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You Don’t Need to Go to Turkey. Try This LED Hair Growth Helmet Instead

You Don’t Need to Go to Turkey. Try This LED Hair Growth Helmet Instead

Pretty much everyone I know is unhappy with their hair in some way. All of my straight-haired friends want curly, and all of my curly-haired friends want straight. I’m so jealous of people who have thick hair, as someone with fine, thin hair that tangles easily.

My hair also grows famously slow. I got a pixie cut in spring of 2011, and my hair did not touch my shoulders until the end of 2013. Plus, because my hair is super thin, when I pull it back, it separates, and you can see my scalp underneath. Because it’s so fine, it tangles and often breaks off, resulting in chronically dry split ends.

Overall, I’m unhappy with my hair and its lack of growth or fullness, so I wanted to see if CurrentBody’s cord-free, Bluetooth-enabled LED Hair Growth Helmet would work for my slew of hair issues. Red-light-therapy devices for hair are similar to red-light therapy masks for your face, using red lights to increase hair growth and promote a healthy scalp. You need to use the device for only 10 minutes a day, and CurrentBody claims you’ll see results within 12 weeks. While my results weren’t super visually dramatic, I noticed my hair feeling thicker while shampooing, and I saw a lot more “baby hairs” spring up on my hairline after about three months of testing.

Splitting Hairs

Photograph: Molly Higgins

Unlike more discreet red-light hair growth devices, like the HigherDose Red Light Hat (see our full review here), CurrentBody’s entry is a full-on helmet, lined with 10 strips of 12 red lights each on a spectrum of 620 to 660 nm (nanometers, the unit of measure for the wavelength of visible light). This works similarly to red-light-therapy face masks, which aim to improve skin conditions and spur new cell growth using red-light therapy in the mid-600-nm range. The 620-nm red light helps to improve scalp health by promoting circulation, and the 660-nm red light goes deeper, reaching through the epidermis and dermis to the hypodermis, where it stimulates growth and repair at the follicle root.

Image may contain Helmet Clothing Hardhat Crash Helmet and Tape

Photograph: Molly Higgins

Red-light wavelengths are clinically proven to energize hair follicles; improve scalp blood flow; reduce inflammation; lower dihydrotestosterone (DHT) levels, a hormone that causes hair loss and thinning; and support production of adenosine triphosphate (ATP), which helps to store and release energy in cells. This wavelength of red light triggers follicles to stay in the hair growth phase by providing oxygen and blood flow to the scalp.

Rinse, Red Light, Repeat

The helmet is FDA-cleared (meaning it’s been determined to be equivalent to a similar, legally marketed device) and is FSA (flexible spending account) or HSA (health spending account) eligible with a letter of medical necessity. It comes in two sizes: medium, for a skull circumference of 21.3 to 23.2 inches, or large, for 23.3 to 25 inches. (I opted for medium, and it was still too large for my head.) The device sits on a base and is charged via a USB-C cord. It takes about three hours to fully charge the helmet, and it lasts about a week on a single charge. (The white light on the side flashes while charging and turns solid white when the battery is full.) The device is powered on by pressing the single button located under the charging port.

Image may contain Adult Person Face Head Helmet and Electronics

Photograph: Molly Higgins

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#Dont #Turkey #LED #Hair #Growth #Helmet


Years after Guillermo del Toro declared “animation is cinema” at the Oscars, the industry remains a redheaded stepchild of Hollywood.

A recent Variety report with several professionals in the industry discuss how animation’s perceived in the west. At the same time it’s viewed as a “babysitter” medium mainly meant for entertaining kids, it’s been a reliable moneymaker for decades. The Super Mario Galaxy Movie is currently 2026’s only movie to make over $1 billion, while Inside Out 2 and Zootopia 2 have been big hits for Disney. But as one animator told the outlet, the success has also been “frustrating” to see: a studio will brag about an animated film’s financial and awards success, then “turn to people who’ve worked here forever and say, ‘We don’t need you anymore.’”

