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India’s gig workers win legal status, but access to social security remains elusive | TechCrunch

India’s gig workers win legal status, but access to social security remains elusive | TechCrunch

India has granted legal status to millions of gig and platform workers under its newly implemented labor laws, marking a milestone for the country’s delivery, ride-hailing and e-commerce workforce — yet with benefits still unclear and platforms beginning to assess their obligations, access to social security remains out of reach.

The recognition stems from the Code on Social Security — one of four labor laws the Indian government brought into effect on Friday — more than five years after the parliament first passed them in 2020. It is the only part of the new framework that addresses gig and platform workers, as the remaining three codes — covering wages, industrial relations, and workplace safety — do not extend minimum earnings, employment protections or working-condition guarantees to this rapidly expanding workforce.

India has one of the world’s largest and fastest-growing gig economies, with industry estimates suggesting that more than 12 million people deliver food, drive ride-hailing cabs, sort e-commerce packages, and perform other on-demand services for digital platforms. The sector has become a critical source of employment, especially for young and migrant workers shut out of formal job markets, and is projected to expand further as companies scale logistics, retail, and hyperlocal delivery.

Companies from Amazon and Walmart-owned Flipkart to Indian quick-delivery apps such as Swiggy, Eternal’s Blinkit, and Zepto, as well as ride-hailing firms including Uber, Ola, and Rapido, rely on gig workers to run their businesses in the South Asian nation — the world’s second-largest internet and smartphone market after China. Yet despite powering some of India’s most valuable tech businesses, most gig workers operate outside traditional labor protections and lack access to basic social security.

The newly implemented labor laws are intended to change that, by defining gig and platform workers in statute and requiring aggregators, such as food-delivery and ride-hailing platforms, to contribute 1–2% of their annual revenue (capped at 5% of payments made to such workers) to a government-managed social security fund. But the details remain murky: what exact benefits will actually be offered, how workers will access them, and how contributions will be tracked across multiple platforms, and when payouts will begin all remain unclear, raising concerns that meaningful protections may take years to materialize.

A Zomato delivery boy moves through New DelhiImage Credits:Nasir Kachroo/NurPhoto / Getty Images

The Code on Social Security creates a legal framework for gig workers to be covered under schemes such as the Employees’ State Insurance, provident fund, and government-backed insurance. However, the extent of these benefits — including eligibility, contribution levels, and delivery mechanisms — remains unclear and will depend on future rules and scheme notifications.

A key part of the framework is the creation of Social Security Boards at both the central and state levels, tasked with designing and overseeing welfare schemes for gig and platform workers. The central board must include five representatives of gig and platform workers and five representatives of aggregators, all nominated by the government, alongside senior officials, experts, and state representatives, per the Code. But there is little clarity on how decisions will be made, how much influence worker representatives will actually have, or who will ultimately control decisions on funding and benefit delivery.

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“We need to wait and see what exactly is in the government’s mind when it comes to implementing the four Codes, and what it hopes to do for gig workers,” said Balaji Parthasarathy, a professor at IIIT Bangalore and principal investigator of the Fairwork India project. “And then we also have to see what the states translate on the ground.”

Parthasarathy noted that because labor policy in India is shared between the federal and state governments — listed in the “concurrent list” of the Indian Constitution — state governments are responsible for designing, notifying, and administering many of the schemes needed to make the Code on Social Security operational for gig workers.

That raises the possibility of uneven access, as some states move quickly to establish social security boards and roll out mechanisms, while others delay or deprioritize the effort due to political or fiscal constraints. Recent examples — such as Rajasthan’s stalled legislation after it was passed in 2023, and Karnataka’s Gig Workers Act, which was implemented soon after clearing the state assembly — underscore how workers’ protections may ultimately depend on where they live rather than the law itself.

Platform companies have publicly welcomed the reform, but are still largely evaluating what it will require of them. An Amazon India spokesperson told TechCrunch the company supports the Indian government’s intent behind the labor overhaul and is evaluating the changes it will need to introduce. A spokesperson for Zepto said the company welcomes the new labor codes as “a big step toward clearer, simpler rules that protect workers while supporting ease of doing business,” adding that the changes will help strengthen social security for its delivery partners without undermining the flexibility that quick-commerce operations rely on.

Food delivery firm Eternal, formerly known as Zomato, said in a stock exchange filing that the Social Security Code is a step toward more uniform rules and that it does not expect the financial impact to threaten its long-term business.

Nonetheless, Aprajita Rana, a partner at corporate law firm AZB & Partners, said the change “will naturally have a financial impact” on India’s e-commerce sector, as worker contributions are now being formalized. It will also create new compliance obligations, requiring companies to ensure all workers in their networks are registered with the government-managed fund, determine whether individuals are associated with multiple aggregators and how to avoid duplicative benefits, and set up internal grievance mechanisms.

“While the law has the right intent, gig worker structures in India are quite novel, and practical challenges in compliance will emerge as the law takes force,” Rana told TechCrunch.

One of the biggest hurdles for gig workers seeking benefits under the newly implemented law will be registering on the Indian government’s E-Shram portal, launched in 2021 as a national database of unorganized workers. The portal had registered more than 300,000 platform workers as of the end of August, even though the government estimates India’s gig workforce at around 10 million. Trade unions, including the Indian Federation of App-Based Transport Workers (IFAT), which has more than 70,000 members, are working to help gig workers enroll so they can access the benefits.

Ambika Tandon, a PhD candidate at the University of Cambridge and an affiliate of the national trade union Centre of Indian Trade Unions (CITU), said registering on the portal could mean lost wages for gig workers, since they would have to take time off to fill in required details.

“These workers work for 16 hours a day,” she told TechCrunch. “They don’t have time to go and register themselves on the government portal.”

CITU is also among the ten major Indian trade unions calling for the withdrawal of the new labor laws, ahead of nationwide protests planned for Wednesday.

The benefits of registering on the E-Shram portal are not compelling for many gig workers, Tandon noted, because the law does not address more immediate concerns such as fluctuating earnings, account suspensions, and sudden termination of accounts — issues that workers say matter far more right now than access to insurance or provident fund benefits.

Trade unions often organize strikes to push platforms to address these concerns directly. However, such actions can disrupt everyone involved, including consumers, and put workers at further risk, as they are not paid while striking and may even face termination for participating.

Swiggy strike
Swiggy workers protested in Kolkata in 2023Image Credits:NurPhoto / Contributor / Getty Images

“While the social security rules have now been put in place, we demand a minimum wage and an employer–employee relationship for gig and platform workers, which are yet to be set by the government,” said Shaik Salauddin, founder president of the Telangana Gig and Platform Workers Union (TGPWU), which has more than 10,000 members in the southern state of Telangana, and national general secretary of IFAT. “We urge the government to obtain data from aggregators and secure their monetary contributions to the fund to start offering benefits to workers.”

There is a broader debate over whether gig workers should be treated as employees — a question the new labor laws do not address. The Social Security Code defines gig and platform workers as a separate category, rather than extending them the rights and protections that come with employee status. In contrast, courts and regulators in markets such as the U.K., Spain, and New Zealand have moved toward recognizing platform workers as employees or “workers,” entitled to minimum wages, paid leave, and other benefits. In some U.S. jurisdictions, regulators and courts have pushed for platform workers to be treated as employees or similarly protected workers, though many ride-hail and delivery drivers remain classified as independent contractors.

“With this law, the Indian government has settled this debate by saying that these gig workers do not sit within the ambit of employment or other protections,” Tandon said.

The Indian labor ministry did not respond to a request for comment.

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#Indias #gig #workers #win #legal #status #access #social #security #remains #elusive #TechCrunch

Soundboks Mix party speaker, actually a great way to make friends.


Soundboks Mix

The Soundboks Mix is a party speaker that’s loud and portable with decent sound.

  • Loud!
  • Still pretty portable despite its size
  • Sound is pretty good
  • Sound is good but not great
  • No way to get battery readings from the app
  • Underwhelming EQ options
  • Party speakers are pricey and so is the Soundboks Mix

This speaker goes to 11

Party speakers are first and foremost meant for parties, and the $800 Soundbox Mix is no different. Soundboks is known for its Bluetooth speakers and, in particular, for making ones that get ridiculously loud. In case you had any doubt about the loudness, the Soundboks Mix even has a volume dial on the side that goes to 11 instead of 10, Spinal Tap-style.

Soundoks Mix Review: This Loud-Ass Party Speaker Almost Got Me High AF
                Party speakers aren’t really my thing. It’s not that I don’t like to party—I do. Not in a “friends and family surprise you at your house for a serious talk” kind of way, but in a “mid-30s, I have sh*t to do in the morning” kind of way. Really, I just don’t like to annoy people more than I have to.

 New York City isn’t known for its serenity, but it takes a certain level of decorum to get along, and party speakers, with their inherent obnoxiousness, break a very tenuous code. They’re big (not great for small living spaces), loud (not great for proximate neighbors), and expensive (not great for paying rent on time). They’re, in many ways, antithetical to what most New Yorkers (and other urban-dwelling people) look for in personal audio. They’re also, as I learned in my experience using the 21-pound Soundboks Mix party speaker, actually a great way to make friends.                        Soundboks Mix           The Soundboks Mix is a party speaker that’s loud and portable with decent sound.                                                                                                                                                                                              Loud!                                                                                   Still pretty portable despite its size                                                                                   Sound is pretty good                                                                                                                                                                                                                                                    Sound is good but not great                                                                                   No way to get battery readings from the app                                                                                   Underwhelming EQ options                                                                                   Party speakers are pricey and so is the Soundboks Mix                                                                                                                                      This speaker goes to 11 Party speakers are first and foremost meant for parties, and the 0 Soundbox Mix is no different. Soundboks is known for its Bluetooth speakers and, in particular, for making ones that get ridiculously loud. In case you had any doubt about the loudness, the Soundboks Mix even has a volume dial on the side that goes to 11 instead of 10, Spinal Tap-style.

