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US Data Centers Could Require as Much Water as New York City by 2030, Study Shows

US Data Centers Could Require as Much Water as New York City by 2030, Study Shows

AI is incredibly thirsty. The data centers that run these models already use massive amounts of water, and by 2030, those in the U.S. could require enough additional water capacity to rival New York City’s daily supply.

That’s according to a new study led by Shaolei Ren, an associate professor of electrical and computer engineering at the University of California, Riverside. The findings—which have not yet been peer reviewed but are publicly available on the preprint server arXiv—show that limited public water capacity is emerging as a critical bottleneck to data center growth.

To avoid burdening local ratepayers, tech companies are partnering with communities to fund water infrastructure upgrades, often spending hundreds of millions of dollars. “Those companies are profit driven, right? So I think clearly there is something wrong,” Ren told Gizmodo.

Why so thirsty?

Data centers operate continuously, generating lots of heat from dense concentrations of servers, networking equipment, and other forms of IT infrastructure. Liquid cooling techniques are the most efficient way to prevent overheating and system failure, but they tend to be highly water intensive.

Tech companies will often argue that by using “closed-loop” cooling systems, their data centers recycle most of the water they use and minimize consumption. But even these systems can consume huge amounts of water because many rely on evaporative cooling towers to transfer heat outside of the facility.

For example, peak daily water demand—the amount required during the hottest days of the year—for a large state-of-the-art data center using evaporative cooling can often exceed 1 million gallons per day, and for some planned facilities it may reach 8 million gallons per day, according to the study.

The water bottleneck

Public water systems are engineered to reliably meet maximum demand at all times, so a data center’s peak water usage is a critical factor in infrastructure planning, system resilience, and operational reliability. Despite this, most operators only disclose their total annual water use. To assess the peak water demand of U.S. data centers, Ren and his colleagues analyzed a wealth of data from public sources, including government records and water utility databases.

This revealed that if the current water use intensity persists, U.S. data centers will require between 697 million and 1.45 billion gallons per day of new peak water capacity by 2030. That’s comparable to the typical daily water supply of New York City. Building this additional capacity could cost between $10 billion and $58 billion, with much of the financial burden falling on the communities hosting data centers.

And that’s a “very conservative” estimate, Ren said. His team’s calculations assume a peak-to-average daily water use ratio of just 4.5, which is at the low end of the spectrum.

This presents numerous problems for the tech sector. Insufficient water capacity could directly impact the feasibility and efficiency of data center projects, leading to increased costs, delays, and scalebacks. It could also lead to operational inefficiencies, as data centers often must switch to dry cooling—using air instead of water—when water becomes unavailable. This is far less efficient and increases electricity demand, further straining the grid during summer peaks.

Ren and his colleagues do have some ideas about how to address the growing water capacity demand of U.S. data centers. Firstly, they emphasize the importance of requiring data centers to report their peak demand, not just total annual usage. They also recommend developing corporate-community partnerships to fund infrastructure upgrades so that residents don’t shoulder all of the burden.

“I don’t see any ways for them to afford this type of upgrade,” Ren said. “We need corporate funding and support.”

As data centers continue to proliferate across the country, the tech sector will be forced to contend with this often overlooked bottleneck. If nothing changes, these companies will face the consequences alongside the communities they’re impacting.

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At its San Diego Comic-Con panel today, Apple TV dropped the surprise debut of the first teaser trailer for its upcoming sci-fi series Neuromancer. It’s our best look yet at the show, which is based on the 1984 novel of the same name by William Gibson. Gibson’s novel is a cornerstone of the cyberpunk genre, but it has never before been adapted for the big or small screen.

Check out the teaser below.

Neuromancer stars Callum Turner, Briana Middleton, Mark Strong, Joseph Lee, Peter Sarsgaard and Clémence Poésy. According to its official description, “Neuromancer follows a damaged, top-rung super-hacker named Case (Turner) who is thrust into a web of digital espionage and high-stakes crime with his partner Molly (Middleton), a razor-girl assassin, as they pull off a heist on a corporate dynasty with untold secrets.”

