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Meta held talks to buy Thinking Machines, Perplexity, and Safe Superintelligence

Meta held talks to buy Thinking Machines, Perplexity, and Safe Superintelligence

At this point, it’s becoming easier to say which AI startups Mark Zuckerberg hasn’t looked at acquiring.

In addition to Ilya Sutskever’s Safe Superintelligence (SSI), sources tell me the Meta CEO recently discussed buying ex-OpenAI CTO Mira Murati’s Thinking Machines Lab and Perplexity, the AI-native Google rival. None of these talks progressed to the formal offer stage for various reasons, including disagreements over deal prices and strategy, but together they illustrate how aggressively Zuckerberg has been canvassing the industry to reboot his AI efforts.

Now, details about the team Zuckerberg is assembling are starting to come into view: SSI co-founder and CEO Daniel Gross, along with ex-Github CEO Nat Friedman, are poised to co-lead the Meta AI assistant. Both men will report to Alexandr Wang, the former Scale CEO Zuckerberg just paid over $14 billion to quickly hire. Wang told his Scale team goodbye last Friday and was in the Meta office on Monday. This week, he has been meeting with top Meta leaders (more on that below) and continuing to recruit for the new AI team Zuckerberg has tasked him with building. I expect the team to be unveiled as soon as next week.

Rather than join Meta, Sutskever, Murati, and Perplexity CEO Aravind Srinivas have all gone on to raise more money at higher valuations. Sutskever, a titan of the AI research community who co-founded OpenAI, recently raised a couple of billion dollars for SSI. Both Meta and Google are investors in his company, I’m told. Murati also just raised a couple of billion dollars. Neither she nor Sutskever is close to releasing a product. Srinivas, meanwhile, is in the process of raising around $500 million for Perplexity.

Spokespeople for all the companies involved either declined to comment or didn’t respond in time for publication. The Information and CNBC first reported Zuckerberg’s talks with Safe Superintelligence, while Bloomberg first reported the Perplexity talks.

While Zuckerberg’s recruiting drive is motivated by the urgency he feels to fix Meta’s AI strategy, the situation also highlights the fierce competition for top AI talent these days. In my conversations this week, those on the inside of the industry aren’t surprised by Zuckerberg making nine-figure — or even, yes, 10-figure — compensation offers for the best AI talent. There are certain senior people at OpenAI, for example, who are already compensated in that ballpark, thanks to the company’s meteoric increase in valuation over the last few years.

Speaking of OpenAI, it’s clear that CEO Sam Altman is at least a bit rattled by Zuckerberg’s hiring spree. His decision to appear on his brother’s podcast this week and say that “none of our best people” are leaving for Meta was probably meant to convey a position of strength, but in reality, it looks like he is throwing his former colleagues under the bus. I was confused by Altman’s suggestion that Meta paying a lot upfront for talent won’t “set up a great culture.” After all, didn’t OpenAI just pay $6.5 billion to hire Jony Ive and his small hardware team?

Alex Himel.

“We think that glasses are the best form factor for AI”

When I joined a Zoom call with Alex Himel, Meta’s VP of wearables, this week, he had just gotten off a call with Zuckerberg’s new AI chief, Alexandr Wang.

“There’s an increasing number of Alexes that I talk to on a regular basis,” Himel joked as we started our conversation about Meta’s new glasses release with Oakley. “I was just in my first meeting with him. There were like three people in a room with the camera real far away, and I was like, ‘Who is talking right now?’ And then I was like, ‘Oh, hey, it’s Alex.’”

The following Q&A has been edited for length and clarity:

How did your meeting with Alex just now go?

The meeting was about how to make AI as awesome as it can be for glasses. Obviously, there are some unique use cases in the glasses that aren’t stuff you do on a phone. The thing we’re trying to figure out is how to balance it all, because AI can be everything to everyone or it could be amazing for more specific use cases.

We’re trying to figure out how to strike the right balance because there’s a ton of stuff in the underlying Llama models and that whole pipeline that we don’t care about on glasses. Then there’s stuff we really, really care about, like egocentric view and trying to feed video into the models to help with some of the really aspirational use cases that we wouldn’t build otherwise.