 © Raymond Wong / Gizmodo To test out that volume, I went to Washington Square Park in Manhattan and let loose. The Soundboks Mix is indeed loud, folks. It didn’t quake the Earth upon which we walk or anything like that, but it’s got juice. I tested the party speaker at a range of volumes playing music across different genres—mostly rock, but some electronic music and soul—and the park got an earful. I can’t say for certain, but I’m pretty sure I chased off two guys hitting a volleyball around. You heard it here first: if you hate people playing volleyball, the Soundboks Mix is a repellent.

 It’s hard to quantify volume into words, but if I were to try, I would say that the Soundboks Mix is loud enough for a graduation party or a medium-sized quinceañera. It’s not going to bring down the house like a full PA, but if you’re outside within a frisbee distance of the speaker, you’re going to hear it. I also tested the Soundboks Mix briefly at full volume in my office playing Creed’s “One Last Breath,” and it was loud enough to make me feel like we could get kicked out, both for the Creed and the volume. © Raymond Wong / Gizmodo Maybe I’m masochistic, but I was actually expecting it to be a little louder—maybe I’m just old and have bad hearing, though. I guess it’s good that it isn’t. Permanent hearing loss isn’t high on my list of occupational hazards.

 One thing you’ll be happy to know is that the Soundboks Mix isn’t just loud; it also manages to stave off distortion even at high volumes. Even at 11 out of 11, the Soundboks Mix sounded pretty clear, both from close up and from about 30 feet away. This isn’t the most impressive speaker I’ve heard in the sound department—you’re not getting Sonos outside—but for a party, where people need volume and not necessarily fidelity, it does the trick. I played a few Steely Dan songs at 50% volume and was pleased with the soundstage. There’s a tasteful amount of low end that doesn’t drown out mids and highs. Vocals were clear, and I never felt like I was sorely lacking in any frequency range. Likewise, when I played songs like “Digital Love” by Daft Punk, the bass was present and tangible without overpowering, and auto-tuned vocals didn’t sound tinny or cheap. Using a party speaker outside isn’t the most high-fidelity way to listen to anything, but for what the experience is, I think the Soundboks Mix is pretty solid.

 © Raymond Wong / Gizmodo If you absolutely need more volume and you have the budget, you can also couple the Soundboks Mix with another Soundboks speaker and use them in pairs in stereo mode. I was only sent one speaker for review, so I didn’t get a chance to test that feature out, but I assume it kicks everything up a notch, as celebrity chef Emeril Lagasse would say. Loudness and audio quality aren’t the only things you have to consider when you’re looking at party speaker. You also have to think about rolling joints.

 Portability is friendability If there’s one thing that party speakers aren’t known for, it’s being easy to carry around. To get loud, they have to be big—that’s literally just how physics works. But how big is too big? It’s difficult to strike a balance between giving you enough oomph to really project into a party and enough portability so that you don’t feel like you need to rent an ATV just to drag the speaker down the beach. Having carried the speaker from my office to Washington Square Park, which is about 0.3 miles according to Google Maps, I can say for certain that the experience wasn’t so bad. © Raymond Wong / Gizmodo There’s a built-in handle, which helps, but to be honest, it does weigh 21.4 pounds, so putting all the weight on one hand is a bit much. If you’re moving the Soundboks Mix over longer distances, I would recommend either holding it to your chest like a baby or buying one of Soundboks’ first-party straps that can hook to the speaker, allowing you to sling it over your back. Soundboks didn’t send over a strap for me to try, so I went with the baby method, which was fine, if not ideal. Its portability also helped make me a friend, who asked me to play some music while he rolled joints. I don’t smoke weed because it makes me feel like the world is ending, but my new friend did offer to share, which was a nice gesture. His first sound request was Beyoncé’s “Me, Myself, and I,” which honestly sounded pretty good at full volume.

 The whole thing was kind of heart-warming, really. It’s how I imagine people felt about boomboxes back in the day, when portable ways to play weren’t easy to come by. And I assume the experience is a lot better than it used to be from a convenience standpoint—especially because of the battery. © Raymond Wong / Gizmodo One cool thing about the Soundboks Mix is that it has a removable battery that you can just pull out and top up with USB-C. That also means you can hot swap it if you really need a new battery ASAP, though you’ll have to buy an extra for 0. There’s also an app for convenience, but it’s pretty barebones. © Raymond Wong / Gizmodo I like that you can adjust volume from the Soundboks app as well as EQ—there are presets for indoor and outdoor as well as custom EQ if you’re feeling picky. I’ll be honest, I didn’t hear a huge difference between the outdoor and indoor EQs, but according to the bars, the outdoor EQ brings down the mids just a tad, letting bass and treble take the lead.

 There is, however, a way to get quick battery readings, which is just odd. Soundboks claims that the Mix gets 8 hours of battery at full volume, though it was hard to get a read since the only way to monitor battery life was to use one of the five circular light indicators on the battery itself. You have to press the button and then just go off those increments and vibes. It’s not ideal. I played the Soundboks Mix for an hour at 60% volume, and none of the five circles dropped out, so take that for what you will. © Raymond Wong / Gizmodo Outside of volume adjustment and EQ, you can also turn the Soundboks Mix off through the app and initiate the “TeamUp” feature to pair the Mix with other Soundboks speakers. It’s nice to be able to adjust the volume remotely, but to be honest, the built-in volume dial on the Soundboks mix feels so nice and premium (it’s metal and there’s plenty of resistance) that I didn’t want to adjust the volume any other way. Button-wise, there’s also a power button and a button for the TeamUp feature that allows you to pair speakers together. There’s also a “Bond” button that can cycle through modes when you’re using TeamUp and Bluetooth connections. Lastly, there’s a 3.5mm aux in if that’s your thing.

 The Soundboks Mix keeps things pretty simple design-wise, but one nice touch is the inclusion of rubber balls on the bottom of each corner, which makes setting it down feel safe and easy. You also won’t have to worry about the Soundboks Mix getting fried in the rain, either. The speaker is IP65-rated, meaning it’s resistant to dust and water, and if you get caught in the rain, you should be fine. Should you Mix it up? © Raymond Wong / Gizmodo Listen, 0 is a lot of money to spend on a speaker, even if it can get as loud as a chainsaw. This isn’t something that you’re going to want to use all the time, and it certainly isn’t the most versatile speaker in the world, but no party speaker really is. If you’re looking for something that gets loud, sounds good, and can be built out to get even louder and more obnoxious, the Soundboks Mix is not a bad pick. It helps that it’s still somewhat portable despite its loudness, too, so if you plan on hauling this to the beach or something, it’s not an insurmountable task.

 Party speakers aren’t for everyone, but if they’re for you, then the Mix might be a great way to make friends and maybe get a little high on someone else’s supply.        #Soundoks #Mix #Review #LoudAss #Party #Speaker #Highaudio,Reviews,Wireless Speakers
© Raymond Wong / Gizmodo

To test out that volume, I went to Washington Square Park in Manhattan and let loose. The Soundboks Mix is indeed loud, folks. It didn’t quake the Earth upon which we walk or anything like that, but it’s got juice. I tested the party speaker at a range of volumes playing music across different genres—mostly rock, but some electronic music and soul—and the park got an earful. I can’t say for certain, but I’m pretty sure I chased off two guys hitting a volleyball around. You heard it here first: if you hate people playing volleyball, the Soundboks Mix is a repellent.

It’s hard to quantify volume into words, but if I were to try, I would say that the Soundboks Mix is loud enough for a graduation party or a medium-sized quinceañera. It’s not going to bring down the house like a full PA, but if you’re outside within a frisbee distance of the speaker, you’re going to hear it. I also tested the Soundboks Mix briefly at full volume in my office playing Creed’s “One Last Breath,” and it was loud enough to make me feel like we could get kicked out, both for the Creed and the volume.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

Maybe I’m masochistic, but I was actually expecting it to be a little louder—maybe I’m just old and have bad hearing, though. I guess it’s good that it isn’t. Permanent hearing loss isn’t high on my list of occupational hazards.

One thing you’ll be happy to know is that the Soundboks Mix isn’t just loud; it also manages to stave off distortion even at high volumes. Even at 11 out of 11, the Soundboks Mix sounded pretty clear, both from close up and from about 30 feet away. This isn’t the most impressive speaker I’ve heard in the sound department—you’re not getting Sonos outside—but for a party, where people need volume and not necessarily fidelity, it does the trick.

I played a few Steely Dan songs at 50% volume and was pleased with the soundstage. There’s a tasteful amount of low end that doesn’t drown out mids and highs. Vocals were clear, and I never felt like I was sorely lacking in any frequency range. Likewise, when I played songs like “Digital Love” by Daft Punk, the bass was present and tangible without overpowering, and auto-tuned vocals didn’t sound tinny or cheap. Using a party speaker outside isn’t the most high-fidelity way to listen to anything, but for what the experience is, I think the Soundboks Mix is pretty solid.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

If you absolutely need more volume and you have the budget, you can also couple the Soundboks Mix with another Soundboks speaker and use them in pairs in stereo mode. I was only sent one speaker for review, so I didn’t get a chance to test that feature out, but I assume it kicks everything up a notch, as celebrity chef Emeril Lagasse would say.

Loudness and audio quality aren’t the only things you have to consider when you’re looking at party speaker. You also have to think about rolling joints.

Portability is friendability

If there’s one thing that party speakers aren’t known for, it’s being easy to carry around. To get loud, they have to be big—that’s literally just how physics works. But how big is too big? It’s difficult to strike a balance between giving you enough oomph to really project into a party and enough portability so that you don’t feel like you need to rent an ATV just to drag the speaker down the beach. Having carried the speaker from my office to Washington Square Park, which is about 0.3 miles according to Google Maps, I can say for certain that the experience wasn’t so bad.