The teaser clocks in at just over a minute, but it’s enough to give us a sense of the show’s visual identity. It looks like Apple has really put in the work of accurately replicating Gibson’s world. Given the streamer’s burgeoning reputation for quality sci-fi TV series, it seemed from the beginning that it would be a good home for Neuromancer, and based on this very early look, that still seems to be the case.

Neuromancer was created for television by Graham Roland (Dark Winds) and JD Dillard (Utopia, The Twilight Zone), with Roland serving as showrunner. The show’s supporting cast includes Max Irons, Dane DeHaan, Junia Rees, Jordan Kouamé, Emma Laird, Marc Menchaca, André De Shields and Isabella Pappas.

Neuromancer premieres January 22, 2027, on Apple TV. The first two episodes will premiere on the same day, with the remaining eight episodes releasing weekly after that.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Neuromancer #Teaser #Trailer #Brings #William #Gibsons #LifeApple TV,Neuromancer,San Diego Comic-Con">‘Neuromancer’ Teaser Trailer Brings William Gibson’s Novel to Life
                At its San Diego Comic-Con panel today, Apple TV dropped the surprise debut of the first teaser trailer for its upcoming sci-fi series Neuromancer. It’s our best look yet at the show, which is based on the 1984 novel of the same name by William Gibson. Gibson’s novel is a cornerstone of the cyberpunk genre, but it has never before been adapted for the big or small screen.

 Check out the teaser below. [embed]https://www.youtube.com/watch?v=g79GPZSQHBk[/embed] Neuromancer stars Callum Turner, Briana Middleton, Mark Strong, Joseph Lee, Peter Sarsgaard and Clémence Poésy. According to its official description, “Neuromancer follows a damaged, top-rung super-hacker named Case (Turner) who is thrust into a web of digital espionage and high-stakes crime with his partner Molly (Middleton), a razor-girl assassin, as they pull off a heist on a corporate dynasty with untold secrets.” The teaser clocks in at just over a minute, but it’s enough to give us a sense of the show’s visual identity. It looks like Apple has really put in the work of accurately replicating Gibson’s world. Given the streamer’s burgeoning reputation for quality sci-fi TV series, it seemed from the beginning that it would be a good home for Neuromancer, and based on this very early look, that still seems to be the case. Neuromancer was created for television by Graham Roland (Dark Winds) and JD Dillard (Utopia, The Twilight Zone), with Roland serving as showrunner. The show’s supporting cast includes Max Irons, Dane DeHaan, Junia Rees, Jordan Kouamé, Emma Laird, Marc Menchaca, André De Shields and Isabella Pappas.

 Neuromancer premieres January 22, 2027, on Apple TV. The first two episodes will premiere on the same day, with the remaining eight episodes releasing weekly after that.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Neuromancer #Teaser #Trailer #Brings #William #Gibsons #LifeApple TV,Neuromancer,San Diego Comic-Con

San Diego Comic-Con panel today, Apple TV dropped the surprise debut of the first teaser trailer for its upcoming sci-fi series Neuromancer. It’s our best look yet at the show, which is based on the 1984 novel of the same name by William Gibson. Gibson’s novel is a cornerstone of the cyberpunk genre, but it has never before been adapted for the big or small screen.

Check out the teaser below.

Neuromancer stars Callum Turner, Briana Middleton, Mark Strong, Joseph Lee, Peter Sarsgaard and Clémence Poésy. According to its official description, “Neuromancer follows a damaged, top-rung super-hacker named Case (Turner) who is thrust into a web of digital espionage and high-stakes crime with his partner Molly (Middleton), a razor-girl assassin, as they pull off a heist on a corporate dynasty with untold secrets.”

The teaser clocks in at just over a minute, but it’s enough to give us a sense of the show’s visual identity. It looks like Apple has really put in the work of accurately replicating Gibson’s world. Given the streamer’s burgeoning reputation for quality sci-fi TV series, it seemed from the beginning that it would be a good home for Neuromancer, and based on this very early look, that still seems to be the case.

Neuromancer was created for television by Graham Roland (Dark Winds) and JD Dillard (Utopia, The Twilight Zone), with Roland serving as showrunner. The show’s supporting cast includes Max Irons, Dane DeHaan, Junia Rees, Jordan Kouamé, Emma Laird, Marc Menchaca, André De Shields and Isabella Pappas.

