Doomscroll on TikTok long enough, and you’ll come across an ad for AI video apps. In one ad, a stereotypically nerdy girl puckishly smirks as she uploads a picture of herself and her much more handsome crush. Boom — suddenly, thanks to AI, they’re smooching. In another, I’m shown a woman in a blouse and jeans. Do I want to know what she looks like in a blue bikini? Psst. There’s an app for that. The ad then shows me the woman in said blue bikini.
These apps aren’t peddling the digital nudes many people associate with AI deepfakes, which are proliferating in their own right on app stores. Slapped together by opportunistic developers and sprinkled with subscription fees and microtransactions, they’re all pitching tools to help you make benign fantasies a bit more tangible — but the results feel more cursed than magical.
AI video ads link out to apps with titles like Boom.AI, VideoAI, and DreamVid, made by companies you’ve probably never heard of — a short perusal of Apple’s App Store brings up roughly two dozen options. Despite their titillating promotional material, they feature plenty of innocuous video templates. By uploading one or two photos and hitting a “generate” button, you can change your hair color, hold up a sign, or hug Goku from Dragon Ball Z. But for every one of those, there are several other subtly disturbing or sort of gross ones. In the DreamVid app, there’s an Enhance option that lets you give a person bigger breasts. In the preview, a blonde with a B cup is shown getting an automatic boob job, smiling playfully as she jiggles her new DD size. The AI Dancing category in the same app has scantily clad women suggestively swaying their hips.
It’s a mix that feels calculated. Just when you think there’s too many bikinis and breasts, you’ll see templates featuring cuddly AI cats, Studio Ghibli-style filters, and wholesome grandmas to hug. At the same time, when you look at DreamVid’s AI outfit-of-the-day option, six of 12 outfits are some form of bikini or bathing suit. The rest include skimpy maid outfits, lingerie, a schoolgirl uniform, and gothic lolita cosplay. Only the wedding dress and cheongsam are relatively benign. None of them are aimed at creating pictures of men.
In the ads, the videos generated are in that hazy category of “real enough” to make you uncomfortable yet curious enough to download. Try it yourself and you’ll see the telltale AI cracks appear. Kissing looks awkward — like how a toddler imagines kissing, faces and lips rhythmically smooshing together. (The few that attempt French kissing prove AI really doesn’t know what to do with tongues yet.) Hugs look stiff, with dubious limb and hand placements. If the photos don’t line up, hilarious zoom effects ensue as AI tries to match up bodies. Clothing, hair, accessories, and facial features often morph in and out of existence mid-video.
AI systems have a long-standing racial bias issue, and pairing up subjects of different races seems to confuse these apps. My non-Asian celebrity crushes sometimes spontaneously developed Asian features when I joined them in a video. Other times, the app morphed my features into more Eurocentric ones to match my spouse. I don’t know whether to laugh or cry that multiple AI apps insist that kissing parties should generally be the same race. I do, however, feel insulted when it generates a video of my spouse proposing to me — but has them turn away and propose to a random, spontaneously appearing white woman instead.
None of this comes for free. The majority of apps charge microtransaction fees and subscriptions that range from $2.99 to $7.99 per week or $49.99 to $69.99 annually, providing limited credits that you can spend to generate videos. It’s a financial model similar to that of AI nudes apps, even if the content is different.
If you’re curious about where those funds are going, one deep dive into the Videa: AI Video Maker app traced its origins to a company called Pure Yazlim Limited Sirketi that’s based out of Istanbul, Turkey. Boom.AI is run by a company called NineG, which describes itself as “non-gaming app publishing” on its barebones website. Its app store listing also touts the Mozart AI song generator, art generator Plum AI, an AI font creator, and, randomly, Reel TV — a Quibi-esque app for short dramas. DreamVid is run by Shenzhen iMyFone Technology Co.Ltd., which also has a suite of what seems to be productivity and utility apps, plus a Studio Ghibi generator. The Verge reached out to both NineG and iMyFone but didn’t receive a response.