While Pixar president Jim Morris rightfully noted animation’s “propping up a lot of studios right now,” chief creative officer Pete Docter had a different view. He said animation can’t not be considered “films for kids” when most of said films are “funny, goofy, [and] a little bit like babysitter material. We could step our game up [as an industry].” However, Docter doesn’t expound on what “stepping up” would entail, and it’s worth acknowledging Pixar’s backtracking on more specific themes and perspectives in recent years—and his views on such walk backs.

Alternatively, Laika’s solution is making people see their movies as simply movies. Chief marketing officer David Burke told Variety the Wildwood studio doesn’t actively sell their films as animated, instead trusting “[our] audience to find our movies, irrespective of the medium. They defy categorization.” Granted, this may also be due to the studio having a number of live-action projects in development, but Burke’s general point stands: to avoid stigma, animated movies can (and should) be promoted like they’re just regular movies.

For those interested in animation, a true sign of the medium’s respect would be if an animated movie won “Best Feature” at the Oscars. That’s a tall order, and an idea professionals are split on. Morris wants animation employees to be eligible come Oscar voting time, while Jorge Gutiérrez believes live-action movies have a natural edge and “too many Academy members” automatically treat animated fare as something to endure.

You can read the full story here for more insight on what Hollywood’s animation arm is thinking.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Animation #Industry #Hopes #Hollywoods #Full #RespectAnimation,disney,Pixar,The Super Mario Galaxy Movie,Zootopia 2">The Animation Industry Still Hopes for Hollywood’s Full Respect
                Years after Guillermo del Toro declared “animation is cinema” at the Oscars, the industry remains a redheaded stepchild of Hollywood. A recent Variety report with several professionals in the industry discuss how animation’s perceived in the west. At the same time it’s viewed as a “babysitter” medium mainly meant for entertaining kids, it’s been a reliable moneymaker for decades. The Super Mario Galaxy Movie is currently 2026’s only movie to make over  billion, while Inside Out 2 and Zootopia 2 have been big hits for Disney. But as one animator told the outlet, the success has also been “frustrating” to see: a studio will brag about an animated film’s financial and awards success, then “turn to people who’ve worked here forever and say, ‘We don’t need you anymore.’” While Pixar president Jim Morris rightfully noted animation’s “propping up a lot of studios right now,” chief creative officer Pete Docter had a different view. He said animation can’t not be considered “films for kids” when most of said films are “funny, goofy, [and] a little bit like babysitter material. We could step our game up [as an industry].” However, Docter doesn’t expound on what “stepping up” would entail, and it’s worth acknowledging Pixar’s backtracking on more specific themes and perspectives in recent years—and his views on such walk backs. Alternatively, Laika’s solution is making people see their movies as simply movies. Chief marketing officer David Burke told Variety the Wildwood studio doesn’t actively sell their films as animated, instead trusting “[our] audience to find our movies, irrespective of the medium. They defy categorization.” Granted, this may also be due to the studio having a number of live-action projects in development, but Burke’s general point stands: to avoid stigma, animated movies can (and should) be promoted like they’re just regular movies.

 For those interested in animation, a true sign of the medium’s respect would be if an animated movie won “Best Feature” at the Oscars. That’s a tall order, and an idea professionals are split on. Morris wants animation employees to be eligible come Oscar voting time, while Jorge Gutiérrez believes live-action movies have a natural edge and “too many Academy members” automatically treat animated fare as something to endure.

 You can read the full story here for more insight on what Hollywood’s animation arm is thinking.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Animation #Industry #Hopes #Hollywoods #Full #RespectAnimation,disney,Pixar,The Super Mario Galaxy Movie,Zootopia 2

animation is cinema” at the Oscars, the industry remains a redheaded stepchild of Hollywood.

A recent Variety report with several professionals in the industry discuss how animation’s perceived in the west. At the same time it’s viewed as a “babysitter” medium mainly meant for entertaining kids, it’s been a reliable moneymaker for decades. The Super Mario Galaxy Movie is currently 2026’s only movie to make over $1 billion, while Inside Out 2 and Zootopia 2 have been big hits for Disney. But as one animator told the outlet, the success has also been “frustrating” to see: a studio will brag about an animated film’s financial and awards success, then “turn to people who’ve worked here forever and say, ‘We don’t need you anymore.’”