Neuromancer premieres January 22, 2027, on Apple TV. The first two episodes will premiere on the same day, with the remaining eight episodes releasing weekly after that.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Neuromancer #Teaser #Trailer #Brings #William #Gibsons #LifeApple TV,Neuromancer,San Diego Comic-Con">‘Neuromancer’ Teaser Trailer Brings William Gibson’s Novel to Life‘Neuromancer’ Teaser Trailer Brings William Gibson’s Novel to Life
                At its San Diego Comic-Con panel today, Apple TV dropped the surprise debut of the first teaser trailer for its upcoming sci-fi series Neuromancer. It’s our best look yet at the show, which is based on the 1984 novel of the same name by William Gibson. Gibson’s novel is a cornerstone of the cyberpunk genre, but it has never before been adapted for the big or small screen.

 Check out the teaser below. [embed]https://www.youtube.com/watch?v=g79GPZSQHBk[/embed] Neuromancer stars Callum Turner, Briana Middleton, Mark Strong, Joseph Lee, Peter Sarsgaard and Clémence Poésy. According to its official description, “Neuromancer follows a damaged, top-rung super-hacker named Case (Turner) who is thrust into a web of digital espionage and high-stakes crime with his partner Molly (Middleton), a razor-girl assassin, as they pull off a heist on a corporate dynasty with untold secrets.” The teaser clocks in at just over a minute, but it’s enough to give us a sense of the show’s visual identity. It looks like Apple has really put in the work of accurately replicating Gibson’s world. Given the streamer’s burgeoning reputation for quality sci-fi TV series, it seemed from the beginning that it would be a good home for Neuromancer, and based on this very early look, that still seems to be the case. Neuromancer was created for television by Graham Roland (Dark Winds) and JD Dillard (Utopia, The Twilight Zone), with Roland serving as showrunner. The show’s supporting cast includes Max Irons, Dane DeHaan, Junia Rees, Jordan Kouamé, Emma Laird, Marc Menchaca, André De Shields and Isabella Pappas.

 Neuromancer premieres January 22, 2027, on Apple TV. The first two episodes will premiere on the same day, with the remaining eight episodes releasing weekly after that.  Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.      #Neuromancer #Teaser #Trailer #Brings #William #Gibsons #LifeApple TV,Neuromancer,San Diego Comic-Con

At its San Diego Comic-Con panel today, Apple TV dropped the surprise debut of the first teaser trailer for its upcoming sci-fi series Neuromancer. It’s our best look yet at the show, which is based on the 1984 novel of the same name by William Gibson. Gibson’s novel is a cornerstone of the cyberpunk genre, but it has never before been adapted for the big or small screen.

Check out the teaser below.

Neuromancer stars Callum Turner, Briana Middleton, Mark Strong, Joseph Lee, Peter Sarsgaard and Clémence Poésy. According to its official description, “Neuromancer follows a damaged, top-rung super-hacker named Case (Turner) who is thrust into a web of digital espionage and high-stakes crime with his partner Molly (Middleton), a razor-girl assassin, as they pull off a heist on a corporate dynasty with untold secrets.”

The teaser clocks in at just over a minute, but it’s enough to give us a sense of the show’s visual identity. It looks like Apple has really put in the work of accurately replicating Gibson’s world. Given the streamer’s burgeoning reputation for quality sci-fi TV series, it seemed from the beginning that it would be a good home for Neuromancer, and based on this very early look, that still seems to be the case.

Neuromancer was created for television by Graham Roland (Dark Winds) and JD Dillard (Utopia, The Twilight Zone), with Roland serving as showrunner. The show’s supporting cast includes Max Irons, Dane DeHaan, Junia Rees, Jordan Kouamé, Emma Laird, Marc Menchaca, André De Shields and Isabella Pappas.

Neuromancer premieres January 22, 2027, on Apple TV. The first two episodes will premiere on the same day, with the remaining eight episodes releasing weekly after that.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

#Neuromancer #Teaser #Trailer #Brings #William #Gibsons #LifeApple TV,Neuromancer,San Diego Comic-Con

More than once, Leonardo threw up a generic error pop-up with no explanation of how to fix the problem. You’re forced to dismiss the message before doing anything else, which feels like hitting a dead end before trying to troubleshoot yourself or looking up the error code in Leonardo.