In exchange, you get something infinitely simpler and more permissive than all-purpose video generators like OpenAI’s Sora. You can theoretically produce a kiss on Sora, but only after crafting a text prompt describing what you want, uploading photos for the tool to work with, and clicking through pop-ups asking if you’re over 18 and have consent to use the material you’re uploading — and even then, Sora flagged me smooching Edward Cullen as a potential policy violation. Google’s Veo is much the same. I tried the Edward Cullen kiss test, and Veo refused, saying it would reject prompts that are sexually suggestive, nonconsensual acts, or those that promote harmful stereotypes. On these other apps, you don’t even need to come up with the idea — just upload a couple of pictures, and the system will deliver what you want.
Simple apps for creating deepfaked nudes have produced numerous instances of clear harm, including widespread harassment of women and teen girls. Some of these incidents have led to lawsuits and arrests. There are also legal efforts to crack down on AI-generated nudes and unauthorized “digital replicas” of real people, including the recently signed Take It Down Act, the No Fakes Act, and a bill passed by the New York State Senate.
These apps are unlikely to fall under the purview of anti-deepfake porn laws, though the frequent appearances of celebrities — Boom.AI offered templates that let you make out with both Robert Pattinson as Edward Cullen and Timothee Chalamet — make their status under digital replica rules shakier. For now, they sit in a murky zone between app store and platform moderation policies. Major tech companies have lagged on removing even sexually explicit AI generators, and the status of anything milder on their platforms seems nebulous.
Google spokesperson Danielle Cohen tells The Verge that the Google Play Store doesn’t allow apps that contain content or services that could be intended as sexually gratifying, and companies aren’t allowed to use sexually explicit ads (including AI-generated ones) to direct people to their Play Store listings.
Apple’s App Store guidelines state apps shouldn’t contain content that is “offensive, insensitive, upsetting, intended to disgust, in exceptionally poor taste, or just plain creepy.” Provided examples include “mean-spirited” content, as well as “explicit descriptions or displays of sexual organs or activities intended to stimulate erotic rather than aesthetic or emotional feelings.” There are no rules about ads for these apps.
I sent Meta an example of an ad for a kiss and hug AI app I found on Instagram Reels. In response, Meta spokesperson Faith Eischen told The Verge, “We have clear rules against nudity and sexual exploitation, including non-consensual intimate imagery — both real and AI-generated — and we’ve removed the shared piece of content for breaking our rules.” Eischen also noted that Meta removes such ads when notified, disables accounts responsible for them, and blocks links to sites hosting such apps.
The Verge reached out to TikTok about its policies but didn’t receive a response.
While it’s fraught to create sexually charged images of celebrities, it overlaps with the existing territory of fan art and meme-ification. Many of these apps’ functions, though, tread in more uncomfortable territory. While it might not be overly pornographic, it’s creepy to deepfake yourself kissing someone. It would be even creepier to do it to a friend or acquaintance who didn’t consent to it. But it’s also not really clear what the average user is looking for — most reviews are simply complaining about the microtransactions.
Moderating this sort of content is kind of like whack-a-mole. Boom.AI had plenty of “use AI to kiss your crush” ads several weeks ago. Now, all the ones I bookmarked have disappeared from social media. Within the app itself, I can no longer generate any kind of kissing video. Instead, the app moved on to ads of a suburban mom twerking, before they, too, were subsequently removed.
Experimenting with AI video apps wasn’t always creepy. Few people would object if everyone was using them to generate heartwarming videos of kids hugging their grandparents; you could argue that it’s weird to want to do this, but it’s not inherently wrong or illegal.