Soundboks Party SpSoundboks Mix Party Speaker Revieweaker Review 04
© Raymond Wong / Gizmodo

There’s a built-in handle, which helps, but to be honest, it does weigh 21.4 pounds, so putting all the weight on one hand is a bit much. If you’re moving the Soundboks Mix over longer distances, I would recommend either holding it to your chest like a baby or buying one of Soundboks’ first-party straps that can hook to the speaker, allowing you to sling it over your back. Soundboks didn’t send over a strap for me to try, so I went with the baby method, which was fine, if not ideal.

Its portability also helped make me a friend, who asked me to play some music while he rolled joints. I don’t smoke weed because it makes me feel like the world is ending, but my new friend did offer to share, which was a nice gesture. His first sound request was Beyoncé’s “Me, Myself, and I,” which honestly sounded pretty good at full volume.

The whole thing was kind of heart-warming, really. It’s how I imagine people felt about boomboxes back in the day, when portable ways to play weren’t easy to come by. And I assume the experience is a lot better than it used to be from a convenience standpoint—especially because of the battery.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

One cool thing about the Soundboks Mix is that it has a removable battery that you can just pull out and top up with USB-C. That also means you can hot swap it if you really need a new battery ASAP, though you’ll have to buy an extra for $150. There’s also an app for convenience, but it’s pretty barebones.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

I like that you can adjust volume from the Soundboks app as well as EQ—there are presets for indoor and outdoor as well as custom EQ if you’re feeling picky. I’ll be honest, I didn’t hear a huge difference between the outdoor and indoor EQs, but according to the bars, the outdoor EQ brings down the mids just a tad, letting bass and treble take the lead.

There is, however, a way to get quick battery readings, which is just odd. Soundboks claims that the Mix gets 8 hours of battery at full volume, though it was hard to get a read since the only way to monitor battery life was to use one of the five circular light indicators on the battery itself. You have to press the button and then just go off those increments and vibes. It’s not ideal. I played the Soundboks Mix for an hour at 60% volume, and none of the five circles dropped out, so take that for what you will.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

Outside of volume adjustment and EQ, you can also turn the Soundboks Mix off through the app and initiate the “TeamUp” feature to pair the Mix with other Soundboks speakers. It’s nice to be able to adjust the volume remotely, but to be honest, the built-in volume dial on the Soundboks mix feels so nice and premium (it’s metal and there’s plenty of resistance) that I didn’t want to adjust the volume any other way. Button-wise, there’s also a power button and a button for the TeamUp feature that allows you to pair speakers together. There’s also a “Bond” button that can cycle through modes when you’re using TeamUp and Bluetooth connections. Lastly, there’s a 3.5mm aux in if that’s your thing.

The Soundboks Mix keeps things pretty simple design-wise, but one nice touch is the inclusion of rubber balls on the bottom of each corner, which makes setting it down feel safe and easy. You also won’t have to worry about the Soundboks Mix getting fried in the rain, either. The speaker is IP65-rated, meaning it’s resistant to dust and water, and if you get caught in the rain, you should be fine.

Should you Mix it up?

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

Listen, $800 is a lot of money to spend on a speaker, even if it can get as loud as a chainsaw. This isn’t something that you’re going to want to use all the time, and it certainly isn’t the most versatile speaker in the world, but no party speaker really is. If you’re looking for something that gets loud, sounds good, and can be built out to get even louder and more obnoxious, the Soundboks Mix is not a bad pick. It helps that it’s still somewhat portable despite its loudness, too, so if you plan on hauling this to the beach or something, it’s not an insurmountable task.

Party speakers aren’t for everyone, but if they’re for you, then the Mix might be a great way to make friends and maybe get a little high on someone else’s supply.

#Soundoks #Mix #Review #LoudAss #Party #Speaker #Highaudio,Reviews,Wireless Speakers">Soundoks Mix Review: This Loud-Ass Party Speaker Almost Got Me High AF
                Party speakers aren’t really my thing. It’s not that I don’t like to party—I do. Not in a “friends and family surprise you at your house for a serious talk” kind of way, but in a “mid-30s, I have sh*t to do in the morning” kind of way. Really, I just don’t like to annoy people more than I have to.

 New York City isn’t known for its serenity, but it takes a certain level of decorum to get along, and party speakers, with their inherent obnoxiousness, break a very tenuous code. They’re big (not great for small living spaces), loud (not great for proximate neighbors), and expensive (not great for paying rent on time). They’re, in many ways, antithetical to what most New Yorkers (and other urban-dwelling people) look for in personal audio. They’re also, as I learned in my experience using the 21-pound Soundboks Mix party speaker, actually a great way to make friends.                        Soundboks Mix           The Soundboks Mix is a party speaker that’s loud and portable with decent sound.                                                                                                                                                                                              Loud!                                                                                   Still pretty portable despite its size                                                                                   Sound is pretty good                                                                                                                                                                                                                                                    Sound is good but not great                                                                                   No way to get battery readings from the app                                                                                   Underwhelming EQ options                                                                                   Party speakers are pricey and so is the Soundboks Mix                                                                                                                                      This speaker goes to 11 Party speakers are first and foremost meant for parties, and the 0 Soundbox Mix is no different. Soundboks is known for its Bluetooth speakers and, in particular, for making ones that get ridiculously loud. In case you had any doubt about the loudness, the Soundboks Mix even has a volume dial on the side that goes to 11 instead of 10, Spinal Tap-style.

 © Raymond Wong / Gizmodo To test out that volume, I went to Washington Square Park in Manhattan and let loose. The Soundboks Mix is indeed loud, folks. It didn’t quake the Earth upon which we walk or anything like that, but it’s got juice. I tested the party speaker at a range of volumes playing music across different genres—mostly rock, but some electronic music and soul—and the park got an earful. I can’t say for certain, but I’m pretty sure I chased off two guys hitting a volleyball around. You heard it here first: if you hate people playing volleyball, the Soundboks Mix is a repellent.

 It’s hard to quantify volume into words, but if I were to try, I would say that the Soundboks Mix is loud enough for a graduation party or a medium-sized quinceañera. It’s not going to bring down the house like a full PA, but if you’re outside within a frisbee distance of the speaker, you’re going to hear it. I also tested the Soundboks Mix briefly at full volume in my office playing Creed’s “One Last Breath,” and it was loud enough to make me feel like we could get kicked out, both for the Creed and the volume. © Raymond Wong / Gizmodo Maybe I’m masochistic, but I was actually expecting it to be a little louder—maybe I’m just old and have bad hearing, though. I guess it’s good that it isn’t. Permanent hearing loss isn’t high on my list of occupational hazards.

 One thing you’ll be happy to know is that the Soundboks Mix isn’t just loud; it also manages to stave off distortion even at high volumes. Even at 11 out of 11, the Soundboks Mix sounded pretty clear, both from close up and from about 30 feet away. This isn’t the most impressive speaker I’ve heard in the sound department—you’re not getting Sonos outside—but for a party, where people need volume and not necessarily fidelity, it does the trick. I played a few Steely Dan songs at 50% volume and was pleased with the soundstage. There’s a tasteful amount of low end that doesn’t drown out mids and highs. Vocals were clear, and I never felt like I was sorely lacking in any frequency range. Likewise, when I played songs like “Digital Love” by Daft Punk, the bass was present and tangible without overpowering, and auto-tuned vocals didn’t sound tinny or cheap. Using a party speaker outside isn’t the most high-fidelity way to listen to anything, but for what the experience is, I think the Soundboks Mix is pretty solid.

 © Raymond Wong / Gizmodo If you absolutely need more volume and you have the budget, you can also couple the Soundboks Mix with another Soundboks speaker and use them in pairs in stereo mode. I was only sent one speaker for review, so I didn’t get a chance to test that feature out, but I assume it kicks everything up a notch, as celebrity chef Emeril Lagasse would say. Loudness and audio quality aren’t the only things you have to consider when you’re looking at party speaker. You also have to think about rolling joints.

 Portability is friendability If there’s one thing that party speakers aren’t known for, it’s being easy to carry around. To get loud, they have to be big—that’s literally just how physics works. But how big is too big? It’s difficult to strike a balance between giving you enough oomph to really project into a party and enough portability so that you don’t feel like you need to rent an ATV just to drag the speaker down the beach. Having carried the speaker from my office to Washington Square Park, which is about 0.3 miles according to Google Maps, I can say for certain that the experience wasn’t so bad. © Raymond Wong / Gizmodo There’s a built-in handle, which helps, but to be honest, it does weigh 21.4 pounds, so putting all the weight on one hand is a bit much. If you’re moving the Soundboks Mix over longer distances, I would recommend either holding it to your chest like a baby or buying one of Soundboks’ first-party straps that can hook to the speaker, allowing you to sling it over your back. Soundboks didn’t send over a strap for me to try, so I went with the baby method, which was fine, if not ideal. Its portability also helped make me a friend, who asked me to play some music while he rolled joints. I don’t smoke weed because it makes me feel like the world is ending, but my new friend did offer to share, which was a nice gesture. His first sound request was Beyoncé’s “Me, Myself, and I,” which honestly sounded pretty good at full volume.

 The whole thing was kind of heart-warming, really. It’s how I imagine people felt about boomboxes back in the day, when portable ways to play weren’t easy to come by. And I assume the experience is a lot better than it used to be from a convenience standpoint—especially because of the battery. © Raymond Wong / Gizmodo One cool thing about the Soundboks Mix is that it has a removable battery that you can just pull out and top up with USB-C. That also means you can hot swap it if you really need a new battery ASAP, though you’ll have to buy an extra for 0. There’s also an app for convenience, but it’s pretty barebones. © Raymond Wong / Gizmodo I like that you can adjust volume from the Soundboks app as well as EQ—there are presets for indoor and outdoor as well as custom EQ if you’re feeling picky. I’ll be honest, I didn’t hear a huge difference between the outdoor and indoor EQs, but according to the bars, the outdoor EQ brings down the mids just a tad, letting bass and treble take the lead.