Connectivity, luckily, is super simple and seamless. The Romeo connects to your computer over Wi-Fi instead of Bluetooth, which sounds like a minor detail until you’ve wrestled with the quirks that Bluetooth can sometimes pose (looking at you, Design Space). During my testing of the Explore 5, I’d occasionally lose my Bluetooth connection, requiring me to disconnect the machine from my computer, reconnect, and try again. I’m not sure if that’s a Design Space issue or my laptop juggling too many Bluetooth devices, but it can be a headache. Through my testing, I never once had the Romeo machine unexpectedly disconnect.

Making Space

There’s no getting around it: The Romeo is big—it’s got twice the cutting width of the Explore 5. It’s not the type of machine that sits easily on a closet shelf when you’re not using it. Most people will want to dedicate a table to it. That’s not necessarily a downside, but it’s intended to exist like a permanent fixture in your workspace. (And remember to account for clearance behind the machine, since materials feed through the rear!). But it is sturdy and built well; it never shifted on the table while cutting, there was very little vibration, the carriage moved seamlessly with no rattles, and nothing flexed or creaked.

Its open design is another trade-off. Unlike the Explore 5, which folds up, everything stays exposed on the Romeo. I haven’t noticed any buildup yet, but I do worry about pet hair and dust getting into the internals, and it’s something that I’ll keep an eye on over time.

When it cuts, the Romeo bleeps and chirps like a dial-up internet, while the Cricut hums and whirs more like an old inkjet printer. Neither is particularly loud, but worth noting if you share a workspace.

Time to Graduate?

Image may contain Computer Hardware Electronics Hardware Car Transportation and Vehicle

Photograph: Nicole Kinning

After spending time with both machines, my biggest takeaway is that the Cricut is designed to remove as many decisions and points of friction as possible. The Romeo hands you the controls and expects you to learn how to use them.

#Smart #Cutting #Machine #Depends #Youre #Makingandhousehold,shopping,accessories and peripherals,smart home,diy,gadgets">The Best Smart Cutting Machine for You Depends on What You’re Making—and How ManyMore than once, Leonardo threw up a generic error pop-up with no explanation of how to fix the problem. You’re forced to dismiss the message before doing anything else, which feels like hitting a dead end before trying to troubleshoot yourself or looking up the error code in Leonardo.Connectivity, luckily, is super simple and seamless. The Romeo connects to your computer over Wi-Fi instead of Bluetooth, which sounds like a minor detail until you’ve wrestled with the quirks that Bluetooth can sometimes pose (looking at you, Design Space). During my testing of the Explore 5, I’d occasionally lose my Bluetooth connection, requiring me to disconnect the machine from my computer, reconnect, and try again. I’m not sure if that’s a Design Space issue or my laptop juggling too many Bluetooth devices, but it can be a headache. Through my testing, I never once had the Romeo machine unexpectedly disconnect.Making SpaceThere’s no getting around it: The Romeo is big—it’s got twice the cutting width of the Explore 5. It’s not the type of machine that sits easily on a closet shelf when you’re not using it. Most people will want to dedicate a table to it. That’s not necessarily a downside, but it’s intended to exist like a permanent fixture in your workspace. (And remember to account for clearance behind the machine, since materials feed through the rear!). But it is sturdy and built well; it never shifted on the table while cutting, there was very little vibration, the carriage moved seamlessly with no rattles, and nothing flexed or creaked.Its open design is another trade-off. Unlike the Explore 5, which folds up, everything stays exposed on the Romeo. I haven’t noticed any buildup yet, but I do worry about pet hair and dust getting into the internals, and it’s something that I’ll keep an eye on over time.When it cuts, the Romeo bleeps and chirps like a dial-up internet, while the Cricut hums and whirs more like an old inkjet printer. Neither is particularly loud, but worth noting if you share a workspace.Time to Graduate?Photograph: Nicole KinningAfter spending time with both machines, my biggest takeaway is that the Cricut is designed to remove as many decisions and points of friction as possible. The Romeo hands you the controls and expects you to learn how to use them.#Smart #Cutting #Machine #Depends #Youre #Makingandhousehold,shopping,accessories and peripherals,smart home,diy,gadgets

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