But the fun or arguably helpful use cases are mixed in almost inextricably with the creepy stuff. Changing my hair is a pretty unobjectionable process, but it’s unsettling to swap my own face onto a model “dancing” while wearing cat ears, a plunging crop top that shows off her midriff and bra, hot pants, and lacy garters. (Leonardo DiCaprio’s face on the model is perhaps less disturbing than simply unhinged.) Conversely, I’ve had genderqueer friends say they privately used AI templates that let them see what they’d look like as a different gender, and it helped them figure out their feelings. Even the kissing templates could have fairly innocuous uses — you could be a fiction writer seeking inspiration for a romance novel. In that case, what’s the difference between drawing your own fan art and using an AI video generator? Perhaps, you’re trying to process something and need a little visual help — and that’s how I ended up deepfaking my dead parents.
In a plot stolen straight from The Farewell, my mom died before my grandmother, and my family decided not to tell her out of fear she’d drop dead from shock. But whereas that film dealt in regular white lies, my family decided to update its deception for the modern era. When my grandma started lamenting that my mom had stopped calling, a cousin asked me if there was any chance that I, a tech reporter, could use AI to create video messages of my mother. That would, my cousin said, give my dementia-addled grandma some sense of peace. At the time, I told her it wasn’t possible.
Three years later, I finally generated the deepfake she requested while testing these apps. It was eerie how much it looked like my mom, except when she smiled. My real mother was self-conscious of her underbite. AI mom’s teeth were perfect. All I could see were the ways that AI had failed to capture my mother’s essence. I thought my cousin would feel the same way. Instead, the text I got in response was four hearts interspersed with several exclamation marks and crying face emojis. For her, the horrible deepfake was comforting. My mom would’ve hated this AI version of herself, and yet in the days after creating it, I found myself replaying it over and over — if only because spotting what the AI got wrong reminded me that I hadn’t forgotten the real her.
I found myself replaying it over and over — if only because spotting what the AI got wrong reminded me that I hadn’t forgotten the real her.
After that, I deepfaked my dad hugging me at my wedding. Some little girls dream of their fathers walking them down the aisle. Mine died before that day ever came, and I didn’t make it to his deathbed in time for a proper goodbye. I wondered if deepfaking dad would give me a sense of closure. I used the last good photo I had of him, taken a few days before he passed, and a solo photo of me from my wedding.
The AI did a horrible job. For one, it interpreted my dad’s beanie as a thick shock of black hair. In my family, we teased him for his thin combover and fivehead — which, in his broken English, he insisted was proof he was a true “egghead.” I tried again and got a slightly better result. Still, the pattern on his sweater changed. His facial features morphed into someone who looked close, but ultimately wasn’t my dad. Even so, it made me cry. The AI got so many things wrong, but it was good enough to sketch the shape of my longing. This, too, I sent to my cousin, who replied back with even more crying emoji.
AI evangelists tout this as a positive use case for AI. Wouldn’t it be nice to reanimate your dead loved ones? Before deepfaking my parents, I’d have scoffed and said this is a dystopian premise that denies the humanity of our mortality. But all I can say now is that grief is a strange beast. I’d be lying if I said that I found comfort in these deepfakes, but I can’t deny that a part of me was moved. I’m also no longer inclined to describe this as a bad way to use AI; it’s just weird.
Perhaps the question isn’t whether these apps are inherently harmful or what platforms should do when they appear. Maybe it’s a matter of asking what we’re hoping to see of ourselves reflected in them.
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![This former notorious red-light district is now one of the world’s top AI hubs | TechCrunch
What every U.K. AI startup wants to know these days is, how can I get office space in King’s Cross?
The area is so hot that a VC firm allegedly recently won a deal by promising a founder office space in the neighborhood. “We stop at nothing to win deals [for] and to support” founders, “including helping them source office space when needed,” the firm told me when asked about the rumor, declining to confirm or deny any details.
The neighborhood’s popularity began back in 2016 when DeepMind — then newly acquired by Google — moved in. Soon after, a flood of AI startups followed, wanting to be around the Google DeepMind magic. Today, they hope to take advantage of the cluster of AI talent there.