 There is, however, a way to get quick battery readings, which is just odd. Soundboks claims that the Mix gets 8 hours of battery at full volume, though it was hard to get a read since the only way to monitor battery life was to use one of the five circular light indicators on the battery itself. You have to press the button and then just go off those increments and vibes. It’s not ideal. I played the Soundboks Mix for an hour at 60% volume, and none of the five circles dropped out, so take that for what you will. © Raymond Wong / Gizmodo Outside of volume adjustment and EQ, you can also turn the Soundboks Mix off through the app and initiate the “TeamUp” feature to pair the Mix with other Soundboks speakers. It’s nice to be able to adjust the volume remotely, but to be honest, the built-in volume dial on the Soundboks mix feels so nice and premium (it’s metal and there’s plenty of resistance) that I didn’t want to adjust the volume any other way. Button-wise, there’s also a power button and a button for the TeamUp feature that allows you to pair speakers together. There’s also a “Bond” button that can cycle through modes when you’re using TeamUp and Bluetooth connections. Lastly, there’s a 3.5mm aux in if that’s your thing.

 The Soundboks Mix keeps things pretty simple design-wise, but one nice touch is the inclusion of rubber balls on the bottom of each corner, which makes setting it down feel safe and easy. You also won’t have to worry about the Soundboks Mix getting fried in the rain, either. The speaker is IP65-rated, meaning it’s resistant to dust and water, and if you get caught in the rain, you should be fine. Should you Mix it up? © Raymond Wong / Gizmodo Listen, 0 is a lot of money to spend on a speaker, even if it can get as loud as a chainsaw. This isn’t something that you’re going to want to use all the time, and it certainly isn’t the most versatile speaker in the world, but no party speaker really is. If you’re looking for something that gets loud, sounds good, and can be built out to get even louder and more obnoxious, the Soundboks Mix is not a bad pick. It helps that it’s still somewhat portable despite its loudness, too, so if you plan on hauling this to the beach or something, it’s not an insurmountable task.

 Party speakers aren’t for everyone, but if they’re for you, then the Mix might be a great way to make friends and maybe get a little high on someone else’s supply.        #Soundoks #Mix #Review #LoudAss #Party #Speaker #Highaudio,Reviews,Wireless Speakers

party speaker, actually a great way to make friends.


Soundboks Mix

The Soundboks Mix is a party speaker that’s loud and portable with decent sound.

  • Loud!
  • Still pretty portable despite its size
  • Sound is pretty good
  • Sound is good but not great
  • No way to get battery readings from the app
  • Underwhelming EQ options
  • Party speakers are pricey and so is the Soundboks Mix

This speaker goes to 11

Party speakers are first and foremost meant for parties, and the $800 Soundbox Mix is no different. Soundboks is known for its Bluetooth speakers and, in particular, for making ones that get ridiculously loud. In case you had any doubt about the loudness, the Soundboks Mix even has a volume dial on the side that goes to 11 instead of 10, Spinal Tap-style.

Soundoks Mix Review: This Loud-Ass Party Speaker Almost Got Me High AF
                Party speakers aren’t really my thing. It’s not that I don’t like to party—I do. Not in a “friends and family surprise you at your house for a serious talk” kind of way, but in a “mid-30s, I have sh*t to do in the morning” kind of way. Really, I just don’t like to annoy people more than I have to.

 New York City isn’t known for its serenity, but it takes a certain level of decorum to get along, and party speakers, with their inherent obnoxiousness, break a very tenuous code. They’re big (not great for small living spaces), loud (not great for proximate neighbors), and expensive (not great for paying rent on time). They’re, in many ways, antithetical to what most New Yorkers (and other urban-dwelling people) look for in personal audio. They’re also, as I learned in my experience using the 21-pound Soundboks Mix party speaker, actually a great way to make friends.                        Soundboks Mix           The Soundboks Mix is a party speaker that’s loud and portable with decent sound.                                                                                                                                                                                              Loud!                                                                                   Still pretty portable despite its size                                                                                   Sound is pretty good                                                                                                                                                                                                                                                    Sound is good but not great                                                                                   No way to get battery readings from the app                                                                                   Underwhelming EQ options                                                                                   Party speakers are pricey and so is the Soundboks Mix                                                                                                                                      This speaker goes to 11 Party speakers are first and foremost meant for parties, and the 0 Soundbox Mix is no different. Soundboks is known for its Bluetooth speakers and, in particular, for making ones that get ridiculously loud. In case you had any doubt about the loudness, the Soundboks Mix even has a volume dial on the side that goes to 11 instead of 10, Spinal Tap-style.

 © Raymond Wong / Gizmodo To test out that volume, I went to Washington Square Park in Manhattan and let loose. The Soundboks Mix is indeed loud, folks. It didn’t quake the Earth upon which we walk or anything like that, but it’s got juice. I tested the party speaker at a range of volumes playing music across different genres—mostly rock, but some electronic music and soul—and the park got an earful. I can’t say for certain, but I’m pretty sure I chased off two guys hitting a volleyball around. You heard it here first: if you hate people playing volleyball, the Soundboks Mix is a repellent.

 It’s hard to quantify volume into words, but if I were to try, I would say that the Soundboks Mix is loud enough for a graduation party or a medium-sized quinceañera. It’s not going to bring down the house like a full PA, but if you’re outside within a frisbee distance of the speaker, you’re going to hear it. I also tested the Soundboks Mix briefly at full volume in my office playing Creed’s “One Last Breath,” and it was loud enough to make me feel like we could get kicked out, both for the Creed and the volume. © Raymond Wong / Gizmodo Maybe I’m masochistic, but I was actually expecting it to be a little louder—maybe I’m just old and have bad hearing, though. I guess it’s good that it isn’t. Permanent hearing loss isn’t high on my list of occupational hazards.

 One thing you’ll be happy to know is that the Soundboks Mix isn’t just loud; it also manages to stave off distortion even at high volumes. Even at 11 out of 11, the Soundboks Mix sounded pretty clear, both from close up and from about 30 feet away. This isn’t the most impressive speaker I’ve heard in the sound department—you’re not getting Sonos outside—but for a party, where people need volume and not necessarily fidelity, it does the trick. I played a few Steely Dan songs at 50% volume and was pleased with the soundstage. There’s a tasteful amount of low end that doesn’t drown out mids and highs. Vocals were clear, and I never felt like I was sorely lacking in any frequency range. Likewise, when I played songs like “Digital Love” by Daft Punk, the bass was present and tangible without overpowering, and auto-tuned vocals didn’t sound tinny or cheap. Using a party speaker outside isn’t the most high-fidelity way to listen to anything, but for what the experience is, I think the Soundboks Mix is pretty solid.

 © Raymond Wong / Gizmodo If you absolutely need more volume and you have the budget, you can also couple the Soundboks Mix with another Soundboks speaker and use them in pairs in stereo mode. I was only sent one speaker for review, so I didn’t get a chance to test that feature out, but I assume it kicks everything up a notch, as celebrity chef Emeril Lagasse would say. Loudness and audio quality aren’t the only things you have to consider when you’re looking at party speaker. You also have to think about rolling joints.

 Portability is friendability If there’s one thing that party speakers aren’t known for, it’s being easy to carry around. To get loud, they have to be big—that’s literally just how physics works. But how big is too big? It’s difficult to strike a balance between giving you enough oomph to really project into a party and enough portability so that you don’t feel like you need to rent an ATV just to drag the speaker down the beach. Having carried the speaker from my office to Washington Square Park, which is about 0.3 miles according to Google Maps, I can say for certain that the experience wasn’t so bad. © Raymond Wong / Gizmodo There’s a built-in handle, which helps, but to be honest, it does weigh 21.4 pounds, so putting all the weight on one hand is a bit much. If you’re moving the Soundboks Mix over longer distances, I would recommend either holding it to your chest like a baby or buying one of Soundboks’ first-party straps that can hook to the speaker, allowing you to sling it over your back. Soundboks didn’t send over a strap for me to try, so I went with the baby method, which was fine, if not ideal. Its portability also helped make me a friend, who asked me to play some music while he rolled joints. I don’t smoke weed because it makes me feel like the world is ending, but my new friend did offer to share, which was a nice gesture. His first sound request was Beyoncé’s “Me, Myself, and I,” which honestly sounded pretty good at full volume.

 The whole thing was kind of heart-warming, really. It’s how I imagine people felt about boomboxes back in the day, when portable ways to play weren’t easy to come by. And I assume the experience is a lot better than it used to be from a convenience standpoint—especially because of the battery. © Raymond Wong / Gizmodo One cool thing about the Soundboks Mix is that it has a removable battery that you can just pull out and top up with USB-C. That also means you can hot swap it if you really need a new battery ASAP, though you’ll have to buy an extra for 0. There’s also an app for convenience, but it’s pretty barebones. © Raymond Wong / Gizmodo I like that you can adjust volume from the Soundboks app as well as EQ—there are presets for indoor and outdoor as well as custom EQ if you’re feeling picky. I’ll be honest, I didn’t hear a huge difference between the outdoor and indoor EQs, but according to the bars, the outdoor EQ brings down the mids just a tad, letting bass and treble take the lead.

