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Tesla’s robotaxi is live: here are some of the first reactions.

Tesla’s robotaxi is live: here are some of the first reactions.

Tesla finally did the damn thing. The company launched its hotly anticipated robotaxi service in Austin, Texas, on Sunday, June 22nd — and we’re now starting to see some of the first reactions roll in.

But first, we have to get a few important caveats out of the way. Tellingly, the service is not open to the general public, nor is it completely “unsupervised,” as Elon Musk once promised. The vehicles will include Tesla-employed “safety monitors” in the front passenger seat who can react to a dangerous situation by hitting a kill switch. Other autonomous vehicle operators would place safety monitors in the driver or passenger seats, but typically only during the testing phase. Tesla is unique in its use of safety monitors during commercial service.

The rides are limited to a geofenced area of the city that has been thoroughly mapped by the company. And in some cases, Tesla is using chase cars and remote drivers as additional backup. (Some vehicles have been spotted without chase vehicles.)

The service is invite only at launch, according to Tesla’s website. A number of pro-Tesla influencers have received invites, which should raise questions about how unbiased these first critical reactions will be. Tesla hasn’t said when the service will be available to the general public.

The limited trial includes 10-20 Model Y vehicles with “Robotaxi” branding on the side. The fully autonomous Cybercab that was first revealed last year won’t be available until 2026 at the earliest. The service operates in a small, relatively safe area of Austin from 6AM to 12AM, avoiding bad weather, highways, airports, and complex intersections.

Despite those hours, the robotaxi service seems to have gotten off to a slow start. Several invitees had yet to receive the robotaxi app by 1PM ET on Sunday. Sawyer Merritt, who posts pro-Tesla content on X, said he saw 30 Waymo vehicles go by while waiting for Tesla’s robotaxi service to start. Musk posted at 1:12PM that the service would be available later that afternoon, adding that initial customers would pay a “flat fee” of $4.20 for rides — a weed joke with which Musk has a troubled history.

While riders waited, the company published a new robotaxi page to its website detailing a lot of the rules and guidelines of the service. Visitors are invited to sign up for updates about when Tesla’s robotaxi service may come to their area. (Musk has said there could be up to a thousand robotaxis on the road “in a few months.”)

After finally being granted access to the app, Merritt posted an image of the service area map, which appeared to cover a small area bordered by the Colorado River to the north, Highway 183 to the east, Highways 290 and 71 to the south, and Zilker Part to the west.

And then the rides began — and they appeared to be mostly uneventful. Several invitees livestreamed themselves summoning their first cars, interacting with the UI, and then arriving at their destination. Several videos lasted hours, as the invitees would conclude a trip and then hail another car immediately after. One tester, Bearded Tesla Guy, described the app’s interface as “basically Uber.” Many had some difficulty finding the pickup location of their waiting Tesla robotaxi.

“This is like Pokemon hunting,” one person on Herbert Ong’s livestream said, “but its robotaxi hunting.”

Once inside, the Tesla-employed safety monitor would ask the riders to show their robotaxi apps to prove their identities. Otherwise the safety monitors kept silent throughout the ride, despite riders trying to get them to talk. I’m assuming that Tesla will need to come up with some other way to identify their riders if they plan on removing the safety monitors from the passenger seat. Waymo, for example, asks customers to unlock their vehicle through the ridehail app.

The rear screen instructs the riders to fasten their seatbelts, and after pressing an animated “start ride” button, the vehicle gets underway. Riders can also start the ride from a similar button in the app. Since riders are registering for the robotaxi app using their preexisting Tesla profiles, they’re greeted with their preferred music apps on the rear screen with all their playlists and saved tracks.

The front display shows a visualization similar to consumer vehicles using Tesla’s Full Self-Driving feature — even though Musk had said the robotaxis are running on a special version of FSD that’s not available to the average Tesla owner. There are “pull over,” “stop in lane,” or “support” buttons on the center display. Another tester, Chuck Cook, said the visualization lacked some of the controls that a normal Tesla might have.

Pressing the support button places the rider in a queue as they wait for the remote operator to connect. On Cook’s livestream, it took approximately two minutes before an operator finally connected. “We appreciate you calling in,” the operator said (though the cellular connection was poor). “We’re here for any issues to support your ride.”

Throughout the various trips, the robotaxis encountered a bevy of normal situations, like U-turns, speed bumps, pedestrians, construction, and more. The vehicles maintained speeds of about 40 mph or slower. Common words to describe the ride was “smooth,” “great,” and “normal.” One tester said on X that they got the robotaxi to “mess up” in a way that required the remote operator to help out — though they declined to describe it as a disengagement.