You are referring to this new lineup with Oakley as “AI glasses.” Is that the new branding for this category? They are AI glasses, not smart glasses?

We refer to the category as AI glasses. You saw Orion. You used it for longer than anyone else in the demo, which I commend you for. We used to think that’s what you needed to hit scale for this new category. You needed the big field of view and display to overlay virtual content. Our opinion of that has definitely changed. We think we can hit scale faster, and AI is the reason we think that’s possible.

Right now, the top two use cases for the glasses are audio — phone calls, music, podcasts — and taking photos and videos. We look at participation rates of our active users, and those have been one and two since launch. Audio is one. A very close second is photos and videos.

AI has been number three from the start. As we’ve been launching more markets — we’re now in 18 — and we’ve been adding more features, AI is creeping up. Our biggest investment by a mile on the software side is AI functionality, because we think that glasses are the best form factor for AI. They are something you’re already wearing all the time. They can see what you see. They can hear what you hear. They’re super accessible.

Is your goal to have AI supersede audio and photo to be the most used feature for glasses, or is that not how you think about it?

From a math standpoint, at best, you could tie. We do want AI to be something that’s increasingly used by more people more frequently. We think there’s definitely room for the audio to get better. There’s definitely room for image quality to get better. The AI stuff has much more headroom.

How much of the AI is onboard the glasses versus the cloud? I imagine you have lots of physical constraints with this kind of device.

We’ve now got one billion-parameter models that can run on the frame. So, increasingly, there’s stuff there. Then we have stuff running on the phone.

If you were watching WWDC, Apple made a couple of announcements that we haven’t had a chance to test yet, but we’re excited about. One is the Wi-Fi Aware APIs. We should be able to transfer photos and videos without having people tap that annoying dialogue box every time. That’d be great. The second one was processor background access, which should allow us to do image processing when you transfer the media over. Syncing would work just like it does on Android.

Do you think the market for these new Oakley glasses will be as big as the Ray-Bans? Or is it more niche because they are more outdoors and athlete-focused?

We work with EssilorLuxottica, which is a great partner. Ray-Ban is their largest brand. Within that, the most popular style is Wayfair. When we launched the original Ray-Ban Meta glasses, we went with the most popular style for the most popular brand.

Their second biggest brand is Oakley. A lot of people wear them. The Holbrook is really popular. The HSTN, which is what we’re launching, is a really popular analog frame. We increasingly see people using the Ray-Ban Meta glasses for active use cases. This is our first step into the performance category. There’s more to come.

What’s your reaction to Google’s announcements at I/O for their XR glasses platform and eyewear partnerships?

We’ve been working with EssilorLuxottica for like five years now. That’s a long time for a partnership. It takes a while to get really in sync. I feel very good about the state of our partnership. We’re able to work quickly. The Oakley Meta glasses are the fastest program we’ve had by quite a bit. It took less than nine months.

I thought the demos they [Google] did were pretty good. I thought some of those were pretty compelling. They didn’t announce a product, so I can’t react specifically to what they’re doing. It’s flattering that people see the traction we’re getting and want to jump in as well.

On the AR glasses front, what have you been learning from Orion now that you’ve been showing it to the outside world?

We’ve been going full speed on that. We’ve actually hit some pretty good internal milestones for the next version of it, which is the one we plan to sell. The biggest learning from using them is that we feel increasingly good about the input and interaction model with eye tracking and the neural band. I wore mine during March Madness in the office. I was literally watching the games. Picture yourself sitting at a table with a virtual TV just above people’s heads. It was amazing.

  • TikTok gets to keep operating illegally. As expected, President Trump extended his enforcement deadline for the law that has banned a China-owned TikTok in the US. It’s essential to understand what is really happening here: Trump is instructing his Attorney General not to enforce earth-shattering fines on Apple, Google, and every other American company that helps operate TikTok. The idea that he wouldn’t use this immense leverage to extract whatever he wants from these companies is naive, and this whole process makes a mockery of everyone involved, not to mention the US legal system.
  • Amazon will hire fewer people because of AI. When you make an employee memo a press release, you’re trying to tell the whole world what’s coming. In this case, Amazon CEO Andy Jassy wants to make clear that he’s going to fully embrace AI to cut costs. Roughly 30 percent of Amazon’s code is already written by AI, and I’m sure Jassy is looking at human-intensive areas, such as sales and customer service, to further automate.