 There is, however, a way to get quick battery readings, which is just odd. Soundboks claims that the Mix gets 8 hours of battery at full volume, though it was hard to get a read since the only way to monitor battery life was to use one of the five circular light indicators on the battery itself. You have to press the button and then just go off those increments and vibes. It’s not ideal. I played the Soundboks Mix for an hour at 60% volume, and none of the five circles dropped out, so take that for what you will. © Raymond Wong / Gizmodo Outside of volume adjustment and EQ, you can also turn the Soundboks Mix off through the app and initiate the “TeamUp” feature to pair the Mix with other Soundboks speakers. It’s nice to be able to adjust the volume remotely, but to be honest, the built-in volume dial on the Soundboks mix feels so nice and premium (it’s metal and there’s plenty of resistance) that I didn’t want to adjust the volume any other way. Button-wise, there’s also a power button and a button for the TeamUp feature that allows you to pair speakers together. There’s also a “Bond” button that can cycle through modes when you’re using TeamUp and Bluetooth connections. Lastly, there’s a 3.5mm aux in if that’s your thing.

 The Soundboks Mix keeps things pretty simple design-wise, but one nice touch is the inclusion of rubber balls on the bottom of each corner, which makes setting it down feel safe and easy. You also won’t have to worry about the Soundboks Mix getting fried in the rain, either. The speaker is IP65-rated, meaning it’s resistant to dust and water, and if you get caught in the rain, you should be fine. Should you Mix it up? © Raymond Wong / Gizmodo Listen, 0 is a lot of money to spend on a speaker, even if it can get as loud as a chainsaw. This isn’t something that you’re going to want to use all the time, and it certainly isn’t the most versatile speaker in the world, but no party speaker really is. If you’re looking for something that gets loud, sounds good, and can be built out to get even louder and more obnoxious, the Soundboks Mix is not a bad pick. It helps that it’s still somewhat portable despite its loudness, too, so if you plan on hauling this to the beach or something, it’s not an insurmountable task.

 Party speakers aren’t for everyone, but if they’re for you, then the Mix might be a great way to make friends and maybe get a little high on someone else’s supply.        #Soundoks #Mix #Review #LoudAss #Party #Speaker #Highaudio,Reviews,Wireless Speakers
© Raymond Wong / Gizmodo

To test out that volume, I went to Washington Square Park in Manhattan and let loose. The Soundboks Mix is indeed loud, folks. It didn’t quake the Earth upon which we walk or anything like that, but it’s got juice. I tested the party speaker at a range of volumes playing music across different genres—mostly rock, but some electronic music and soul—and the park got an earful. I can’t say for certain, but I’m pretty sure I chased off two guys hitting a volleyball around. You heard it here first: if you hate people playing volleyball, the Soundboks Mix is a repellent.

It’s hard to quantify volume into words, but if I were to try, I would say that the Soundboks Mix is loud enough for a graduation party or a medium-sized quinceañera. It’s not going to bring down the house like a full PA, but if you’re outside within a frisbee distance of the speaker, you’re going to hear it. I also tested the Soundboks Mix briefly at full volume in my office playing Creed’s “One Last Breath,” and it was loud enough to make me feel like we could get kicked out, both for the Creed and the volume.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

Maybe I’m masochistic, but I was actually expecting it to be a little louder—maybe I’m just old and have bad hearing, though. I guess it’s good that it isn’t. Permanent hearing loss isn’t high on my list of occupational hazards.

One thing you’ll be happy to know is that the Soundboks Mix isn’t just loud; it also manages to stave off distortion even at high volumes. Even at 11 out of 11, the Soundboks Mix sounded pretty clear, both from close up and from about 30 feet away. This isn’t the most impressive speaker I’ve heard in the sound department—you’re not getting Sonos outside—but for a party, where people need volume and not necessarily fidelity, it does the trick.

I played a few Steely Dan songs at 50% volume and was pleased with the soundstage. There’s a tasteful amount of low end that doesn’t drown out mids and highs. Vocals were clear, and I never felt like I was sorely lacking in any frequency range. Likewise, when I played songs like “Digital Love” by Daft Punk, the bass was present and tangible without overpowering, and auto-tuned vocals didn’t sound tinny or cheap. Using a party speaker outside isn’t the most high-fidelity way to listen to anything, but for what the experience is, I think the Soundboks Mix is pretty solid.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

If you absolutely need more volume and you have the budget, you can also couple the Soundboks Mix with another Soundboks speaker and use them in pairs in stereo mode. I was only sent one speaker for review, so I didn’t get a chance to test that feature out, but I assume it kicks everything up a notch, as celebrity chef Emeril Lagasse would say.

Loudness and audio quality aren’t the only things you have to consider when you’re looking at party speaker. You also have to think about rolling joints.

Portability is friendability

If there’s one thing that party speakers aren’t known for, it’s being easy to carry around. To get loud, they have to be big—that’s literally just how physics works. But how big is too big? It’s difficult to strike a balance between giving you enough oomph to really project into a party and enough portability so that you don’t feel like you need to rent an ATV just to drag the speaker down the beach. Having carried the speaker from my office to Washington Square Park, which is about 0.3 miles according to Google Maps, I can say for certain that the experience wasn’t so bad.

Soundboks Party SpSoundboks Mix Party Speaker Revieweaker Review 04
© Raymond Wong / Gizmodo

There’s a built-in handle, which helps, but to be honest, it does weigh 21.4 pounds, so putting all the weight on one hand is a bit much. If you’re moving the Soundboks Mix over longer distances, I would recommend either holding it to your chest like a baby or buying one of Soundboks’ first-party straps that can hook to the speaker, allowing you to sling it over your back. Soundboks didn’t send over a strap for me to try, so I went with the baby method, which was fine, if not ideal.

Its portability also helped make me a friend, who asked me to play some music while he rolled joints. I don’t smoke weed because it makes me feel like the world is ending, but my new friend did offer to share, which was a nice gesture. His first sound request was Beyoncé’s “Me, Myself, and I,” which honestly sounded pretty good at full volume.

The whole thing was kind of heart-warming, really. It’s how I imagine people felt about boomboxes back in the day, when portable ways to play weren’t easy to come by. And I assume the experience is a lot better than it used to be from a convenience standpoint—especially because of the battery.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

One cool thing about the Soundboks Mix is that it has a removable battery that you can just pull out and top up with USB-C. That also means you can hot swap it if you really need a new battery ASAP, though you’ll have to buy an extra for $150. There’s also an app for convenience, but it’s pretty barebones.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

I like that you can adjust volume from the Soundboks app as well as EQ—there are presets for indoor and outdoor as well as custom EQ if you’re feeling picky. I’ll be honest, I didn’t hear a huge difference between the outdoor and indoor EQs, but according to the bars, the outdoor EQ brings down the mids just a tad, letting bass and treble take the lead.

There is, however, a way to get quick battery readings, which is just odd. Soundboks claims that the Mix gets 8 hours of battery at full volume, though it was hard to get a read since the only way to monitor battery life was to use one of the five circular light indicators on the battery itself. You have to press the button and then just go off those increments and vibes. It’s not ideal. I played the Soundboks Mix for an hour at 60% volume, and none of the five circles dropped out, so take that for what you will.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

Outside of volume adjustment and EQ, you can also turn the Soundboks Mix off through the app and initiate the “TeamUp” feature to pair the Mix with other Soundboks speakers. It’s nice to be able to adjust the volume remotely, but to be honest, the built-in volume dial on the Soundboks mix feels so nice and premium (it’s metal and there’s plenty of resistance) that I didn’t want to adjust the volume any other way. Button-wise, there’s also a power button and a button for the TeamUp feature that allows you to pair speakers together. There’s also a “Bond” button that can cycle through modes when you’re using TeamUp and Bluetooth connections. Lastly, there’s a 3.5mm aux in if that’s your thing.

The Soundboks Mix keeps things pretty simple design-wise, but one nice touch is the inclusion of rubber balls on the bottom of each corner, which makes setting it down feel safe and easy. You also won’t have to worry about the Soundboks Mix getting fried in the rain, either. The speaker is IP65-rated, meaning it’s resistant to dust and water, and if you get caught in the rain, you should be fine.

Should you Mix it up?

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

Listen, $800 is a lot of money to spend on a speaker, even if it can get as loud as a chainsaw. This isn’t something that you’re going to want to use all the time, and it certainly isn’t the most versatile speaker in the world, but no party speaker really is. If you’re looking for something that gets loud, sounds good, and can be built out to get even louder and more obnoxious, the Soundboks Mix is not a bad pick. It helps that it’s still somewhat portable despite its loudness, too, so if you plan on hauling this to the beach or something, it’s not an insurmountable task.

Party speakers aren’t for everyone, but if they’re for you, then the Mix might be a great way to make friends and maybe get a little high on someone else’s supply.

#Soundoks #Mix #Review #LoudAss #Party #Speaker #Highaudio,Reviews,Wireless Speakers">Soundoks Mix Review: This Loud-Ass Party Speaker Almost Got Me High AF

Party speakers aren’t really my thing. It’s not that I don’t like to party—I do. Not in a “friends and family surprise you at your house for a serious talk” kind of way, but in a “mid-30s, I have sh*t to do in the morning” kind of way. Really, I just don’t like to annoy people more than I have to.

New York City isn’t known for its serenity, but it takes a certain level of decorum to get along, and party speakers, with their inherent obnoxiousness, break a very tenuous code. They’re big (not great for small living spaces), loud (not great for proximate neighbors), and expensive (not great for paying rent on time). They’re, in many ways, antithetical to what most New Yorkers (and other urban-dwelling people) look for in personal audio.

They’re also, as I learned in my experience using the 21-pound Soundboks Mix party speaker, actually a great way to make friends.


Soundboks Mix

The Soundboks Mix is a party speaker that’s loud and portable with decent sound.

  • Loud!
  • Still pretty portable despite its size
  • Sound is pretty good
  • Sound is good but not great
  • No way to get battery readings from the app
  • Underwhelming EQ options
  • Party speakers are pricey and so is the Soundboks Mix

This speaker goes to 11

Party speakers are first and foremost meant for parties, and the $800 Soundbox Mix is no different. Soundboks is known for its Bluetooth speakers and, in particular, for making ones that get ridiculously loud. In case you had any doubt about the loudness, the Soundboks Mix even has a volume dial on the side that goes to 11 instead of 10, Spinal Tap-style.