This has transformed King’s Cross into one of the world’s top AI hubs, rivaled only by San Francisco and Beijing. Around London, it’s known by the sobriquet “Knowledge Quarter,” as it’s home to names like OpenAI, Meta, Isomorphic Labs, Cusp AI, Wayne, Recursive, and, a little farther down the road, Synthesia and Anthropic. The European Technology Network (ETN) just moved into a glossy new office nearby, while University College London sits around the corner.
Mixed in with the new developments are trendy food spots like Hoppers and BAO. Hop a train from King’s Cross, and founders can be in Cambridge in 45 minutes to source talent or can be in Paris in two hours to strike a deal.
Who would have guessed that a little more than 20 years ago, this was one of the seediest areas in London?
“In the ’80s, crack and heroin made the area a major narcotics market,” Hussein Kanji, an investor at Hoxton Ventures, said, recalling syringes in tree trunks and gangs patrolling the streets. “In 1982, the local church was occupied by the English Collective of Prostitutes for 12 straight days.” Then, in the early 2000s, a real estate developer had a dream and, well, “now it is the AI hotbed of the United Kingdom,” Kanji said. “What a change.” Around 18 months ago, his portfolio company BioCorteX moved from the neighborhood Holborn to the Jellicoe building in King’s Cross, hoping to be near the action. “Lots going on in London right now,” Nik Sharma, co-founder of BioCorteX, told me. “Lots of hyperscalers moving in.” That includes, reportedly, Jeff Bezos’ AI company Prometheus, which is also said to be in talks to move into the Jellicoe.
There are around 3,600 AI startups in London, which, together, have raised around .1 billion out of the .8 billion raised in the city since late July, according to Dealroom. Since the start of June, AI-related startups have leased more than 1 million square feet of office space in London, according to the real estate firm Knight Frank. With that, prime rents in King’s Cross have risen 18% over the past three years, Chris Dunn, a commercial insight associate at the firm, told me. That percentage represents only the largest leases encompassing at least 10,000 square feet, like the ones OpenAI and Prometheus are signing. The shorter deals go for even more, he said, and now the vacancy rate for conventional office space is just 0.9%. “Demand has outstripped supply,” he continued.
Today, one of the big topics of the area is sovereignty. It was a wake-up call for many when Anthropic shut off access to Mythos and Fable this summer, leaving some in the ecosystem to conclude: “We’d better look after ourselves,” Saul Klein, co-founder of the VC firm Phoenix Court, told me.
Phoenix Court is located in the King’s Cross area and has three portfolio companies in the vicinity, including Olix (which just announced a .3 billion valuation), Early Health and CoMind. Robin Klein, co-founder of the firm, said the shutdown of Fable and Mythos access was a “small but sharp reminder that Europe can’t simply rent its AI capabilities and capacity; it needs to build and hold some of its own.” King’s Cross, he said, is where much of this building is actually happening.
“The bigger question,” he continued, “is whether the U.K. builds the infrastructure, compute, energy, capital, to make this self-reliance durable, rather than just hosting outposts of U.S. labs.”
Image Credits:Phoenix Court
Top founders want to stay
Simon Kohl, founder of Latent Labs, has offices in King’s Cross and San Francisco. The London office, at the moment, is growing faster, and he’s more bullish than ever on the ecosystem, he said. “The mood right now feels less like London trying to catch up and more like London becoming one of the default places to start a serious AI company,” he said. Look around and you are likely to see Wayve testing its autonomous cars. Founded in 2017 by co-founder Alex Kendall, the unicorn is one of London’s biggest success stories.
“Ten years ago, building a frontier AI company from London felt like an unusual choice,” Kendall told me. “Now it feels like an obvious one.” Wayve moved into King’s Cross in 2018 looking for a space that could double as a garage — “a rare combination in Central London,” Kendall said. He has watched the ecosystem mature around him — and it’s now evident that a startup can stay in London, raise serious capital, hire world-class AI talent, and remain globally competitive, he said. Down the street from Anthropic’s new 158,000-square-foot office is the AI agent builder Sierra and the AI video platform Synthesia.
