNESS, told The Verge. But the women themselves are real. The woman in the top right corner of the collage is Bita Hemmati, whose photograph appeared in several news stories in various right-leaning news outlets last week. Hemmati is confirmed to have received a death sentence issued by Branch 26 of the Tehran Revolutionary Court for “operational action for the hostile government of the United States and hostile groups.”

Alimardani named six of the women (Bita Hemmati, Mahboubeh Shabani, Venus Hossein-Nejad, Golnaz Naraghi, Diana Taherabadi, Ghazal Ghalandri), and said that the identities of the final two (said to be Panah Movahedi and Ensieh Nejati) were still unverified. The six verified women participated in protests against the government in January. Aside from Hemmati, none of the other women are reported to have received death sentences.

It’s not surprising that Trump has a careless disregard for the truth; it’s not surprising, either, for the Iranian regime to fudge the details to suit its own narrative, or to make light of real political prisoners in order to dunk on the United States.

The additional wrinkle is that the account mocking Trump for coming to the rescue of “8 AI-generated women” is the very same one that landed South Korean president Lee Jae-myung in hot water when he quoted a misleading labeled video posted by that account. Israeli officials have accused the account of being “well-known for spreading disinformation.” The case of the sketchy Lee Jae-myung quote-post is a story of mingled truth and misinformation, where the post got facts very wrong, but the video — of Israeli Defense Forces soldiers shoving a limp body off a rooftop in Gaza — was real, documenting an event that possibly implicates Israeli forces in a violation of international law.

The case of the eight Iranian protesters also features that same mingling of fact and fiction into a fuzzy distortion that fuels an endless disputation of real human rights violations. Their lives have been reduced to glossy pixels and quote-dunks, the stuff of propaganda and parody. While known liars fight with each other on the internet about who these women are and what will happen to them, they — verifiably six of them, at least — remain real people who exist beyond the Iranian internet blackout.

#Iranian #women #Trump #saved #execution #simultaneously #real #AImanipulatedPolicy,Politics
Tesla CEO Elon Musk kicked off the company’s first-quarter earnings call with a monetary heads-up — or depending on the mindset of the investor, a warning. Tesla’s capital expenditures will skyrocket to $25 billion in 2026, far outpacing its previous annual spend as it races to stay ahead of the competition and transitions to an AI and robotics company, according to its first-quarter earnings report.

That figure, which covers what Tesla plans to spend on physical assets outside of its day-to-day operating expenditures, is three times higher than its annual capex budget in previous years. For comparison, Tesla’s annual capital expenditures were $8.5 billion in 2025, $11.3 billion in 2024, and $8.9 billion in 2023.

Tesla had announced in January that it expected capital expenditures to be in excess of $20 billion in 2026, already a substantial increase meant to cover its AI initiatives, including investments in compute infrastructure and data centers, and the expansion and ramp of its manufacturing and R&D production lines, among other items.

This $5 billion uptick suggests these initiatives will require more money than previously planned. But so far, its quarterly capital expenditure, which was $2.5 billion, was in line with previous quarters, the report shows.

Of course, Musk views this as a positive, a sentiment many other shareholders will likely also share since it positions Tesla as a company investing in its future, namely AI and robotics.

“With 2026 we’re going to be substantially increasing our investments in the future,” Musk said in the earnings call Wednesday. “So you should expect to see significant, a very significant increase in capital expenditures, but I think well justified for a substantially increased future revenue stream.”

Musk was quick to note that Tesla isn’t the only company raising its capital expenditure budget. Amazon, for instance, has projected $200 billion in capital expenditures in 2026, across “AI, chips, robotics, and low earth orbit satellites.” Google is slated to spend between $175 billion and $185 billion in capital expenditures in 2026, up from $91.4 billion the previous year.

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The increase in Tesla’s capital expenditures is linked to Musk’s desire and ambition to evolve the company beyond building and selling EVs, solar, and energy storage.