Soundoks Mix Review: This Loud-Ass Party Speaker Almost Got Me High AF
                Party speakers aren’t really my thing. It’s not that I don’t like to party—I do. Not in a “friends and family surprise you at your house for a serious talk” kind of way, but in a “mid-30s, I have sh*t to do in the morning” kind of way. Really, I just don’t like to annoy people more than I have to.

 New York City isn’t known for its serenity, but it takes a certain level of decorum to get along, and party speakers, with their inherent obnoxiousness, break a very tenuous code. They’re big (not great for small living spaces), loud (not great for proximate neighbors), and expensive (not great for paying rent on time). They’re, in many ways, antithetical to what most New Yorkers (and other urban-dwelling people) look for in personal audio. They’re also, as I learned in my experience using the 21-pound Soundboks Mix party speaker, actually a great way to make friends.                        Soundboks Mix           The Soundboks Mix is a party speaker that’s loud and portable with decent sound.                                                                                                                                                                                              Loud!                                                                                   Still pretty portable despite its size                                                                                   Sound is pretty good                                                                                                                                                                                                                                                    Sound is good but not great                                                                                   No way to get battery readings from the app                                                                                   Underwhelming EQ options                                                                                   Party speakers are pricey and so is the Soundboks Mix                                                                                                                                      This speaker goes to 11 Party speakers are first and foremost meant for parties, and the 0 Soundbox Mix is no different. Soundboks is known for its Bluetooth speakers and, in particular, for making ones that get ridiculously loud. In case you had any doubt about the loudness, the Soundboks Mix even has a volume dial on the side that goes to 11 instead of 10, Spinal Tap-style.

 © Raymond Wong / Gizmodo To test out that volume, I went to Washington Square Park in Manhattan and let loose. The Soundboks Mix is indeed loud, folks. It didn’t quake the Earth upon which we walk or anything like that, but it’s got juice. I tested the party speaker at a range of volumes playing music across different genres—mostly rock, but some electronic music and soul—and the park got an earful. I can’t say for certain, but I’m pretty sure I chased off two guys hitting a volleyball around. You heard it here first: if you hate people playing volleyball, the Soundboks Mix is a repellent.

 It’s hard to quantify volume into words, but if I were to try, I would say that the Soundboks Mix is loud enough for a graduation party or a medium-sized quinceañera. It’s not going to bring down the house like a full PA, but if you’re outside within a frisbee distance of the speaker, you’re going to hear it. I also tested the Soundboks Mix briefly at full volume in my office playing Creed’s “One Last Breath,” and it was loud enough to make me feel like we could get kicked out, both for the Creed and the volume. © Raymond Wong / Gizmodo Maybe I’m masochistic, but I was actually expecting it to be a little louder—maybe I’m just old and have bad hearing, though. I guess it’s good that it isn’t. Permanent hearing loss isn’t high on my list of occupational hazards.

 One thing you’ll be happy to know is that the Soundboks Mix isn’t just loud; it also manages to stave off distortion even at high volumes. Even at 11 out of 11, the Soundboks Mix sounded pretty clear, both from close up and from about 30 feet away. This isn’t the most impressive speaker I’ve heard in the sound department—you’re not getting Sonos outside—but for a party, where people need volume and not necessarily fidelity, it does the trick. I played a few Steely Dan songs at 50% volume and was pleased with the soundstage. There’s a tasteful amount of low end that doesn’t drown out mids and highs. Vocals were clear, and I never felt like I was sorely lacking in any frequency range. Likewise, when I played songs like “Digital Love” by Daft Punk, the bass was present and tangible without overpowering, and auto-tuned vocals didn’t sound tinny or cheap. Using a party speaker outside isn’t the most high-fidelity way to listen to anything, but for what the experience is, I think the Soundboks Mix is pretty solid.

 © Raymond Wong / Gizmodo If you absolutely need more volume and you have the budget, you can also couple the Soundboks Mix with another Soundboks speaker and use them in pairs in stereo mode. I was only sent one speaker for review, so I didn’t get a chance to test that feature out, but I assume it kicks everything up a notch, as celebrity chef Emeril Lagasse would say. Loudness and audio quality aren’t the only things you have to consider when you’re looking at party speaker. You also have to think about rolling joints.

 Portability is friendability If there’s one thing that party speakers aren’t known for, it’s being easy to carry around. To get loud, they have to be big—that’s literally just how physics works. But how big is too big? It’s difficult to strike a balance between giving you enough oomph to really project into a party and enough portability so that you don’t feel like you need to rent an ATV just to drag the speaker down the beach. Having carried the speaker from my office to Washington Square Park, which is about 0.3 miles according to Google Maps, I can say for certain that the experience wasn’t so bad. © Raymond Wong / Gizmodo There’s a built-in handle, which helps, but to be honest, it does weigh 21.4 pounds, so putting all the weight on one hand is a bit much. If you’re moving the Soundboks Mix over longer distances, I would recommend either holding it to your chest like a baby or buying one of Soundboks’ first-party straps that can hook to the speaker, allowing you to sling it over your back. Soundboks didn’t send over a strap for me to try, so I went with the baby method, which was fine, if not ideal. Its portability also helped make me a friend, who asked me to play some music while he rolled joints. I don’t smoke weed because it makes me feel like the world is ending, but my new friend did offer to share, which was a nice gesture. His first sound request was Beyoncé’s “Me, Myself, and I,” which honestly sounded pretty good at full volume.

 The whole thing was kind of heart-warming, really. It’s how I imagine people felt about boomboxes back in the day, when portable ways to play weren’t easy to come by. And I assume the experience is a lot better than it used to be from a convenience standpoint—especially because of the battery. © Raymond Wong / Gizmodo One cool thing about the Soundboks Mix is that it has a removable battery that you can just pull out and top up with USB-C. That also means you can hot swap it if you really need a new battery ASAP, though you’ll have to buy an extra for 0. There’s also an app for convenience, but it’s pretty barebones. © Raymond Wong / Gizmodo I like that you can adjust volume from the Soundboks app as well as EQ—there are presets for indoor and outdoor as well as custom EQ if you’re feeling picky. I’ll be honest, I didn’t hear a huge difference between the outdoor and indoor EQs, but according to the bars, the outdoor EQ brings down the mids just a tad, letting bass and treble take the lead.

 There is, however, a way to get quick battery readings, which is just odd. Soundboks claims that the Mix gets 8 hours of battery at full volume, though it was hard to get a read since the only way to monitor battery life was to use one of the five circular light indicators on the battery itself. You have to press the button and then just go off those increments and vibes. It’s not ideal. I played the Soundboks Mix for an hour at 60% volume, and none of the five circles dropped out, so take that for what you will. © Raymond Wong / Gizmodo Outside of volume adjustment and EQ, you can also turn the Soundboks Mix off through the app and initiate the “TeamUp” feature to pair the Mix with other Soundboks speakers. It’s nice to be able to adjust the volume remotely, but to be honest, the built-in volume dial on the Soundboks mix feels so nice and premium (it’s metal and there’s plenty of resistance) that I didn’t want to adjust the volume any other way. Button-wise, there’s also a power button and a button for the TeamUp feature that allows you to pair speakers together. There’s also a “Bond” button that can cycle through modes when you’re using TeamUp and Bluetooth connections. Lastly, there’s a 3.5mm aux in if that’s your thing.

 The Soundboks Mix keeps things pretty simple design-wise, but one nice touch is the inclusion of rubber balls on the bottom of each corner, which makes setting it down feel safe and easy. You also won’t have to worry about the Soundboks Mix getting fried in the rain, either. The speaker is IP65-rated, meaning it’s resistant to dust and water, and if you get caught in the rain, you should be fine. Should you Mix it up? © Raymond Wong / Gizmodo Listen, 0 is a lot of money to spend on a speaker, even if it can get as loud as a chainsaw. This isn’t something that you’re going to want to use all the time, and it certainly isn’t the most versatile speaker in the world, but no party speaker really is. If you’re looking for something that gets loud, sounds good, and can be built out to get even louder and more obnoxious, the Soundboks Mix is not a bad pick. It helps that it’s still somewhat portable despite its loudness, too, so if you plan on hauling this to the beach or something, it’s not an insurmountable task.

 Party speakers aren’t for everyone, but if they’re for you, then the Mix might be a great way to make friends and maybe get a little high on someone else’s supply.        #Soundoks #Mix #Review #LoudAss #Party #Speaker #Highaudio,Reviews,Wireless Speakers
© Raymond Wong / Gizmodo

To test out that volume, I went to Washington Square Park in Manhattan and let loose. The Soundboks Mix is indeed loud, folks. It didn’t quake the Earth upon which we walk or anything like that, but it’s got juice. I tested the party speaker at a range of volumes playing music across different genres—mostly rock, but some electronic music and soul—and the park got an earful. I can’t say for certain, but I’m pretty sure I chased off two guys hitting a volleyball around. You heard it here first: if you hate people playing volleyball, the Soundboks Mix is a repellent.

It’s hard to quantify volume into words, but if I were to try, I would say that the Soundboks Mix is loud enough for a graduation party or a medium-sized quinceañera. It’s not going to bring down the house like a full PA, but if you’re outside within a frisbee distance of the speaker, you’re going to hear it. I also tested the Soundboks Mix briefly at full volume in my office playing Creed’s “One Last Breath,” and it was loud enough to make me feel like we could get kicked out, both for the Creed and the volume.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

Maybe I’m masochistic, but I was actually expecting it to be a little louder—maybe I’m just old and have bad hearing, though. I guess it’s good that it isn’t. Permanent hearing loss isn’t high on my list of occupational hazards.