Laura Gonzalez Florez, Synthesia’s chief of staff and head of people, says the company moved into its glossy new office building a year ago to accommodate its growing team. They were drawn to the area for the same reason as everyone else: “It’s very close to the airport … very close to where a lot of investors are,” she said.
Image Credits:Synthesia
Around two-thirds of Synthesia’s engineers are remote, Gonzalez Florez said, letting the company tap into an affordable, international, and diverse talent pool and helping it scale faster. “From London, we can hire and work, without any problem, people from anywhere, from Slovenia to Portugal,” she said.
Unsurprisingly, London’s AI boom is also causing a talent war.U.K. AI job postings have skyrocketed in the past few years, per data from PwC. When Anthropic announced it moved into town earlier this year, it listed, for example, a salary range of £260,000 to £630,000 for a machine learning research engineer when the average salary in London for the same role is around £102,000. Some founders in the U.K., like those in Silicon Valley, are being forced to raise more and bigger rounds to keep up.
“The real test is whether more globally significant AI companies are founded, funded, and scaled from the U.K., while continuing to attract the world’s best talent to build them here,” Zain Ali, founder of the King’s Cross-based AI legal firm Centuro, told me. “If that continues to happen, King’s Cross won’t just be an AI hub. It’ll become one of the U.K.’s most important strategic assets.”
When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Thisformernotorious #redlight #districtis #nowone #worlds #top #hubs #TechCrunchUK This former notorious red-light district is now one of the world’s top AI hubs | TechCrunch
What every U.K. AI startup wants to know these days is, how can I get office space in King’s Cross?
The area is so hot that a VC firm allegedly recently won a deal by promising a founder office space in the neighborhood. “We stop at nothing to win deals [for] and to support” founders, “including helping them source office space when needed,” the firm told me when asked about the rumor, declining to confirm or deny any details.
The neighborhood’s popularity began back in 2016 when DeepMind — then newly acquired by Google — moved in. Soon after, a flood of AI startups followed, wanting to be around the Google DeepMind magic. Today, they hope to take advantage of the cluster of AI talent there.
This has transformed King’s Cross into one of the world’s top AI hubs, rivaled only by San Francisco and Beijing. Around London, it’s known by the sobriquet “Knowledge Quarter,” as it’s home to names like OpenAI, Meta, Isomorphic Labs, Cusp AI, Wayne, Recursive, and, a little farther down the road, Synthesia and Anthropic. The European Technology Network (ETN) just moved into a glossy new office nearby, while University College London sits around the corner.
Mixed in with the new developments are trendy food spots like Hoppers and BAO. Hop a train from King’s Cross, and founders can be in Cambridge in 45 minutes to source talent or can be in Paris in two hours to strike a deal.
Who would have guessed that a little more than 20 years ago, this was one of the seediest areas in London?
“In the ’80s, crack and heroin made the area a major narcotics market,” Hussein Kanji, an investor at Hoxton Ventures, said, recalling syringes in tree trunks and gangs patrolling the streets. “In 1982, the local church was occupied by the English Collective of Prostitutes for 12 straight days.” Then, in the early 2000s, a real estate developer had a dream and, well, “now it is the AI hotbed of the United Kingdom,” Kanji said. “What a change.” Around 18 months ago, his portfolio company BioCorteX moved from the neighborhood Holborn to the Jellicoe building in King’s Cross, hoping to be near the action. “Lots going on in London right now,” Nik Sharma, co-founder of BioCorteX, told me. “Lots of hyperscalers moving in.” That includes, reportedly, Jeff Bezos’ AI company Prometheus, which is also said to be in talks to move into the Jellicoe.