Ashok Elluswamy, the head of the company’s self-driving team, posted a photo of several dozen people in a room with 10 large monitors on the wall showing live camera feeds from several vehicles. “Robotaxi launch party,” Elluswamy wrote.

Where Tesla goes from here is the real challenge. Musk has said he also wants to launch a robotaxi service in California, where the regulatory process is a lot more complex than Texas. And even though he has said he wants to take things slow, he also claims that Tesla will have over a thousand driverless vehicles on the road “within a few months.”

Meanwhile, Waymo is operating more than 1,500 driverless vehicles in San Francisco, Los Angeles, Phoenix, and Austin — with plans to expand to Atlanta, Miami, and Washington, DC in the near future. The Alphabet-owned company has said it will grow its fleet to 2,000 vehicles by next year.

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Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions.

But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
© Kamome Shirahama/Yen Press

If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy.

Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.

For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.

For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie.

Eniale & Dewiela Manga panel of women watching a sunset.
© Kamome Shirahama/Yen Press

So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier">Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier

 has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions.

But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
© Kamome Shirahama/Yen Press

If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy.

Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.

For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.

For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie.

Eniale & Dewiela Manga panel of women watching a sunset.
© Kamome Shirahama/Yen Press

So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier">Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals

Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions.

But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

Before ‘Witch Hat,’ Kamome Shirahama Blessed Us With a Hilarious Romp About Gals Being Pals
                Witch Hat Atelier has quickly become one of, if not the, must-watch anime of the season. So much so, you can’t fault fans for hitting a common anime adaptation impasse: watching weekly, banking episodes for a finale-day binge, or giving in and reading ahead in Kamome Shirahama‘s beloved manga. Decisions, decisions. But what if we told you there’s a secret third option—one that scratches the Shirahama itch to bask in her bespoke artistry and trades the unspeakable horrors awaiting Coco for a side-splitting, utterly riotous comedy? Well, good, because we are. That option is her slept-on, pre-Witch Hat Atelier manga, Eniale & Dewiela.

 © Kamome Shirahama/Yen Press If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy. Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

 So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

 What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.  			 				 			 				 				© Kamome Shirahama/Yen Press 				 			 				 			 				 				© Kamome Shirahama/Yen Press 				 		  For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

 And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie. © Kamome Shirahama/Yen Press So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
© Kamome Shirahama/Yen Press

If Witch Hat Atelier is Shirahama in her grand adventure, Dragon Ball Z era, Eniale & Dewiela was her at peak Dr. Slump whimsy.

Set in a world where heaven and hell coexist, the manga follows the unruly yet wildly endearing friendship between Eniale, the angel, and Dewiela, the demon—two gals tasked with collecting souls on Earth, a job they’d much rather procrastinate on by going shopping. Unfortunately for them, celestial bureaucracies run a tight ship, so shirking their duties only piles more work onto them.

So they have their fun wherever they can get it by diving into a generational rivalry of soul-dollect, ducking exorcists, and doing the absolute most in the process to one-up each other. Naturally, their daily angel-devil routine spirals into chaos, ranging from the benign to the apocalyptic, making for a hilarious, short-but-sweet read.

For comparison, Eniale and Dewiela’s dynamic gives Bayonetta and Jeanne a touch of Panty & Stocking with Garterbelt, but with the debauchery dialed down from a raucous 11 to a mischievous five. In Witch Hat Atelier terms, Eni and Dewi read like the proto-blueprint for Agott’s tsundere bite and Coco’s sheepish naïveté reimagined as a madcap buddy comedy duo. Watching Shirahama remove her limiters and let these two wreak havoc—whether sabotaging each other’s soul quotas or teaming up to do the bare minimum—is a delight. And when they’re not butting heads, they’re simply gals being pals: shopping, scheming, and trying to live their best lives.

What I love most about the manga is that it’s Shirahama fully in her comedic bag, writing slapstick gags with an elasticity and confidence that feel distinctly aged-up, in line with Witch Hat Atelier‘s gentler whimsy. With each chapter, you can feel her stretching, riffing, and letting herself be unserious in ways that WHA‘s tone doesn’t always allow. Coincidentally, the manga also teases her natural aptitude for sapphic-tinged storytelling that WHA fans—especially Arkco-truthers (we see you)—will clock immediately. Shirahama’s genuinely funny here, but she’s also effortlessly flexing her ability to weave emotionally stirring beats into her gag comedy manga.