While Pixar president Jim Morris rightfully noted animation’s “propping up a lot of studios right now,” chief creative officer Pete Docter had a different view. He said animation can’t not be considered “films for kids” when most of said films are “funny, goofy, [and] a little bit like babysitter material. We could step our game up [as an industry].” However, Docter doesn’t expound on what “stepping up” would entail, and it’s worth acknowledging Pixar’s backtracking on more specific themes and perspectives in recent years—and his views on such walk backs.

Alternatively, Laika’s solution is making people see their movies as simply movies. Chief marketing officer David Burke told Variety the Wildwood studio doesn’t actively sell their films as animated, instead trusting “[our] audience to find our movies, irrespective of the medium. They defy categorization.” Granted, this may also be due to the studio having a number of live-action projects in development, but Burke’s general point stands: to avoid stigma, animated movies can (and should) be promoted like they’re just regular movies.

For those interested in animation, a true sign of the medium’s respect would be if an animated movie won “Best Feature” at the Oscars. That’s a tall order, and an idea professionals are split on. Morris wants animation employees to be eligible come Oscar voting time, while Jorge Gutiérrez believes live-action movies have a natural edge and “too many Academy members” automatically treat animated fare as something to endure.

You can read the full story here for more insight on what Hollywood’s animation arm is thinking.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Animation #Industry #Hopes #Hollywoods #Full #RespectAnimation,disney,Pixar,The Super Mario Galaxy Movie,Zootopia 2">The Animation Industry Still Hopes for Hollywood’s Full RespectThe Animation Industry Still Hopes for Hollywood’s Full Respect
                Years after Guillermo del Toro declared “animation is cinema” at the Oscars, the industry remains a redheaded stepchild of Hollywood. A recent Variety report with several professionals in the industry discuss how animation’s perceived in the west. At the same time it’s viewed as a “babysitter” medium mainly meant for entertaining kids, it’s been a reliable moneymaker for decades. The Super Mario Galaxy Movie is currently 2026’s only movie to make over $1 billion, while Inside Out 2 and Zootopia 2 have been big hits for Disney. But as one animator told the outlet, the success has also been “frustrating” to see: a studio will brag about an animated film’s financial and awards success, then “turn to people who’ve worked here forever and say, ‘We don’t need you anymore.’” While Pixar president Jim Morris rightfully noted animation’s “propping up a lot of studios right now,” chief creative officer Pete Docter had a different view. He said animation can’t not be considered “films for kids” when most of said films are “funny, goofy, [and] a little bit like babysitter material. We could step our game up [as an industry].” However, Docter doesn’t expound on what “stepping up” would entail, and it’s worth acknowledging Pixar’s backtracking on more specific themes and perspectives in recent years—and his views on such walk backs. Alternatively, Laika’s solution is making people see their movies as simply movies. Chief marketing officer David Burke told Variety the Wildwood studio doesn’t actively sell their films as animated, instead trusting “[our] audience to find our movies, irrespective of the medium. They defy categorization.” Granted, this may also be due to the studio having a number of live-action projects in development, but Burke’s general point stands: to avoid stigma, animated movies can (and should) be promoted like they’re just regular movies.

 For those interested in animation, a true sign of the medium’s respect would be if an animated movie won “Best Feature” at the Oscars. That’s a tall order, and an idea professionals are split on. Morris wants animation employees to be eligible come Oscar voting time, while Jorge Gutiérrez believes live-action movies have a natural edge and “too many Academy members” automatically treat animated fare as something to endure.

 You can read the full story here for more insight on what Hollywood’s animation arm is thinking.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Animation #Industry #Hopes #Hollywoods #Full #RespectAnimation,disney,Pixar,The Super Mario Galaxy Movie,Zootopia 2

Years after Guillermo del Toro declared “animation is cinema” at the Oscars, the industry remains a redheaded stepchild of Hollywood.

A recent Variety report with several professionals in the industry discuss how animation’s perceived in the west. At the same time it’s viewed as a “babysitter” medium mainly meant for entertaining kids, it’s been a reliable moneymaker for decades. The Super Mario Galaxy Movie is currently 2026’s only movie to make over $1 billion, while Inside Out 2 and Zootopia 2 have been big hits for Disney. But as one animator told the outlet, the success has also been “frustrating” to see: a studio will brag about an animated film’s financial and awards success, then “turn to people who’ve worked here forever and say, ‘We don’t need you anymore.’”