If you haven’t already, don’t forget to subscribe to The Verge, which includes unlimited access to Command Line and all of our reporting.

As always, I welcome your feedback, especially if you’ve also turned down Zuck. You can respond here or ping me securely on Signal.

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#Meta #held #talks #buy #Thinking #Machines #Perplexity #Safe #Superintelligence

With the rise in popularity of pickleball, a “pickleball movie” was inevitable. But I’m frankly relieved that The Dink is in the hands of director Josh Greenbaum. He’s the helmer of the brilliant buddy comedy Barb and Star Go to Vista del Mar and the buddy documentary Will & Harper

Not only are both of these movies top-tier when it comes to feel-good films, but each centers on older women without making them the butt of any jokes about aging. Instead, both celebrate their heroines for their brightness, humor, horniness, and brave honesty. And The Dink follows in their footsteps, while being a bit more mainstream. 

The Dink brings together Jake Johnson, Mary Steenburgen, Ed Harris, Patton Oswalt, and Aaron Chen for a buddy comedy that’s laugh-out-loud hilarious and terrifically heartwarming. But of course, it begins with the fiery rivalry between tennis players and pickleballers. 

The Dink is a sensationally silly sports comedy. 

Jake Johnson stars as lovable loser Dusty Boyd, who’ll tell anyone who’ll listen about his brush with long-passed glory. As a child, Dusty was a tennis prodigy, coached by his father Chuck (a comically mirthless Ed Harris) to be the next hard-hitting legend. But after a disastrous match against Andy Roddick (yes, Andy Roddick), his reputation was destroyed. So here he is, a lollygagging tennis coach to children at a club run by his father. 

But Dusty has a chance to redeem himself in his father’s eyes when a new enemy invades their pristine tennis courts. You guessed it: pickleballers. 

In a deranged slideshow presentation, Chuck explains to Dusty how the pickleballers — led by Patton Oswalt — are demanding more courts, which will obviously lead to pickleball dominating the world, so no one can play tennis again! To beat them back, Chuck sets up a tournament, pitting the best tennis player against the best pickleballer. Winner makes the call on the courts. 

However, Dusty’s mission to squash the pickleballers gets sidetracked when he begins playing himself, alongside some charismatic older women, including Candace (Mary Steenburgen). While it’s a rough start learning the game and its playful lingo, Dusty grows close to Candace at movie nights and country bars. And through their friendship, they both begin to realize how they’ve gotten stuck in the narratives of their past, which is inhibiting their growth toward a better future. Naturally, those lessons will be tied into a big final match, where pickleball becomes a metaphor for life. 

Don’t worry. You won’t have to strain to catch that message. Greenbaum’s got John McEnroe making a cameo in The Dink, playing an unsolicited commentator on the big match. 

Jake Johnson and Mary Steenburgen lead a hilarious cast. 

With many years of New Girl behind him, Johnson has a lot of practice at playing a lovelorn buffoon. And given Steenburgen’s elegance, it’s easy to see how Dusty would fall for Candace. But The Dink rejects the temptation to become a cliched rom-com of opposites attract. Instead, Johnson will play the fool, while Steenburgen will be his straight man. Their chemistry is crackling and their comedic timing sublime. 

But Johnson switches gears opposite Aaron Chen, who plays a co-worker who idolizes Dusty and believes every tall tale. With Chen, Greenbaum is able to reach into more offbeat humor through goofy visual gags and a flat delivery that’s a sharp foil to Johnson’s funny floundering. 

Beyond that, The Dink has a jaw-dropping list of comedians turning up for gleefully ludicrous bit parts, like Ben Stiller as a rambling doctor, Oswalt as an uptight pickleballer, Chris Parnell as a smug tennis player, Chloe Fineman as a mean ex, and the late Lynne Marie Stewart (It’s Always Sunny in Philadelphia and Pee-wee’s Playhouse) as a flirty friend of Candace’s. However, Ed Harris deserves a special shout-out here.