One thing you’ll be happy to know is that the Soundboks Mix isn’t just loud; it also manages to stave off distortion even at high volumes. Even at 11 out of 11, the Soundboks Mix sounded pretty clear, both from close up and from about 30 feet away. This isn’t the most impressive speaker I’ve heard in the sound department—you’re not getting Sonos outside—but for a party, where people need volume and not necessarily fidelity, it does the trick.

I played a few Steely Dan songs at 50% volume and was pleased with the soundstage. There’s a tasteful amount of low end that doesn’t drown out mids and highs. Vocals were clear, and I never felt like I was sorely lacking in any frequency range. Likewise, when I played songs like “Digital Love” by Daft Punk, the bass was present and tangible without overpowering, and auto-tuned vocals didn’t sound tinny or cheap. Using a party speaker outside isn’t the most high-fidelity way to listen to anything, but for what the experience is, I think the Soundboks Mix is pretty solid.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

If you absolutely need more volume and you have the budget, you can also couple the Soundboks Mix with another Soundboks speaker and use them in pairs in stereo mode. I was only sent one speaker for review, so I didn’t get a chance to test that feature out, but I assume it kicks everything up a notch, as celebrity chef Emeril Lagasse would say.

Loudness and audio quality aren’t the only things you have to consider when you’re looking at party speaker. You also have to think about rolling joints.

Portability is friendability

If there’s one thing that party speakers aren’t known for, it’s being easy to carry around. To get loud, they have to be big—that’s literally just how physics works. But how big is too big? It’s difficult to strike a balance between giving you enough oomph to really project into a party and enough portability so that you don’t feel like you need to rent an ATV just to drag the speaker down the beach. Having carried the speaker from my office to Washington Square Park, which is about 0.3 miles according to Google Maps, I can say for certain that the experience wasn’t so bad.

Soundboks Party SpSoundboks Mix Party Speaker Revieweaker Review 04
© Raymond Wong / Gizmodo

There’s a built-in handle, which helps, but to be honest, it does weigh 21.4 pounds, so putting all the weight on one hand is a bit much. If you’re moving the Soundboks Mix over longer distances, I would recommend either holding it to your chest like a baby or buying one of Soundboks’ first-party straps that can hook to the speaker, allowing you to sling it over your back. Soundboks didn’t send over a strap for me to try, so I went with the baby method, which was fine, if not ideal.

Its portability also helped make me a friend, who asked me to play some music while he rolled joints. I don’t smoke weed because it makes me feel like the world is ending, but my new friend did offer to share, which was a nice gesture. His first sound request was Beyoncé’s “Me, Myself, and I,” which honestly sounded pretty good at full volume.

The whole thing was kind of heart-warming, really. It’s how I imagine people felt about boomboxes back in the day, when portable ways to play weren’t easy to come by. And I assume the experience is a lot better than it used to be from a convenience standpoint—especially because of the battery.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

One cool thing about the Soundboks Mix is that it has a removable battery that you can just pull out and top up with USB-C. That also means you can hot swap it if you really need a new battery ASAP, though you’ll have to buy an extra for $150. There’s also an app for convenience, but it’s pretty barebones.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

I like that you can adjust volume from the Soundboks app as well as EQ—there are presets for indoor and outdoor as well as custom EQ if you’re feeling picky. I’ll be honest, I didn’t hear a huge difference between the outdoor and indoor EQs, but according to the bars, the outdoor EQ brings down the mids just a tad, letting bass and treble take the lead.

There is, however, a way to get quick battery readings, which is just odd. Soundboks claims that the Mix gets 8 hours of battery at full volume, though it was hard to get a read since the only way to monitor battery life was to use one of the five circular light indicators on the battery itself. You have to press the button and then just go off those increments and vibes. It’s not ideal. I played the Soundboks Mix for an hour at 60% volume, and none of the five circles dropped out, so take that for what you will.

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

Outside of volume adjustment and EQ, you can also turn the Soundboks Mix off through the app and initiate the “TeamUp” feature to pair the Mix with other Soundboks speakers. It’s nice to be able to adjust the volume remotely, but to be honest, the built-in volume dial on the Soundboks mix feels so nice and premium (it’s metal and there’s plenty of resistance) that I didn’t want to adjust the volume any other way. Button-wise, there’s also a power button and a button for the TeamUp feature that allows you to pair speakers together. There’s also a “Bond” button that can cycle through modes when you’re using TeamUp and Bluetooth connections. Lastly, there’s a 3.5mm aux in if that’s your thing.

The Soundboks Mix keeps things pretty simple design-wise, but one nice touch is the inclusion of rubber balls on the bottom of each corner, which makes setting it down feel safe and easy. You also won’t have to worry about the Soundboks Mix getting fried in the rain, either. The speaker is IP65-rated, meaning it’s resistant to dust and water, and if you get caught in the rain, you should be fine.

Should you Mix it up?

Soundboks Mix Party Speaker Review
© Raymond Wong / Gizmodo

Listen, $800 is a lot of money to spend on a speaker, even if it can get as loud as a chainsaw. This isn’t something that you’re going to want to use all the time, and it certainly isn’t the most versatile speaker in the world, but no party speaker really is. If you’re looking for something that gets loud, sounds good, and can be built out to get even louder and more obnoxious, the Soundboks Mix is not a bad pick. It helps that it’s still somewhat portable despite its loudness, too, so if you plan on hauling this to the beach or something, it’s not an insurmountable task.

Party speakers aren’t for everyone, but if they’re for you, then the Mix might be a great way to make friends and maybe get a little high on someone else’s supply.

#Soundoks #Mix #Review #LoudAss #Party #Speaker #Highaudio,Reviews,Wireless Speakers
Lego-style propaganda videos alleging war crimes are flooding online feeds, echoing the White House’s own turn toward cryptic teaser clips and meme-native visuals. This is not just content drift. It is a new front in the information war, one where speed, ambiguity, and algorithmic reach matter as much as accuracy.

One Iran-linked outlet, Explosive News, can reportedly turn around a two-minute synthetic Lego segment in about 24 hours. The speed is the point. Synthetic media does not need to hold up forever; it only needs to travel before verification catches up.

Last month, the White House added to that confusion when it posted two vague “launching soon” videos, then removed them after online investigators and open source researchers began dissecting them.

The reveal turned out to be anticlimactic: a promotional push for the official White House app. But the episode demonstrated how thoroughly official communication has absorbed the aesthetics of leaks, virality, and platform-native intrigue. Even when official accounts adopt the aesthetics of a leak, questioning whether a record is real or synthetic is the only defensive move left.

Real vs. Synthetic: The New Friction

A zero digital footprint used to signal authenticity. Now, it can signal the opposite. The absence of a trail no longer means something is original—it may mean it was never captured by a lens at all. The signal has inverted. Truth lags; engagement leads.

Automated traffic now commands an estimated 51 percent of internet activity, scaling eight times faster than human traffic according to the 2026 State of AI Traffic & Cyberthreat Benchmark Report. These systems don’t just distribute content, they prioritize low-quality virality, ensuring the synthetic record travels while verification is still catching up.

Open source investigators are still holding the line, but they are fighting a volume war. The rise of hyperactive “super sharers,” often backed by paid verification, adds a layer of false authority that traditional open source intelligence (OSINT) now has to navigate.

“We’re perpetually catching up to someone pressing repost without a second thought,” says Maryam Ishani, an OSINT journalist covering the conflict. “The algorithm prioritizes that reflex, and our information is always going to be one step behind.”

At the same time, the surge of war-monitoring accounts is beginning to interfere with reporting itself. Manisha Ganguly, visual forensics lead at The Guardian and an OSINT specialist investigating war crimes, points to the false certainty created by the flood of aggregated content on Telegram and X.

“Open source verification starts to create false certainty when it stops being a method of inquiry—through confirmation bias, or when OSINT is used to cosmetically validate official accounts or knowingly misapplied to align with ideological narratives rather than interrogate them,” Ganguly says.

While this plays out, the verification toolkit itself is becoming harder to access. On April 4, Planet Labs—one of the most relied-upon commercial satellite providers for conflict journalism—announced it would indefinitely withhold imagery of Iran and the broader Middle East conflict zone, retroactive to March 9, following a request from the US government.

The response from US defense secretary Pete Hegseth to concerns about the delay was unambiguous: “Open source is not the place to determine what did or did not happen.”

That shift matters. When access to primary visual evidence is restricted, the ability to independently verify events narrows. And in that narrowing gap, something else expands: Generative AI doesn’t just fill the silence—it competes to define what’s seen in the first place.

Generative AI Is Getting Harder to Spot

Generative AI platforms have been learning from their mistakes. Henk van Ess, an investigative trainer and verification specialist, says many of the classic tells—incorrect finger counts, garbled protest signs, distorted text—have largely been fixed in the latest generation of models. Tools like Imagen 3, Midjourney, and Dall·E have improved in prompt understanding, photorealism, and text-in-image rendering.

But the harder problem is what van Ess calls the hybrid.