Some of the capex spend will go toward Tesla’s core technologies such as its battery and AI software, according to Musk. The company plans to invest in AI training, chip design, and “laying the groundwork” for increasing manufacturing production, as well as invest in its robotaxi operations and its new semiconductor research fab in Austin.

The Fremont, California, factory will likely suck up some of that capital as the company ends production of the Tesla Model S and Model X and begins building its Optimus humanoid robot at scale. The company said Wednesday it has also cleared ground outside its Austin factory for a dedicated Optimus manufacturing facility.

Tesla plans to increase its internal production of Optimus for testing and then “probably” make Optimus “useful outside of Tesla sometime next year,” he said.

Tesla is also putting money toward strengthening its supply chain “across the board,” Musk said, adding that this covers batteries, energy, and AI silicon.

All of this spending, which CFO Vaibhav Taneja said will last a couple of years, comes with a literal cost. The company — which enjoyed a brief 4% share price bump due, in part, to an unexpected $1.4 billion in free cash flow — will head into negative territory later this year, Taneja said.

Tesla shares erased their gains in after-hours trading as Musk and Taneja laid out these plans to investors. Still, Tesla is sitting on loads of cash. At the end of the first quarter, Tesla reported $44.7 billion in cash, cash equivalents, and short-term investments.

“While this may seem like a lot, and we will have the impact of negative free cash flow for the rest of the year, we believe this is the right strategy to position the company for the next era,” Taneja said.

When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.

#Tesla #increased #spending #plan #25B #heres #money #TechCrunchElon Musk,Tesla">Tesla just increased its spending plan to B — here’s where the money is going | TechCrunch Tesla CEO Elon Musk kicked off the company’s first-quarter earnings call with a monetary heads-up — or depending on the mindset of the investor, a warning. Tesla’s capital expenditures will skyrocket to billion in 2026, far outpacing its previous annual spend as it races to stay ahead of the competition and transitions to an AI and robotics company, according to its first-quarter earnings report. That figure, which covers what Tesla plans to spend on physical assets outside of its day-to-day operating expenditures, is three times higher than its annual capex budget in previous years. For comparison, Tesla’s annual capital expenditures were .5 billion in 2025, .3 billion in 2024, and .9 billion in 2023. Tesla had announced in January that it expected capital expenditures to be in excess of billion in 2026, already a substantial increase meant to cover its AI initiatives, including investments in compute infrastructure and data centers, and the expansion and ramp of its manufacturing and R&D production lines, among other items. This billion uptick suggests these initiatives will require more money than previously planned. But so far, its quarterly capital expenditure, which was .5 billion, was in line with previous quarters, the report shows. Of course, Musk views this as a positive, a sentiment many other shareholders will likely also share since it positions Tesla as a company investing in its future, namely AI and robotics. “With 2026 we’re going to be substantially increasing our investments in the future,” Musk said in the earnings call Wednesday. “So you should expect to see significant, a very significant increase in capital expenditures, but I think well justified for a substantially increased future revenue stream.” Musk was quick to note that Tesla isn’t the only company raising its capital expenditure budget. Amazon, for instance, has projected 0 billion in capital expenditures in 2026, across “AI, chips, robotics, and low earth orbit satellites.” Google is slated to spend between 5 billion and 5 billion in capital expenditures in 2026, up from .4 billion the previous year. Techcrunch event San Francisco, CA | October 13-15, 2026 The increase in Tesla’s capital expenditures is linked to Musk’s desire and ambition to evolve the company beyond building and selling EVs, solar, and energy storage. Some of the capex spend will go toward Tesla’s core technologies such as its battery and AI software, according to Musk. The company plans to invest in AI training, chip design, and “laying the groundwork” for increasing manufacturing production, as well as invest in its robotaxi operations and its new semiconductor research fab in Austin. The Fremont, California, factory will likely suck up some of that capital as the company ends production of the Tesla Model S and Model X and begins building its Optimus humanoid robot at scale. The company said Wednesday it has also cleared ground outside its Austin factory for a dedicated Optimus manufacturing facility. Tesla plans to increase its internal production of Optimus for testing and then “probably” make Optimus “useful outside of Tesla sometime next year,” he said. Tesla is also putting money toward strengthening its supply chain “across the board,” Musk said, adding that this covers batteries, energy, and AI silicon. All of this spending, which CFO Vaibhav Taneja said will last a couple of years, comes with a literal cost. The company — which enjoyed a brief 4% share price bump due, in part, to an unexpected .4 billion in free cash flow — will head into negative territory later this year, Taneja said. Tesla shares erased their gains in after-hours trading as Musk and Taneja laid out these plans to investors. Still, Tesla is sitting on loads of cash. At the end of the first quarter, Tesla reported .7 billion in cash, cash equivalents, and short-term investments. “While this may seem like a lot, and we will have the impact of negative free cash flow for the rest of the year, we believe this is the right strategy to position the company for the next era,” Taneja said. When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Tesla #increased #spending #plan #25B #heres #money #TechCrunchElon Musk,Tesla