Ed Harris had me howling in The Dink.

This long-celebrated American actor has really sunk his teeth into playing a string of ruthless fathers, from the grisly thriller Love Lies Bleeding to the dark comedies Riff Raff and How to Make a Killing, and now The Dink. Where Johnson goes broad and Chen goes offbeat for punchlines, Harris goes unflinchingly serious. He’s treating this squabble between club members and courts as if it’s a threat to the Earth as we know it. He regards every Dusty freakout with a stern but unfurrowed brow. And that’s what makes his bits hysterical. 

Greenbaum smartly blends these different styles of comedy to craft a movie that’ll be a crowd-pleaser. There are bits in here weird enough to exist in the wacky and wondrous world of Barb and Star. Then there are riffs of physical comedy or a serene absurdity that feels in line with the comedy of Will Ferrell and Harper Steele. Johnson plays more broadly, expertly hitting every beat with aplomb. Steenburgen offers support with stinging one-liners and lively reactions. And I can’t stress enough: The Dink won’t mock pickleball or those who play it. 

Greenbaum’s brand of comedy is defiantly wacky, welcoming, and humane, never mean. So The Dink is sure to please, whatever your age or interest in its central sport. 

The Dink premieres on Apple TV on July 24.

#Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser">‘The Dink’ review: Apple’s pickleball movie is a laugh-out-loud crowd-pleaser
                                                            With the rise in popularity of pickleball, a “pickleball movie” was inevitable. But I’m frankly relieved that The Dink is in the hands of director Josh Greenbaum. He’s the helmer of the brilliant buddy comedy Barb and Star Go to Vista del Mar and the buddy documentary Will & Harper. Not only are both of these movies top-tier when it comes to feel-good films, but each centers on older women without making them the butt of any jokes about aging. Instead, both celebrate their heroines for their brightness, humor, horniness, and brave honesty. And The Dink follows in their footsteps, while being a bit more mainstream. The Dink brings together Jake Johnson, Mary Steenburgen, Ed Harris, Patton Oswalt, and Aaron Chen for a buddy comedy that’s laugh-out-loud hilarious and terrifically heartwarming. But of course, it begins with the fiery rivalry between tennis players and pickleballers. 
The Dink is a sensationally silly sports comedy. Jake Johnson stars as lovable loser Dusty Boyd, who’ll tell anyone who’ll listen about his brush with long-passed glory. As a child, Dusty was a tennis prodigy, coached by his father Chuck (a comically mirthless Ed Harris) to be the next hard-hitting legend. But after a disastrous match against Andy Roddick (yes, Andy Roddick), his reputation was destroyed. So here he is, a lollygagging tennis coach to children at a club run by his father. But Dusty has a chance to redeem himself in his father’s eyes when a new enemy invades their pristine tennis courts. You guessed it: pickleballers. In a deranged slideshow presentation, Chuck explains to Dusty how the pickleballers — led by Patton Oswalt — are demanding more courts, which will obviously lead to pickleball dominating the world, so no one can play tennis again! To beat them back, Chuck sets up a tournament, pitting the best tennis player against the best pickleballer. Winner makes the call on the courts. However, Dusty’s mission to squash the pickleballers gets sidetracked when he begins playing himself, alongside some charismatic older women, including Candace (Mary Steenburgen). While it’s a rough start learning the game and its playful lingo, Dusty grows close to Candace at movie nights and country bars. And through their friendship, they both begin to realize how they’ve gotten stuck in the narratives of their past, which is inhibiting their growth toward a better future. Naturally, those lessons will be tied into a big final match, where pickleball becomes a metaphor for life. 
        