There are around 3,600 AI startups in London, which, together, have raised around .1 billion out of the .8 billion raised in the city since late July, according to Dealroom. Since the start of June, AI-related startups have leased more than 1 million square feet of office space in London, according to the real estate firm Knight Frank. With that, prime rents in King’s Cross have risen 18% over the past three years, Chris Dunn, a commercial insight associate at the firm, told me. That percentage represents only the largest leases encompassing at least 10,000 square feet, like the ones OpenAI and Prometheus are signing. The shorter deals go for even more, he said, and now the vacancy rate for conventional office space is just 0.9%. “Demand has outstripped supply,” he continued.
Today, one of the big topics of the area is sovereignty. It was a wake-up call for many when Anthropic shut off access to Mythos and Fable this summer, leaving some in the ecosystem to conclude: “We’d better look after ourselves,” Saul Klein, co-founder of the VC firm Phoenix Court, told me.
Phoenix Court is located in the King’s Cross area and has three portfolio companies in the vicinity, including Olix (which just announced a .3 billion valuation), Early Health and CoMind. Robin Klein, co-founder of the firm, said the shutdown of Fable and Mythos access was a “small but sharp reminder that Europe can’t simply rent its AI capabilities and capacity; it needs to build and hold some of its own.” King’s Cross, he said, is where much of this building is actually happening.
“The bigger question,” he continued, “is whether the U.K. builds the infrastructure, compute, energy, capital, to make this self-reliance durable, rather than just hosting outposts of U.S. labs.”
Image Credits:Phoenix Court
Top founders want to stay
Simon Kohl, founder of Latent Labs, has offices in King’s Cross and San Francisco. The London office, at the moment, is growing faster, and he’s more bullish than ever on the ecosystem, he said. “The mood right now feels less like London trying to catch up and more like London becoming one of the default places to start a serious AI company,” he said. Look around and you are likely to see Wayve testing its autonomous cars. Founded in 2017 by co-founder Alex Kendall, the unicorn is one of London’s biggest success stories.
“Ten years ago, building a frontier AI company from London felt like an unusual choice,” Kendall told me. “Now it feels like an obvious one.” Wayve moved into King’s Cross in 2018 looking for a space that could double as a garage — “a rare combination in Central London,” Kendall said. He has watched the ecosystem mature around him — and it’s now evident that a startup can stay in London, raise serious capital, hire world-class AI talent, and remain globally competitive, he said. Down the street from Anthropic’s new 158,000-square-foot office is the AI agent builder Sierra and the AI video platform Synthesia.
Laura Gonzalez Florez, Synthesia’s chief of staff and head of people, says the company moved into its glossy new office building a year ago to accommodate its growing team. They were drawn to the area for the same reason as everyone else: “It’s very close to the airport … very close to where a lot of investors are,” she said.
Image Credits:Synthesia
Around two-thirds of Synthesia’s engineers are remote, Gonzalez Florez said, letting the company tap into an affordable, international, and diverse talent pool and helping it scale faster. “From London, we can hire and work, without any problem, people from anywhere, from Slovenia to Portugal,” she said.
Unsurprisingly, London’s AI boom is also causing a talent war.U.K. AI job postings have skyrocketed in the past few years, per data from PwC. When Anthropic announced it moved into town earlier this year, it listed, for example, a salary range of £260,000 to £630,000 for a machine learning research engineer when the average salary in London for the same role is around £102,000. Some founders in the U.K., like those in Silicon Valley, are being forced to raise more and bigger rounds to keep up.
“The real test is whether more globally significant AI companies are founded, funded, and scaled from the U.K., while continuing to attract the world’s best talent to build them here,” Zain Ali, founder of the King’s Cross-based AI legal firm Centuro, told me. “If that continues to happen, King’s Cross won’t just be an AI hub. It’ll become one of the U.K.’s most important strategic assets.”
When you purchase through links in our articles, we may earn a small commission. This doesn’t affect our editorial independence.#Thisformernotorious #redlight #districtis #nowone #worlds #top #hubs #TechCrunchUK](https://techcrunch.com/wp-content/uploads/2026/08/DM9A2852.jpg?w=680)

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