#Internet #Broke #Everyones #Bullshit #Detectorspropaganda,artificial intelligence,open source,satellite images,iran,war,politics">How the Internet Broke Everyone’s Bullshit DetectorsLego-style propaganda videos alleging war crimes are flooding online feeds, echoing the White House’s own turn toward cryptic teaser clips and meme-native visuals. This is not just content drift. It is a new front in the information war, one where speed, ambiguity, and algorithmic reach matter as much as accuracy.One Iran-linked outlet, Explosive News, can reportedly turn around a two-minute synthetic Lego segment in about 24 hours. The speed is the point. Synthetic media does not need to hold up forever; it only needs to travel before verification catches up.Last month, the White House added to that confusion when it posted two vague “launching soon” videos, then removed them after online investigators and open source researchers began dissecting them.The reveal turned out to be anticlimactic: a promotional push for the official White House app. But the episode demonstrated how thoroughly official communication has absorbed the aesthetics of leaks, virality, and platform-native intrigue. Even when official accounts adopt the aesthetics of a leak, questioning whether a record is real or synthetic is the only defensive move left.Real vs. Synthetic: The New FrictionA zero digital footprint used to signal authenticity. Now, it can signal the opposite. The absence of a trail no longer means something is original—it may mean it was never captured by a lens at all. The signal has inverted. Truth lags; engagement leads.Automated traffic now commands an estimated 51 percent of internet activity, scaling eight times faster than human traffic according to the 2026 State of AI Traffic & Cyberthreat Benchmark Report. These systems don’t just distribute content, they prioritize low-quality virality, ensuring the synthetic record travels while verification is still catching up.Open source investigators are still holding the line, but they are fighting a volume war. The rise of hyperactive “super sharers,” often backed by paid verification, adds a layer of false authority that traditional open source intelligence (OSINT) now has to navigate.“We’re perpetually catching up to someone pressing repost without a second thought,” says Maryam Ishani, an OSINT journalist covering the conflict. “The algorithm prioritizes that reflex, and our information is always going to be one step behind.”At the same time, the surge of war-monitoring accounts is beginning to interfere with reporting itself. Manisha Ganguly, visual forensics lead at The Guardian and an OSINT specialist investigating war crimes, points to the false certainty created by the flood of aggregated content on Telegram and X.“Open source verification starts to create false certainty when it stops being a method of inquiry—through confirmation bias, or when OSINT is used to cosmetically validate official accounts or knowingly misapplied to align with ideological narratives rather than interrogate them,” Ganguly says.While this plays out, the verification toolkit itself is becoming harder to access. On April 4, Planet Labs—one of the most relied-upon commercial satellite providers for conflict journalism—announced it would indefinitely withhold imagery of Iran and the broader Middle East conflict zone, retroactive to March 9, following a request from the US government.The response from US defense secretary Pete Hegseth to concerns about the delay was unambiguous: “Open source is not the place to determine what did or did not happen.”That shift matters. When access to primary visual evidence is restricted, the ability to independently verify events narrows. And in that narrowing gap, something else expands: Generative AI doesn’t just fill the silence—it competes to define what’s seen in the first place.Generative AI Is Getting Harder to SpotGenerative AI platforms have been learning from their mistakes. Henk van Ess, an investigative trainer and verification specialist, says many of the classic tells—incorrect finger counts, garbled protest signs, distorted text—have largely been fixed in the latest generation of models. Tools like Imagen 3, Midjourney, and Dall·E have improved in prompt understanding, photorealism, and text-in-image rendering.But the harder problem is what van Ess calls the hybrid.#Internet #Broke #Everyones #Bullshit #Detectorspropaganda,artificial intelligence,open source,satellite images,iran,war,politics

flooding online feeds, echoing the White House’s own turn toward cryptic teaser clips and meme-native visuals. This is not just content drift. It is a new front in the information war, one where speed, ambiguity, and algorithmic reach matter as much as accuracy.

One Iran-linked outlet, Explosive News, can reportedly turn around a two-minute synthetic Lego segment in about 24 hours. The speed is the point. Synthetic media does not need to hold up forever; it only needs to travel before verification catches up.

Last month, the White House added to that confusion when it posted two vague “launching soon” videos, then removed them after online investigators and open source researchers began dissecting them.

The reveal turned out to be anticlimactic: a promotional push for the official White House app. But the episode demonstrated how thoroughly official communication has absorbed the aesthetics of leaks, virality, and platform-native intrigue. Even when official accounts adopt the aesthetics of a leak, questioning whether a record is real or synthetic is the only defensive move left.

Real vs. Synthetic: The New Friction

A zero digital footprint used to signal authenticity. Now, it can signal the opposite. The absence of a trail no longer means something is original—it may mean it was never captured by a lens at all. The signal has inverted. Truth lags; engagement leads.

Automated traffic now commands an estimated 51 percent of internet activity, scaling eight times faster than human traffic according to the 2026 State of AI Traffic & Cyberthreat Benchmark Report. These systems don’t just distribute content, they prioritize low-quality virality, ensuring the synthetic record travels while verification is still catching up.

Open source investigators are still holding the line, but they are fighting a volume war. The rise of hyperactive “super sharers,” often backed by paid verification, adds a layer of false authority that traditional open source intelligence (OSINT) now has to navigate.

“We’re perpetually catching up to someone pressing repost without a second thought,” says Maryam Ishani, an OSINT journalist covering the conflict. “The algorithm prioritizes that reflex, and our information is always going to be one step behind.”

At the same time, the surge of war-monitoring accounts is beginning to interfere with reporting itself. Manisha Ganguly, visual forensics lead at The Guardian and an OSINT specialist investigating war crimes, points to the false certainty created by the flood of aggregated content on Telegram and X.

“Open source verification starts to create false certainty when it stops being a method of inquiry—through confirmation bias, or when OSINT is used to cosmetically validate official accounts or knowingly misapplied to align with ideological narratives rather than interrogate them,” Ganguly says.

While this plays out, the verification toolkit itself is becoming harder to access. On April 4, Planet Labs—one of the most relied-upon commercial satellite providers for conflict journalism—announced it would indefinitely withhold imagery of Iran and the broader Middle East conflict zone, retroactive to March 9, following a request from the US government.

The response from US defense secretary Pete Hegseth to concerns about the delay was unambiguous: “Open source is not the place to determine what did or did not happen.”

That shift matters. When access to primary visual evidence is restricted, the ability to independently verify events narrows. And in that narrowing gap, something else expands: Generative AI doesn’t just fill the silence—it competes to define what’s seen in the first place.

Generative AI Is Getting Harder to Spot

Generative AI platforms have been learning from their mistakes. Henk van Ess, an investigative trainer and verification specialist, says many of the classic tells—incorrect finger counts, garbled protest signs, distorted text—have largely been fixed in the latest generation of models. Tools like Imagen 3, Midjourney, and Dall·E have improved in prompt understanding, photorealism, and text-in-image rendering.

But the harder problem is what van Ess calls the hybrid.

#Internet #Broke #Everyones #Bullshit #Detectorspropaganda,artificial intelligence,open source,satellite images,iran,war,politics">How the Internet Broke Everyone’s Bullshit Detectors

Lego-style propaganda videos alleging war crimes are flooding online feeds, echoing the White House’s own turn toward cryptic teaser clips and meme-native visuals. This is not just content drift. It is a new front in the information war, one where speed, ambiguity, and algorithmic reach matter as much as accuracy.

One Iran-linked outlet, Explosive News, can reportedly turn around a two-minute synthetic Lego segment in about 24 hours. The speed is the point. Synthetic media does not need to hold up forever; it only needs to travel before verification catches up.

Last month, the White House added to that confusion when it posted two vague “launching soon” videos, then removed them after online investigators and open source researchers began dissecting them.

The reveal turned out to be anticlimactic: a promotional push for the official White House app. But the episode demonstrated how thoroughly official communication has absorbed the aesthetics of leaks, virality, and platform-native intrigue. Even when official accounts adopt the aesthetics of a leak, questioning whether a record is real or synthetic is the only defensive move left.

Real vs. Synthetic: The New Friction

A zero digital footprint used to signal authenticity. Now, it can signal the opposite. The absence of a trail no longer means something is original—it may mean it was never captured by a lens at all. The signal has inverted. Truth lags; engagement leads.

Automated traffic now commands an estimated 51 percent of internet activity, scaling eight times faster than human traffic according to the 2026 State of AI Traffic & Cyberthreat Benchmark Report. These systems don’t just distribute content, they prioritize low-quality virality, ensuring the synthetic record travels while verification is still catching up.

Open source investigators are still holding the line, but they are fighting a volume war. The rise of hyperactive “super sharers,” often backed by paid verification, adds a layer of false authority that traditional open source intelligence (OSINT) now has to navigate.

“We’re perpetually catching up to someone pressing repost without a second thought,” says Maryam Ishani, an OSINT journalist covering the conflict. “The algorithm prioritizes that reflex, and our information is always going to be one step behind.”

At the same time, the surge of war-monitoring accounts is beginning to interfere with reporting itself. Manisha Ganguly, visual forensics lead at The Guardian and an OSINT specialist investigating war crimes, points to the false certainty created by the flood of aggregated content on Telegram and X.

“Open source verification starts to create false certainty when it stops being a method of inquiry—through confirmation bias, or when OSINT is used to cosmetically validate official accounts or knowingly misapplied to align with ideological narratives rather than interrogate them,” Ganguly says.

While this plays out, the verification toolkit itself is becoming harder to access. On April 4, Planet Labs—one of the most relied-upon commercial satellite providers for conflict journalism—announced it would indefinitely withhold imagery of Iran and the broader Middle East conflict zone, retroactive to March 9, following a request from the US government.

The response from US defense secretary Pete Hegseth to concerns about the delay was unambiguous: “Open source is not the place to determine what did or did not happen.”

That shift matters. When access to primary visual evidence is restricted, the ability to independently verify events narrows. And in that narrowing gap, something else expands: Generative AI doesn’t just fill the silence—it competes to define what’s seen in the first place.

Generative AI Is Getting Harder to Spot

Generative AI platforms have been learning from their mistakes. Henk van Ess, an investigative trainer and verification specialist, says many of the classic tells—incorrect finger counts, garbled protest signs, distorted text—have largely been fixed in the latest generation of models. Tools like Imagen 3, Midjourney, and Dall·E have improved in prompt understanding, photorealism, and text-in-image rendering.

But the harder problem is what van Ess calls the hybrid.

#Internet #Broke #Everyones #Bullshit #Detectorspropaganda,artificial intelligence,open source,satellite images,iran,war,politics

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