While Pixar president Jim Morris rightfully noted animation’s “propping up a lot of studios right now,” chief creative officer Pete Docter had a different view. He said animation can’t not be considered “films for kids” when most of said films are “funny, goofy, [and] a little bit like babysitter material. We could step our game up [as an industry].” However, Docter doesn’t expound on what “stepping up” would entail, and it’s worth acknowledging Pixar’s backtracking on more specific themes and perspectives in recent years—and his views on such walk backs.

Alternatively, Laika’s solution is making people see their movies as simply movies. Chief marketing officer David Burke told Variety the Wildwood studio doesn’t actively sell their films as animated, instead trusting “[our] audience to find our movies, irrespective of the medium. They defy categorization.” Granted, this may also be due to the studio having a number of live-action projects in development, but Burke’s general point stands: to avoid stigma, animated movies can (and should) be promoted like they’re just regular movies.

For those interested in animation, a true sign of the medium’s respect would be if an animated movie won “Best Feature” at the Oscars. That’s a tall order, and an idea professionals are split on. Morris wants animation employees to be eligible come Oscar voting time, while Jorge Gutiérrez believes live-action movies have a natural edge and “too many Academy members” automatically treat animated fare as something to endure.

You can read the full story here for more insight on what Hollywood’s animation arm is thinking.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Animation #Industry #Hopes #Hollywoods #Full #RespectAnimation,disney,Pixar,The Super Mario Galaxy Movie,Zootopia 2

Spotify, it’s fair to say, has made some weird user-experience choices.

There are a number of panels in the app, and the layout is confusing. The service constantly tracks your activity. The app also seems to have an odd hostility to playing actual albums. This all works to create a general feeling that Spotify’s designers are trying to push you into using the service in a particular way.

It’s understandable, then, that some people are annoyed with the way music videos have been added to the platform. For the most part, they would start to play by default, in the background, whenever an artist had uploaded a video for the song. Some music videos have very different audio from the original tracks, particularly if they include sketches or sound effects, which can prove distracting if you prefer the album version of the song. And even if you enjoy music videos (which I do), the decision to have videos play by default—using up bandwidth and battery power—upset a lot of people.

There are a few other quirks. On Spotify’s desktop app, the videos are barely visible; they stay contained in the tiny album art panel until you manage to find the hidden, extremely small Now playing button that enlarges them. Also, the selection of videos that are on the platform, and the ones that are mysteriously absent, seems totally random. Because of this, I check YouTube first when I really want to watch a music video.

The most annoying thing, though, had been a lack of any obvious way to disable all videos. That changed recently—there’s now a toggle in the settings to disable music videos in Spotify entirely, alongside controls that disable the Canvas feature (animated album art) and video podcasts.

On mobile you can do this by tapping your user profile icon in the top-left to bring up the side panel. Then tap Settings and privacy, followed by Content and display.

Image may contain Page Text Electronics Mobile Phone and Phone

Photograph: Justin Pot

In the Videos and Canvas section you will see three toggles: one for music videos, one for Canvas, and one for all other videos. This last toggle disables video podcasts, meaning you’ll get the audio-only version of podcasts instead. Turn all these off, and Spotify will use a lot less bandwidth.

On the desktop app, it’s a little different. Click your user profile icon in the top-right corner, then click Settings. Scroll down to the Videos and Canvas section to find the options to disable music videos and Canvas.

I tested this and it worked. The music video icon in playlists and albums disappeared, as did the collection of music videos on Artist pages. The only remnant of the disabled feature is a Switch to video button in the Now Playing sidebar, which appears below the album art. Click it and you’ll be told the video can’t play unless you turn videos back on in the settings. Odd, for sure, but for the most part turning this off means you don’t have to think about music videos in Spotify anymore.

I sincerely wish that Spotify would roll out music videos with more care. Sometimes I really do want to see a video—just not every time I play a track. Playlists of music videos might be welcome if they ran separately from the audio-only playlists. I just don’t want to get a music video when I’m looking for the album version of a song, and I don’t think I’m alone in that. I can only hope that Spotify’s future interface design choices will keep things more clearly separated.