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Don’t worry. You won’t have to strain to catch that message. Greenbaum’s got John McEnroe making a cameo in The Dink, playing an unsolicited commentator on the big match. Jake Johnson and Mary Steenburgen lead a hilarious cast. With many years of New Girl behind him, Johnson has a lot of practice at playing a lovelorn buffoon. And given Steenburgen’s elegance, it’s easy to see how Dusty would fall for Candace. But The Dink rejects the temptation to become a cliched rom-com of opposites attract. Instead, Johnson will play the fool, while Steenburgen will be his straight man. Their chemistry is crackling and their comedic timing sublime. But Johnson switches gears opposite Aaron Chen, who plays a co-worker who idolizes Dusty and believes every tall tale. With Chen, Greenbaum is able to reach into more offbeat humor through goofy visual gags and a flat delivery that’s a sharp foil to Johnson’s funny floundering. Beyond that, The Dink has a jaw-dropping list of comedians turning up for gleefully ludicrous bit parts, like Ben Stiller as a rambling doctor, Oswalt as an uptight pickleballer, Chris Parnell as a smug tennis player, Chloe Fineman as a mean ex, and the late Lynne Marie Stewart (It’s Always Sunny in Philadelphia and Pee-wee’s Playhouse) as a flirty friend of Candace’s. However, Ed Harris deserves a special shout-out here. Ed Harris had me howling in The Dink. This long-celebrated American actor has really sunk his teeth into playing a string of ruthless fathers, from the grisly thriller Love Lies Bleeding to the dark comedies Riff Raff and How to Make a Killing, and now The Dink. Where Johnson goes broad and Chen goes offbeat for punchlines, Harris goes unflinchingly serious. He’s treating this squabble between club members and courts as if it’s a threat to the Earth as we know it. He regards every Dusty freakout with a stern but unfurrowed brow. And that’s what makes his bits hysterical. Greenbaum smartly blends these different styles of comedy to craft a movie that’ll be a crowd-pleaser. There are bits in here weird enough to exist in the wacky and wondrous world of Barb and Star. Then there are riffs of physical comedy or a serene absurdity that feels in line with the comedy of Will Ferrell and Harper Steele. Johnson plays more broadly, expertly hitting every beat with aplomb. Steenburgen offers support with stinging one-liners and lively reactions. And I can’t stress enough: The Dink won’t mock pickleball or those who play it. Greenbaum’s brand of comedy is defiantly wacky, welcoming, and humane, never mean. So The Dink is sure to please, whatever your age or interest in its central sport. The Dink premieres on Apple TV on July 24.

                    
                                            
                            
    
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                                    #Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser

The Dink premieres on Apple TV on July 24.

#Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser">‘The Dink’ review: Apple’s pickleball movie is a laugh-out-loud crowd-pleaser

With the rise in popularity of pickleball, a “pickleball movie” was inevitable. But I’m frankly relieved that The Dink is in the hands of director Josh Greenbaum. He’s the helmer of the brilliant buddy comedy Barb and Star Go to Vista del Mar and the buddy documentary Will & Harper

Not only are both of these movies top-tier when it comes to feel-good films, but each centers on older women without making them the butt of any jokes about aging. Instead, both celebrate their heroines for their brightness, humor, horniness, and brave honesty. And The Dink follows in their footsteps, while being a bit more mainstream. 

The Dink brings together Jake Johnson, Mary Steenburgen, Ed Harris, Patton Oswalt, and Aaron Chen for a buddy comedy that’s laugh-out-loud hilarious and terrifically heartwarming. But of course, it begins with the fiery rivalry between tennis players and pickleballers. 

The Dink is a sensationally silly sports comedy. 

Jake Johnson stars as lovable loser Dusty Boyd, who’ll tell anyone who’ll listen about his brush with long-passed glory. As a child, Dusty was a tennis prodigy, coached by his father Chuck (a comically mirthless Ed Harris) to be the next hard-hitting legend. But after a disastrous match against Andy Roddick (yes, Andy Roddick), his reputation was destroyed. So here he is, a lollygagging tennis coach to children at a club run by his father. 

But Dusty has a chance to redeem himself in his father’s eyes when a new enemy invades their pristine tennis courts. You guessed it: pickleballers. 

In a deranged slideshow presentation, Chuck explains to Dusty how the pickleballers — led by Patton Oswalt — are demanding more courts, which will obviously lead to pickleball dominating the world, so no one can play tennis again! To beat them back, Chuck sets up a tournament, pitting the best tennis player against the best pickleballer. Winner makes the call on the courts. 