first-quarter earnings report.

That figure, which covers what Tesla plans to spend on physical assets outside of its day-to-day operating expenditures, is three times higher than its annual capex budget in previous years. For comparison, Tesla’s annual capital expenditures were $8.5 billion in 2025, $11.3 billion in 2024, and $8.9 billion in 2023.

Tesla had announced in January that it expected capital expenditures to be in excess of $20 billion in 2026, already a substantial increase meant to cover its AI initiatives, including investments in compute infrastructure and data centers, and the expansion and ramp of its manufacturing and R&D production lines, among other items.

This $5 billion uptick suggests these initiatives will require more money than previously planned. But so far, its quarterly capital expenditure, which was $2.5 billion, was in line with previous quarters, the report shows.

Of course, Musk views this as a positive, a sentiment many other shareholders will likely also share since it positions Tesla as a company investing in its future, namely AI and robotics.

“With 2026 we’re going to be substantially increasing our investments in the future,” Musk said in the earnings call Wednesday. “So you should expect to see significant, a very significant increase in capital expenditures, but I think well justified for a substantially increased future revenue stream.”

Musk was quick to note that Tesla isn’t the only company raising its capital expenditure budget. Amazon, for instance, has projected $200 billion in capital expenditures in 2026, across “AI, chips, robotics, and low earth orbit satellites.” Google is slated to spend between $175 billion and $185 billion in capital expenditures in 2026, up from $91.4 billion the previous year.

Techcrunch event

San Francisco, CA | October 13-15, 2026

The increase in Tesla’s capital expenditures is linked to Musk’s desire and ambition to evolve the company beyond building and selling EVs, solar, and energy storage.

Some of the capex spend will go toward Tesla’s core technologies such as its battery and AI software, according to Musk. The company plans to invest in AI training, chip design, and “laying the groundwork” for increasing manufacturing production, as well as invest in its robotaxi operations and its new semiconductor research fab in Austin.

The Fremont, California, factory will likely suck up some of that capital as the company ends production of the Tesla Model S and Model X and begins building its Optimus humanoid robot at scale. The company said Wednesday it has also cleared ground outside its Austin factory for a dedicated Optimus manufacturing facility.

Tesla plans to increase its internal production of Optimus for testing and then “probably” make Optimus “useful outside of Tesla sometime next year,” he said.

Tesla is also putting money toward strengthening its supply chain “across the board,” Musk said, adding that this covers batteries, energy, and AI silicon.

All of this spending, which CFO Vaibhav Taneja said will last a couple of years, comes with a literal cost. The company — which enjoyed a brief 4% share price bump due, in part, to an unexpected $1.4 billion in free cash flow — will head into negative territory later this year, Taneja said.

Tesla shares erased their gains in after-hours trading as Musk and Taneja laid out these plans to investors. Still, Tesla is sitting on loads of cash. At the end of the first quarter, Tesla reported $44.7 billion in cash, cash equivalents, and short-term investments.