#Disable #Music #Videos #Spotifyspotify,how-to,tips,software,streaming,ux/ui">How to Disable Music Videos in SpotifySpotify, it’s fair to say, has made some weird user-experience choices.There are a number of panels in the app, and the layout is confusing. The service constantly tracks your activity. The app also seems to have an odd hostility to playing actual albums. This all works to create a general feeling that Spotify’s designers are trying to push you into using the service in a particular way.It’s understandable, then, that some people are annoyed with the way music videos have been added to the platform. For the most part, they would start to play by default, in the background, whenever an artist had uploaded a video for the song. Some music videos have very different audio from the original tracks, particularly if they include sketches or sound effects, which can prove distracting if you prefer the album version of the song. And even if you enjoy music videos (which I do), the decision to have videos play by default—using up bandwidth and battery power—upset a lot of people.There are a few other quirks. On Spotify’s desktop app, the videos are barely visible; they stay contained in the tiny album art panel until you manage to find the hidden, extremely small Now playing button that enlarges them. Also, the selection of videos that are on the platform, and the ones that are mysteriously absent, seems totally random. Because of this, I check YouTube first when I really want to watch a music video.The most annoying thing, though, had been a lack of any obvious way to disable all videos. That changed recently—there’s now a toggle in the settings to disable music videos in Spotify entirely, alongside controls that disable the Canvas feature (animated album art) and video podcasts.On mobile you can do this by tapping your user profile icon in the top-left to bring up the side panel. Then tap Settings and privacy, followed by Content and display.Photograph: Justin PotIn the Videos and Canvas section you will see three toggles: one for music videos, one for Canvas, and one for all other videos. This last toggle disables video podcasts, meaning you’ll get the audio-only version of podcasts instead. Turn all these off, and Spotify will use a lot less bandwidth.On the desktop app, it’s a little different. Click your user profile icon in the top-right corner, then click Settings. Scroll down to the Videos and Canvas section to find the options to disable music videos and Canvas.I tested this and it worked. The music video icon in playlists and albums disappeared, as did the collection of music videos on Artist pages. The only remnant of the disabled feature is a Switch to video button in the Now Playing sidebar, which appears below the album art. Click it and you’ll be told the video can’t play unless you turn videos back on in the settings. Odd, for sure, but for the most part turning this off means you don’t have to think about music videos in Spotify anymore.I sincerely wish that Spotify would roll out music videos with more care. Sometimes I really do want to see a video—just not every time I play a track. Playlists of music videos might be welcome if they ran separately from the audio-only playlists. I just don’t want to get a music video when I’m looking for the album version of a song, and I don’t think I’m alone in that. I can only hope that Spotify’s future interface design choices will keep things more clearly separated.#Disable #Music #Videos #Spotifyspotify,how-to,tips,software,streaming,ux/ui

constantly tracks your activity. The app also seems to have an odd hostility to playing actual albums. This all works to create a general feeling that Spotify’s designers are trying to push you into using the service in a particular way.

It’s understandable, then, that some people are annoyed with the way music videos have been added to the platform. For the most part, they would start to play by default, in the background, whenever an artist had uploaded a video for the song. Some music videos have very different audio from the original tracks, particularly if they include sketches or sound effects, which can prove distracting if you prefer the album version of the song. And even if you enjoy music videos (which I do), the decision to have videos play by default—using up bandwidth and battery power—upset a lot of people.

There are a few other quirks. On Spotify’s desktop app, the videos are barely visible; they stay contained in the tiny album art panel until you manage to find the hidden, extremely small Now playing button that enlarges them. Also, the selection of videos that are on the platform, and the ones that are mysteriously absent, seems totally random. Because of this, I check YouTube first when I really want to watch a music video.

The most annoying thing, though, had been a lack of any obvious way to disable all videos. That changed recently—there’s now a toggle in the settings to disable music videos in Spotify entirely, alongside controls that disable the Canvas feature (animated album art) and video podcasts.

On mobile you can do this by tapping your user profile icon in the top-left to bring up the side panel. Then tap Settings and privacy, followed by Content and display.