For readers who adore WHA’s visual splendor, rest assured: Eniale & Dewiela carries the same hallmarks. The panel work is exquisite, the ornate borders feel like thumbing through an ancient tome, and the intricate detailing is as gobsmacking as ever. But here, that craft is in service of pure comedy. Across its three volumes, Shirahama unleashes a cavalcade of supernatural disasters born from the duo’s joint dumbassery—raising hordes of zombies while trying to turn a priest into both an angel and a demon, splitting the sea like Moses to find a missing earring, and firing a sky‑beam of souls straight into the heavens.

And when the manga isn’t serving killer runway fashion, heavenly‑hellish hijinks, or a few sapphic glances, it’s got heart. The standout moment comes in chapter eight, where Dewiela goes from hovering over an old woman like a vulture waiting to collect her soul to befriending her and her “fugly” guard cat. That chapter made me misty-eyed, I’m not gonna lie.

Eniale & Dewiela Manga panel of women watching a sunset.
© Kamome Shirahama/Yen Press

So if you need a quick, delightful read while you deliberate over whether you’re going to stockpile Witch Hat Atelier episodes or are simply craving more of Shirahama’s work (outside her Pokémon card illustrations—she contains multitudes), Eniale & Dewiela is absolutely worth your time.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Witch #Hat #Kamome #Shirahama #Blessed #Hilarious #Romp #Gals #PalsKamome Shirahama,Manga,Witch Hat Atelier
By law, autonomous vehicles aren’t allowed to carry unaccompanied minors in California. Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.

Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.

The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.

The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.

So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.

Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.

In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.

Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”

#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids">Waymo Is Trying to Crack Down on Solo Kids in Driverless CarsBy law, autonomous vehicles aren’t allowed to carry unaccompanied minors in California. Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids

Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.

Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.

The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.

The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.

So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.

Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.

In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.

Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”

#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids">Waymo Is Trying to Crack Down on Solo Kids in Driverless Cars

By law, autonomous vehicles aren’t allowed to carry unaccompanied minors in California. Waymo, Alphabet’s self-driving-car company, doesn’t allow kids under 18 to ride alone anywhere outside of metro Phoenix, Arizona. But that hasn’t stopped some time-strapped parents from using their own accounts to transport their kids to school, extracurricular activities, and even social outings. Some have reported that the lack of drivers makes them feel safer.

Waymo is working to crack down on the practice, the company confirmed Friday, after reports of new mid-ride age-verification checks began to float around on social media. The company has “policies in place” to help it identify violations of its terms of service, Waymo spokesperson Chris Bonelli wrote in a statement to WIRED. “We are continuing to refine our system and processes for accuracy over time.” Violating its terms of service can lead to temporary or permanent suspension of an account, Waymo says.

The company uses cameras inside its cars to check that riders aren’t violating its rules. Its privacy policy notes that the company records video inside the vehicle during trips. Waymo says its support workers “may review video under certain circumstances” and, “in more urgent circumstances,” access live video during a trip. The company says it does not use facial recognition or “other biometric identification technologies” to identify individuals.

The news comes a month after several California labor groups, including the California Gig Workers Union, filed a formal complaint with a state regulatory agency, accusing Waymo of violating the terms of its permit to operate in the state by knowingly transporting unaccompanied minors. The matter was assigned to a judge this week. The state is evaluating new rules that could allow solo riders under 18 in driverless cars, perhaps patterned after a program that permits ride-hail companies with human drivers to transport minors in California.

So far, several fresh-faced adults have been caught in the crossfire. On Tuesday, San Francisco machine learning engineer Nicholas Fleischhauer was about five minutes into his Waymo ride when the car connected him to support. A voice came over the line asking Fleischhauer to verify his age. He told the worker the truth: He’s 35. “I had messy and wet hair and a backpack on me,” he says, by way of explaining why he might have been flagged by Waymo’s system. Plus, “people have told me that I look young for my age.” Fleischhauer says he takes Waymo weekly, but this marked the first time he had been asked about his age.

Since last summer, Waymo has allowed parents in the Phoenix area to set up teen accounts for riders ages 14 to 17. The accounts allow the teen riders’ adults to track their real-time locations during their trips. Waymo says a specially trained team of support agents deals with any issues its teen riders might have. Waymo says that “hundreds” of Phoenix families use the service each week.

In Waymo’s other markets across the US, adults are allowed to ride with guests under 18, though children under 8 must be in a secured car or booster seat.

Ethan S. Klein is 23, but his 26th LA Waymo ride on Thursday—plus the music he was listening to—was interrupted by an in-car call from a support agent who asked him, for the first time, to verify his birth date. Klein is an adult, but his first impulse was almost teen-like. “I was a little startled,” he says. “I thought I was in trouble!”

#Waymo #Crack #Solo #Kids #Driverless #Carsself-driving cars,cars,autonomous vehicles,safety,waymo,uber,kids

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