“While this may seem like a lot, and we will have the impact of negative free cash flow for the rest of the year, we believe this is the right strategy to position the company for the next era,” Taneja said.

When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.

#Tesla #increased #spending #plan #25B #heres #money #TechCrunchElon Musk,Tesla">Tesla just increased its spending plan to $25B — here’s where the money is going | TechCrunch

Tesla CEO Elon Musk kicked off the company’s first-quarter earnings call with a monetary heads-up — or depending on the mindset of the investor, a warning. Tesla’s capital expenditures will skyrocket to $25 billion in 2026, far outpacing its previous annual spend as it races to stay ahead of the competition and transitions to an AI and robotics company, according to its first-quarter earnings report.

That figure, which covers what Tesla plans to spend on physical assets outside of its day-to-day operating expenditures, is three times higher than its annual capex budget in previous years. For comparison, Tesla’s annual capital expenditures were $8.5 billion in 2025, $11.3 billion in 2024, and $8.9 billion in 2023.

Tesla had announced in January that it expected capital expenditures to be in excess of $20 billion in 2026, already a substantial increase meant to cover its AI initiatives, including investments in compute infrastructure and data centers, and the expansion and ramp of its manufacturing and R&D production lines, among other items.

This $5 billion uptick suggests these initiatives will require more money than previously planned. But so far, its quarterly capital expenditure, which was $2.5 billion, was in line with previous quarters, the report shows.

Of course, Musk views this as a positive, a sentiment many other shareholders will likely also share since it positions Tesla as a company investing in its future, namely AI and robotics.

“With 2026 we’re going to be substantially increasing our investments in the future,” Musk said in the earnings call Wednesday. “So you should expect to see significant, a very significant increase in capital expenditures, but I think well justified for a substantially increased future revenue stream.”

Musk was quick to note that Tesla isn’t the only company raising its capital expenditure budget. Amazon, for instance, has projected $200 billion in capital expenditures in 2026, across “AI, chips, robotics, and low earth orbit satellites.” Google is slated to spend between $175 billion and $185 billion in capital expenditures in 2026, up from $91.4 billion the previous year.

Techcrunch event

San Francisco, CA | October 13-15, 2026

The increase in Tesla’s capital expenditures is linked to Musk’s desire and ambition to evolve the company beyond building and selling EVs, solar, and energy storage.

Some of the capex spend will go toward Tesla’s core technologies such as its battery and AI software, according to Musk. The company plans to invest in AI training, chip design, and “laying the groundwork” for increasing manufacturing production, as well as invest in its robotaxi operations and its new semiconductor research fab in Austin.

The Fremont, California, factory will likely suck up some of that capital as the company ends production of the Tesla Model S and Model X and begins building its Optimus humanoid robot at scale. The company said Wednesday it has also cleared ground outside its Austin factory for a dedicated Optimus manufacturing facility.

Tesla plans to increase its internal production of Optimus for testing and then “probably” make Optimus “useful outside of Tesla sometime next year,” he said.

Tesla is also putting money toward strengthening its supply chain “across the board,” Musk said, adding that this covers batteries, energy, and AI silicon.

All of this spending, which CFO Vaibhav Taneja said will last a couple of years, comes with a literal cost. The company — which enjoyed a brief 4% share price bump due, in part, to an unexpected $1.4 billion in free cash flow — will head into negative territory later this year, Taneja said.

Tesla shares erased their gains in after-hours trading as Musk and Taneja laid out these plans to investors. Still, Tesla is sitting on loads of cash. At the end of the first quarter, Tesla reported $44.7 billion in cash, cash equivalents, and short-term investments.

“While this may seem like a lot, and we will have the impact of negative free cash flow for the rest of the year, we believe this is the right strategy to position the company for the next era,” Taneja said.

When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.

#Tesla #increased #spending #plan #25B #heres #money #TechCrunchElon Musk,Tesla

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