Image may contain Page Text Electronics Mobile Phone and Phone

Photograph: Justin Pot

In the Videos and Canvas section you will see three toggles: one for music videos, one for Canvas, and one for all other videos. This last toggle disables video podcasts, meaning you’ll get the audio-only version of podcasts instead. Turn all these off, and Spotify will use a lot less bandwidth.

On the desktop app, it’s a little different. Click your user profile icon in the top-right corner, then click Settings. Scroll down to the Videos and Canvas section to find the options to disable music videos and Canvas.

I tested this and it worked. The music video icon in playlists and albums disappeared, as did the collection of music videos on Artist pages. The only remnant of the disabled feature is a Switch to video button in the Now Playing sidebar, which appears below the album art. Click it and you’ll be told the video can’t play unless you turn videos back on in the settings. Odd, for sure, but for the most part turning this off means you don’t have to think about music videos in Spotify anymore.

I sincerely wish that Spotify would roll out music videos with more care. Sometimes I really do want to see a video—just not every time I play a track. Playlists of music videos might be welcome if they ran separately from the audio-only playlists. I just don’t want to get a music video when I’m looking for the album version of a song, and I don’t think I’m alone in that. I can only hope that Spotify’s future interface design choices will keep things more clearly separated.

#Disable #Music #Videos #Spotifyspotify,how-to,tips,software,streaming,ux/ui">How to Disable Music Videos in Spotify

Spotify, it’s fair to say, has made some weird user-experience choices.

There are a number of panels in the app, and the layout is confusing. The service constantly tracks your activity. The app also seems to have an odd hostility to playing actual albums. This all works to create a general feeling that Spotify’s designers are trying to push you into using the service in a particular way.

It’s understandable, then, that some people are annoyed with the way music videos have been added to the platform. For the most part, they would start to play by default, in the background, whenever an artist had uploaded a video for the song. Some music videos have very different audio from the original tracks, particularly if they include sketches or sound effects, which can prove distracting if you prefer the album version of the song. And even if you enjoy music videos (which I do), the decision to have videos play by default—using up bandwidth and battery power—upset a lot of people.

There are a few other quirks. On Spotify’s desktop app, the videos are barely visible; they stay contained in the tiny album art panel until you manage to find the hidden, extremely small Now playing button that enlarges them. Also, the selection of videos that are on the platform, and the ones that are mysteriously absent, seems totally random. Because of this, I check YouTube first when I really want to watch a music video.

The most annoying thing, though, had been a lack of any obvious way to disable all videos. That changed recently—there’s now a toggle in the settings to disable music videos in Spotify entirely, alongside controls that disable the Canvas feature (animated album art) and video podcasts.

On mobile you can do this by tapping your user profile icon in the top-left to bring up the side panel. Then tap Settings and privacy, followed by Content and display.

Image may contain Page Text Electronics Mobile Phone and Phone

Photograph: Justin Pot

In the Videos and Canvas section you will see three toggles: one for music videos, one for Canvas, and one for all other videos. This last toggle disables video podcasts, meaning you’ll get the audio-only version of podcasts instead. Turn all these off, and Spotify will use a lot less bandwidth.

On the desktop app, it’s a little different. Click your user profile icon in the top-right corner, then click Settings. Scroll down to the Videos and Canvas section to find the options to disable music videos and Canvas.

I tested this and it worked. The music video icon in playlists and albums disappeared, as did the collection of music videos on Artist pages. The only remnant of the disabled feature is a Switch to video button in the Now Playing sidebar, which appears below the album art. Click it and you’ll be told the video can’t play unless you turn videos back on in the settings. Odd, for sure, but for the most part turning this off means you don’t have to think about music videos in Spotify anymore.

I sincerely wish that Spotify would roll out music videos with more care. Sometimes I really do want to see a video—just not every time I play a track. Playlists of music videos might be welcome if they ran separately from the audio-only playlists. I just don’t want to get a music video when I’m looking for the album version of a song, and I don’t think I’m alone in that. I can only hope that Spotify’s future interface design choices will keep things more clearly separated.

#Disable #Music #Videos #Spotifyspotify,how-to,tips,software,streaming,ux/ui

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