However, Dusty’s mission to squash the pickleballers gets sidetracked when he begins playing himself, alongside some charismatic older women, including Candace (Mary Steenburgen). While it’s a rough start learning the game and its playful lingo, Dusty grows close to Candace at movie nights and country bars. And through their friendship, they both begin to realize how they’ve gotten stuck in the narratives of their past, which is inhibiting their growth toward a better future. Naturally, those lessons will be tied into a big final match, where pickleball becomes a metaphor for life. 

Don’t worry. You won’t have to strain to catch that message. Greenbaum’s got John McEnroe making a cameo in The Dink, playing an unsolicited commentator on the big match. 

Jake Johnson and Mary Steenburgen lead a hilarious cast. 

With many years of New Girl behind him, Johnson has a lot of practice at playing a lovelorn buffoon. And given Steenburgen’s elegance, it’s easy to see how Dusty would fall for Candace. But The Dink rejects the temptation to become a cliched rom-com of opposites attract. Instead, Johnson will play the fool, while Steenburgen will be his straight man. Their chemistry is crackling and their comedic timing sublime. 

But Johnson switches gears opposite Aaron Chen, who plays a co-worker who idolizes Dusty and believes every tall tale. With Chen, Greenbaum is able to reach into more offbeat humor through goofy visual gags and a flat delivery that’s a sharp foil to Johnson’s funny floundering. 

Beyond that, The Dink has a jaw-dropping list of comedians turning up for gleefully ludicrous bit parts, like Ben Stiller as a rambling doctor, Oswalt as an uptight pickleballer, Chris Parnell as a smug tennis player, Chloe Fineman as a mean ex, and the late Lynne Marie Stewart (It’s Always Sunny in Philadelphia and Pee-wee’s Playhouse) as a flirty friend of Candace’s. However, Ed Harris deserves a special shout-out here.

Ed Harris had me howling in The Dink.

This long-celebrated American actor has really sunk his teeth into playing a string of ruthless fathers, from the grisly thriller Love Lies Bleeding to the dark comedies Riff Raff and How to Make a Killing, and now The Dink. Where Johnson goes broad and Chen goes offbeat for punchlines, Harris goes unflinchingly serious. He’s treating this squabble between club members and courts as if it’s a threat to the Earth as we know it. He regards every Dusty freakout with a stern but unfurrowed brow. And that’s what makes his bits hysterical. 

Greenbaum smartly blends these different styles of comedy to craft a movie that’ll be a crowd-pleaser. There are bits in here weird enough to exist in the wacky and wondrous world of Barb and Star. Then there are riffs of physical comedy or a serene absurdity that feels in line with the comedy of Will Ferrell and Harper Steele. Johnson plays more broadly, expertly hitting every beat with aplomb. Steenburgen offers support with stinging one-liners and lively reactions. And I can’t stress enough: The Dink won’t mock pickleball or those who play it. 

Greenbaum’s brand of comedy is defiantly wacky, welcoming, and humane, never mean. So The Dink is sure to please, whatever your age or interest in its central sport. 

The Dink premieres on Apple TV on July 24.

#Dink #review #Apples #pickleball #movie #laughoutloud #crowdpleaser

Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.

On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.

With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.

I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.

Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at $599, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)

The Halliday Gen 2 are available for preorder starting today with a $10 deposit and a subsequent $100 discount on the final price. The glasses are expected to ship in September.

#Hallidays #latest #smart #glasses #feature #muchimproved #displayAI,Gadgets,Hands-on,News,Reviews,Tech,Wearable">Halliday’s latest smart glasses feature a much-improved displayI first slipped on Halliday’s original smart glasses at CES 2025. I was not a fan. The glasses had a tiny, movable display window embedded into the frame that was incredibly finicky to see, and my 30-minute demo left me with achy eyeballs. It was an interesting concept with terrible execution, especially compared to the several other smart glasses on the show floor. So I was skeptical when a few weeks ago, Halliday reached out to say its second attempt at smart glasses was much better.Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at 9, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)The Halliday Gen 2 are available for preorder starting today with a  deposit and a subsequent 0 discount on the final price. The glasses are expected to ship in September.#Hallidays #latest #smart #glasses #feature #muchimproved #displayAI,Gadgets,Hands-on,News,Reviews,Tech,Wearable

Halliday’s original smart glasses at CES 2025. I was not a fan. The glasses had a tiny, movable display window embedded into the frame that was incredibly finicky to see, and my 30-minute demo left me with achy eyeballs. It was an interesting concept with terrible execution, especially compared to the several other smart glasses on the show floor. So I was skeptical when a few weeks ago, Halliday reached out to say its second attempt at smart glasses was much better.

Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.

On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.

With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.

I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.

Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at $599, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)

The Halliday Gen 2 are available for preorder starting today with a $10 deposit and a subsequent $100 discount on the final price. The glasses are expected to ship in September.

#Hallidays #latest #smart #glasses #feature #muchimproved #displayAI,Gadgets,Hands-on,News,Reviews,Tech,Wearable">Halliday’s latest smart glasses feature a much-improved display

I first slipped on Halliday’s original smart glasses at CES 2025. I was not a fan. The glasses had a tiny, movable display window embedded into the frame that was incredibly finicky to see, and my 30-minute demo left me with achy eyeballs. It was an interesting concept with terrible execution, especially compared to the several other smart glasses on the show floor. So I was skeptical when a few weeks ago, Halliday reached out to say its second attempt at smart glasses was much better.

Well, having tried the Halliday Gen 2, I’m happy to report these are better glasses. That secret display window is gone, replaced by more traditional but discreet waveguides. They’re not like the Meta Display’s nigh-invisible screens. You can still spot the reflection if angled just right, but they’re considerably easier to see. And inside of a single-lens display, the Gen 2 has one for each eye, giving you a much larger screen to look at. Spec-wise, the Gen 2’s displays are monochrome green, with a maximum brightness of 1,600 nits and 600 by 300 pixel resolution per eye.

On my face, the Gen 2 has a nondescript design but is very lightweight compared to other display glasses I’ve tried. The display was also easily visible inside a dark bar, though I didn’t get a chance to see how it’d fare in direct sunlight. The four-mic array was able to pick up commands despite the ambient noise, and Halliday told me that it gets about 12 hours of typical use. That’s partly because these aren’t camera glasses. The exclusion of the camera was a deliberate choice, both for privacy and to extend battery life. That’s because these are more so meant to be a tool for work meetings.

With the Gen 2, Halliday is launching a feature called Meeting Flow. It’s meant to help you follow along in a conversation, using AI to surface context or facts without needing to look at your laptop or phone. I’ve seen this in other smart glasses to varying degrees of success. (Mostly non-success.) More interesting are the so-called Thread Tracker, Decision Confirmation, and Commitment Check features. The idea is to provide real-time updates about what decisions have been made in a meeting, what items need following up on, and a visualization of a meeting’s overall conversation flow. For example, Thread Tracker might show that a team meeting started off talking about budget allocations, before moving on to potential new hires and timelines for those hires. Decision Confirmation might show that the meeting concluded that all new hires should be finished by a specific date. Lastly, Commitment Check verifies if action items have been assigned (and to whom) with a clear deadline. The glasses will also provide post-meeting transcripts and summaries.

I saw a brief glimpse of what this could look like at my demo, albeit a product interview is less conducive to these kinds of features than a typical planning meeting. That said, the glasses also support more general-use AI features like captioning, real-time translations for over 45 languages, the ability to take phone calls, and teleprompters/notecards for public speakers. Users can also make use of the Halliday AI assistant for voice control.

Overall, this is a much more tightly focused vision for a pair of smart glasses than Halliday’s original glasses. That said, we’ll have to see if the AI features are all that useful. So far, I’ve had little success with AI wearables successfully intuiting what I actually need surfaced in a conversation, or deriving the correct conclusions for to-do items. And at $599, the Gen 2 comes with a pretty steep price tag for the average person. That’s not including any extra costs for prescription lenses. (Halliday claims it’ll be able to handle my prescription, which is -10 in one eye and -8.75 in the other with monster astigmatism. We shall see!)

The Halliday Gen 2 are available for preorder starting today with a $10 deposit and a subsequent $100 discount on the final price. The glasses are expected to ship in September.

#Hallidays #latest #smart #glasses #feature #muchimproved #displayAI,Gadgets,Hands-on,News,Reviews,Tech,Wearable

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